Pierre-Alexandre Monsigny |
ʻO Pierre-Alexandre Monsigny
haku mele Palani. Hui Hui o Farani (1813). Ua aʻo ʻia ʻo ia ma ke Kulanui Jesuit ma Saint-Omer. I kona wā kamaliʻi, ua aʻo ʻo ia e pāʻani i ka violin, ma ka ʻōnaehana. ʻaʻole i hoʻonaʻauao ʻia nā mele. Mai 1749 noho ʻo ia ma Paris, kahi, ma lalo o ka mana o ka opera buffa Italia, hoʻomaka ʻo ia e aʻo i ka haku mele me kahi bassist pālua a me ka comp. P. Gianotti. I ka makahiki 1759, ua hana mua ʻo M. i kāna mele mele mua loa ʻo Les aveux indiscrets (Fair Market ma Saint-Germain, Paris), e hūnā ana i kona inoa me ka makaʻala. Ma hope wale nō, i ka holomua o kāna hana. ua hoʻolako ʻia, ua hoʻoholo ka haku mele e ʻōlelo ākea. Ua kākau ʻia nā keaka nui i ka makahiki 1759-77 (ua hoʻokani ʻia lākou ma nā kahua pāʻani, a ma hope o ka pani ʻana, ma ka hale keaka Comedie Italienne). ʻO Mn. Ua hana ʻo M. i nā keaka me ka hui pū ʻana me ka librettist M. Zh. Seden. I ka makahiki 1800-02, he mea nānā 'o ia no ka conservatory. ʻO M., me FA Philidor a me E. Duny, ka mea nāna i hana ke mele mele mele, he ʻano hou e hōʻike ana i ka hana kiʻekiʻe o Farani i ka Enlightenment. Ua haʻalele ʻo ia i nā kuʻuna o ka hale keaka kahiko me kāna mau ʻaha kūkā. Prod. Ua kokoke ʻo M. i ka "comed koʻikoʻi," e like me kāna i manaʻo ai i kāna aesthetic. ʻO ka ʻōnaehana D. Diderot. ʻAʻole i haʻalele ka mea haku mele i ka moʻolelo moʻolelo kuʻuna ("Beautiful Arsena", 1773), patriarchal and idyllic. moods ("The King and the Farmer", 1762), element of farce or exoticism ("The Fooled Kadi", 1761; "Alina, Queen of Golconda", 1766), akā, ua hōʻike maopopo ʻia kāna talena ma ka sensitive. keaka ʻohana (“Deserter”, 1769; “Felix, or Foundling”, 1777). Ma kona kuhikuhi, ua kokoke ka hana a M. i ka sentimentalism o ia manawa (he gravitates ia, i ka poʻe, i ka pōʻai o nā kiʻi hiʻohiʻona o ka pena o JBS Chardin, e hāʻawi iā ia, akā naʻe, i ka manaʻo artistic). Manaʻo Heroes. ʻO nā mele mele a M. he poʻe maʻamau e hana ana i nā kūlana o kēlā me kēia lā - he ʻohana mahiʻai, bourgeois, mahiʻai, koa. Akā, ʻaʻole like me ka nui o nā opera Philidor a me Dunya, M. genre a me ka comic. ʻO nā mea i loko o ka hoʻomohala ʻana o ka pākuʻi e mae i ke kāʻei ʻana a e uhi wale i ka hana keaka e hoʻomau nei. Hōʻike ʻia ka ʻāʻī o nā manaʻo ma ke ʻano mele mele. nā mele i hoʻopiha ʻia me nā ala hanohano a me ka hoʻokiʻekiʻe ʻana i ke kiʻi o kahi meʻe haʻahaʻa ma ke ʻano hou ke loaʻa ʻo ia i ka ʻeha maoli. Prod. Hōʻike ʻo M. i ka hoʻonaʻauao kanaka o ka moʻolelo. ʻO ka opera, e pili ana i kona ʻano olakino olakino, ʻano o ka pre-revolutionary. mau makahiki. Pono nā hana aesthetic hou i ka hoʻonui ʻana i nā muses. punawai komike. operas: ke koʻikoʻi o nā arias koʻikoʻi (ʻaʻole naʻe i hoʻoneʻe i ke aloha a me nā couplets mai ka opera), a ua hoʻonui ʻia nā pāʻani i M. ensembles, aia nā recitatives (i nā hui ʻoi ʻoi aku), waihoʻoluʻu a hōʻike. orc. ʻO nā ʻāpana, hohonu ka ʻike o ka overture a me kona pilina pili me ka opera. Ch. ka mana o suit-va M. – ma ke mele. makana a ka haku mele; holomua a kaulana o kāna mau hana keaka. hāʻawi ʻia i kahi Farani maopopo, pololei, hou, kokoke. mele mele.
Nā haku mele: 18 opera, me The Cadi Fooled (Le cadi dupe, 1761, Fair Trade Center ma Saint-Germain, Paris), The King and the Farmer (Le roi et le fermier, 1762, Comedie Italienne, Paris), Rose a me Cola (Rose et Colas, 1764, ibid.), Aline, Queen of Golconde (Aline, reine de Golconde, 1766, Opera, Paris), Philemon and Baucis (1766, tr. Duke of Orleans, Bagnoles), Deserter ( Le deserteur, 1769, “Comédie Italienne”, Paris), Nani Arsene (La belle Arsène, 1773, Fontainebleau), Felix, a i ole Foundling (Félix ou L'entant trouvé, 1777, ibid.).
E hoʻomaopopo ': ʻO Laurence L. de la, ke mele mele Farani o ke kenekulia 1937, unuhi. mai Palani, M., 110, p. 16-1789; Livanova TN, History of Western European music until 1940, M., 530, p. 35-1908; Pougin A., Monsigny et son temps, P., 1955; Druilhe P., Monsigny, P., 1957; Schmid EF, Mozart a me Monsigny, ma: Mozart-Jahrbuch. 1957, Salzburg, XNUMX.
TN Livanova
