Luigi Lablache |

Luigi Lablache

No kahi bass maikaʻi loa, ua kapa ʻia ʻo Lablache ʻo Zeus the Thunderer. He leo koʻikoʻi kona me ka leo ʻālohilohi, kahi leo nui, kani maikaʻi ma nā cantilena a me nā pauku virtuoso. He mea hana akamai, ua hui ʻo ia i kāna hana virtuoso improvisation me ka ʻoiaʻiʻo maoli, hana i nā kiʻi nani o nā ʻano like ʻole. ʻO ka haku mele Lūkia ʻo AN Serov i koho iā ia i waena o ka "ʻano o nā mea hoʻokani mele nui." "Ua hoʻohālikelike ka poʻe hoihoi o Lablache i kona D luna me ka halulu o ka wailele a me ka pahū o ka lua pele," wahi a Yu.A. ʻO Volkov. - Akā, ʻo ka pōmaikaʻi nui o ka mea mele, ʻo ia ka hiki i ka manawa kūpono ke hoʻohaʻahaʻa i kona ʻano nui a maʻalahi i ka manaʻo o ka hana. Ua hui pū ʻo Lablache i ka improvisation hoʻoikaika me kahi moʻomeheu kiʻekiʻe a me ka moʻomeheu hana.

ʻO Wagner, i lohe iā ia ma Don Juan, ua ʻōlelo ʻo ia: "He Leporello maoli ... ʻO kāna bass ikaika i nā manawa āpau e paʻa i ka maʻalahi a me ka sonority ... Kahaha ka leo akaka a ʻālohilohi, ʻoiai ʻo ia ke kelepona, he wahaheʻe hiki ʻole kēia Leporello, he kamaʻilio makaʻu. ʻAʻole ʻo ia e ʻakaʻaka, ʻaʻole holo, ʻaʻole hula, akā e neʻe mau ana ʻo ia, ma kahi kūpono, kahi i honi ai kona ihu ʻoi i ka waiwai, leʻaleʻa a me ke kaumaha ... "

Ua hānau ʻia ʻo Luigi Lablache ma Dekemaba 6, 1794 ma Naples. Mai ka makahiki he ʻumikūmālua, ua aʻo ʻo Luigi ma ka Naples Conservatory e pāʻani i ka cello a laila i ka bass pālua. Ma hope o ke komo ʻana (contralto part) i ka Spanish Requiem, ua hoʻomaka ʻo Mozart e aʻo i ka hīmeni. I ka makahiki 1812, ua ho'omaka 'o ia ma ka Hale 'Opera San Carlo (Naples). Hana ʻia ʻo Lablache ma ke ʻano he bass buff. Ua lawe ʻo Fame iā ia i ka hana o ka ʻāpana o Geronimo i ka opera "Secret Marriage".

Ma ʻAukake 15, 1821, ʻike mua ʻo Lablache i La Scala ma ke ʻano he Dandini ma Rossini's Cinderella. Ua hoʻomanaʻo ka poʻe Milan iā ia ma ka opera Don Pasquale a me The Barber of Seville.

I loko o nā mele mele, ʻo Lablache bass "nui loa ka momona" ʻo ia ke kiʻi o ka lehulehu. ʻO kona leo, ʻo ka ʻōniʻoniʻo a me ka laulā nui, mānoanoa a me ka momona, ʻaʻole ia he kumu kumu ʻole e hoʻohālikelike ʻia e nā poʻe o ka wā me ka halulu o ka wailele, a ua like ka "D" luna me kahi pahū o ka lua pele. ʻO kahi makana hana nui, ka hauʻoli pau ʻole a me ka noʻonoʻo hohonu i hiki ai i ka mea pena ke hoʻomālamalama i ke kahua.

Mai ka hana a Bartolo Lablache i hana i kahi haku hana. Ua hōʻike ʻia ke ʻano o ke kahu kahiko mai kahi ʻaoʻao i manaʻo ʻole ʻia: ʻaʻole ʻo ia he naʻaupō a ʻaʻole hoʻi he ʻinoʻino, akā he ʻōhumu naʻaupō, me ka huhū i ke aloha i kahi haumāna ʻōpio. ʻOiai ʻo ia i pāpā aku iā Rosina, ua honi ʻo ia i ka manamana lima o ke kaikamahine. I ka wā o ka hana aria e pili ana i ka ʻōlelo hōʻino, ua alakaʻi ʻo Bartolo i kahi kamaʻilio mimic me kahi hoa - ua hoʻolohe ʻo ia, ua kāhāhā, kāhāhā, huhū - no ka nui o ka haʻahaʻa o ka mea hanohano Don Basilio no kona ʻano akamai.

ʻO ka piko o ka kaulana o ka mea mele e hāʻule i ka manawa o kāna mau hana ma Ladana a me Palisa i 1830-1852.

ʻO ka hapa nui o kāna mau hana maikaʻi loa ma nā hana a Donizetti: Dulcamara ("Love Potion"), Marine Faliero, Henry VIII ("Anne Boleyn").

Ua kākau ʻo G. Mazzini e pili ana i kekahi o nā hana ʻakaʻaka ʻo Anna Boleyn ma ke ʻano penei: “… ʻo ke ʻano o nā huaʻōlelo, ka poʻe hoʻohālike makapō o nā mele a Rossini i haʻalele ʻole ʻia, ua nānā pono ʻia ma nā hana he nui a Donizetti. ikaika. ʻO wai ka mea i lohe ʻole i ka hōʻike mele ʻana o Henry VIII i ke ʻano lokoino, i ka manawa like ʻole a me ke ʻano kūlohelohe, i haʻi ʻia e ka moʻolelo? A i ka wā e hoʻolei aku ai ʻo Lablache i kēia mau ʻōlelo: "E noho kekahi ma ka noho aliʻi Pelekane, e ʻoi aku ka pono o ke aloha," ʻo ia ka mea i ʻike ʻole i ka haʻalulu o kona ʻuhane, ʻaʻole maopopo i kēia manawa i ka mea huna o ka mea hoʻomāinoino. ʻaʻole ʻoe e nānā a puni kēia pā hale i make ai ʻo Boleyn?

Hōʻike ʻia kahi hanana ʻakaʻaka ma kāna puke na D. Donati-Petteni. Ua wehewehe ʻo ia i ka manawa i lilo ai ʻo Lablache i hoa hana ʻike ʻole a Donizetti:

"I kēlā manawa, ua hoʻonohonoho ʻo Lablache i nā ahiahi poina ʻole i loko o kāna hale nani, kahi āna i kono ai i kāna mau hoaaloha pili loa. Ua hele pinepine ʻo Donizetti i kēia mau ʻahaʻaina, i kapa ʻia e ka Farani - i kēia manawa me ke kumu maikaʻi - "pasta".

A ʻo ka ʻoiaʻiʻo, i ke aumoe, i ka pau ʻana o ke mele a pau ka hula, hele nā ​​mea a pau i ka lumi ʻaina. Ua ʻike ʻia kahi ipu nui ma laila me kona nani a pau, a i loko o laila - ka macaroni mau, a Lablache i mālama mau ai i nā malihini. Ua loaʻa i kēlā me kēia kanaka kā lākou ʻāpana. Aia ka mea nona ka hale i ka ʻai ʻana a ʻoluʻolu iā ia iho i ka nānā ʻana i nā poʻe ʻē aʻe e ʻai ana. Akā, i ka pau ʻana o ka ʻaina ahiahi, ua noho ʻo ia ma ka papaʻaina hoʻokahi. Ua uhi ʻia kona umauma he kāwele nui i nakinaki ʻia ma kona ʻāʻī, me ka ʻōlelo ʻole ʻole, ʻai ʻo ia i ke koena o kāna kīʻaha punahele me ka manaʻo ʻole e hiki ke wehewehe ʻia.

I ka manawa i hiki mai ai ʻo Donizetti, ka mea makemake nui i ka pasta, ua lohi loa - ua ʻai ʻia nā mea a pau.

"E hāʻawi aku wau iā ʻoe i ka pasta," wahi a Lablache, "ma ke ʻano hoʻokahi." Eia ka album. E noho ma ka papaʻaina a kākau i ʻelua ʻaoʻao mele. I kou haku mele ʻana, e hāmau ka poʻe a puni, a inā e ʻōlelo kekahi, e hāʻawi lākou i ka uku, a naʻu e hoʻopaʻi i ka lawehala.

"ʻAe," wahi a Donizetti.

Lawe ʻo ia i kahi peni a hoʻomaka e hana. ʻAʻole wau i kaha kiʻi i ʻelua laina mele i ka wā i hoʻopuka ai nā lehelehe nani o kekahi i kekahi mau huaʻōlelo. ʻO Signora Persiani. Ua haʻi ʻo ia iā Mario:

“Ke koho nei mākou e haku ana ʻo ia i kahi cavatina.

A pane mai la o Mario me ka malama ole.

"Inā i manaʻo ʻia iaʻu, hauʻoli wau.

Ua haki ʻo Thalberg i ka lula, a kāhea ʻo Lablache i nā mea ʻekolu e kauoha me ka leo hekili:

– Fant, signorina Persiani, fant, Thalberg.

- Ua pau wau! wahi a Donizetti.

Ua kākau ʻo ia i ʻelua ʻaoʻao mele i 22 mau minuke. Hāʻawi ʻo Lablache i kona lima a alakaʻi iā ia i loko o ka lumi ʻaina, kahi i hōʻea mai ai kahi ipu pasta hou.

Noho ka maestro ma ka papaʻaina a hoʻomaka e ʻai e like me Gargantua. I loko o ka lumi hoʻokipa, ua hoʻolaha ʻo Lablache i ka hoʻopaʻi o nā mea ʻekolu i hewa no ka hoʻopilikia ʻana i ka maluhia: ʻo Signorina Persiani lāua ʻo Mario e hīmeni i kahi mele mele mai Lʻelisir dʻamore, a ʻo Thalberg e hele pū. He mea kupanaha ia. Hoʻomaka lākou e kāhea leo nui i ka mea kākau, a hoʻomaka ʻo Donizetti, i nakinaki ʻia me kahi kāwele, e hoʻomaikaʻi iā lākou.

ʻElua lā ma hope mai, ua noi ʻo Donizetti iā Lablache no kahi album kahi i hoʻopaʻa ai i ke mele. Ua hoʻohui ʻo ia i nā huaʻōlelo, a ua lilo kēlā mau ʻaoʻao mele ʻelua i hui mele mai Don Pasquale, he waltz nani i kani ʻia ma Paris a ʻelua mahina ma hope.

ʻAʻole ia he mea kupanaha, ua lilo ʻo Lablache i mea hoʻokani mua o ke poʻo inoa ma ka opera Don Pasquale. Ua hoʻomaka ka opera ma Ianuali 4, 1843 ma ka Hale Hōʻikeʻike o Italia ma Palisa me Grisi, Lablache, Tamburini a me Mario. Ua lanakila ka lanakila.

ʻAʻole i ʻike ʻia ke keʻena o ka hale kiʻiʻoniʻoni Italia i kahi hālāwai nani o nā aliʻi Parisian. Pono kekahi e ʻike, e hoʻomanaʻo ana ʻo Escudier, a pono e lohe kekahi iā Lablache i ka hana kiʻekiʻe loa a Donizetti. I ka wā i ʻike ʻia ai ka mea pena me kona mau helehelena kamaliʻi, me ka maʻalahi a i ka manawa like, me he mea lā e noho ana ma lalo o ke kaumaha o kona kino momona (e hāʻawi ana ʻo ia i kona lima a me kona puʻuwai iā Norina aloha), ua lohe ʻia ka ʻakaʻaka aloha a puni ka hale. I kona leo kamahaʻo, ma luna o nā leo ʻē aʻe a me ka mea hoʻokani pila, ʻo ia ka hekili i loko o ka quartet kaulana a make ʻole, ua hopu ʻia ka hale me ka mahalo maoli - ka ʻona o ka hauʻoli, he lanakila nui no ka mea mele a me ka mea haku mele.

Ua pāʻani ʻo Lablash i nā hana maikaʻi loa i nā hana Rossinian: Leporello, Assur, William Tell, Fernando, Moses (Semiramide, William Tell, The Thieving Magpie, Moses). ʻO Lablache ka mea hoʻokani mua o nā ʻāpana o Walton (Bellini's Puritani, 1835), Count Moore (Verdi's Robbers, 1847).

Mai ka makahiki 1852/53 a hiki i ka makahiki 1856/57, hīmeni ʻo Lablache ma ka ʻOpera Italia ma St. Petersburg.

"ʻO ka mea pena kiʻi, nona kahi ʻano hoʻolālā nani, ua hoʻokō maikaʻi i nā ʻāpana heroic a me nā ʻano hiʻohiʻona, i ʻike ʻia i mua o ka poʻe Lūkini ma ke ʻano he bass buff," wahi a Gozenpud. - ʻO ka hoʻohenehene, spontaneity, kahi makana manawaleʻa, kahi leo ikaika me kahi ākea nui i hoʻoholo i kona koʻikoʻi ma ke ʻano he mea pena kiʻi ʻole o ke ʻano mele. Ma waena o kāna mau hana kiʻi kiʻekiʻe loa, pono mākou e kapa mua i nā kiʻi o Leporello, Bartolo, Don Pasquale. ʻO nā mea hana a pau o Lablache, e like me ka poʻe o kēia wā, ua hōʻeuʻeu i ko lākou ʻoiaʻiʻo a me ka ikaika. ʻO ia hoʻi, ʻo kāna Leporello - ʻano ʻino a maikaʻi, haʻaheo i nā lanakila o ka haku a ʻoluʻolu ʻole i nā mea āpau, hoʻomāʻewaʻewa, makaʻu. Ua hoʻopio ʻo Lablache i ka lehulehu ma ke ʻano he mele a mea keaka. Ma ke kiʻi o Bartolo, ʻaʻole ʻo ia i koʻikoʻi i kāna mau waiwai maikaʻi ʻole. ʻAʻole huhū a huāhuā ʻo Bartolo, akā he ʻakaʻaka a hoʻopā hoʻi. Ua hoʻopili ʻia paha kēia wehewehe ʻana e ka mana o ka moʻomeheu mai ka Paisiello's The Barber of Seville. ʻO ke ʻano nui o ke ʻano i hana ʻia e ka mea pena kiʻi he hala ʻole.

Ua kākau ʻo Rostislav: "Ua hiki iā Lablash ke hāʻawi (kahi pāʻina liʻiliʻi) i kahi mea koʻikoʻi koʻikoʻi… E nānā i ke ʻano o ka helehelena o Lablache i ka wā o Don Basilio aria la calunma. Ua hana ʻo Lablache i kahi duet mai ka aria, akā ʻo ka duet he mimic. ʻAʻole ʻo ia i hoʻomaopopo koke i ka haʻahaʻa o ka ʻōlelo hōʻino a Don Basilio maalea - hoʻolohe ʻo ia, pīhoihoi, hahai i kēlā me kēia neʻe o kāna kamaʻilio ʻana a ʻaʻole hiki ke ʻae iā ia iho i kāna mau manaʻo maʻalahi i hiki i ke kanaka ke komo i kēlā ʻano haʻahaʻa.

ʻO Lablache, me ke ʻano kakaʻikahi o ke ʻano, hoʻokani ʻo ia i nā mele ʻItalia, Kelemānia a me Palani, ʻaʻohe wahi hoʻonui a i ʻole caricaturing, he kumu hoʻohālike kiʻekiʻe o ke ʻano o ke ʻano a me ke ʻano.

I ka pau ʻana o ka huakaʻi ma Rusia, ua hoʻopau ʻo Lablache i kāna mau hana ma ke kahua opera. Ua hoʻi ʻo ia i kona kamaʻāina ʻo Napela, kahi i make ai i Ianuali 23, 1858.