Nikolay Arnoldovich Petrov (Nikolai Petrov) |
pianists

Nikolay Arnoldovich Petrov (Nikolai Petrov) |

Nikolay Petrov

Lā hānau
14.04.1943
Lā o ka make
03.08.2011
ʻOhana
pianist
aina
Rusia, USSR

Nikolay Arnoldovich Petrov (Nikolai Petrov) |

Aia nā mea hoʻokani keʻena - no kahi pōʻai haiki o ka poʻe hoʻolohe. (Maikaʻi lākou i loko o nā lumi liʻiliʻi liʻiliʻi, ma waena o "ko lākou iho" - pehea ka maikaʻi o Sofronitsky ma ka Hale Hōʻikeʻike ʻo Scriabin - a ʻaʻole ʻoluʻolu ma nā pae nui.) ʻO nā keʻena ʻaha mele hou, ka lehulehu o nā tausani o ka poʻe hoʻolohe, nā hiʻohiʻona i hoʻopiha ʻia me nā kukui, ikaika, leo nui "Steinways". ʻO ka mea mua me he mea lā e kamaʻilio pū ana me ka lehulehu - mālie, pili pono, hūnā; ʻo ka lua o ka hānau ʻana he mau manaʻo ikaika, hilinaʻi iā ia iho, me nā leo ikaika a lōʻihi. Ua kākau'ia e pili ana iā Nikolai Arnoldovich Petrov ma mua o ho'okahi manawa i koho'ia e ka hopena no ke kahua nui. A pololei kēlā. ʻO ia ke ʻano noʻeau, ke ʻano o kāna pāʻani.

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Loaʻa paha kēia ʻano i ka wehewehe pololei loa i nā huaʻōlelo "monumental virtuosity". No ka poʻe e like me Petrov, ʻaʻole wale ka "holomua" o nā mea a pau ma ka mea kani (ʻaʻole ʻōlelo ʻia ...) - ʻike nui nā mea āpau, ikaika, nui no lākou. Hoʻohanohano kā lākou pāʻani ma ke ʻano kūikawā, ʻoiai nā mea nani a pau i hoʻonani ʻia i ke kiʻi. (ʻAʻole anei mākou e ʻike i kahi moʻolelo moʻolelo ʻokoʻa ma mua o kahi moʻolelo pōkole? A ʻaʻole anei ʻo St. Isaac's Cathedral e hoʻāla i nā manaʻo ʻokoʻa loa ma mua o ka "Monplaisir" nani? o ka ikaika a me ka mana, kekahi mea i kekahi manawa incommensurable me maʻamau laʻana; i loko o ka pāʻani a Petrov ua aneane ʻoe e manaʻo. ʻO ia ke kumu i hoʻopuka ai lākou i ka manaʻo hoihoi o ka wehewehe ʻana o ka mea pena i nā kiʻi pena e like me ka "Wanderer" a Schubert, ʻo Brahms' First Sonata a me nā mea hou aku.

Eia naʻe, inā hoʻomaka mākou e kamaʻilio e pili ana i nā kūleʻa o Petrov i ka repertoire, ʻaʻole paha mākou e hoʻomaka me Schubert a me Brahms. ʻAʻole paha he aloha aloha. Ua kaulana nui ʻo Petrov ma ke ʻano he unuhi ʻōlelo maikaʻi loa o nā sonata a me nā concerto a Prokofiev, ka hapa nui o nā piano piano a Shostakovich, ʻo ia ka mea hoʻokani mua o Khrennikov's Second Piano Concerto, Khachaturian's Rhapsody Concerto, Eshpai's Second Concerto, a me kekahi mau hana o kēia wā. ʻAʻole lawa ka ʻōlelo ʻana e pili ana iā ia - he mea pena mele; akā, he propagandist, popularizer o ka mea hou ma Soviet mele. He mea hoʻolaha i ʻoi aku ka ikaika a hoʻolaʻa ʻia ma mua o nā mea piano ʻē aʻe o kāna hanauna. No kekahi, ʻaʻole paʻakikī loa kēia ʻaoʻao o kāna hana. Ua ʻike ʻo Petrov, ua manaʻoʻiʻo ʻo ia i ka hoʻomaʻamaʻa - aia kona mau pilikia ponoʻī, kona mau pilikia ponoʻī.

Aloha nui lākou iā Rodion Shchedrin. ʻO kāna mele - ʻo ka Two-Part Invention, Preludes and Fugues, Sonata, Piano Concertos - ua hoʻokani ʻo ia no ka manawa lōʻihi: "Ke hana wau i nā hana a Shchedrin," wahi a Petrov, "Ua manaʻo wau ua kākau ʻia kēia mele e kaʻu. nā lima ponoʻī - nui loa iaʻu ma ke ʻano he pianist i nā mea āpau ma aneʻi me he mea maʻalahi, hiki ke hoʻopili ʻia, pono. ʻO nā mea a pau ma ʻaneʻi he "noʻu" - ma ke ʻano loea a me ke akamai. I kekahi manawa lohe kekahi he paʻakikī ʻo Shchedrin, ʻaʻole maopopo i nā manawa a pau. ʻAʻole maopopo iaʻu… Ke ʻike pono ʻoe i kāna hana, hiki iā ʻoe ke hoʻoholo i ka mea āu i ʻike pono ai, ʻeā? - ʻike ʻoe i ka nui o ka mea nui ma ʻaneʻi, pehea ka nui o ka loiloi kūloko, ka naʻauao, ka ʻano, ka makemake ... aʻo koke wau iā Shchedrin. Ua aʻo au i kāna Concerto ʻElua, hoʻomanaʻo wau, i nā lā he ʻumi. Hana ʻia kēia i kēlā mau hihia inā makemake ʻoe i ke mele… "

Ua ʻōlelo ʻia ma mua o hoʻokahi manawa e pili ana iā Petrov, a he mea kūpono ʻo ia he kiʻi typical no ka hanauna o kēia lā o nā mea hoʻokani pila, nā mea pena kiʻi "hanauna hou", e like me ka makemake o ka poʻe hoʻohewa. Ua hoʻonohonoho pono ʻia kāna hana kahua, pololei ʻo ia i ka hana ʻana i nā hana, hoʻomau a paʻa i ka hoʻokō ʻana i kāna mau manaʻo. Ua ʻōlelo ʻia e pili ana iā ia: "he noʻonoʻo ʻenekinia maikaʻi ...": ʻike maoli ʻia kona manaʻo e ka ʻoiaʻiʻo loa - ʻaʻohe ambiguities, omissions, etc. mai ke ʻano "(ʻike pohihihi o nā ʻike improvisational, ʻaʻole nā ​​​​mea hoʻoikaika aloha i kāna kumu), hoʻokō i kāna pahuhopu ma mua o ke komo ʻana i ke kahua. ʻO ia no ka mea maoli manaolana ma ke kahua - hiki ke pāʻani maikaʻi loa a maikaʻi wale nō, akā ʻaʻole e haki, ʻaʻole e iho i lalo o kahi pae, ʻaʻole e pāʻani maikaʻi. I kekahi manawa, ʻike ʻia nā ʻōlelo kaulana a GG Neuhaus iā ia - i kēlā me kēia hihia, i kāna hanauna, i ka poʻe ʻahamele o kāna hale waihona kālā: “… ʻoi aku ka naʻauao, ʻoi aku ka noʻonoʻo, ʻoi aku ka makua, ʻoi aku ka manaʻo nui, ʻoi aku ka ʻohi, ʻoi aku ka ikaika (Ke manaʻo nei au e hoʻonui i nā huaʻōlelo) ma mua o ko lākou mau makua kāne a me nā kūpuna, no laila ko lākou ʻoi loa enehana... » (Neigauz GG Nā noʻonoʻo o kekahi lālā o ke kiure//Neigauz GG Nā noʻonoʻo, hoʻomanaʻo, diaries. S. 111). Ma mua, ua kamaʻilio ʻia e pili ana i ka ʻenehana nui o Petrov.

ʻO ia, ma keʻano he mea hoʻokani, "ʻoluʻolu"ʻaʻole wale i ka mele o ka XNUMXth century - ma Prokofiev a me Shostakovich, Shchedrin a me Eshpay, ma nā hana piano a Ravel, Gershwin, Barber a me ko lākou mau hoa; ʻaʻole i emi iki a maʻalahi hoʻi i hōʻike ʻia ma ka ʻōlelo a nā haku o ke kenekulia XNUMX. Ma ke ala, he mea maʻamau kēia no ka mea pena kiʻi o ka "hanauna hou": ka repertoire arc "classics - XX century". No laila, aia nā clavirabends ma Petrov, kahi i lanakila ai ka hana a Bach. A i ʻole, ʻo Scarlatti - hoʻokani ʻo ia i nā sonata he nui o kēia mea kākau, a maikaʻi hoʻi ke pāʻani. Ma kahi kokoke i nā manawa a pau, maikaʻi nā mele a Haydn ma ke kani ola a ma ka moʻolelo; He nui ka lanakila ma kāna wehewehe ʻana iā Mozart (no ka laʻana, ʻo ka Sonata ʻumikumamāwalu ma F major), ʻo Beethoven mua (Seventh Sonata ma D major).

ʻO ia ke kiʻi o Petrov - he mea pena kiʻi me ka ʻike honua olakino a maopopo, he pianist o "phenomenal capabilities", e like me ka kākau mele mele e pili ana iā ia, me ka hoʻonui ʻole. Ua koho ʻia ʻo ia e ka hopena e lilo i mea pena. ʻO kona kupuna kāne, ʻo Vasily Rodionovich Petrov (1875-1937) he mele kaulana, ʻo ia kekahi o nā kukui o ka Bolshoi Theatre i nā makahiki mua o ke kenekulia. Ua aʻo ʻo kupuna wahine ma ka Conservatory o Moscow me ka mea hoʻokani piano kaulana ʻo KA Kipp. I kona wā ʻōpiopio, ua lawe kona makuahine i nā haʻawina piano mai AB Goldenweiser; makua kāne, he cellist ma ka 'oihana, i ka manawa i lanakila i ka inoa o ka laureate ma ka First All-Union Competition of Performing Musicians. Mai ka wā kahiko mai, ua noho ʻia ke kiʻi ma ka hale o Petrovs. Ma waena o nā malihini e hiki ke hālāwai me Stanislavsky a me Kachalov, Nezhdanova a me Sobinov, Shostakovich a me Oborin…

I loko o kāna hana mo'olelo, ho'oka'awale'o Petrov i kekahi mau pae. I kinohi, ua aʻo kona kupunawahine iā ia i ke mele. Ua hoʻokani nui ʻo ia iā ia - opera arias i hui pū ʻia me nā ʻāpana piano maʻalahi; ʻoluʻolu ʻo ia i ka ʻohi ʻana ma ka pepeiao. Ua pani ʻia ʻo kupuna wahine e ke kumu o ke kula ʻo Central Music Tatyana Evgenievna Kestner. ʻO Opera Arias i hāʻawi i ke ala i ka mea hoʻonaʻauao aʻoaʻo, koho ʻia e ka pepeiao - hoʻonohonoho pono ʻia nā papa, ʻōnaehana hoʻomohala ʻenehana me nā hōʻaiʻē mandatory ma ke kula ʻo Central Music no nā unahi, arpeggios, etudes, etc. . “ʻOiai i koʻu wā haumāna o ke Kula Mele Nui,” i hoʻomanaʻo ai ʻo ia, “Ua lilo au i mea hoʻohui i ka hele ʻana i nā ʻahamele. Makemake ʻo ia e hele i nā ahiahi papa o nā kumu alakaʻi o ka conservatory - AB Goldenweiser, VV Sofronitsky, LN Oborin, Ya. V. Flier. Ke hoʻomanaʻo nei au i nā hana a nā haumāna o Yakov Izrailevich Zak i hana nui iaʻu. A i ka hiki ʻana mai o ka manawa e hoʻoholo ai - ʻo wai e aʻo hou aʻe ma hope o ka puka ʻana - ʻaʻole wau i kānalua no hoʻokahi minute: mai ia, a mai kekahi ʻē aʻe ... "

Me Zach, ua hoʻokumu kokeʻo Petrov i kahiʻaelike maikaʻi; ma ke kino o Yakov Izrailevich, ua hālāwai ʻo ia me kahi kumu aʻoaʻo naʻauao, akā he kahu mālama mālama hoʻi a hiki i ka pae o ka pedantry. I ka hoʻomākaukau ʻana o Petrov no ka hoʻokūkū mua i kona ola (i kapa ʻia ma hope o Van Cliburn, ma ke kūlanakauhale ʻo ʻAmelika ʻo Fort Worth, 1962), ua hoʻoholo ʻo Zak ʻaʻole e hoʻokaʻawale me kāna holoholona i ka wā hoʻomaha. "No nā mahina kauwela, noho mākou ʻelua ma Baltic States, ʻaʻole mamao loa mai kekahi i kekahi," wahi a Petrov, "e hui ana i kēlā me kēia lā, e hana ana i nā hoʻolālā no ka wā e hiki mai ana a, ʻoiaʻiʻo, hana, hana ... Ua hopohopo ʻo Yakov Izrailevich i ka pō o ka lā. ʻaʻole emi ka hoʻokūkū ma mua oʻu. ʻAʻole ʻo ia e ʻae mai iaʻu e hele…” Ma Fort Worth, ua loaʻa iā Petrov ka makana ʻelua; he lanakila nui. Ua ukali ʻia e kekahi: wahi ʻelua ma Brussels, ma ka hoʻokūkū ʻo Queen Elizabeth (1964). "Ke hoʻomanaʻo nei au iā Brussels ʻaʻole nui no nā hakakā hoʻokūkū," hoʻomau ʻo Petrov i ka moʻolelo o ka wā i hala, "akā no kāna mau hale moʻomeheu, nā hale kiʻi kiʻi, a me ka nani o ka hoʻolālā kahiko. A ʻo kēia mau mea a pau no ka mea ʻo II Zak koʻu hoa a me ke alakaʻi a puni ke kūlanakauhale - he paʻakikī ke makemake i kahi ʻoi aku ka maikaʻi, e manaʻoʻiʻo mai iaʻu. I kekahi manawa, ua manaʻo wau i ka pena o ka Italian Renaissance a i nā canvases o nā haku Flemish, ʻaʻole maopopo ʻo ia i ka hewa ma mua o Chopin a i ʻole Ravel ... "

Nui nā ʻōlelo a me nā palapala aʻoaʻo a Zack i paʻa paʻa i ka hoʻomanaʻo ʻana iā Petrov. "Ma ke kahua, hiki iā ʻoe ke lanakila ma muli o ke ʻano kiʻekiʻe o ka pāʻani," wahi a kāna kumu; Ua noʻonoʻo pinepine ʻo Petrov i kēia mau ʻōlelo. "He mau mea pena kiʻi," i hoʻopaʻapaʻa ai ʻo ia, "he maʻalahi ke kala ʻia no kekahi mau hewa pāʻani. ʻO lākou, e like me kā lākou e ʻōlelo nei, lawe i nā mea ʻē aʻe ... "(Ua pololei ʻo ia: ʻike ka lehulehu i ka ʻike ʻole ʻana i nā hemahema ʻenehana i KN Igumnov, ʻaʻole e hoʻopili i ka mea nui i nā ʻano hoʻomanaʻo ma GG Neuhaus; ua ʻike ʻo ia i ka nānā ʻana i nā pilikia o ʻO VV Sofronitsky me nā helu mua o kāna mau papahana, ma nā leka uila mai Cortot a i ʻole Arthur Rubinstein.) "Aia kekahi ʻano o nā mea hoʻokani," hoʻomau ʻo Petrov i kona manaʻo. "ʻIke koke ʻia ka nānā ʻenehana liʻiliʻi iā lākou. No kekahi, ʻaʻole i ʻike ʻia kahi "lima" o nā memo hewa, no nā mea ʻē aʻe (eia lākou, nā paradoxes o ka hana ...) hiki i kahi mea hoʻokahi ke hōʻino i ka mea - Ke hoʻomanaʻo nei au ua kanikau ʻo Hans Bülow no kēia ... , ua aʻo i ka wā lōʻihi i hala aku nei ʻaʻohe oʻu kuleana i kahi blot ʻenehana, pololei ʻole, hāʻule - ʻo ia kaʻu ʻāpana. A i ʻole, ʻo ia ke ʻano o kaʻu hana, koʻu ʻano, koʻu ʻano. Inā ma hope o ka ʻahamele ʻaʻole oʻu manaʻo ua kiʻekiʻe ka maikaʻi o ka hana, ua like kēia me kahi fiasco kahua noʻu. ʻAʻohe ʻōlelo ʻino e pili ana i ka hoʻoulu ʻana, pop enthusiasm, ke ʻōlelo nei lākou, "hiki mai kekahi mea," ʻaʻole wau e hōʻoluʻolu ʻia ma aneʻi.

Ke ho'āʻo mau nei ʻo Petrov e hoʻomaikaʻi i ka mea i kapa ʻia ʻo "ka maikaʻi" o ka pāʻani, ʻoiai, pono e hana hou, ma ke ʻano o ke akamai, aia ʻo ia ma ke kiʻekiʻe o ka "standard" honua kiʻekiʻe loa i kēia lā. ʻIke ʻo ia i kāna mau mālama, a me kāna mau pilikia, nā hana hana. Ua ʻike ʻo ia i nā ʻaʻahu kani i nā ʻāpana pākahi o kāna repertoire i ʻoi aku ka nani; i kēia manawa ʻaʻole, ʻaʻole, a ua ʻike ʻia he kaumaha ke kani o ka mea hoʻokani piano, i kekahi manawa ikaika loa - e like me kā lākou e ʻōlelo nei, "me ke kēpau." ʻAʻole maikaʻi kēia, ma Prokofiev's Third Sonata a i ʻole ka hopena o ka Seventh, i nā kiʻekiʻe ikaika o nā sonata Brahms a i ʻole nā ​​​​concert a Rachmaninov, akā ʻaʻole i ka hoʻonani daimana o Chopin (ma nā palapala a Petrov hiki ke loaʻa i ʻehā ballads, ʻehā scherzos. he barcarolle, etudes a me kekahi mau hana e ae a keia mea kakau). Malia paha e hōʻike ʻia aku nā mea huna a me nā halftones nani iā ​​ia i ka manawa ma ke ʻano o ka pianissimo - ma nā mele piano like ʻo Chopin, ma Scriabin's Fifth Sonata, ma Ravel's Noble and Sentimental Waltzes. He paʻakikī loa ia i kekahi manawa, ʻaʻole ʻae, pololei iki i kāna neʻe ʻana. Aia kēia ma kahi o nā ʻāpana toccata a Bach, ma nā mākau kaʻa kaʻa mea kani a Weber (makemake ʻo Petrov a hoʻokani maikaʻi i kāna sonata), ma kekahi mau mele kahiko ʻo Allegro a me Presto (e like me ka hapa mua o Beethoven's Seventh Sonata), ma kekahi mau hana o ka repertoire hou - Prokofiev, Shchedrin, Barber. Ke hoʻokani ka mea hoʻokani piano i ka Schumann's Symphonic Etudes a i ʻole, ʻo ka languid cantilena (waena waena) o Liszt's Mephisto-Waltz, kekahi mea mai nā mele aloha a i ʻole nā ​​​​repertoire a nā Impressionists, hoʻomaka ʻoe e noʻonoʻo he mea maikaʻi inā ʻoi aku ka maʻalahi o kāna kani. , spiritualized, expressive ... Akā naʻe, ʻaʻohe ʻenehana hiki ʻole ke hoʻomaikaʻi. He ʻoiaʻiʻo kahiko: hiki i kekahi ke holomua i ka hana kiʻi me ka pau ʻole, me kēlā me kēia ʻanuʻu e alakaʻi i ka mea pena kiʻi i luna, ʻoi aku ka maikaʻi a me ka hoihoi o nā manaʻo noʻonoʻo.

Inā hoʻomaka kahi kamaʻilio me Petrov ma kahi kumuhana like, pane pinepine ʻo ia e hoʻi pinepine i ka noʻonoʻo i kāna hana i hala - nā wehewehe ʻana o nā kanaono. ʻO ka mea i manaʻo ʻia he kūleʻa maikaʻi ʻole, lawe mai iā ia i nā laurels a me ka hoʻomaikaʻi ʻana, ʻaʻole i ʻoluʻolu iā ia i kēia lā. Aneane nā mea a pau i kēia manawa, he mau makahiki ma hope, makemake e hana ʻokoʻa - e hoʻomālamalama mai ke ola hou a me nā kūlana hana, e hōʻike me nā ʻano hana ʻoi aku ka holomua. Hana mau ʻo ia i kēia ʻano hana "hoʻihoʻi" - ma ka sonata B-flat major (No. 21) ʻo Schubert, āna i hoʻokani ai ma ke ʻano he haumāna, ma Mussorgsky's Pictures at an Exhibition, a me nā mea ʻē aʻe he nui. ʻAʻole maʻalahi ka noʻonoʻo hou, hoʻohou, hana hou. Akā ʻaʻohe ala ʻē aʻe, ʻōlelo hou ʻo Petrov.

I ka waena o ke kanawalu, ua ʻike nui ʻia nā lanakila o Petrov ma nā keʻena ʻaha mele o Western Europe a me ʻAmelika. Hāʻawi ka mea paʻi i nā pane hoihoi i kāna pāʻani, kūʻai ʻia nā tiketi no nā hana a ka pianist Soviet ma mua o ka hoʻomaka ʻana o kāna huakaʻi. ("Ma mua o kāna hana ʻana, ua hoʻopuni ka laina nui no nā tiketi i ke kūkulu ʻia o ka hale ʻahamele. A ʻelua mau hola ma hope, i ka pau ʻana o ka ʻahamele, me ka paʻi ʻana o ka poʻe hoʻolohe, ua lawe ka mea alakaʻi o ka ʻaha symphony kūloko i kahi mea hoʻokani pila. hoʻohiki e hana hou ma Brighton i ka makahiki aʻe. Ua hui pū ʻia kēlā kūleʻa me Nikolai , Petrov ma nā kūlanakauhale āpau o Great Britain kahi āna i hana ai" // moʻomeheu Soviet. 1988. Malaki 15.).

Ma ka heluhelu ʻana i nā nūpepa nūpepa a me nā moʻolelo ʻike maka, hiki i kekahi ke loaʻa ka manaʻo e mālama ʻia ʻo Petrov ka mea hoʻokani piano ma waho o ka home. No ka mea, ma ka home, e ʻōlelo pololei, ʻo Nikolai Arnoldovich, me kāna mau hoʻokō a me kāna mau mana a pau, ʻaʻole i pili i nā kiʻi o ka lehulehu. Ma ke ala, hālāwai ʻoe i kahi hanana like ʻaʻole wale ma kāna hiʻohiʻona; aia kekahi mau haku ʻē aʻe i ʻoi aku ka maikaʻi o ko lākou lanakila ʻana ma ke Komohana a ʻoi aku ka nui ma mua o ko lākou ʻāina hānau. Maʻaneʻi paha i hōʻike ʻia kekahi mau ʻokoʻa i ka ʻono, i nā predilections aesthetic a me nā makemake, a no laila ʻo ka ʻike ʻana me mākou ʻaʻole ia he ʻike i laila, a me ka hope. A i ʻole, ʻo wai ka mea ʻike, he hana ʻē aʻe kekahi. (A i ʻole, ʻaʻohe kāula ma kona ʻāina ponoʻī? ʻO ka moʻolelo biography o Petrov e noʻonoʻo ai i kēia kumuhana.)

Eia nō naʻe, ʻo nā ʻōlelo hoʻopaʻapaʻa e pili ana i ka "index popularity" o kekahi mea pena kiʻi i nā kūlana mau. Ma keʻano he kūlana,ʻaʻoheʻikepili helu hilinaʻi e pili ana i kēia kumuhana, a no nā loiloi o nā loiloi - ma ka'āina a me ka'āina'ē - hiki iā lākou ke lilo i kumu no nā hopena hilinaʻi. ʻO ia hoʻi, ʻaʻole pono ka ulu ʻana o Petrov i ke Komohana i ka ʻoiaʻiʻo he nui kona mau mea mahalo i kona ʻāina hānau - ʻo ka poʻe i makemake i kona ʻano, ke ʻano o ka pāʻani ʻana, ka poʻe i kaʻana like i kāna "manaʻo" i ka hana.

E hoʻomaopopo kākou i ka manawa like e ʻaiʻē nui ai ʻo Petrov i nā papahana o kāna mau haʻiʻōlelo. Inā he ʻoiaʻiʻo ʻo ka hui pū ʻana i kahi papahana ʻahamele he ʻano hana (a he ʻoiaʻiʻo kēia), a laila ua lanakila ʻo Nikolai Arnoldovich ma ia ʻano hana. E hoʻomanaʻo kākou i kāna mea i hana ai i nā makahiki i hala iho nei - ʻike ʻia kekahi manaʻo hou a me ka manaʻo kumu ma nā wahi āpau, ʻike ʻia kahi manaʻo repertoire maʻamau i nā mea āpau. No ka laʻana: "An Evening of Piano Fantasies", kahi i kākau ʻia ma kēia ʻano e CFE Bach, Mozart, Mendelssohn, Brahms a me Schubert. A i ʻole "mele Farani o nā kenekulia XVIII - XX" (kahi koho o nā hana a Rameau, Duke, Bizet, Saint-Saens a me Debussy). A i ʻole: "Ma ka 200th anniversary o ka hānau ʻana o Niccolò Paganini" (ma ʻaneʻi, ua hui pū ʻia nā mele no ka piano, i kekahi ala a i ʻole i pili pū me ke mele o ka violinist nui: "Variations on a Theme of Paganini" na Brahms, haʻawina " Ma hope o Paganini" na Schumann a me Liszt, "Dedication Paganini" Falik). Hiki ke haʻi ʻia i loko o kēia pūʻulu nā hana e like me Berlioz's Fantastic Symphony in Liszt's transcription a i ʻole ka Second Piano Concerto of Saint-Saens (i hoʻonohonoho ʻia no hoʻokahi piano e Bizet) – koe wale nō ʻo Petrov, ʻaʻole loaʻa paha kēia i kekahi o nā mea hoʻokani piano. .

"I kēia lā, makemake nui wau i nā papahana stereotyped, "hackneyed"," wahi a Nikolai Arnoldovich. "Aia nā haku mele mai ka ʻāpana o ka "overplayed" a me ka "holo" nā mea, manaʻoʻiʻo mai iaʻu, ʻaʻole hiki iaʻu ke hana ma ka lehulehu. ʻOiai inā he haku mele maikaʻi loa lākou i loko o lākou iho, e like me Beethoven's Appassionata a i ʻole Rachmaninov's Second Piano Concerto. Ma hope o nā mea a pau, nui loa nā mele nani, akā ʻaʻole i ʻike ʻia e ka poʻe hoʻolohe. No ka ʻike ʻana iā ia, pono wale kekahi e hele i kahi kaʻina mai nā ala hele maikaʻi a paʻa ...

ʻIke wau aia kekahi mau mea hoʻokani e makemake e hoʻokomo i nā papahana kaulana a kaulana i kā lākou mau papahana, no ka mea e hōʻoiaʻiʻo ana kēia i ka noho ʻana o ka Hale Philharmonic. ʻAe, a ʻaʻohe pilikia o ka hoʻomaopopo ʻana… Noʻu iho, e hoʻomaopopo pono iaʻu, ʻaʻole pono kēlā "hoʻomaopopo". A ʻo nā kūleʻa hoʻopunipuni ʻaʻole hoʻi e huki mai iaʻu. ʻAʻole pono kēlā me kēia kūleʻa e ʻoluʻolu - i nā makahiki āu e ʻike nui ai i kēia.

ʻOiaʻiʻo, ʻo kahi ʻāpana i hoʻokani pinepine ʻia e nā poʻe ʻē aʻe e ʻoluʻolu iaʻu. A laila hiki iaʻu, ʻoiaʻiʻo, hoʻāʻo e pāʻani. Akā, pono e kuhikuhi ʻia kēia mau mea e nā mele mele, nā noʻonoʻo noʻonoʻo, ʻaʻole ma ke ʻano opportunistic a ʻaʻole "kālā".

A he mea hilahila maoli nō, i koʻu manaʻo, ke hoʻokani ka mea pena i ka mea like i kēlā me kēia makahiki, i kēlā me kēia kau a i ke kau. Nui ko mākou ʻāina, nui nā wahi ʻaha mele, no laila hiki iā ʻoe, ma ke kumu, "roll" i nā hana like i nā manawa he nui. Akā, ua lawa anei ia?

ʻO kahi mea hoʻokani pila i kēia lā, i ko mākou kūlana, pono e lilo i mea hoʻonaʻauao. Ua maopopo ia'u no keia. ʻO ia ka hoʻomaka hoʻonaʻauao ma nā hana hana keaka i pili loa iaʻu i kēia lā. No laila, ma ke ala, mahalo nui au i nā hana a nā mea pena e like me G. Rozhdestvensky, A. Lazarev, A. Lyubimov, T. Grindenko ... "

Ma ka hana a Petrov, hiki iā ʻoe ke ʻike i kona mau ʻaoʻao a me nā ʻaoʻao. Aia nā mea a pau i ka mea āu e hoʻolohe ai, ma ke kihi o ka nānā. Mai ka mea e nānā mua ai, i ka mea e kau ai i ka manaʻo. Hoʻomaopopo kekahi i ka pianist i ka "chill", ʻo nā mea ʻē aʻe - "ka impeccability o ke ʻano mea kani." Loaʻa ʻole kekahi i ka "impetuosity unbridled and passion", akā ʻaʻole i nele kekahi i "ka mālamalama maikaʻi loa e lohe ʻia a hana hou ʻia nā mea mele a pau." Akā, ke manaʻo nei au, ʻaʻole pili i ka loiloi ʻana o kekahi i ka pāʻani a Petrov a me ke ʻano o ka pane ʻana o kekahi iā ia, ʻaʻole hiki i kekahi ke hāʻule i ka hoʻomaikaʻi ʻana i ke kuleana kiʻekiʻe loa e mālama ai i kāna hana. ʻO ia ka mea hiki ke kapa ʻia he ʻoihana ma ke ʻano kiʻekiʻe a maikaʻi loa o ka ʻōlelo…

"ʻOiai inā he 30-40 wale nō ka poʻe i loko o ke keʻena, e pāʻani nō wau me ka hoʻolaʻa piha. ʻAʻohe mea koʻikoʻi iaʻu ka nui o ka poʻe i hele mai ma ka ʻahamele. Eia naʻe, ʻo ka poʻe i hele mai e hoʻolohe i kēia mea hoʻokani, ʻaʻole kekahi, ʻo ia hoʻi kēia papahana i hoihoi iā ia, he anaina nui ia noʻu. A mahalo nui au iā ia ma mua o ka poʻe kipa o nā ʻaha mele hanohano, nona ka mea nui e hele i kahi e hele ai nā mea a pau.

ʻAʻole hiki iaʻu ke hoʻomaopopo i ka poʻe hoʻokani e hoʻopiʻi ma hope o ka ʻaha mele: "poʻo, ʻike ʻoe, ʻeha", "ʻaʻole i hoʻokani ʻia nā lima", "piano maikaʻi ʻole ...", a i ʻole e kuhikuhi i kahi mea ʻē aʻe, e wehewehe ana i ka hana kūleʻa ʻole. I koʻu manaʻo, inā ʻoe i hele ma ke kahua, pono ʻoe ma luna. A hiki i kāu kiʻekiʻe kiʻekiʻe. ʻAʻohe mea e hiki mai ana! A i ʻole mai pāʻani iki.

Ma nā wahi a pau, i kēlā me kēia ʻoihana, koi ʻia kona pono ponoʻī. Ua aʻo mai ʻo Yakov Izrailevich Zak iaʻu i kēia. A i kēia lā, ʻoi aku ka maikaʻi ma mua o koʻu hoʻomaopopo ʻana i kona pololei. No ka hele ʻana i ke kahua ma waho o ke ʻano, me kahi papahana i hoʻopau ʻole ʻia, ʻaʻole mākaukau me ka mālama a pau, e pāʻani me ka mālama ʻole - he mea hōʻino wale kēia.

A me ka hope. Inā hoʻokani maikaʻi ka mea hoʻokani, ʻoiai kekahi mau pilikia pilikino, maʻi maʻi, nā pāʻani ʻohana, a me nā mea ʻē aʻe, "ma kahi pae," pono ia mea pena, i koʻu manaʻo, mahalo nui. Hiki iā lākou ke ʻōlelo: i kekahi lā ʻaʻole ia he hewa a hoʻomaha ... ʻAʻole a ʻaʻole! ʻIke ʻoe i ka mea e hana nei i ke ola? Hoʻokomo ke kanaka i ka pālule maloʻo a me nā kāmaʻa maʻemaʻe, a laila kekahi, a ... He maʻalahi ke iho i lalo, pono ʻoe e hoʻomaha iā ʻoe iho.

Pono ʻoe e mahalo i kāu hana. ʻO ka mahalo i ke mele, no ka mea, ʻo ka ʻoihana, i koʻu manaʻo, ka mea nui loa.

… I ka manawa, ma hope o Fort Worth a me Brussels, ua hoʻolaha mua ʻo Petrov iā ia iho he mea hoʻokani ʻakaʻaka, ua ʻike ka poʻe he nui i loko ona, ʻo ka mea mua, he virtuoso, he mea haʻuki piano hou i hānau ʻia. Ua makemake kekahi poʻe e hōʻino iā ia me ka ʻenehana hypertrophied; Hiki iā Petrov ke pane i kēia me nā ʻōlelo a Busoni: i mea e piʻi ai ma luna o kahi virtuoso, pono e lilo i hoʻokahi ... Ua hoʻokō ʻo ia e piʻi aʻe ma luna o kahi virtuoso, ua hōʻoia nā ʻahamele a ka piano i nā makahiki he 10-15 me nā hōʻike āpau. ʻO kāna pāʻani ua lilo i mea koʻikoʻi, ʻoi aku ka hoihoi, ʻoi aku ka noʻonoʻo noʻonoʻo, me ka nalowale ʻole o kona ikaika a me ka mana. No laila ka ʻike i hiki mai iā Petrov ma nā pae he nui o ka honua.

G. Tsypin, 1990

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