Polyfunctionality |
mai ka Helene polu - nui a lat. funstio - hoʻokō, hoʻokō, hana
ʻO ka hui pū ʻana o nā hana ʻokoʻa (maʻa mau ʻelua) i hoʻokahi consonance (ʻo ka pinepine he kūʻē i waena o nā bass a i ʻole nā leo haʻahaʻa a me nā leo lokahi kiʻekiʻe). Aia ma nā wahi okana (PI Tchaikovsky, "Eugene Onegin", Lensky's arioso mai ke kiʻi mua, ka hoʻomaka ʻana o ke coda, ka mana o fis a me E ma ka wahi hoʻonohonoho o ka tonic E-dur), mau leo i waena a me nā leo luna. ( L. Beethoven, sonata 1 no ka piano, māhele I, hoʻolauna, nā pahu 32 a me 12), nā kiʻi pedal paʻakikī (NA Rimsky-Korsakov, The Golden Cockerel, 14rd act, helu 3, bars 249-7, ma nā huaʻōlelo: " A e ho'āʻo e male"), i kekahi mau hui pū ʻana me nā leo ʻole (ʻoi aku ka lōʻihi; e laʻa me ka consonance fad-cis-egb i ka hope o ka symphony 8 a Beethoven) a me nā stratifications linear (eg, chord – cambiata III o kahi haʻahaʻa haʻahaʻa ma ʻO ka cadence hope loa o ka ʻāpana II o ka sonata 9 e SS Prokofiev; me nā leo a i ʻole nā papa e neʻe ana kekahi i kekahi), ma ka cadence quarter-sextakcord (TD; ma nā palapala mele, ʻike ʻia kona inoa pālua: T6 a me D64), i kekahi manawa i ka hana kūikawā (Beethoven, kahi hui o T a me D ma mua o ka hoʻomaka ʻana o ka ʻāpana I o ka 64rd sym phony) a me nā kumu hoʻohālike (a kiʻi paha):
L. Beethoven. 3rd symphony, neʻe I.
ʻO ka polyfunctional contradiction D (no nā mea kani) a me T (no ka pū; e like me ka hoʻokiʻekiʻe kiʻekiʻe) ʻo ia ka mea e hoʻoikaika nui ai i ka makemake no ka tonic i manaʻo ʻia o ka reprise a hōʻike. ʻO ka hopena hoʻokuʻu o ka volta tonal nui i kūkulu ʻia he ikaika loa.
Eia naʻe, hewa pinepine ka wehewehe ʻana i ka harmoni dissonant hou mai ke kūlana o P., tk. ʻO ka "haʻihaʻi" i ka lokahi hou i loko o nā ʻāpana liʻiliʻi, hiki ke loaʻa i nā ʻano o ka nānā ʻana ma mua, e hoʻopau i ke kumuhana maoli o ka nānā ʻana, e hoʻololi iā ia me nā mea ʻē aʻe (e nānā i ka Polytonality, Polychord). No laila, ʻo ka chord ce-fis-h, kahi i kūkulu ʻia ai ka hoʻololi 4 o ka ʻāpana ʻelua o ka piano 3. ʻAʻole hiki ke wehewehe ʻia ka concerto a Prokofiev ma ke ʻano he hui polyfunctional o T (eh) a me S (ce-fis) i ke kī o e-moll; he kuokoa. he consonance e hoʻokō i hoʻokahi wale nō hana - ka mea kikowaena (tonics) o kahi harmonic i hāʻawi ʻia. ʻōnaehana. No laila, he mele e like me ka cegad a i ʻole ceghd, inā hoʻohana ʻia (e laʻa me ka mele jazz) ma ke ʻano he mele kūʻokoʻa. tonic consonance (C-dur), monofunctional, ʻaʻole polyfunctional.
E hoʻomaopopo ': ʻO Tyulin Yu. N., Buke o ka lokahi, hapa 2, M., 1959; nona iho, Modern Harmony and Its Historical Origin, ma: Nīnau o Contemporary Music, L., 1963, ma: Theoretical Problems of Music of the 1th Century, vol. 1967, M., 4; Zolochevsky VN, Modulation a me polytonality, i ka ohi: Ukrainian Musical Studies, vol. 1969, Kipv, 4; Rivano N., Heluhelu i ka lokahi, hapa 1973, M., XNUMX.
ʻO Yu. ʻAe. Kholopov
