Andrey Gavrilov |

Andrei Gavrilov

Ua hānau ʻia ʻo Andrei Vladimirovich Gavrilov ma Sepatemaba 21, 1955 ma Moscow. He mea pena kaulana kona makuakane; makuahine - he pianist, nāna i aʻo i kekahi manawa me GG Neuhaus. "Ua aʻo ʻia au i ke mele mai ka makahiki 4," wahi a Gavrilov. "Akā ma ka laulā, e like me kaʻu e hoʻomanaʻo nei, i koʻu wā kamaliʻi, ʻoi aku ka hoihoi iaʻu e hana me nā penikala a me nā pena. ʻAʻole anei he paradoxical: Ua moe au e lilo i mea pena, koʻu kaikunāne - he mea hoʻokani pila. A ua ʻike ʻia he ʻokoʻa wale nō. ”…

Mai ka makahiki 1960, ua a'o 'o Gavrilov ma ke kula mele Central. Mai kēia manawa a no nā makahiki he nui, ua lilo ʻo TE Kestner (ka mea nāna i aʻo iā N. Petrov a me kekahi mau pianist kaulana ʻē aʻe) i kumu aʻo ma kāna ʻoihana. "I kēlā manawa, ma ke kula, ua hiki mai iaʻu ke aloha maoli no ka piano," hoʻomau ʻo Gavrilov e hoʻomanaʻo. “Ua aʻo mai ʻo Tatyana Evgenievna, he mea hoʻokani pila a me ka ʻike, i kahi papa aʻoaʻo i hōʻoia ʻia. I loko o kāna papa, ua nānā nui ʻo ia i ka hoʻokumu ʻana i nā mākau ʻoihana a me nā loea i nā piano e hiki mai ana. Noʻu, ʻo nā mea ʻē aʻe, ua loaʻa ka pōmaikaʻi nui i ka wā lōʻihi. Inā ʻaʻohe pilikia koʻikoʻi me ka "ʻenehana" ma hope, mahalo, ʻo ka mea mua, i kaʻu kumu kula. Ke hoʻomanaʻo nei au ua hana nui ʻo Tatyana Evgenievna e hoʻokomo i loko oʻu i ke aloha i ka mele a Bach a me nā haku kahiko ʻē aʻe; ʻAʻole nō hoʻi i hele wale kēia. A pehea ka mākaukau a me ka pololei o Tatyana Evgenievna i hōʻuluʻulu i ka repertoire hoʻonaʻauao a me ka hoʻonaʻauao! ʻO kēlā me kēia hana i nā papahana i koho ʻia e ia ua like ia, aneane ʻo ia wale nō ka mea i koi ʻia i kēia manawa no ka hoʻomohala ʻana i kāna haumāna… "

Ma ka papa 9 o ke kula mele Central, ua hana ʻo Gavrilov i kāna huakaʻi huakaʻi mua, e hana ana ma Yugoslavia i ka hoʻolauleʻa makahiki o ke kula mele Belgrade "Stankovic". I ka makahiki hoʻokahi, ua konoʻiaʻo ia e komo i kekahi o nā ahiahi symphony o ka Gorky Philharmonic; Ua hoʻokani ʻo ia i ka Concerto Piano Mua a Tchaikovsky ma Gorky a, i ka hoʻoholo ʻana e nā hōʻike e ola nei, ua lanakila loa.

Mai ka makahiki 1973, he haumāna ʻo Gavrilov ma Moscow State Conservatory. ʻO kāna kumu aʻo hou ʻo Professor LN Naumov. "ʻO ke ʻano o ke aʻo ʻana o Lev Nikolayevich ma nā ʻano he nui i kū'ē i ka mea aʻu i maʻa ai ma ka papa o Tatyana Evgenievna," wahi a Gavrilov. “Ma hope o ka hoʻokō koʻikoʻi, kaulike maʻamau, i kekahi manawa, ʻano hoʻopaʻa ʻia paha nā hana hana. ʻOiaʻiʻo, ua hoʻohauʻoli nui iaʻu ... ”I kēia manawa, ua hoʻokumu ikaika ʻia ke kiʻi hana o ka mea pena ʻōpio. A, e like me ka mea i hana pinepine ʻia i kona wā ʻōpio, me nā pōmaikaʻi hiki ʻole ke ʻike ʻia, ʻike ʻia kekahi mau manawa hoʻopaʻapaʻa, disproportions, i kāna pāʻani - ka mea i kapa ʻia ʻo "koki ulu". I kekahi manawa ma Gavrilov ka mea hoʻokani, ua hōʻike ʻia kahi "ʻino o ke ʻano" - ʻoiai ʻo ia iho i wehewehe i kēia waiwai o kāna; i kekahi manawa, hoʻopuka ʻia nā ʻōlelo koʻikoʻi iā ia e pili ana i ka hoʻonui ʻana o kāna hana mele, ka emotionality olohelohe loa, ke ʻano hoʻokiʻekiʻe loa. No nā mea a pau, akā naʻe, ʻaʻohe o kāna mau "hoa kūʻē" e hōʻole i kona hiki loa e hoopio, e puhi e hoʻolohe ana – akā ʻaʻole anei kēia ka hōʻailona mua a nui o ke kālena noʻeau?

I ka makahiki 1974, ua komo kekahi ʻōpio 18 makahiki i ka Fifth International Tchaikovsky Competition. A loaʻa iā ia kahi kūleʻa nui a maikaʻi maoli - ka makana mua. ʻO ka nui o nā pane i kēia hanana, he mea hoihoi e haʻi i nā ʻōlelo a EV Malinin. Noho ʻo Malinin i kēlā manawa i ka pou dean o ke kumu piano o ka conservatory, ua ʻike maikaʻi ʻo Malinin iā Gavrilov - kāna mau mea hoʻohui a me nā mea liʻiliʻi, hoʻohana ʻia a hoʻohana ʻole ʻia nā kumuwaiwai hana. "He aloha nui koʻu," i kākau ai ʻo ia, "Ke mālama nei au i kēia kanaka ʻōpio, ʻo ka mea nui no ka mea he akamai loa ʻo ia. ʻO ka spontaneity maikaʻi, kākoʻo ʻia ka ʻōlinolino o kāna pāʻani e nā mea ʻenehana papa mua. No ka pololei, ʻaʻohe pilikia ʻenehana iā ia. Ke kū nei ʻo ia i kahi hana ʻē aʻe - e aʻo e hoʻomalu iā ia iho. Inā kūleʻa ʻo ia i kēia hana (a ke manaʻo nei au e hiki mai ana ʻo ia i ka manawa), a laila ua ʻike maikaʻi loa kona mau manaʻo iaʻu. Ma ke ʻano o ka pālākiō o kāna talena - ʻo ke mele a me ka pianistic, ma ke ʻano o kekahi ʻano mehana maikaʻi loa, ma ke ʻano o kona ʻano i ka mea kani (ʻoi loa i ka leo o ka piano), he kumu kona e kū hou ai. ma kahi pā me kā mākou mea hoʻokani nui loa. Eia naʻe, ʻoiaʻiʻo, pono ʻo ia e hoʻomaopopo ʻo ka hāʻawi ʻia ʻana o ka makana mua iā ia ma kahi ʻano he holomua, he nānā i ka wā e hiki mai ana. (Ka mea hookani piano o keia wa. S. 123.).

I kekahi manawa ma hope o ka lanakila hoʻokūkū ma ke kahua nui, ʻike koke ʻo Gavrilov iā ia iho i hopu ʻia e ke kani ikaika o ke ola philharmonic. Hāʻawi nui kēia i kahi mea hoʻokani ʻōpio. ʻO ka ʻike o nā kānāwai o ke kahua ʻoihana, ka ʻike o ka hana huakaʻi ola, ʻo ka mea mua. ʻO ka repertoire versatile, i kēia manawa i hoʻopiha hou ʻia e ia (ʻoi aku ka nui o kēia e kūkākūkā ʻia ma hope), ʻo ka lua. ʻO ka hope loa, ʻo ke kolu: ʻo ke kaulana ākea i hiki mai iā ia ma ka home a ma waho; Ua hana maikaʻi ʻo ia ma nā ʻāina he nui, hāʻawi ka poʻe loiloi Western European koʻikoʻi i nā pane aloha i kāna clavirabends ma ka nūpepa.

I ka manawa like, ʻaʻole hāʻawi wale ke kahua, akā lawe pū kekahi; ʻO Gavrilov, e like me kāna mau hoa hana ʻē aʻe, ua ʻike koke ʻo ia i kēia ʻoiaʻiʻo. "I kēia mau lā, hoʻomaka wau e manaʻo i ka luhi lōʻihi iaʻu. Pono ʻoe e hana a hiki i ka iwakālua, a i ʻole iwakāluakūmālima manawa i ka mahina (ʻaʻole helu i nā moʻolelo) - paʻakikī loa kēia. Eia kekahi, ʻaʻole hiki iaʻu ke pāʻani manawa piha; i kēlā me kēia manawa, e like me kā lākou e ʻōlelo nei, hāʻawi wau i kaʻu mea maikaʻi loa me ka ʻole o kahi ʻike ... I kēia manawa ke hoʻāʻo nei au e kaupalena i kaʻu mau huakaʻi. ʻOiaʻiʻo, ʻaʻole maʻalahi. No nā kumu like ʻole. Ma nā ʻano he nui, no ka mea, makemake nui wau i nā ʻahamele. Noʻu, he hauʻoli kēia ʻaʻole hiki ke hoʻohālikelike ʻia me kekahi mea ʻē aʻe… "

Ke nānā nei i hope i ka moʻolelo pilikino o Gavrilov i nā makahiki i hala iho nei, pono e hoʻomaopopo ʻia ua laki maoli ʻo ia ma kekahi ʻano. ʻAʻole me ka mekala hoʻokūkū - ʻaʻole e kamaʻilio e pili ana; i nā hoʻokūkū o nā mea hoʻokani pila, makemake mau ka hopena i kekahi, ʻaʻole kekahi; ʻike ʻia kēia a maʻamau. Lakiʻo Gavrilov ma kekahiʻano'ē aʻe: hāʻawi ka hopena iā ia i kahi hālāwai me Svyatoslav Teofilovich Richter. ʻAʻole ma ke ʻano o hoʻokahi a ʻelua paha mau lā pōkole, e like me nā lā ʻē aʻe. Uaʻikeʻo Richter i ka mea hoʻokani pila, ua hoʻokokoke aku iā ia, a ua lawe nuiʻia e ke kālena a Gavrilov, a ua komo i loko o ia mea.

Ua kapa ʻo Gavrilov iā ia iho i ka launa pū ʻana me Richter "he pae koʻikoʻi" i kona ola. “Ke manaʻo nei au iā Svyatoslav Teofilovich koʻu kumu ʻekolu. ʻOiai, ʻaʻole ʻo ia i aʻo mai iaʻu i kekahi mea - ma ka wehewehe kuʻuna o kēia huaʻōlelo. ʻO ka manawa pinepine, noho wale ʻo ia i ka piano a hoʻomaka e pāʻani: ʻO wau, e kū kokoke ana, nānā me koʻu mau maka a pau, hoʻolohe, noʻonoʻo, hoʻomanaʻo - paʻakikī ke noʻonoʻo i ke kula maikaʻi loa no ka mea hoʻokani. A pehea ka nui o nā kamaʻilio me Richter e hāʻawi mai iaʻu e pili ana i ka pena kiʻi, kiʻiʻoniʻoni a mele paha, e pili ana i nā kānaka a me ke ola ... Loaʻa pinepine wau i ka manaʻo e kokoke ana iā Svyatoslav Teofilovich e ʻike ʻoe iā ʻoe iho i kekahi ʻano "magnetic field" pohihihi. Ke hoʻopiʻi nei ʻoe me nā ʻano hana, a i ʻole kekahi mea. A ma hope o kou noho ʻana i ka mea kani, hoʻomaka ʻoe e pāʻani me kahi hoʻoikaika kūikawā.

Ma waho aʻe o ka mea i luna, hiki iā mākou ke hoʻomanaʻo i ka wā o ka 'Olumepika-80, ua loaʻa i nā Muscovites a me nā malihini o ke kapikala ka manawa e ʻike ai i kahi hanana maʻamau i ka hana o ka hana mele. I loko o ka hale hōʻikeʻike nani "Arkhangelskoye", ʻaʻole mamao loa mai Moscow, ua hāʻawi ʻo Richter lāua ʻo Gavrilov i ʻehā mau ʻaha mele, kahi i hoʻokani ʻia ai nā suites harpsichord a Handel (i hoʻonohonoho ʻia no ka piano). I ka wā i noho ai ʻo Richter ma ka piano, ua hoʻohuli ʻo Gavrilov i nā memo iā ia: ʻo ia ka manawa o ka mea pena kiʻi ʻōpio e pāʻani - ua "kōkua" ke haku hanohano iā ia. I ka nīnau - pehea i hiki mai ai ka manaʻo o ka pōʻai? Pane akula ʻo Richter: “ʻAʻole au i pāʻani iā ​​Handel a no laila ua hoʻoholo wau he mea hoihoi ke aʻo ʻana. A kōkua pū ʻo Andrew. No laila ua hana mākou i nā suites āpau " (Zemel I. An example of genuine mentoring // Sov. music. 1981. No 1. P. 82.). ʻO nā hana a nā mea hoʻokani piano ʻaʻole wale ka leo nui o ka lehulehu, i wehewehe maʻalahi i kēia hihia; ua hele pū me lākou me ka lanakila nui. "… ʻO Gavrilov," i ʻōlelo ai ka mea paʻi mele, "ua pāʻani ʻo ia me ke kūpono a me ka hoʻomaopopo ʻana ʻaʻole ʻo ia i hāʻawi i ke kumu liʻiliʻi e kānalua ai i ka pono o ka manaʻo o uXNUMXbuXNUMXbthe cycle, a me ka hiki ʻana o ka lehulehu hou" (Ibid.).

Inā'oe e nānā i nā papahana'ē a'e o Gavrilov, i kēia lā hiki iā'oe ke'ike i nā mea kākau'ē a'e i loko o lākou. Huli pinepine ʻo ia i ka mele kahiko, ke aloha i hoʻokomo ʻia i loko ona e TE Kestner. No laila, ʻaʻole i ʻike ʻia nā ahiahi poʻomanaʻo a Gavrilov i hoʻolaʻa ʻia i nā concerto clavier o Bach (ua hele pū ʻia ka pianist me kahi hui keʻena i alakaʻi ʻia e Yuri Nikolaevsky). Hoʻokani ʻo ia iā Mozart (Sonata in A major), Beethoven (Sonata ma C-sharp minor, "Moonlight"). He mea kupanaha ka repertoire aloha o ka mea pena: Schumann (Carnival, Butterflies, Carnival of Vienna), Chopin (24 study), Liszt (Campanella) a me na mea hou aku. Pono wau e ʻōlelo ma kēia wahi, malia paha, ʻoi aku ka maʻalahi iā ia e hōʻike iā ia iho, e hōʻoia i kāna kiʻi "I": ʻo ka nani a me ka nani o ka nani o ka hale kūʻai aloha ua kokoke mau iā ia ma ke ʻano he mea hoʻokani. Ua loaʻa iā Gavrilov nā hana he nui i ka mele Lūkini, Soviet a me Western European o ke kenekulia XNUMX. Hiki iā mākou ke inoa ma kēia pili i kāna wehewehe ʻana i ka Islamey a Balakirev, Nā ʻano like ʻole o ka F major a me Tchaikovsky's Concerto ma B flat minor, Scriabin's Eighth Sonata, Rachmaninoff's Third Concerto, Delusion, nā ʻāpana mai ka pōʻai Romeo a me Juliet a me Prokofiev's Eighth Sonata, Concerto no ka hema. lima a me "Night Gaspard" na Ravel, ʻehā ʻāpana na Berg no ka clarinet a me ka piano (me ka clarinetist A. Kamyshev), nā leo leo na Britten (me ka mea mele A. Ablaberdiyeva). Ua ʻōlelo ʻo Gavrilov ua hana ʻo ia i lula e hoʻopiha i kāna repertoire i kēlā me kēia makahiki me nā papahana hou ʻehā - solo, symphonic, chamber-instrumental.

Inā ʻaʻole ʻo ia e haʻalele i kēia kumumanaʻo, i ka wā e lilo ai kāna waiwai hoʻomohala i helu nui loa o nā hana like ʻole.

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I ka waena o ke kanawalu, ua hana nui ʻo Gavrilov ma waho no ka manawa lōʻihi. A laila hō'ike hou 'o ia ma nā kahua 'aha mele o Moscow, Leningrad a me nā kūlanakauhale 'ē a'e o ka'āina. Loaʻa i ka poʻe aloha mele ka manawa e hālāwai ai me ia a mahalo i ka mea i kapa ʻia he "nānā hou" - ma hope o ka wā - kāna pāʻani. ʻO nā hana a ka mea hoʻokani piano e hoʻohuli i ka manaʻo o ka poʻe hoʻohewa a kau ʻia i ka loiloi kikoʻī a i ʻole ka liʻiliʻi ma ka nūpepa. ʻO ka loiloi i hōʻike ʻia i kēia manawa ma nā ʻaoʻao o ka magazine Musical Life he mea hōʻike ia - ua hahai ʻo ia i ka clavirabend a Gavrilov, kahi i hana ʻia ai nā hana a Schumann, Schubert a me kekahi mau haku mele. "Contrasts of one concerto" - penei ke poʻo inoa o ka mea kākau i ka loiloi. He mea maʻalahi ka manaʻo i loko o ia hopena i ka pāʻani ʻana o Gavrilov, kēlā ʻano iā ia a me kāna ʻoihana, ʻo ia ka mea maʻamau i kēia lā no nā poʻe loea a me ka ʻāpana kūpono o ka lehulehu. Hoʻomaʻamaʻa maikaʻi ka mea loiloi i ka hana a ka mea hoʻokani piano. Eia nō naʻe, ʻōlelo ʻo ia, "ua mau ka manaʻo o ka clavirabend." No ka mea, "me nā hōʻike mele maoli e lawe iā mākou i loko o ka hoʻāno o nā mele, aia kekahi mau manawa ma ʻaneʻi he nui" waho ", i nele i ka hohonu o ke akamai." Ma ka ʻaoʻao hoʻokahi, hōʻike ka loiloi, "ka hiki ke noʻonoʻo holoʻokoʻa," ma ka ʻaoʻao ʻē aʻe, ʻaʻole lawa ka wehewehe ʻana o ka mea, ʻo ia ka hopena, "ma kahi mamao loa mai nā subtleties āpau ... i manaʻo ʻia a" hoʻolohe ʻia " e like me ka makemake o ke mele ... ua paheʻe kekahi mau kikoʻī koʻikoʻi, ʻaʻole i ʻike ʻia" (Kolesnikov N. Contrasts of one concert // Musical life. 1987. No 19. P. 8.).

ʻO nā manaʻo like ʻole like ʻole a me nā mea kū'ē i kū mai ka wehewehe ʻana a Gavrilov i ka concerto B flat minor kaulana a Tchaikovsky (ka hapalua ʻelua o ka XNUMXs). Nui ka poʻe ma ʻaneʻi me ke kanalua ʻole i lanakila i ka pianist. ʻO ka pomposity o ke ʻano hana, ke kani nani "Empire", ka convexly outline "close-ups" - ua hana kēia mau mea i ka nani a lanakila. (A he aha nā hopena octave dizzying i ka hapa mua a me ke kolu o ka ʻaha mele, ka mea i hoʻokomo i ka hapa nui o ka lehulehu i loko o ka rapture!) Ma ka manawa like, ʻo ka pāʻani ʻana o Gavrilov, me ka ʻōlelo pololei, nele i ka virtuoso bravado, a " hōʻike pilikino", a me nā hewa i ʻike ʻia ma kahi ʻāpana ʻono a me ke ana.

Hoʻomanaʻo wau i ka ʻaha mele a Gavrilov, i mālama ʻia ma ka Hale Nui o ka Conservatory i ka makahiki 1968 (Chopin, Rachmaninov, Bach, Scarlatti). Ke hoʻomanaʻo nei au i ka hana hui pū a ka mea piano me ka London Orchestra i alakaʻi ʻia e V. Ashkenazy (1989, Rachmaninov's Second Concerto). A ua like hou na mea a pau. Hoʻopili ʻia nā manawa o ka hoʻokani mele hohonu ʻana me ka eccentricity, nā leo, ka bravado paʻakikī a walaʻau. ʻO ka mea nui ʻo ka manaʻo noʻonoʻo ʻaʻole e hoʻomau i ka holo wikiwiki ʻana o nā manamana lima ...

… He nui nā mea mahalo nui ʻo Gavrilov ka mea hoʻokani mele. He maʻalahi lākou e hoʻomaopopo. ʻO wai ka mea e hoʻopaʻapaʻa, ʻaʻole kakaikahi ka mele ma ʻaneʻi: ʻo ka intuition maikaʻi loa; ʻO ka hiki ke ola, ʻōpio me ka hoihoi a pane pololei i ka nani i ke mele, i hoʻohana ʻole ʻia i ka manawa o ka hana ʻaha mele. A, ʻoiaʻiʻo, ka hana kiʻi pio. ʻO Gavrilov, e like me kaʻikeʻana o ka lehulehu iā ia, ua hilinaʻi loa iā ia iho - he mea nui kēia. Loaʻa iā ia kahi hiʻohiʻona ākea ākea, kahi kālena "open" kekahi mea ʻē aʻe. ʻO ka hope, he mea nui hoʻi e hoʻomaha ʻo ia i loko o ke kahua, e paʻa ana iā ia iho me ka hoʻopaʻa ʻole ʻia (i kekahi manawa, ʻoi aku ka manuahi a me ka ʻole ...). E aloha ʻia e ka poʻe hoʻolohe - ka lehulehu lehulehu - ʻoi aku kēia ma mua o ka lawa.

I ka manawa like, makemake wau e lana ke kālena o ka mea pena kiʻi me nā ʻano hou i ka wā. E loaʻa iā ia kahi hohonu hohonu, koʻikoʻi, koʻikoʻi psychological o nā wehewehe. E ʻoi aku ka nani a me ka hoʻomaʻemaʻe ʻana o kēlā ʻenehana, ʻike ʻia ka moʻomeheu ʻoihana, ʻoi aku ka hanohano a me ke koʻikoʻi o ke ʻano o ke kahua. A ʻo ia, ʻoiai e noho mau ana ʻo Gavrilov, ma ke ʻano he mea pena, ʻaʻole ia e hoʻololi - ʻapōpō e noho ʻo ia i kahi mea ʻokoʻa i kēia lā.

No ka mea, ʻo ia ka waiwai o kēlā me kēia talena nui a koʻikoʻi maoli - e neʻe aku i kāna "lā", mai nā mea i loaʻa, hoʻokō, hoʻāʻo ʻia - e neʻe i ka ʻike ʻole a ʻike ʻole ʻia ...

G. Tsypin, 1990