Manawa |
ʻŌlelo mele

Manawa |

Māhele puke wehewehe
ʻōlelo a me nā manaʻo

manawa (mai ka Helene. periodos – bypass, circulation, a certain circle of time) – ka maʻalahi o ka haku mele ʻana, ʻo ia kekahi hapa o nā ʻano nui a i ʻole nona iho. manaʻo. ʻO ka hana a Main P. he hōʻike i nā mele i hoʻopau ʻia. manaʻo (kumu) i ka hana. hale kūʻai homophonic. Hui pu me P. dec. nā hale. Hiki ke wehewehe ʻia kekahi o lākou ʻo ka mea nui, normative. He P. keia, kahi i puka mai ai ka likelike o na huaolelo elua. Hoʻomaka like lākou (a like paha) akā hoʻopau i nā ʻano like ʻole. cadence, emi i ka piha ma ka mua a oi ka piha ma ka olelo elua. ʻO ka ratio maʻamau o nā cadences he hapalua a piha. ʻO ka hoʻopau ʻana i ka lōkahi ma ka hopena o ka paukū mua e pili ana i ka hopena ma ka tonic ma ka hope o ka lua (a me ka manawa holoʻokoʻa). Aia kahi ratio harmonic o ka mea maʻalahi loa. ke kaʻina, e kōkua i ka structural integrity o ka P. 'ē aʻe lākiō o ka cadences hiki no hoi: piha imperfect - piha hemolele, a me ka mea 'ē aʻe, ka lākiō o cadences hiki ke hoohuli (no ka laʻana, hemolele - pono ole a piha - incomplete. ). Aia he P. a me ka leo like. ʻO kekahi o nā koho maʻamau no ka harmonica. Nā hana a P. – ka hoʻololi ʻana i ka ʻōlelo ʻelua, ʻoi loa ma ka ʻaoʻao mana. Hoʻoikaika kēia i ke ʻano o P.; hoʻohana wale ʻia ka modulating P. ma ke ʻano he mea o nā ʻano nui.

He kuleana koʻikoʻi nō hoʻi ka metric. ʻO ke kumu o P. ʻO ke ʻano maʻamau no nā ʻano he nui (akā ʻaʻole nā ​​​​mea a pau) a me nā ʻano mele o ʻEulopa he squareness, me ka helu o nā pahu ma P. a i kēlā me kēia ʻōlelo e like me ka mana o 2 (4, 8, 16, 32). ). Kū mai ka squareness ma muli o ka hoʻololi mau ʻana o ka māmā a me ke kaumaha kaumaha (a i ʻole, ke kaumaha a me ka māmā). Hoʻohui ʻia ʻelua mau pā i ʻelua a ʻelua i ʻehā mau pahu, ʻehā mau pahu i ʻewalu mau pahu, a pēlā aku.

Ma kahi kūlana like me ka mea i wehewehe ʻia, hoʻohana ʻia nā hale ʻē aʻe. Hana lākou i ka P. inā hana lākou i ka hana like me ka mea nui. ʻano, a me nā ʻokoʻa o ka hoʻolālā ʻaʻole e hele ma mua o kahi ana, ma muli o ke ʻano a me ke ʻano o ke mele. ʻO nā hiʻohiʻona wehewehe o kēia mau ʻano ʻano ke ʻano o ka hoʻohana ʻana i nā muses. mea, a me ke ana. a me ka harmonic. hale kūkulu. No ka laʻana, ʻaʻole hiki i ka ʻōlelo ʻelua ke hana hou i ka mua, akā e hoʻomau, ʻo ia hoʻi, he mea hou i ke mele. mea waiwai. Ua kapaia keia P. P. o ka hana hou ʻole a hoʻokahi paha. Hoʻohui pū ʻia ʻelua mau huaʻōlelo heterogeneous ma ka conjugation o nā cadences. Eia naʻe, ʻaʻole hiki ke hoʻokaʻawale ʻia ka P. o kahi hale hoʻokahi i nā huaʻōlelo, ʻo ia hoʻi, hoʻohui ʻia. I kēia hihia, ua uhaki ʻia ke kumu kumu nui o P. A eia nae e noho ana ke kukulu P., ina e hoakaka ana i ka wehewehe. thematic material and occupies the same place in the form of the whole as the normative P. ʻO ka hope loa, aia nā P., i ʻekolu mau ʻōlelo me ka ʻokoʻa loa. lākiō kumuhana. mea (a1 a2 a3; ab1b2; abc, etc.).

Hiki ke hoʻopili ʻia nā ʻokoʻa mai ka ʻano nui P. i ke metric. hale hale. Hiki ke wāwahi ʻia ka symmetry o nā paukū ʻelua ma ka hoʻonui ʻana i ka paukū ʻelua. Penei ka puka ʻana o kahi P. hoʻonui maʻamau (4 + 5; 4 + 6; 4 + 7, etc.). ʻAʻole maʻamau ka pōkole o ka ʻōlelo ʻelua. Aia kekahi mau ʻāpana, kahi i kū ʻole ai ka huinahā like ʻole ma muli o ka lanakila ʻana i ka squareness mua, akā iā ia iho, ma ke ʻano he waiwai maoli i loko o kēia mele. ʻO ia mau P. like ʻole he maʻamau, ʻo ia hoʻi, no ka Lūkini. mele. Hiki ke ʻokoʻa ka ratio o ka helu o nā pōʻai i kēia hihia (5 + 5; 5 + 7; 7 + 9, etc.). I ka pau ana o P., mahope iho o kona pau ana. cadence, hiki mai kahi hoʻohui - kahi hana a i ʻole kahi ʻano hana, e like me kāna muses ponoʻī. ʻo ia hoʻi e pili ana iā P., ʻaʻole naʻe he kūʻokoʻa. waiwai.

Hoʻopuka pinepine ʻia ʻo P., i kekahi manawa me nā loli kikokikona. Inā naʻe, hoʻololi i ka wā o ka hana hou ʻana e hoʻokomo i kahi mea koʻikoʻi i loko o ka hoʻolālā harmonic o ka P., ma muli o ia mea e hoʻopau ai me kahi cadence ʻokoʻa a i ʻole ma kahi kī ʻokoʻa, a laila ʻaʻole ia he P. akā, he hale hoʻokahi o ka paʻakikī P. ʻElua mau huaʻōlelo paʻakikī o ka paʻakikī P. ʻelua P maʻalahi mua.

Ua ala mai o P. ma Europa. prof. mele i ke au o ke kumu o ka hale kūʻai homophonic, i pani i ka polyphonic (16-17 mau kenekulia). He kuleana nui i kona hoʻokumu ʻia ʻana e Nar. a me nā hula hale. a me ke mele a me ka hula. nā ʻano. No laila ke ʻano o ka squareness, ʻo ia ke kumu o nā hula. mele. Ua pili pū kēia i nā kikoʻī ʻāina o ke kuleana mele-va Western-Europe. ʻāina - i loko., Austrian, Italian, French. nar. ʻo ke mele hoʻi e hoʻomalu ʻia e ka squareness. No ka Lūkini, ʻaʻole ʻike ʻia kahi mele i huki ʻia. No laila, laha loa ka organic non-squareness ma ka Lūkini. mele (MP Mussorgsky, SV Rachmaninov).

P. ma prof. instr. ʻO ke mele i ka hapanui o nā hihia e hōʻike ana i ka hapa mua o kahi ʻano nui - kahi maʻalahi ʻelua a ʻekolu paha. Hoʻomaka wale me F. Chopin (Preludes, op. 25) e lilo ia i ʻano hana kūʻokoʻa. Wok. Ua lanakila ʻo P. i kahi paʻa ma ke ʻano o ka pauku o ka mele. Aia kekahi mau mele non-couplet a me nā mele i kākau ʻia ma ke ʻano o P. (ʻO ke aloha ʻo SV Rachmaninov "He Maikaʻi Ma ʻaneʻi").

E hoʻomaopopo ': Catuar G., Ke ano mele, hapa 1, M., 1934, o. 68; Sposobin I., Ke ano mele, M.-L., 1947; M., 1972, p. 56-94; Skrebkov S., Nānā i nā hana mele, M., 1958, p. 49; Mazel L., Hoʻonohonoho o nā hana mele, M., 1960, p. 115; Reuterstein M., Nā ʻano mele. Hoʻokahi hapa, ʻelua ʻāpana a me ʻekolu ʻāpana, M., 1961; Musical Form, ed. ʻO Yu. Tyulina, M., 1965 p. 52, 110; Mazel L., Zukkerman V., Nānā i nā hana mele, M., 1967, p. 493; Bobrovsky V., Ma ka loli o nā hana o ke ʻano mele, M., 1970, p. 81; Prout E., Musical form, L., 1893 Ratner LG Einghteenth century theories of musical period structure, “MQ”, 1900, v. 17, no 31.

VP Bobrovsky

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