Hoʻolikelike |
Hoʻohālike (mai ka ʻōlelo Helene parallnlos – parallel, lit. – aia a hele wāwae paha ma kekahi ʻaoʻao) – ka neʻe ʻana o nā leo ʻelua a ʻoi aku paha o ka polyphonic polyphony. a i ʻole mele homophonic. nā lole me ka mālama ʻana i ka wā like a i ʻole nā wāwae ma waena o lākou ("wehe" P.), a me kekahi mau ʻano o ka neʻe ʻana o nā leo ma kahi ʻaoʻao ("huna" P.). Pono e hoʻokaʻawale ʻia ʻo P. mai ka pālua ʻana i ka leo hoʻokahi i kahi octave a i loko o kekahi mau octave, i hoʻohana mau ʻia ma prof. mele. ʻO ka P. kahi hiʻohiʻona o kekahi mau ʻano moe. nā koi a kekahi poʻe, mele. nā genres (no ka laʻana, Russian a me Ukrainian Kant). Ua ʻike ʻia mai ka wā kahiko; nā ʻano mua loa o prof. Ua hoʻokumu ʻia ka polyphony i ka neʻe like ʻana o nā leo, ʻaʻole wale ka hapakolu, akā ua hoʻohana ʻia nā hapalima, nā kuata, a me nā kekona (e nānā i ka Organum). Ma hope mai, ma ka prof. music found application Ch. arr. P. kolu a me ke ono. P. octaves a me ka hapalima i na keneturia 13-14. ua kapu ke mele. manaʻo e like me ka uhaki i ke kūʻokoʻa o ka neʻe ʻana o kēlā me kēia leo. I ke kenekulia 18, ua hoʻokumu ʻia kahi ʻokoʻa i kēia lula - ua ʻae ʻia nā hapalima like i ka wā e hoʻoholo ai i ka piʻi ʻana o ka fifth-sextakcord o ke degere VII i ka tonic (ka mea i kapa ʻia ʻo "Mozartian fifths"):
I nā kenekulia 17-18. ua hoʻonui pū ʻia ke kānāwai o ka pāpā ʻana i ka P. octaves a me ka hapalima i nā hihia o "huna" P. (koe naʻe ka mea i kapa ʻia ʻo "horn fifths") - nā neʻe o nā leo ma kahi ʻaoʻao i kahi octave a i ʻole ka lima, a me ia ʻano hana. o na leo, me ka Krom octaves like a i ole ka hapalima i hookumuia ma na kupaa ikaika o na ana (ina nae aole i malamaia keia mau manawa ma ke ana holookoa); ʻAʻole ʻae ʻia ka hoʻololi ʻana i ka octave a i ʻole ka lima e ka neʻe ʻana o nā leo. Ua manaʻo kekahi poʻe theorists (G. Zarlino) he mea makemake ʻole ka hoʻololi ʻana o ʻelua hapakolu nui like ʻole ma muli o ka tritone i hana ʻia e ka leo haʻahaʻa o kekahi a me ka leo luna o kekahi.
I ka hoʻomaʻamaʻa, ʻaʻole i hoʻokomo i nā haku o kahi ʻano koʻikoʻi a me nā palapala noiʻi e pili ana i ka harmoni a me ka polyphony, mālama ʻia kēia mau lula āpau ma Ch. arr. e pili ana i nā leo kiʻekiʻe loa o nā muses. lole lole.
A mai ke kenekulia 19, hoʻohana mau ʻia ka P. fifths a me nā consonances holoʻokoʻa e ka poʻe haku mele e hoʻokō i kekahi hana. hopena (G. Puccini, K. Debussy, IF Stravinsky) a i ʻole e hana hou i ke ʻano o ka Nar. hookani mele, ke kala o ka wa kahiko (Verdi's Requiem).
E hoʻomaopopo ': Stasov VV, Leta ia Mr. Rostislav e pili ana iā Glinka, Theatrical and Musical Bulletin, 1857, No 42 (ma ka puke: VV Stasov. Articles on Music, hoʻoponopono ʻia e VV Protopopov , pukana 1, M., 1974, pp. 352- 57); ʻO Tyulin Yu. N., Parallelisms in music theory and practice, L., 1938; Ambros AW, Zur Lehre vom Quintenverbote, Lpz., 1859; Tappert, W., Das Verbot der Quinten-Parallelen, Lpz., 1869; Riemann H., Von verdeckten Quinten und Oktaven, Musikalisches Wochenblatt, 1840 (same in Präludien und Studien, Bd 2, Lpz., 1900); Lemacher H., Plauderei über das Verbot von Parallelen, “ZfM”, 1937, Bd 104; Ehrenberg A., Das Quinten a me Oktavenparallelenverbot ma systematischer Darstellung, Breslau, 1938.
