Monica I (I, Monica) |
pianists

Monica I (I, Monica) |

ʻO wau, ʻo Monica

Lā hānau
1916
ʻOhana
pianist
aina
Palani

I kekahi manawa, he mau makahiki i hala aku nei, ua kapa ʻia ʻo Monica Az "Mademoiselle piano" nā hoa aloha - ka Farani; ʻO kēia i ka wā o Marguerite Long e ola ana. I kēia manawa ua manaʻo ʻia ʻo ia he pani kūpono no kahi mea pena kiʻi maikaʻi. He ʻoiaʻiʻo kēia, ʻoiai ʻaʻole pili ka like i ke ʻano o ka hoʻokani piano, akā ma ke ala ākea o kā lākou mau hana. E like me ka lōʻihi i nā makahiki mua o ko kākou kenekulia ka muse nāna i hoʻoikaika iā Debussy lāua ʻo Ravel, pēlā nō ʻo Az i hoʻoikaika ai a hoʻoikaika i nā haku mele Farani o nā hanauna hope. A i ka manawa like, pili pū nā ʻaoʻao ʻālohilohi o kāna hana biography me ka wehewehe ʻana i nā hana a Debussy lāua ʻo Ravel - kahi wehewehe i lawe mai iā ia i ka ʻike honua a me nā makana hanohano.

Ua loiloi maikaʻi ʻia kēia mau mea āpau e ka mea hoʻokani mele Soviet ʻo DA Rabinovich ma hope koke o ka kipa mua ʻana o ka mea pena kiʻi i ko mākou ʻāina i ka makahiki 1956. "ʻO ke ʻano o Monica Az ke aupuni," i kākau ai ʻo ia. "ʻAʻole mākou i manaʻo wale i ka repertoire o ka piano, i hoʻomalu ʻia e nā mea kākau Farani. Ke kamaʻilio nei mākou e pili ana i ke ʻano kiʻi o Monica Az. Ma kāna ʻano hana, manaʻo mākou ʻaʻole ʻo Farani "ma ka laulā", akā ʻo Farani hou. Ke kani nei ʻo Couperin a i ʻole Rameau mai ka pianist me ka ʻole o ka "museum quality", me ka hoʻohuli ʻana e like me ke ola, ke poina iā ʻoe he mau kenekulia ka lōʻihi o kā lākou mau miniature nani mai ko mākou mau lā. Kāohi ʻia ka naʻau o ka mea pena a alakaʻi mau ʻia e ka naʻauao. He malihini iā ​​ia ka manaʻo hoʻopunipuni a i ʻole nā ​​​​ʻano hoʻopunipuni. ʻO ka manaʻo nui o ka hana a Monica Az e hoʻomanaʻo nei i ke ʻano o Anatole France, koʻikoʻi i kona plasticity, kiʻi kiʻi, ʻano hou, ʻoiai ke kumu i ka classicism o nā kenekulia i hala. Ua hōʻike ka mea hoʻohewa iā Monica Az ma ke ʻano he mea pena kiʻi nui, me ka ʻole o ka hoʻohālikelike ʻana i ka pono o ka mea pena. Ua ʻike ʻo ia ʻo kāna mau hiʻohiʻona maikaʻi loa - ka maʻalahi o ka maʻalahi, ka ʻenehana maikaʻi, ka flair rhythmic maʻalahi - ʻike maopopo ʻia i ka wehewehe ʻana i nā mele a nā haku kahiko. ʻAʻole i pakele ka mea hoʻohewa ʻike i ka ʻoiaʻiʻo, i ka wehewehe ʻana o ka Impressionists, makemake ʻo Az e hahai i ke ala i hahau ʻia, a me nā hana nui - inā paha he sonatas lākou e Mozart a Prokofiev - ʻaʻole i kūleʻa iā ia. Ua hui pū kā mākou mau loiloi ʻē aʻe i kēia loiloi, me kekahi mau nuances.

ʻO ka loiloi i ʻōlelo ʻia e pili ana i ka manawa i hoʻokumu ʻia ai ʻo Monica Az ma ke ʻano he kanaka akamai. He haumana o ka Paris Conservatory, he haumana a Lazar Levy, mai kona wā ʻōpiopio mai, ua pili loa ʻo ia me nā mele Palani, me nā haku mele o kona hanauna, i hoʻolaʻa i nā papahana holoʻokoʻa i nā hana a nā mea kākau o kēia wā, hoʻokani ʻo ia i nā ʻaha mele hou. Ua mau kēia hoihoi me ka mea piano ma hope. No laila, i ka hiki ʻana i ko mākou ʻāina no ka lua o ka manawa, ua hoʻokomo ʻo ia i loko o nā papahana o kāna mau mele mele i nā hana a O. Messiaen a me kāna kāne, ka mea haku mele ʻo M. Mihalovichi.

Ma nā ʻāina he nui, ua ʻike ʻia ka inoa ʻo Monica Az ma mua o ka hālāwai ʻana me ia - mai ka hoʻopaʻa ʻana i nā concerto piano ʻelua a Ravel, i hana ʻia me ke alakaʻi ʻo P. Pare. A i ka ʻike ʻana i ka mea pena kiʻi, mahalo lākou iā ia ma ke ʻano he mea hoʻokani a hoʻolaha hoʻi i nā mele a nā haku kahiko i poina, ma ka liʻiliʻi loa ma waho o Farani. I ka manawa like, ua ʻae ka poʻe hoʻohewa inā ʻo ka hoʻopaʻi ʻana i ka rhythmic koʻikoʻi a me ke ʻano maʻalahi o ka lole melodic e hoʻokokoke i ka poʻe impressionist i nā papa mele i kāna wehewehe ʻana, a laila ʻo ia mau ʻano like e lilo ia i mea unuhi maikaʻi loa o nā mele hou. I ka manawa like, ʻoiai i kēia lā, ʻaʻole i nele kāna pāʻani ʻana i nā kūʻē, i ʻike ʻia e ka mea hoʻohewa o ka makasina Polani ʻo Rukh Muzychny, nāna i kākau: "ʻO ka manaʻo mua a manaʻo nui ʻo ia ka manaʻo o ka pāʻani, hoʻomalu ʻia, piha. ʻike. Akā i ka ʻoiaʻiʻo, ʻaʻole i loaʻa kahi wehewehe ʻike piha, no ka mea, ʻo ke ʻano maoli o ka mea hoʻokani e koi iā ia e hoʻoholo, ʻoiai ua koho mua ʻia lākou, akā ʻaʻole wale nō. Ma kahi o kēia ʻano e lilo i analytical a koʻikoʻi, ke hana nei mākou i ka "conscious unconsciousness", me ka nele o ka spontaneity, kahi ʻano peʻa o ka naturalness - e like me Monica Az. ʻO nā mea a pau i loko o kēia pāʻani ua anaʻia, kūlike, mālamaʻia nā mea a pau mai nā meaʻoi loa - nā kala, ka dinamika, keʻano.

Akā hoʻokahi ala a i ʻole, a me ka mālama ʻana i kēia lā i ka "triune integrity" o ka laina nui o kāna kiʻi, ʻo Monica Az, ʻo ia hoʻi, nona ka repertoire nui a ʻano like ʻole. ʻO Mozart lāua ʻo Haydn, Chopin lāua ʻo Schumann, Stravinsky lāua ʻo Bartok, Prokofiev a me Hindemith - ʻo kēia ka pōʻai o nā mea kākau e huli mau ai ka mea hoʻokani piano Farani, e mālama ana i kāna kūpaʻa iā Debussy lāua ʻo Ravel ma kahi mua.

Grigoriev L., Platek Ya.

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