Svyatoslav Teofilovych Richter (Sviatoslav Richter) |
Sviatoslav Richter
ʻO ke kumu a Richter, ʻo Heinrich Gustavovich Neuhaus, i kamaʻilio e pili ana i ka hālāwai mua me kāna haumāna e hiki mai ana: "Ua noi nā haumāna e hoʻolohe i kahi ʻōpio mai Odessa e makemake e komo i ka conservatory i loko o kaʻu papa. "Ua puka ʻo ia mai ke kula mele?" Ninau au. ʻAʻole, ʻaʻole ʻo ia i aʻo ma kahi ʻē. Ke haʻi aku nei au he mea kānalua kēia pane. ʻO kahi kanaka i loaʻa ʻole ka hoʻonaʻauao mele e hele ana i ka conservatory! .. He mea hoihoi ia ke nana aku i ka aa. A hele mai la ia. He kanaka ʻōpio lōʻihi, wiwi, lauoho nani, maka uliuli, me ka helehelena uʻi, kāhāhā. Noho ʻo ia i lalo ma ka piano, kau i kona mau lima nui, palupalu, hopohopo ma nā kī, a hoʻomaka ʻo ia e hoʻokani. Ua hoʻokani paʻa loa ʻo ia, e ʻōlelo wau, ʻoiai me ka maʻalahi a me ke koʻikoʻi. ʻO kāna hana i hopu koke iaʻu me kahi komo kupaianaha i ka mele. Hāwanawana au i kaʻu haumāna, "Manaʻo wau he mea hoʻokani pila ʻo ia." Ma hope o kā Beethoven's Twenty-Eighth Sonata, hoʻokani ke kanaka ʻōpio i kekahi o kāna mau haku mele, heluhelu ʻia mai kahi pepa. A makemake ka poʻe a pau i hele mai e pāʻani hou aʻe… Mai ia lā mai, ua lilo ʻo Svyatoslav Richter i haumāna naʻu. (Neigauz GG Reflections, memories, diaries // Nā ʻatikala i koho ʻia. Nā leka i nā mākua. S. 244-245.).
No laila, ʻaʻole i hoʻomaka maʻamau ke ala i ka hana nui o kekahi o nā mea hana nui loa o ko mākou manawa, ʻo Svyatoslav Teofilovich Richter. Ma keʻano laulā, nui nā mea maʻamau i loko o kāna moʻolelo biography a ʻaʻole nui nā mea maʻamau no ka hapa nui o kāna mau hoa hana. Ma mua o ka hui ʻana me Neuhaus, ʻaʻohe mālama aʻoaʻo aloha i kēlā me kēia lā, i manaʻo ʻia e kekahi mai ka wā kamaliʻi. ʻAʻohe lima paʻa o ke alakaʻi a me ke kumu aʻo, ʻaʻohe haʻawina i hoʻonohonoho pono ʻia ma ka mea kani. ʻAʻohe hoʻomaʻamaʻa ʻenehana i kēlā me kēia lā, nā papahana hoʻopaʻa haʻawina hoʻoikaika a lōʻihi, ka holomua ʻana mai kahi pae a i kahi pae, mai kahi papa a i kahi papa. He makemake nui i ka mele, he huli hoʻopaʻa ʻole ʻia no ke aʻo ʻana iho ma hope o ka papa keyboard; He heluhelu pau ʻole mai kahi pepa o nā ʻano hana like ʻole (ʻoi aku ka nui o nā opera claviers), hoʻāʻo mau e haku; i ka manawa - ka hana a ka mea hoʻokani pila ma Odessa Philharmonic, a laila ma ka Opera a me Ballet Theatre. He moeʻuhane koʻikoʻi o ka lilo ʻana i alakaʻi - a me ka haʻihaʻi ʻole o nā hoʻolālā āpau, kahi huakaʻi i Moscow, i ka conservatory, i ka Neuhaus.
I Nowemapa i ka makahiki 1940, ua hana ʻia ka hana mua o ka Richter 25 makahiki i mua o kahi anaina ma ke kapikala. He lanakila lanakila ia, ua hoʻomaka ka poʻe loea a me ka lehulehu e kamaʻilio e pili ana i kahi mea hou a kupaianaha i ka piano. ʻO ka hoʻomaka mua o Nowemapa i ukali ʻia e nā ʻahamele hou aʻe, ʻoi aku ka kupaianaha a ʻoi aku ka lanakila ma mua o kekahi. (ʻO kahi laʻana, ʻo ka hana ʻana a Richter o Tchaikovsky's First Concerto ma kekahi o nā ahiahi symphony ma ka Hale Nui o ka Conservatory he mea kani nui. Akā me ka manaʻo ʻole, ua komo ke kaua i kona ola, ke ola o ka ʻāina holoʻokoʻa ...
Ua hoʻokuʻu ʻia ka Conservatory Moscow, haʻalele ʻo Neuhaus. Noho ʻo Richter ma ke kapikala - pōloli, hapalua hau, pau ka poʻe. I nā pilikia a pau i hāʻule i ka nui o ka poʻe i kēlā mau makahiki, ua hoʻohui ʻo ia i kāna ponoʻī: ʻaʻohe hale noho mau, ʻaʻohe mea hana ponoʻī. (Ua hele mai nā hoaaloha e hoʻopakele: ʻo kekahi o nā mea mua e kapa ʻia he mea kahiko a hoʻolalelale i kā Richter talent, artist AI Troyanovskaya). A ʻo ia nō naʻe i kēia manawa i ʻoi aku ka ikaika o kāna hana ma ka piano, ʻoi aku ka paʻakikī ma mua o ka wā ma mua.
I loko o nā pōʻai o nā mea hoʻokani, ua manaʻo ʻia: ʻelima-, ʻeono mau hola i kēlā me kēia lā he mea maʻamau. Hana ʻo Richter ʻaneʻane pālua ka nui. Ma hope, e ʻōlelo ʻo ia ua hoʻomaka ʻo ia e aʻo mai ka hoʻomaka ʻana o nā kanahā.
Mai Iulai 1942, ua hoʻomaka hou nā hālāwai a Richter me ka lehulehu. Wahi a kekahi o nā mea kākau moʻolelo o Richter i kēia manawa penei: “Ua lilo ke ola o ka mea pena kiʻi i kahawai mau o nā hana me ka hoʻomaha ʻole a me ka hoʻomaha. ʻaha mele ma hope o ka ʻahamele. ʻO nā kūlanakauhale, nā kaʻaahi, nā mokulele, nā kānaka… Nā mea hoʻokani pila hou a me nā alakaʻi hou. A hoʻomaʻamaʻa hou. Nā ʻaha mele. Nā keʻena piha. Pōmaikaʻi maikaʻi…” (Delson V. Svyatoslav Richter. – M., 1961. S. 18.). ʻO ka mea kupanaha, ʻaʻole wale ka mea hoʻokani piano puu; haohao pehea nui i lawe ʻia mai i ke kahua e ia i kēia wā. ʻO nā kau o Richter - inā ʻoe e nānā i hope i nā pae mua o ka moʻolelo o ke kahua o ka mea pena - he mea pau ʻole, ʻo ia hoʻi i loko o kāna mau kīʻaha kīwī o nā papahana. ʻO nā ʻāpana paʻakikī loa o ka repertoire piano e haku ʻia e kahi mea hoʻokani pila i loko o kahi mau lā. No laila, ma Ianuali 1943, ua ho'okani'o ia i ka Sonata Seventh a Prokofiev ma kahi'ahamele hamama. ʻO ka hapa nui o kāna mau hoa hana he mau mahina e hoʻomākaukau ai; ʻO kekahi o nā mea akamai loa a ʻike paha i hana ia i loko o nā pule. Ua aʻo ʻo Richter i ka sonata a Prokofiev i… ʻehā lā.
I ka pau ʻana o nā makahiki 1945, ʻo Richter kekahi o nā kiʻi koʻikoʻi i ka galaxy nani o nā haku piano piano Soviet. Ma hope ona he lanakila ma ka All-Union Competition of Performing Musicians (1950), he puka puka maikaʻi mai ka conservatory. (He hihia kakaikahi i ka hoʻomaʻamaʻa ʻana o ke kulanui mele metropolitan: ʻo kekahi o kāna mau ʻahamele ma ka Hale Nui o ka Conservatory i helu ʻia ma ke ʻano he hoʻokolokolo mokuʻāina no Richter; ma kēia hihia, ʻo nā "mea nānā" ka lehulehu o ka poʻe hoʻolohe, nona ka loiloi. Ua hōʻike ʻia me ka maopopo loa, ka maopopo a me ka lokahi.) Ma hope o ka kaulana kaulana o ka honua holoʻokoʻa e hiki mai ana: mai ka XNUMX, ua hoʻomaka nā huakaʻi a ka pianist ma waho - i Czechoslovakia, Polani, Hungary, Bulgaria, Romania, a ma hope i Finland, USA, Canada , ʻEnelani, Farani, Italia, Iapana a me nā ʻāina ʻē aʻe. ʻOi aku ka pili ʻana o ka hoʻohewa mele ma ke kiʻi a ka mea pena. Nui nā hoʻāʻo ʻana e kālailai i kēia kiʻi, e hoʻomaopopo i kāna ʻano hana hoʻomohala, kikoʻī, nā hiʻohiʻona nui a me nā ʻano. Me he mea lā he mea maʻalahi: ʻo ke kiʻi o Richter ka mea pena kiʻi nui loa, i hoʻopaʻa ʻia i ka outline, kumu, ʻaʻole like me nā mea ʻē aʻe ... Akā naʻe, ʻaʻole mamao loa ka hana o ka "diagnostics" mai ka hoʻohewa mele.
Nui nā wehewehe, nā hoʻoholo, nā ʻōlelo, a me nā mea ʻē aʻe, i hiki ke hana ʻia e pili ana iā Richter ma ke ʻano he mea hoʻokani pila; ʻoiaʻiʻo i loko o lākou iho, kēlā me kēia kaʻawale, lākou - ke hui pū ʻia - ʻano, ʻaʻohe mea kupanaha, he kiʻi ʻole o kekahi ʻano. ʻO ke kiʻi "ma keʻano laulā", kokoke, maopopoʻole, inexpressive. ʻAʻole hiki ke hoʻokō ʻia ka ʻoiaʻiʻo kiʻi (ʻo Richter kēia, ʻaʻohe mea ʻē aʻe) me kā lākou kōkua. E lawe kākou i kēia hiʻohiʻona: ua kākau pinepine ka poʻe loiloi e pili ana i ka repertoire nui a me ka palena ʻole o ka piano. ʻOiaʻiʻo, hoʻokani ʻo Richter i nā mele piano a pau, mai Bach a Berg a mai Haydn a Hindemith. Eia naʻe, ʻo ia wale nō? Inā hoʻomaka mākou e kamaʻilio e pili ana i ka laulā a me ka waiwai o nā waihona repertoire, a laila ʻo Liszt, a me Bülow, a me Joseph Hoffmann, a, ʻoiaʻiʻo, ke kumu nui o ka hope, ʻo Anton Rubinstein, nāna i hana i kāna "Historical Concerts" kaulana mai luna. tausani ekolu haneri (!) na hana no he kanahikukumamāiwa nā mea kākau. Aia i loko o ka mana o kekahi o nā haku o kēia wā e hoʻomau i kēia moʻo. ʻAʻole, ʻo ka ʻoiaʻiʻo ma nā pepa a ka mea pena hiki iā ʻoe ke loaʻa kokoke i nā mea āpau i manaʻo ʻia no ka piano ʻaʻole ia e hoʻolilo iā Richter i Richter, ʻaʻole ia e hoʻoholo i ka hale kūʻai kūʻokoʻa o kāna hana.
ʻAʻole anei i hōʻike ʻia kāna mau mea huna i ka nani a me ka ʻoki ʻoki ʻole ʻia o ka mea hoʻokani, kona akamai ʻoihana kiʻekiʻe? ʻOiaʻiʻo, ʻo kahi paʻi laha ʻole e pili ana iā Richter e hana me ka ʻole o nā huaʻōlelo hoihoi e pili ana i kona akamai pianistic, piha a me ka mākaukau ʻole o ka mea kani, a me nā mea ʻē aʻe. I ka makahiki o Horowitz, Gilels, Michelangeli, Gould, he mea paʻakikī loa ka hoʻokaʻawale ʻana i kahi alakaʻi paʻa i ka ʻenehana piano. A i ʻole, ua ʻōlelo ʻia ma luna e pili ana i ka hoʻoikaika kupanaha o Richter, kona pau ʻole, ka haki ʻana i nā manaʻo maʻamau o ka pono. Eia nō naʻe, ma ʻaneʻi ʻaʻole ʻo ia wale nō kona ʻano, aia kekahi poʻe o ke ao mele e hiki ke hoʻopaʻapaʻa pū me ia ma kēia ʻano. (Ua'ōleloʻia e pili ana i ka'ōpiopioʻo Horowitz,ʻaʻoleʻo ia i haʻalele i ka manawa kūpono e hoʻomaʻamaʻa ma ka papa keyboard a ma kahi pāʻina.) Ke'ōlelo nei lākou ua aneaneʻaʻole e māʻonaʻo Richter iā ia iho; Ua ʻeha mau ʻia ʻo Sofronitsky, Neuhaus, a me Yudina e nā loli hoʻomohala. (A he aha nā laina kaulana - hiki ʻole ke heluhelu me ka hauʻoli ʻole - aia i loko o kekahi o nā leka a Rachmaninov: "ʻAʻohe mea hoʻohewa ma ka honua. hou i loko oʻu ke kānalua nei ma mua oʻu iho ...") He aha ke kī o ka "phenotype" (ʻO kahi phenotype (phaino - He ʻano wau) he hui pū ʻana o nā hōʻailona a me nā waiwai a pau o ke kanaka i hoʻokumu ʻia i ke kaʻina o kona ulu ʻana.), e like me ka ʻōlelo a ka psychologist, ʻo Richter ka mea pena? I ka mea e hoʻokaʻawale ai i kekahi hanana i ka hana mele mai kekahi. Ma nā hiʻohiʻona ke ao uhane pianist. Ma ka waihona ia kanaka. I loko o ka manaʻo a me ka noʻonoʻo o kāna hana.
ʻO ke akamai a Richter ke ʻano o ka manaʻo nui. He kakaikahi wale na mea hookani ahamele e lealea ka pepeiao i ka lakou paani ana, e oluolu ana i ka oi maikai o na kaha kii, ka "nani" o na kala kani. ʻO kā Richter hana hoʻohauʻoli, a hoʻopuʻihaʻi hoʻi i ka mea hoʻolohe, lawe iā ia mai ke ʻano maʻamau o nā manaʻo, hoʻohauʻoli i ka hohonu o kona ʻuhane. No laila, no ka laʻana, ʻo ka wehewehe ʻana a ka mea piano no Beethoven's Appassionata a i ʻole Pathetique, Liszt's B minor sonata a i ʻole Transcendental Etudes, Brahms's Second Piano Concerto a i ʻole Tchaikovsky's First, Schubert's Wanderer or Mussorgsky's Pictures at a Exhibition ua haʻalulu i ko lākou manawa. , he mau hana a Bach, Schumann, Frank, Scriabin, Rachmaninov, Prokofiev, Szymanowski, Bartok… Mai ka poʻe maʻamau o nā ʻaha mele a Richter hiki ke lohe i kekahi manawa e loaʻa ana iā lākou kahi kūlana ʻano ʻē, ʻaʻole maʻamau i nā hana a ka mea hoʻokani piano: mele, lōʻihi a kaulana, ʻike ʻia me he mea lā ma ka hoʻonui ʻana, ka hoʻonui ʻana, ka hoʻololi ʻana o ka unahi. ʻO nā mea a pau e lilo i mea nui, ʻoi aku ka nui, ʻoi aku ka nui… Ua ʻōlelo ʻo Andrei Bely i ka poʻe, e hoʻolohe ana i ke mele, loaʻa ka manawa e ʻike ai i ka manaʻo a me ka ʻike o nā pilikua; Ua ʻike pono ka poʻe hoʻolohe o Richter i ka manaʻo o ka mea haku mele.
ʻO ia ke ʻano o Richter mai kona wā ʻōpiopio mai, ʻo ia kona ʻano i kona wā nui. I kekahi manawa, hoʻi i ka makahiki 1945, ua pāʻani ʻo ia ma ka hoʻokūkū All-Union "Wild Hunt" na Liszt. Ke hoʻomanaʻo nei kekahi o nā mea hoʻokani pila o Moscow i ka manawa like: “… Ma mua o mākou he mea hoʻokani titan, me he mea lā, ua hana ʻia e hoʻokomo i kahi fresco aloha ikaika. ʻO ka wikiwiki loa o ka manawa, ka piʻi ʻana o ka ikaika, ke ʻano wela ... makemake wau e hopu i ka lima o ka noho i mea e pale aku ai i ka hoʻouka kaua diabolical o kēia mele… ” (Adzhemov KX Poina ʻole. – M., 1972. S. 92.). He mau makahiki ma hope mai, ua pāʻani ʻo Richter i kekahi o nā kau i kekahi mau preludes a fugues e Shostakovich, Myaskovsky's Third Sonata, a me Prokofiev's Eighth. A eia hou, e like me ka wā kahiko, ua kūpono ke kākau ʻana i kahi hōʻike koʻikoʻi: "Makemake au e hopu i ka lima o koʻu noho ..." - ikaika loa, huhū ka puahiohio manaʻo e ʻā ana i ka mele a Myaskovsky, Shostakovich, ma ka hopena o ka pōʻai Prokofiev.
I ka manawa like, aloha mau ʻo Richter, hoʻololi koke a hoʻololi ʻia, e lawe i ka mea hoʻolohe i loko o ke ao o ka noʻonoʻo leo mālie, kaʻawale, mele "nirvana", a me nā manaʻo paʻa. I kēlā honua pohihihi a paʻakikī, kahi o nā mea a pau maʻemaʻe i ka hana - nā uhi uhi, ka lole, ka waiwai, ka pūpū - ua nalowale, hoʻoheheʻe ʻia me ka ʻole o kahi ʻano, e hāʻawi wale ana i ka radiation ikaika loa, tausani-volt. ʻO ia ka honua o nā preludes a me nā fugues a Richter mai Bach's Good Tempered Clavier, nā hana piano hope a Beethoven (ma luna o nā mea āpau, ʻo Arietta maikaʻi mai ka opus 111), nā wahi lohi o nā sonata a Schubert, nā mele noʻonoʻo o Brahms, ka pena kani hoʻomaʻemaʻe psychologically o Debussy a me Ravel. ʻO ka wehewehe ʻana i kēia mau hana i hāʻawi i kumu i kekahi o nā loiloi haole e kākau: “He pianist ʻo Richter o ka manaʻo kupanaha o loko. I kekahi manawa, me he mea lā ua hoʻokō ʻia ke kaʻina hana a pau o ka hana mele. (Delson V. Svyatoslav Richter. – M., 1961. S. 19.). Ua ʻohi ka mea hoʻohewa i nā huaʻōlelo maikaʻi loa.
No laila, ʻo ka "fortissimo" ikaika loa o nā ʻike kahua a me ka "pianissimo" weliweli ... Mai ka wā kahiko mai ua ʻike ʻia ʻo ka mea pena mele, ʻo ia ka pianist, violinist, conductor, etc. hoihoi - ākea, waiwai, ʻokoʻa - manaʻo. Me he mea lā, ʻaʻole i ka ikaika o kona mau manaʻo wale nō ka nui o Richter ma ke ʻano he mea hoʻokani ʻaha mele, i ʻike nui ʻia i kona wā ʻōpio, a i ka wā o nā 50s a me 60s, akā i ko lākou ʻano like ʻole ʻo Shakespearean, ʻano nui o nā kowali: huhū - ka manaʻo hoʻonaʻauao hohonu, ka manaʻo ecstatic - mālie a me ka moeʻuhane, ka hana ikaika - ka nānā ʻana a paʻakikī.
He mea hoihoi ke ʻike i ka manawa like he mau kala i loko o ke ʻano o nā manaʻo kanaka a Richter, ma ke ʻano he mea pena, i haʻalele mau ai a pale aku. ʻO kekahi o nā mea noiʻi koʻikoʻi loa o kāna hana, ʻo Leningrader LE Gakkel i nīnau iā ia iho i ka nīnau: he aha ka mea i loko o ka hana a Richter. ʻaʻole? (ʻO ka nīnau, i ka nānā mua ʻana, he haʻiʻōlelo a ʻano ʻē, akā ʻoiaʻiʻo he kūpono loa ia, no ka mea ka hala ʻO kekahi mea i kekahi manawa e hōʻike ana i kahi ʻano noʻeau i ʻoi aku ka maopopo ma mua o ka ʻike ʻana o ia mau hiʻohiʻona.) Ma Richter, kākau ʻo Gakkel, “… ma Richter, ʻaʻohe aloha, maalea, pāʻani, ʻaʻohe o ka capriciousness kona kani. (Gakkel L. No ke mele a me ka poʻe // Nā moʻolelo e pili ana i nā mele a me nā mea hoʻokani pila.—L .; M .; 1973. P. 147.). Hiki i kekahi ke hoʻomau: ʻAʻole makemake nui ʻo Richter i kēlā ʻoiaʻiʻo, pili pili huna kahi e wehe ai kekahi mea hana i kona ʻuhane i ka lehulehu - e hoʻomanaʻo kākou iā Cliburn, no ka laʻana. Ma ke ʻano he mea pena, ʻaʻole ʻo Richter kekahi o nā ʻano "open", ʻaʻohe ona sociability kiʻekiʻe (Cortot, Arthur Rubinstein), ʻaʻohe ʻano ʻano kūikawā - e kapa ʻia ʻo ia ʻo ka haʻiʻōlelo - ka mea i hōʻailona i ke ʻano o Sofronitsky a i ʻole Yudina. ʻO nā manaʻo o ka mea hoʻokani mele he haʻahaʻa, koʻikoʻi, aia i loko o lākou ke koʻikoʻi a me ke akeakamai; kekahi mea ʻē aʻe - inā he aloha, ʻoluʻolu, aloha aloha ... - nele lākou i kekahi manawa. Ua kākau ʻo Neuhaus i kekahi manawa, ʻoiai he kakaʻikahi loa ia i nele i ka "kanaka" ma Richter, "ʻoiai ke kiʻekiʻe o ka ʻuhane o ka hana" (Neigauz G. Hoʻomanaʻo, hoʻomanaʻo, diaries. S. 109.). ʻAʻole ia he coincidence, ʻoiai, aia ma waena o nā ʻāpana piano aia kekahi mau mea me ka pianist, ma muli o kona ʻano pilikino, ʻoi aku ka paʻakikī ma mua o nā mea ʻē aʻe. Aia nā mea kākau, ke ala i paʻakikī mau iā ia; no ka laʻana, ua hoʻopaʻapaʻa lōʻihi ka poʻe loiloi i ka "pilikia Chopin" i loko o ka hana keaka a Richter.
I kekahi manawa, nīnau ka poʻe: he aha ka mana o ka mea pena kiʻi - manaʻo? manao? (Ma kēia "touchstone" kuʻuna, e like me kou ʻike, ua hoʻāʻo ʻia ka hapa nui o nā hiʻohiʻona i hāʻawi ʻia i nā mea hoʻokani mele. ʻAʻole hoʻokahi a ʻaʻole hoʻi kekahi - a he mea kupaianaha nō hoʻi kēia no Richter i kāna hana ʻoi loa. Ua lōʻihi loa ʻo ia mai ka puʻuwai o nā mea pena kiʻi aloha a me ka noʻonoʻo koko anuanu i kūkulu ʻia e nā mea hana "rationalist" i kā lākou hana kani. ʻAʻole wale no ke kaulike a me ka lokahi i loko o ke ʻano o Richter, ma nā mea a pau i hana ʻia e kona mau lima. Eia kekahi mea ʻē aʻe.
He mea pena kiʻi ʻo Richter o kahi ʻano hana hou. E like me ka hapa nui o nā haku o ka moʻomeheu mele o ke kenekulia XNUMX, ʻo kāna noʻonoʻo noʻonoʻo he synthesis organik o ka noʻonoʻo a me ka naʻau. Hoʻokahi wale nō kikoʻī koʻikoʻi. ʻAʻole ka hoʻohui kuʻuna o ka manaʻo wela a me ka noʻonoʻo kūʻokoʻa, kaulike, e like me ka mea i hana pinepine ʻia i ka wā ma mua, akā, ma ka mea ʻē aʻe, ʻo ka hui ʻana o kahi mea hana ahi a keʻokeʻo. mau manao me ke akamai, ka manao nā manaʻo. (“Ua hoʻonaʻauao ʻia ka manaʻo, a ua wela ka noʻonoʻo a hiki i kahi nui e lilo ai ia i ʻike ʻoi aku ka maikaʻi" (Mazel L. Ma ke ʻano o Shostakovich // Nā hiʻohiʻona o ke ʻano o Shostakovich. – M., 1962. P. 15.)-ʻo kēia mau'ōlelo a L. Mazel, e wehewehe ana i kekahi o nā mea nui o kaʻike honua hou i ke mele, i kekahi manawa e'ōlelo pololeiʻia e pili ana iā Richter). ʻO ka hoʻomaopopo ʻana i kēia ʻano paradox, ʻo ia hoʻi ka hoʻomaopopo ʻana i kahi mea koʻikoʻi i ka wehewehe ʻana a ka mea piano i nā hana a Bartók, Shostakovich, Hindemith, Berg.
A ʻo kekahi hiʻohiʻona ʻē aʻe o nā hana a Richter, ʻo ia ka hui kūloko. Ua'ōlelo muaʻia ma nā mea a pau i hanaʻia e ka poʻe i ke kiʻi - nā mea kākau, nā mea pena, nā mea hana keaka, nā mea hoʻokani pila -ʻo kā lākou kanaka "I" e hoʻomālamalama mau ana; Hōʻike ʻo Homo sapiens iā ia iho i nā hana, alohilohi ma ia mea. ʻO Richter, e like me ka ʻike ʻana o nā mea ʻē aʻe iā ia, ʻaʻole ʻae ʻo ia i nā hōʻike o ka mālama ʻole ʻana, ka manaʻo palaualelo i ka ʻoihana, ʻaʻole ʻae ʻo ia i nā mea e pili ana me "ma ke ala" a me "kahi." He mea hoihoi. Ma hope ona he mau tausani o nā haʻiʻōlelo lehulehu, a ua mālama ʻia kēlā me kēia e ia, i hoʻopaʻa ʻia i loko o nā puke kikoʻī. ia pāʻani i hea a i ka manawa hea. ʻO ka manaʻo like ʻole i ka hoʻonohonoho pono a me ka hoʻopaʻi ʻana iā ʻoe iho - i ka wehewehe ʻana a ka mea piano. ʻO nā mea a pau i loko o ia mau mea i hoʻolālā ʻia i nā kikoʻī, kaupaona ʻia a puʻunaue ʻia, maopopo loa nā mea āpau: i nā manaʻo, nā ʻenehana a me nā ʻano o ke ʻano o ke kahua. Koʻikoʻi loa ka manaʻo o Richter o ka hoʻonohonoho waiwai i nā hana o nā ʻano nui i hoʻokomo ʻia i loko o ka repertoire a ka mea pena. E like me Tchaikovsky's First Piano Concerto (kaulana kaulana me Karajan), Prokofiev's Fifth Concerto with Maazel, Beethoven's First Concerto with Munsch; nā concerto a me nā pōkā sonata na Mozart, Schumann, Liszt, Rachmaninoff, Bartok a me nā mea kākau ʻē aʻe.
Ua ʻōlelo ka poʻe i ʻike maikaʻi iā Richter i kāna huakaʻi lehulehu, e kipa ana i nā kūlanakauhale a me nā ʻāina like ʻole, ʻaʻole ia i nele i ka manawa e nānā ai i ka hale keaka; Kokoke loa ʻo Opera iā ia. He mea makemake nui ʻo ia i ka hale kiʻiʻoniʻoni, he kiʻiʻoniʻoni maikaʻi nona ka hauʻoli maoli. Ua ʻike ʻia ʻo Richter he mea aloha lōʻihi a paʻa hoʻi i ka pena pena: pena ʻo ia iā ia iho (hōʻoia ka poʻe akamai he hoihoi a akamai ʻo ia), ua hoʻohana i nā hola i loko o nā hale hōʻikeʻike i mua o nā kiʻi pena āna i makemake ai; lawelawe pinepine kona hale no nā vernissages, nā hōʻikeʻike o nā hana a kēia a i ʻole kēlā mea pena. A ʻo kekahi mea hou aʻe: mai kona wā ʻōpiopio ʻaʻole ia i waiho ʻia me ka makemake i ka palapala, mahalo ʻo ia iā Shakespeare, Goethe, Pushkin, Blok… Pili pololei a pili pū me nā ʻano hana like ʻole, kahi moʻomeheu kiʻi nui, kahi hiʻohiʻona encyclopedic - āpau. hoʻomālamalama kēia i ka hana a Richter me kahi kukui kūikawā, hana ia keʻano.
I ka manawa hoʻokahi—ʻo kahi ʻano kuʻuna ʻē aʻe i ka hana a ka mea hoʻokani piano!—ʻAʻole i ʻōlelo ʻia ʻo "I" i hoʻohālikelike ʻia e Richter ʻo ia ka demiurge i ka hana hana. I nā makahiki he 10-15 i hala iho nei, ua ʻike nui ʻia kēia, akā naʻe, e kūkākūkā ʻia ma hope. ʻO ka mea nui, manaʻo kekahi i nā ʻaha mele a ka mea hoʻokani, e hoʻohālikelike i ke kanaka pilikino i kāna mau wehewehe ʻana me ka lalo o ka wai, ʻike ʻole ʻia o ka hau hau: aia ka mana multi-ton, ʻo ia ke kumu no ka mea ma ka ʻili. ; mai ka prying eyes, akā naʻe, ua hūnā ʻia - a loaʻa ... Ua kākau ʻoi aku ka poʻe hoʻohewa e pili ana i ka hiki o ka mea pena ke "hoʻoheheʻe" me ka ʻole o ka ʻike i ka hana, maopopo a me kahi hiʻohiʻona o kona helehelena keʻena. Ma ke kamaʻilio ʻana e pili ana i ka mea hoʻokani piano, ua ʻōlelo kekahi o nā mea loiloi i nā huaʻōlelo kaulana a Schiller: ʻo ka mahalo kiʻekiʻe loa no ka mea pena kiʻi ʻo ka ʻōlelo ʻana ua poina mākou iā ia ma hope o kāna mau hana; Me he mea lā ua kuhikuhi ʻia lākou iā Richter - ʻo ia ka mea e poina iā ʻoe nona iho no kāna hana… ʻIke ʻia kekahi mau hiʻohiʻona kūlohelohe o ke kālena o ka mea hoʻokani pila i manaʻo iā lākou iho ma aneʻi - typology, specificity, etc.
ʻO kēia kahi i puka mai ai kekahi, ʻo ia paha ka mana kupanaha loa o Richter ma ke ʻano he mea hoʻokani ʻaha mele - ka hiki ke hana hou i ka hana. Crystallized i loko ona i ke kiʻekiʻe kiʻekiʻe o ka hemolele a me ka 'oihana akamai, ua hoonoho ia ia i loko o ka kūikawā wahi i loko o ka pōʻai o nā hoa hana, a hiki i ka poʻe kaulana loa; ma keia ano, ua aneane hiki ole iaia ke hoohalike. Ua kākau ʻo Neuhaus, ka mea nāna i hoʻololi i ka hoʻololi ʻana i ke ʻano o nā hana a Richter i ke ʻano o ka maikaʻi kiʻekiʻe o ka mea pena, ua kākau ʻo ia ma hope o kekahi o kāna clavirabends: "I kona hoʻokani ʻana iā Schumann ma hope o Haydn, ua ʻokoʻa nā mea a pau: ʻokoʻa ka piano, ʻokoʻa ke kani. ʻokoʻa ke mele, ʻokoʻa ke ʻano o ka ʻōlelo; a maopopo loa ke kumu - ʻo ia ʻo Haydn, a ʻo Schumann, a ʻo S. Richter me ka maopopo loa i hoʻokō i kāna hana ʻaʻole wale i ke ʻano o kēlā me kēia mea kākau, akā ʻo kona wā hoʻi ” (Neigauz G. Svyatoslav Richter // Hoʻomanaʻo, hoʻomanaʻo, diaries. P. 240.).
ʻAʻohe pono e kamaʻilio e pili ana i nā kūleʻa mau o Richter, ʻoi aku ka nui o nā kūleʻa (ʻo ka hope a me ka hope hope) no ka mea, ʻaʻole ʻae ʻia ka lehulehu e mahalo i nā ahiahi o Richter i nā mea a pau e mahalo ai i nā ahiahi o nā mea kaulana he nui. aces" o ka pianism: ʻaʻole i loko o ka virtuosity instrumental me nā hopena, ʻaʻole hoʻi i ke kani nani "decor", ʻaʻole hoʻi i "concert" ...
He ʻano maʻamau kēia o ke ʻano hoʻokani o Richter – he hōʻole ʻia i nā mea āpau i waho, hoʻomākeʻaka (ʻo nā kanahiku a me kanawalu wale nō i lawe i kēia ʻano i ka mea hiki loa). ʻO nā mea a pau e hiki ke hoʻohuli i ka poʻe hoʻolohe mai ka mea nui a me ka mea nui i ke mele - e nānā i nā pono mea hoʻokaniA ʻaʻole hiki ke hoʻokō. ʻAʻole lawa paha ka pāʻani ʻana i ke ʻano o ka pāʻani ʻana o Richter no ka ʻike kahua wale nō, ʻoiai ʻaʻole maikaʻi loa; hoʻokahi wale nō moʻomeheu noʻeau - ʻokoʻa hoʻi ma ka pālākiō; kālena maoli – he mea nui loa… Eia kekahi mea e pono ai. ʻO kahi paʻakikī o nā ʻano a me nā ʻano kanaka. ʻO ka poʻe i ʻike iā Richter e kamaʻilio kokoke me ka leo hoʻokahi e pili ana i kona haʻahaʻa, makemake ʻole, manaʻo altruistic i ke kaiapuni, ola, a me ke mele.
No kekahi mau makahiki, ke neʻe nei ʻo Richter i mua me ka pau ʻole. Me he mea lā ua hele maʻalahi ʻo ia a me ka hauʻoli, akā ʻo ka ʻoiaʻiʻo ke hele nei ʻo ia i ka hana pau ʻole, aloha ʻole, hana ʻino. ʻO nā hola he nui o nā papa, i hōʻike ʻia ma luna, ke mau nei ka maʻamau o kona ola. Ua loli iki ma ʻaneʻi i nā makahiki. Inā ʻaʻole i hoʻolaʻa ʻia ka manawa e hana me ka mea kani. No ka mea, manaʻoʻiʻo ʻo Richter me ka makahiki ʻaʻole pono e hōʻemi, akā e hoʻonui i ka ukana hana - inā hoʻonoho ʻoe iā ʻoe iho i ka pahuhopu o ka mālama ʻana i ka "form" ...
I nā makahiki kanawalu, nui nā hanana hoihoi a me nā hana i hana ʻia i loko o ke ola hana o ka mea pena. ʻO ka mea mua, ʻaʻole hiki i kekahi ke hoʻomanaʻo i nā ahiahi o Dekemaba - kēia ʻahaʻaina hoʻokahi o nā ʻano hana (mele, pena, poetry), kahi e hāʻawi ai ʻo Richter i ka ikaika a me ka ikaika. ʻO nā ahiahi ʻo Dekemaba, i mālama ʻia mai ka makahiki 1981 ma ka Hale Hōʻikeʻike ʻo Pushkin State of Fine Arts, ua lilo i kuʻuna; mahalo i ka lekiō a me ke kīwī, ua loaʻa iā lākou ka lehulehu loa. He ʻokoʻa kā lākou mau kumuhana: nā mea kahiko a me nā mea hou, nā kiʻi Lūkini a me nā haole. ʻO Richter, ka mea nāna i hoʻomaka a me ka mea hoʻoulu i nā "Evenings", e ʻimi maoli i nā mea āpau i ka wā o kā lākou hoʻomākaukau ʻana: mai ka hoʻomākaukau ʻana i nā papahana a me ke koho ʻana i nā mea komo i nā mea liʻiliʻi loa. Eia naʻe, ʻaʻohe mea liʻiliʻi iā ia i ka wā e pili ana i ke kiʻi. "Na nā mea liʻiliʻi e hana i ka hemolele, a ʻo ka hemolele ʻaʻole ia he mea ʻino" - hiki i kēia mau ʻōlelo a Michelangelo ke lilo i epigraph maikaʻi loa i ka hana a Richter a me kāna mau hana āpau.
I nā ahiahi o Dekemaba, ua hōʻike ʻia kekahi ʻaoʻao o ke kālena a Richter: me ke alakaʻi ʻo B. Pokrovsky, ua komo ʻo ia i ka hana ʻana i nā keaka a B. Britten ʻo Albert Herring a me The Turn of the Screw. "Ua hana ʻo Svyatoslav Teofilovich mai ke kakahiaka nui a hiki i ka pō," i hoʻomanaʻo ai ke alakaʻi o ka Hale Hōʻikeʻike ʻo Fine Arts I. Antonova. “Ua mālama ʻia he nui o nā hoʻomaʻamaʻa me nā mea hoʻokani pila. Ua hana au me nā mea hoʻomālamalama, ua nānā maoli ʻo ia i kēlā me kēia kukui kukui, nā mea āpau a hiki i nā kikoʻī liʻiliʻi loa. Ua hele pū ʻo ia me ka mea pena i ka hale waihona puke e koho i nā kaha kiʻi Pelekane no ka hoʻolālā ʻana o ka hana. ʻAʻole au makemake i nā ʻaʻahu – hele au i ke kīwī a ʻimi i ka lumi ʻaʻahu no kekahi mau hola a ʻike wau i ka mea i kūpono iā ia. Ua noʻonoʻo ʻia ka ʻāpana hoʻokūkū holoʻokoʻa e ia.
Ke hele nui nei ʻo Richter ma USSR a ma waho. I ka makahiki 1986, no ka laʻana, hāʻawi ʻo ia ma kahi o 150 mau ʻahamele. He mea kupanaha ka helu. ʻAneʻane ʻelua ʻelua o ka maʻamau maʻamau i ʻae ʻia i ka ʻaha mele. ʻOi aku, ma ke ala, ka "maʻamau" o Svyatoslav Teofilovich iā ia iho - ma mua, ma ke ʻano he kānāwai, ʻaʻole ʻo ia i hāʻawi aku ma mua o 120 mau ʻahamele i ka makahiki. ʻO nā ala o nā huakaʻi huakaʻi a Richter iā lākou iho i ka makahiki 1986, i uhi ʻia ma kahi o ka hapalua o ka honua, he mea kupanaha loa: hoʻomaka ia me nā hana ma ʻEulopa, a laila ukali ʻia e kahi huakaʻi lōʻihi o nā kūlanakauhale o ka USSR (ka ʻāpana ʻEulopa o ka ʻāina, Siberia, ka Hikina Hikina), a laila - Iapana, kahi i loaʻa ai iā Svyatoslav Teofilovich he 11 solo clavirabends - a me nā ʻahamele hou i kona ʻāina hānau, i kēia manawa wale nō ma ka ʻaoʻao hope, mai ka hikina a i ke komohana. Ua hana hou ʻia kekahi mea o kēia ʻano e Richter i ka makahiki 1988 - ʻo ia ka lōʻihi like o nā kūlanakauhale nui a ʻaʻole nui loa, ke kaulahao hoʻokahi o nā hana hoʻomau, ka neʻe ʻana like ʻole mai kahi a kahi. "No ke aha ka nui o nā kūlanakauhale a me kēia mau mea?" Ua nīnau ʻia ʻo Svyatoslav Teofilovich. "No ka mea, ʻaʻole wau i pāʻani iā lākou i kēia manawa," i pane aku ai ʻo ia. "Makemake au, makemake nui au e ʻike i ka ʻāina. [...] ʻIke paha ʻoe i ka mea e hoʻowalewale iaʻu? hoihoi honua. ʻAʻole "wanderlust", akā ʻo ia wale nō. Ma keʻano laulā, ʻaʻole wau makemake e noho lōʻihi ma kahi hoʻokahi, ʻaʻohe wahi ... ʻAʻohe mea kupanaha i kaʻu huakaʻi, ʻaʻohe hana, ʻo koʻu makemake wale nō.
Me hana hoihoi, ua loaʻa kēia ka noi. ʻO ka honua, nā harmonies hou, nā manaʻo hou - he ʻano kiʻi nō hoʻi kēia. No laila hauʻoli wau i koʻu haʻalele ʻana i kekahi wahi a he mea hou aʻe hou. A i ʻole, ʻaʻole hoihoi ke ola. (Rikhter Svyatoslav: "ʻAʻohe mea kupanaha i kaʻu huakaʻi.": Mai nā moʻolelo huakaʻi a V. Chemberdzhi // Sov. Music. 1987. No. 4. P. 51.).
Ua hoʻokani ʻia ka hana maʻamau i ka hoʻomaʻamaʻa kahua ʻo Richter e ka hana mele keʻena-ensemble. He mea hoʻokani pila maikaʻi loa ʻo ia, makemake ʻo ia e hoʻokani me nā mea hīmeni a me nā mea kani; i nā makahiki kanahiku a me kanawalu, ua ʻike nui ʻia kēia. Hoʻokani pinepine ʻo Svyatoslav Teofilovich me O. Kagan, N. Gutman, Yu. Bashmet; ma waena o kona mau hoa hiki ke ʻike iā G. Pisarenko, V. Tretyakov, ka Borodin Quartet, nā hui ʻōpio ma lalo o ke alakaʻi ʻana a Y. Nikolaevsky a me nā mea ʻē aʻe. Ua hoʻokumu ʻia kahi ʻano kaiāulu o nā mea hoʻokani o nā ʻano loea like ʻole a puni iā ia; Ua hoʻomaka ka poʻe hoʻohewa e kamaʻilio e pili ana i ka "Richter galaxy" ... ʻO ka mea maʻamau, ʻo ka ulu ʻana o nā mea hoʻokani pila e kokoke ana iā Richter aia ma lalo o kāna alakaʻi pololei a ikaika - ʻoiai ʻaʻole ʻo ia e hana i nā hana hoʻoholo no kēia. . Eia nō naʻe… ʻO kāna kūpaʻa pili i ka hana, kāna mea hoʻomohala maximalism, ʻaʻole hiki i kāna kumu ke hoʻopili wale, hōʻike i nā ʻohana o ka piano. Ke kamaʻilio pū me ia, hoʻomaka ka poʻe e hana i ka mea, me he mea lā, ʻoi aku ma mua o ko lākou ikaika a me ko lākou hiki. "Ua hoʻopololei ʻo ia i ka laina ma waena o ka hoʻomaʻamaʻa, ka hoʻomaʻamaʻa ʻana a me ka ʻaha mele," wahi a ka mea cellist N. Gutman. “E noʻonoʻo ka hapa nui o nā mea mele i kekahi manawa ua mākaukau ka hana. Ke hoʻomaka nei ʻo Richter e hana i kēia manawa. "
Nui nā mea e hōʻeha ana i ka Richter "hope". Akā ʻo ka mea nui loa - ʻo kona makemake pau ʻole no ka ʻike ʻana i nā mea hou i ke mele. Me he mea lā me kāna hōʻiliʻili repertoire nui - no ke aha e ʻimi ai i kahi mea āna i hana ʻole ai ma mua? Pono anei? … A i loko o kāna mau papahana o nā makahiki kanahiku a me kanawalu, hiki i kekahi ke ʻike i kekahi mau hana hou āna i pāʻani ʻole ai ma mua – no ka laʻana, ʻo Shostakovich, Hindemith, Stravinsky, a me kekahi mau mea kākau. A i ʻole kēia ʻoiaʻiʻo: no nā makahiki he 20 i ka lālani, ua komo ʻo Richter i kahi ʻaha mele ma ke kūlanakauhale ʻo Tours (Farani). ʻAʻole hoʻokahi manawa i kēia manawa i hana hou ai ʻo ia iā ia iho i kāna mau papahana ...
Ua loli paha ke ʻano o ka hoʻokani piano i kēia mau lā? ʻO kāna ʻano hana ʻahamele? ʻAe a ʻaʻole. ʻAʻole, no ka mea, ua noho ʻo Richter iā ia iho. ʻO nā kumu o kāna hana kiʻi paʻa loa a ikaika no nā hoʻololi koʻikoʻi. I ka manawa like, ua hoʻomau a hoʻomohala ʻia kekahi mau ʻano o kāna pāʻani i nā makahiki i hala. ʻO ka mea mua - kēlā "implicitness" o Richter ka mea hoʻokani, i ʻōlelo ʻia. ʻO kēlā hiʻohiʻona, hiʻohiʻona kūʻokoʻa o kāna ʻano hana, mahalo i ka poʻe hoʻolohe i ka manaʻo he kū pololei lākou, he alo a he alo, e hui pū me nā mea kākau o nā hana i hana ʻia - me ka ʻole o ka unuhi ʻōlelo a i ʻole ka mea waena. A he manaʻo ikaika e like me ka mea maʻamau. ʻAʻohe mea hiki ke hoʻohālikelike me Svyatoslav Teofilovich ...
I ka manawa like, ʻaʻole hiki ke ʻike i ka mea i hoʻohālikelike ʻia o Richter ma ke ʻano he unuhi - ʻo ka paʻakikī o kāna hana me nā mea haumia kumuhana - he hopena a me kahi hopena ʻaoʻao. ʻO ka ʻoiaʻiʻo he ʻoiaʻiʻo: i ka nui o nā wehewehe ʻana o ka pianist o nā makahiki kanahiku a me kanawalu, manaʻo kekahi i kekahi manawa i kekahi "distillation" o nā manaʻo, kekahi ʻano "keu-kanaka" (ʻoi aku paha ka pololei o ka ʻōlelo ʻana "over -personality") o nā ʻōlelo mele. I kekahi manawa, ʻo ka hoʻokaʻawale ʻana o loko mai ka poʻe e ʻike nei i ke kaiapuni. I kekahi manawa, i loko o kekahi o kāna mau papahana, ua nānā ʻo Richter i mea ʻokoʻa ma ke ʻano he mea pena, ʻaʻole ʻae iā ia iho i kekahi mea - no laila, ma ka liʻiliʻi loa, me he mea lā ma waho - e hele ana ma waho o ka puke haʻawina e hoʻopuka pololei i nā mea. Hoʻomanaʻo mākou ua nele ʻo GG Neuhaus i ka "kanaka" i kāna haumāna kaulana a kaulana i ka honua - "ʻoiai ke kiʻekiʻe o ka ʻuhane o ka hana." Pono e ʻike ʻia ka pono: ʻo ka mea a Genrikh Gustavovich i ʻōlelo ai, ʻaʻole ia i nalowale me ka manawa. ʻO ka mea kū'ē…
(Malia paha ʻo nā mea a pau a mākou e kamaʻilio nei i kēia manawa, ʻo ia ka hopena o kā Richter hana wā lōʻihi, hoʻomau a koʻikoʻi loa.
ʻO ka mea ʻoiaʻiʻo, ua haʻi ʻoiaʻiʻo kekahi o ka poʻe hoʻolohe ma mua o ko lākou manaʻo ʻana ma nā ahiahi o Richter i ka manaʻo aia ka mea hoʻokani piano ma kahi mamao mai o lākou, ma luna o kekahi ʻano paepae kiʻekiʻe. A ma mua, ua like ʻo Richter i nā mea he nui i ke kiʻi haʻaheo a me ka hanohano o kahi mea pena kiʻi - "celestial", he ʻOlumepika, hiki ʻole ke ʻike ʻia e ka poʻe make ... I kēia lā, ʻoi aku ka ikaika o kēia mau manaʻo. ʻOi aku ka manaʻo o ka paepae, ʻoi aku ka nui a… ka mamao loa.
A ʻoi aku. Ma nā ʻaoʻao i hala, ua ʻike ʻia ka manaʻo o Richter i ka hoʻomohala ʻana iā ia iho, ka nānā ʻana, ka "philosophicalness". ("ʻO ke kaʻina holoʻokoʻa o ka hoʻokani mele i loko ona iho"…) I nā makahiki i hala iho nei, ua lele ʻo ia ma nā papa kiʻekiʻe o ka stratosphere ʻuhane i paʻakikī loa i ka lehulehu, ma kahi liʻiliʻi loa, e hopu. pili pono me lakou. A ʻaʻole hoʻololi i kēia ʻoiaʻiʻo ka ʻoliʻoli nui ma hope o nā hana a ka mea pena.
ʻAʻole hoʻohewa nā mea a pau i luna ma ka manaʻo maʻamau o ka huaʻōlelo. He mea koʻikoʻi loa ʻo Svyatoslav Teofilovich Richter, a ʻo kāna hāʻawi ʻana i ka hana kiʻi honua ʻoi aku ka maikaʻi e hiki ke hoʻokokoke ʻia me nā kūlana koʻikoʻi maʻamau. I ka manawa like, ʻaʻohe kumu o ka huli ʻana mai kekahi mau hiʻohiʻona kūikawā wale nō o ke ʻano hana. Eia kekahi, hōʻike lākou i kekahi mau hiʻohiʻona o kāna mau makahiki o ka ulu ʻana ma ke ʻano he mea pena a he kanaka.
I ka pau ʻana o ke kamaʻilio ʻana e pili ana iā Richter o nā makahiki kanahiku a me kanawalu, ʻaʻole hiki ke ʻike ʻole ʻia ua ʻoi aku ka pololei a me ka hōʻoia ʻana o ka helu Artistic a ka mea piano. ʻO nā ʻaoʻao o nā hale kani i hana ʻia e ia i ʻoi aku ka akaka a me ka ʻoi. ʻO kahi hōʻoia maopopo o kēia ʻo nā papahana ʻaha mele hou loa o Svyatoslav Teofilovich, a me kāna mau hoʻopaʻa ʻana, i nā ʻāpana mai Tchaikovsky's The Seasons, Rachmaninov's etudes-paintings, a me Shostakovich's Quintet me "Borodinians".
… Ua hōʻike nā ʻohana o Richter ʻaneʻane ʻaʻole ʻoluʻolu loa ʻo ia i kāna hana. Manaʻo mau ʻo ia i kahi mamao ma waena o kāna mea e hoʻokō maoli ai ma ke kahua a me kāna mea e makemake ai e hoʻokō. I ka manawa, ma hope o kekahi mau ʻahamele, haʻi ʻia ʻo ia - mai ka hohonu o kona puʻuwai a me ke kuleana ʻoihana piha - ua kokoke ʻo ia i ka palena o ka mea hiki i ka hana mele, pane ʻo ia - e like me ka pololei a me ke kuleana: ʻaʻole, ʻaʻole. ʻO wau wale nō ka ʻike pehea e pono ai ...
No laila, noho ʻo Richter iā Richter.
G. Tsypin, 1990
