Pūnaehana Chromatic |
Pūnaehana Chromatic - he ʻōnaehana ʻumikūmālua-ʻanuʻu, tonality lōʻihi, - he ʻōnaehana o ka lokahi tonal e hiki ai, i loko o kahi tonality i hāʻawi ʻia, i kahi chord o kekahi hale ma kēlā me kēia o nā ʻanuʻu ʻumikūmālua o ka unahi chromatic.
Kūikawā no X. me. ʻO nā ʻanuʻu ʻaʻole i hoʻokomo ʻia i loko o nā ʻōnaehana diatonic a i ʻole nā mea nui-liʻiliʻi (e nānā i ka Diatonic, Major-minor) a ʻaʻole like nā ʻōnaehana subsystem (deviations) i loko o lākou; i ka laʻana ua kaha ʻia me nā memo ʻeleʻele:
Laʻana hoʻohana o ka lokahi mai X. me:
SS Prokofiev. “Betrothal in a Monastery” (“Duenna”), scene 1. (Chord X. s. n II functionally replaces DV here as the principle of tritone substitution.)
Harmony X. s. loaʻa ka ʻōlinolino nui a me ka ʻōlinolino o ke kani. ʻElua ʻano kumu kumu X. c. - me ka mālama ʻana i ke kumu mono-mode (chromatic major or chromatic minor; i nā hana a SS Prokofiev) a me ka hōʻole ʻana iā ia (chromatic tonality me ka ʻole o ka wehewehe ʻana i ke ʻano; na P. Hindemith). Hoʻohana ʻia nā ʻōnaehana o nā ʻano ʻelua me ke kikowaena ma ke ʻano o kahi consoner. consonance (e nānā i ka laʻana ma luna; a me ka fugue ma C mai ka Hindemith's Ludus tonalis), a me ka dissonance. kikowaena (ke poʻomanaʻo nui o ka "Great Sacred Dance" mai "The Rite of Spring" na IF Stravinsky; ke poʻomanaʻo nui o ka ʻāpana ʻelua o ka "Lyrical Suite" na Berg). ʻO Dep. hoike ana o X. me. ua loaʻa mua i ka mele o ke kenekulia 2. (AP Borodin, pani pani ʻana o "Polovtsian Dances" mai ka opera "Prince Igor": HV-I), akā ʻo ia ka mea maʻamau o nā mele tonal o ke kenekulia 19. (DD Shostakovich, N. Ya. Myaskovsky, AI Khachaturyan, TN Khrennikov, DB Kabalevsky, RK Shchedrin, A. Ya. Eshpay, RS Ledenev, B Bartok, A. Schoenberg, A. Webern a me nā mea'ē aʻe).
I ka manaʻo ʻepekema mele X. me. ua waiho ʻia e SI Taneev (1880, 1909) a me BL Yavorsky (1908). Ua hoʻohana ʻia ka huaʻōlelo "chromatic tonality" e Schoenberg (1911). ʻO ka wehewehe ʻana i kēia manawa X. s. hāʻawi ʻia e VM Belyaev (1930). Ma ka kikoʻī o ke kumumanaʻo o X. me. kūkulu ʻia i nā makahiki 60. Ke kenekulia 20 (M. Skorik, SM Slonimsky, ME Tarakanov, etc.).
E hoʻomaopopo ': Taneev SI, Letter to PI Tchaikovsky dated August 6, 1880, in the book: PI Tchaikovsky – SI Taneev, Letters, (M.), 1951; nona iho, Movable counterpoint of strict writing, Leipzig, 1909, M., 1959; Yavorsky B., ʻO ke ʻano o ka haʻiʻōlelo mele, ʻāpana 1, M., 1908; ʻO Catuar GL, ʻO ke kumu o ka lokahi, ʻāpana 1-2, M., 1924-1925; Belyaev VM, "Boris Godunov" na Mussorgsky. ʻO ka ʻike o ka loiloi thematic a me ka theoretical, ma ka puke: Mussorgsky, Articles and research, vol. 1, M., 1930; Ogolevets AS, Introduction to modern music thinking, M.-L., 1946; Skorik MM, Prokofiev a me Schoenberg, "SM", 1962, No 1; nona iho, Ladovaya system S. Prokofiev, K., 1969; Slonimsky SM, nā Symphonies a Prokofiev. ʻIke noiʻi, M.-L., 1964; Tiftikidi N., Pūnaehana Chromatic, "Musicology", vol. 3, Alama-Ata, 1967; Tarakanov ME, Ke ano o na symphonies a Prokofiev, M., 1968; Schoenberg A., Harmonielehre, W., 1911; Hindemith P., Unterweisung im Tonsatz, Bd 1, Mainz, 1937; Kohoutek S., Novodobé skladebné smery v hudbe, Praha, 1965 (Unuhi ʻōlelo Lūkini - Kohoutek Ts., ʻenehana hoʻokumu i nā mele o ka 1976th century, M., XNUMX).
ʻO Yu. N. Kholopov
