Daniel Francois Esprit Auber |

Daniel Auber

Ober. “Fra Diavolo”. ʻO Agnes ʻōpio (N. Figner)

He lālā o ka Institute of France (1829). I kona wā kamaliʻi, hoʻokani ʻo ia i ka violin, haku mele (ua paʻi ʻia lākou). E kū'ē i ka makemake o kona mau mākua, nāna i hoʻomākaukau iā ia no kahiʻoihana kālepa, ua hāʻawiʻo ia iā ia iho i ke mele. ʻO kāna ʻike mua loa i ka mele keaka ʻo Iulia (1811), i ʻae ʻia e L. Cherubini (ma lalo o kāna alakaʻi, ua aʻo ʻo Aubert i ka haku mele).

ʻAʻole i ʻike ʻia nā keaka mele mua a Aubert, The Soldiers at Rest (1813) a me Testament (1819). Ua lawe ʻo Fame iā ia i ke mele mele ʻo The Shepherdess - ka mea nona ka hale kākela (1820). Mai ka makahiki 20. Ua hoʻomaka ʻo Aubert i kahi hui hua lōʻihi me ka mea pāʻani ʻo E. Scribe, ka mea kākau o ka libretto o ka hapa nui o kāna mau keaka (ʻo Leicester lāua ʻo Snow ka mua o lākou).

I ka hoʻomaka ʻana o kāna ʻoihana, ua hoʻoikaika ʻia ʻo Aubert e G. Rossini lāua ʻo A. Boildieu, akā ua hōʻike ʻia ka opera comic The Mason (1825) i ke kūʻokoʻa hoʻomohala a me ke ʻano o ka haku mele. I ka makahiki 1828, ua hoʻokani ʻia ka opera The Mute from Portici (Fnella, lib. Scribe a me J. Delavigne), nāna i hoʻokumu i kona kaulana, me ka lanakila lanakila. I ka makahiki 1842-71 ʻo Aubert ke alakaʻi o ka Paris Conservatoire, mai ka makahiki 1857 ʻo ia hoʻi he haku mele o ka ʻaha.

ʻO Ober, me J. Meyerbeer, kekahi o nā mea nāna i haku i ke ʻano keaka nui. No kēia ʻano ka opera The Mute from Portici. ʻO kāna kumu - ke ala ʻana o nā lawaiʻa Neapolitan i ka makahiki 1647 e kūʻē i ka poʻe hoʻoluhi Spanish - ua kūlike me ka manaʻo o ka lehulehu i ka pō o Iulai Revolution o 1830 ma Farani. Me kona hoʻonohonoho ʻana, ua pane ka opera i nā pono o ka lehulehu ākea, i kekahi manawa e hana ana i nā hana kipi (he hōʻike aloha ʻāina i kahi hana ma 1830 ma Brussels i lilo i hoʻomaka o kahi kipi i alakaʻi i ka hoʻokuʻu ʻia ʻana o Belgium mai ke aupuni Dutch). Ma Rūsia, ua ʻae ʻia ka hana o ka opera ma Lūkini e ka tsarist censorship wale nō ma lalo o ka inoa ʻo The Palermo Bandits (1857).

ʻO kēia ka opera nui mua i hoʻokumu ʻia ma kahi moʻolelo mōʻaukala maoli, ʻaʻole he poʻe koa kahiko, akā he poʻe maʻamau. Ua wehewehe ʻo Aubert i ke kumuhana heroic ma o nā leo kani o nā mele, nā hula, a me nā mele kaua a me nā huakaʻi o ka Great French Revolution. Hoʻohana ka opera i nā ʻenehana o ka hoʻokaʻawale ʻana i ka dramaturgy, nā mele he nui, nā ʻano nui a me nā hiʻohiʻona heroic (ma ka mākeke, ala ʻana), nā kūlana melodramatic (ke kahua o ka pupule). Ua hāʻawi ʻia ke kuleana o ka heroine i kahi ballerina, kahi i hiki ai i ka mea haku mele ke hoʻopiha i ka helu me nā ʻāpana orchestral hoʻohālikelike e pili ana i ka pāʻani kahua a Fenella, a hoʻokomo i nā mea o ka ballet pono i loko o ka opera. He hopena ko ka opera The Mute from Portici i ka ulu hou ʻana o ka opera folk-heroic a me ke aloha.

'O Aubert ka 'elele nui loa o ka opera mele Farani. ʻO kāna opera Fra Diavolo (1830) i hōʻailona i kahi kūlana hou i ka mōʻaukala o kēia ʻano. Ma waena o nā mele mele he nui: "The Bronze Horse" (1835), "Black Domino" (1837), "Diamonds of the Crown" (1841). Ua hilinaʻi ʻo Aubert i nā kuʻuna a nā haku o ka hale mele mele Farani o ke kenekulia 18. (FA Philidor, PA Monsigny, AEM Gretry), a me kona kahiko kahiko ʻo Boildieu, ua aʻo nui ʻia mai ka hana ʻo Rossini.

Ma ka hui pū ʻana me Scribe, ua hana ʻo Aubert i kahi ʻano hou o ke ʻano opera comic, kahi i hōʻike ʻia e ka hoʻokalakupua a me ka hoʻokalakupua, i kekahi manawa nā moʻolelo moʻolelo, kūlohelohe a wikiwiki hoʻi i ka hana, hoʻopiha ʻia me nā kūlana kupaianaha, pāʻani, i kekahi manawa grotesque.

He akamai ka mele a Aubert, e noʻonoʻo pono ana i nā huli hoʻomākeʻaka o ka hana, piha i ka māmā nani, ka lokomaikaʻi, ka leʻaleʻa a me ka nani. Hoʻokomo ia i nā leo o nā mele Farani i kēlā me kēia lā (mele a me ka hula). Hōʻailona ʻia kāna mau helu e ka melodic freshness a me nā ʻano like ʻole, koi, piquant rhythms, a me nā orchestration maʻalahi a me ka ikaika. Ua hoʻohana ʻo Aubert i nā ʻano ʻano ariose a me nā mele, i hoʻolauna maikaʻi ʻia i nā hui a me nā papa himeni, nāna i unuhi ma ke ʻano pāʻani a maikaʻi, e hana ana i nā hiʻohiʻona ʻano olaola. Hoʻohui ʻia ka ulu ulu ʻana ma Aubert me ka makana o nā ʻano like ʻole a me nā mea hou. Ua hāʻawi ʻo AN Serov i kahi loiloi kiʻekiʻe, kahi wehewehe kikoʻī i ka mea haku mele. Ua paʻa ka kaulana o nā keaka maikaʻi loa a Aubert.

EF Bronfin

Nā haku mele:

kahawai – Iulia (Julie, 1811, he hale keaka pilikino i loko o ka hale kākela o Chime), Jean de Couvain (Jean de Couvain, 1812, ibid.), ʻO ka pūʻali koa i ka hoʻomaha (Le séjour militaire, 1813, Feydeau Theatre, Paris), Kauoha, a i ʻole nā ​​moʻolelo aloha (Le testament ou Les billets doux, 1819, Opera Comic Theatre, Paris), Shepherdess – ka mea nona ka hale kākela (La bergère châtelaine, 1820, ibid.), Emma, ​​​​a i ʻole ka ʻōlelo hoʻohiki mālama ʻole (Emma ou La promesse imprudente, 1821, ibid. same), Leicester (1823, ibid.), Snow (La neige, 1823, ibid.), Vendôme ma Sepania (Vendôme en Espagne, me P. Herold, 1823, King's Academy of Music and Hula, Palika) , Aha Aha Hookolokolo (Le concert à la cour, ou La débutante, 1824, Opera Comic Theatre, Paris), Leocadia (Léocadie, 1824, ibid.), Bricklayer (Le maçon, 1825, ibid.), Shy ( Le timide , ou Le nouveau séducteur, 1825, ibid.), Fiorella (Fiorella, 1825, ibid.), Mute from Portici (La muette de Portici, 1828, King's Academy of Music and Dance, Paris), Bride (La fiancée, 1829, Opéra Comique, Paris), Fra D iavolo (F ra Diavolo, ou L'hôtellerie de Terracine, 1830, ibid.), God and Bayadère (Le dieu et la bayadère, ou La courtisane amoureuse, 1830, King. Academy of Music and Dance, Paris; ke kuleana o ka bayadère hāmau isp. ballerina M. Taglioni), Love potion (Le philtre, 1831, ibid.), Marquise de Brenvilliers (La marquise de Brinvilliers, me 8 mau haku mele, 1831, Opera Comic Theatre, Paris), Oath (Le serment , ou Les faux -monnayeurs, 1832, King's Academy of Music and Dance, Paris), Gustav III, or Masquerade Ball (Gustave III, ou Le bal masqué, 1833, ibid.), Lestocq, ou L' intrigue et l'amour, 1834, Opera Comic, Paris), The Bronze Horse (Le cheval de bronze, 1835, ibid; i ka makahiki 1857 i hana hou ʻia i ka opera nui), Acteon (Actéon, 1836, ibid), White Hoods (Les chaperons blancs, 1836, ibid.), ʻElele (Lʻambassadrice, 1836, ibid.), ʻEleʻele Domino (Le domino noir, 1837, ibid.), Fairy Lake (Le lac des fées, 1839, King's Academy Music and Dance", Paris), Zanetta (Zanetta, ou Jouer avec le feu, 1840, Opera Comic Theatre, Paris), Crown Diamonds (Les diamants de la couronne, 1841, ibid.), Duke of Olonne (Le duc d 'Olonne, 1842, ibid.), The Devil's Share (La part. du diable, 1843, ibid.) , Siren (La sirène, 1844,ibid.), Barcarolle, a i ʻole Aloha a Mele (La barcarolle ou L'amour et la musique, 1845, ibid.), Haydée (Haydée, ou Le huna, 1847, ibid.), Prodigal son (L'enfant prodigue, 1850). , Moi. Ke Kulanui o nā Mele a me ka Hula, Paris), Zerlina (Zerline ou La corbeille d'oranges, 1851, ibid), Marco Spada (Marco Spada, 1852, Opera Comic Theatre, Paris; i ka makahiki 1857 i hoʻoponopono hou ʻia i ka ballet), Jenny Bell (Jenny Bell , 1855, ibid.), Manon Lescaut (Manon Lescaut, 1856, ibid.), wahine Circassian (La circassienne, 1861, ibid.), Wahine mare a ke Alii de Garbe (La fiancée du roi de Garbe, 1864, ibid.) ) , The First Day of Happiness (Le premier jour de bonheur, 1868, ibid.), Dream of Love (Rêve d'amour, 1869, ibid.); kaulahao. quartets (unpublished), etc.