ʻO ka huhū hoʻololi |
ʻAno ʻeha - kahi ʻano e hoʻokō ʻia ai ka hana o ke kumu (tonic) e nā leo like ʻole o ka pālākiō like, a me ke ʻano, hoʻololi ke ʻano me ka tonic (tonic) like (e like me IV Sposobin).
ʻO ka manaʻo "P. l.” Hoʻohana pinepine ʻia i ka mua o kēia mau ʻano, ʻoiai e kapa ʻia ʻo ia ka variable-tonal, a ʻo ka lua - ʻoiaʻiʻo
ʻO ka mele poʻe Lūkini "ʻO ʻoe koʻu kahua."
ʻeha hoʻololi. P. l. mea maʻamau ma Nar. mele, ma ka ʻōlelo Lūkini. Hoʻopili i ka palupalu o ke kikowaena tonal hiki iā ia ke neʻe maʻalahi i nā ʻanuʻu a pau, a ʻaʻohe manaʻo o ka modulation. ʻO ka ʻokoʻa ma waena o ka neʻe ʻana o ke kākoʻo mai ka modulation i ka haʻalele ʻana i hoʻokahi kī a hoʻokumu i kekahi, a i ʻole i ka hui ʻana o ʻelua a ʻoi aku paha. nā kī (me ka pālākiō hoʻokahi) i hoʻokahi modal holoʻokoʻa. ʻO ka manaʻo o ʻelua a ʻoi aku ka lanakila. nā kala e pili ana i ka ʻōnaehana modal like (MI Glinka, "Ivan Susanin", 1st hana, chorus "Ua lawe ʻo Ice i ka muliwai piha"). ʻIke ʻia kēia ma ke ʻano maʻamau o P. l. - he fret like-alternating (e nānā i ka laʻana ma luna, a me kahi laʻana o ka mele Lūkini "He pēpē hele ma ka nahele" ma ka ʻatikala Sound system). ʻO ka palupalu o ka hoʻololi ʻana mai kahi kākoʻo i kekahi, ʻo ia ka mea maʻamau no P. l., hāʻawi iā ia i kahi ʻano iridescent mālie. Eia naʻe, hiki nō hoʻi ke wehewehe ʻē aʻe o kona hōʻike ʻana - e ʻike, no ka laʻana, kahi ʻāpana mai ka hana 2 o ka opera Prince Igor na Borodin:
He hihiu ka hula a ke kanaka.
Ma nā kumumanaʻo o ka Middle Ages. hopohopo no ka hua'ōlelo "P. l.” ʻO ka manaʻo pili i ka tonus peregrinus ("ʻauwana leo", no ka laʻana, i ke mele o ka antifon "Nos qui vivimus"), e hōʻike ana i ka hopena o ke mele i decomp. nā hopena hope loa, a me ka loli o nā kākoʻo fret ʻē aʻe. Ua like ka manaʻo o ke kenekulia 17 i ke ʻano. alteratio modi ("hoʻololi o ke ʻano"), hoʻohana ʻia i nā ʻāpana i hoʻomaka i ka leo hoʻokahi a i hope i kekahi (na K. Bernhard); hiki ke unuhi ʻia kahi hoʻololi i ka leo ma ke ʻano he modulation a me P. l. Manaʻo ʻo NP Diletskii (70s o ke kenekulia 17) i ka manaʻo o P. l. ma ke aʻo ʻana o ka "hui mele". No ka hoʻololi ʻana o ke ʻano ma ka ʻōlelo Lūkini. nar. Ua huki ʻo NA Lvov (1790) i ka manaʻo i nā mele, a ua wehewehe ʻo ia iā lākou he "musical oddities" (nā mele No. 25 a me 30 mai ka hōʻiliʻili "Collection of Russian Folk Songs with Their Voices ..." na Lvov-Prach). Akā, ʻo ka manaʻo a me ka huaʻōlelo "P l." ua hoʻolauna mua ʻia e VL Yavorsky. ʻO kāna theoretical ka wehewehe ʻana i hoʻolapalapa ʻia i ka ʻoiaʻiʻo ua paʻa kekahi mau leo i kekahi ʻāpana o ka hoʻolālā modal, a paʻa ʻole i kahi ʻē aʻe (reversible gravity, e like me VA Zuckerman, no ka laʻana, kani ga).
ʻO Yu. Hoʻopili ʻo N. Tyulin i ka hanana o P. l. me ka hoʻonui ʻana i nā hana chord variable.
E hoʻomaopopo ': Lvov HA, On Russian Folk Singing, ma kāna puke: Collection of Russian Folk Songs with Their Voices, St. Petersburg, 1790, hoʻopuka hou ʻia. M., 1955; ʻO Diletsky HP, ʻO ka Grammar Musician, (St. Petersburg), 1910; Protopopov EV, Nā ʻāpana o ke ʻano o ka ʻōlelo mele, ʻāpana 1-2. M., 1930; ʻO Tyulin Yu. N., Buke o ka lokahi, hapa 2, M., 1959; ʻO Vakhromeev VA, ʻO ke ʻano o ke ʻano o nā mele mele Lūkini a me kāna aʻo ʻana i ke ʻano o ke kumu mele mele haʻahaʻa, M., 1968; Sposobin IV, Nā haʻi'ōlelo ma ke ala o ka lokahi, M., 1969; Protopopov VI, Nikolai Diletsky a me kāna "Music Grammar", "Musica Antiqua", IV, Bydgoszcz, 1975; Tsukerman VA, Kekahi mau ninau o ke kuikahi, i loko o kāna puke: musical-theoretical essays and etudes, vol. 2, M., 1975; Müller-Blattau J., Die Kompositionslehre Heinrich Schützens in der Fassung seines Schülers Christoph Bernhard, Lpz., 1926, Kassel ua, 1963.
ʻO Yu. H. Kholopov
