Rudolf Richardovich Kerer (Rudolf Kehrer) |
Rudolph Kehrer
ʻO nā hopena kiʻi kiʻi i ko mākou manawa e like me kekahi i kekahi - ma ka liʻiliʻi ma mua. Akā ʻaʻole like ka moʻolelo o Rudolf Richardovich Kerer me nā mea ʻē aʻe. Ua lawa ka olelo ana a hiki i kona mau makahiki he kanakolukumamawalu (!) ua noho pohihihi loa oia ma ke ano he mea hookani ahamele; Ua ʻike lākou iā ia ma ka Conservatory ʻo Tashkent, kahi āna i aʻo ai. Akā i kekahi lā maikaʻi - e kamaʻilio mākou e pili ana iā ia ma mua - ua ʻike ʻia kona inoa e nā poʻe a pau i makemake i ke mele ma ko mākou ʻāina. A i ʻole he ʻoiaʻiʻo. Ua ʻike ʻia nā haʻihaʻi o kēlā me kēia mea hana ke paʻa ka poʻi o ka mea kani no kekahi manawa. Ua loaʻa iā Kerer kahi hoʻomaha. Ua mau wale ia, ʻaʻole i ʻoi aku a i ʻole ma lalo o ʻumikumamākolu makahiki ...
- Piano mele ma ka hale kūʻai pūnaewele Ozon →
Ua hānau ʻia ʻo Rudolf Richardovich Kerer ma Tbilisi. ʻO kona makuakāne he mea hoʻokani piano a i ʻole, he haku mele. Ua hoʻāʻo ʻo ia e hoʻomau i nā hanana hoihoi a pau i ke ola ʻahamele o ke kūlanakauhale; hoʻolauna ʻia i ke mele a me kāna keiki. Ke hoʻomanaʻo nei ʻo Kerer i nā hana a E. Petri, A. Borovsky, e hoʻomanaʻo ana i nā mea hoʻokipa kaulana ʻē aʻe i hele mai i Tbilisi i kēlā mau makahiki.
Ua lilo ʻo Erna Karlovna Krause i kumu kumu piano mua. "Aneane ua ʻike ʻia nā haumāna a pau o Erna Karlovna e ka ʻenehana hoʻoweliweli," wahi a Kehrer. “Ua paipai ʻia ka pāʻani wikiwiki, ikaika a pololei i ka papa. Ma hope koke naʻe, ua hoʻololi au i kumu hou, ʻo Anna Ivanovna Tulashvili, a ua loli koke nā mea a puni iaʻu. ʻO Anna Ivanovna he mea hoʻokalakupua a mele, ua mālama ʻia nā haʻawina me ia i kahi lewa hauʻoli ... "Ua aʻo ʻo Kerer me Tulashvili no kekahi mau makahiki - ʻo ka mua ma ka" hui o nā keiki aloha "ma ka Conservatory Tbilisi, a laila ma ka conservatory ponoʻī. A laila hoʻopau ke kaua i nā mea a pau. "Ma ka makemake o nā kūlana, ua hoʻopau wau i kahi mamao loa mai Tbilisi," wahi a Kerer. “ʻO ko mākou ʻohana, e like me nā ʻohana Kelemania ʻē aʻe i kēlā mau makahiki, pono e noho ma Central Asia, ʻaʻole mamao loa mai Tashkent. ʻAʻohe mea hoʻokani pila ma hope oʻu, a he mea paʻakikī loa ia me ka mea kani, no laila ua kū ka haʻawina piano iā lākou iho. Ua komo au i ka Chimkent Pedagogical Institute ma ka Faculty of Physics and Mathematics. Ma hope o kona puka 'ana, hele 'o ia e hana ma ke kula - ua a'o 'o ia i ka makemakika ma ke kula ki'eki'e. Ua hele kēia no kekahi mau makahiki. No ka pololei - a hiki i ka makahiki 1954. A laila ua hoʻoholo wau e ho'āʻo i koʻu laki (ma hope o nā mea a pau,ʻaʻole i pau ka mele "nostalgia" i ka hoʻomāʻehaʻeha iaʻu) - e hele i nā hoʻokolohua komo i ka Tashkent Conservatory. A ua ʻae ʻia ʻo ia i ke kolu o ka makahiki.
Ua komo 'o ia ma ka papa piano kumu 3. Sh. ʻO Tamarkina, ka mea a Kerer i hoʻopau ʻole i ka hoʻomanaʻo me ka mahalo nui a me ke aloha ("he mea hoʻokani pila maikaʻi loa, ʻike ʻo ia i ka hōʻike ma ka mea kani ..."). Ua aʻo nui ʻo ia mai nā hui ʻana me VI Slonim ("he mea ʻike ʻole ... me ia aʻu i hoʻomaopopo ai i nā kānāwai o ka hōʻike ʻana i ke mele, ma mua, ua kuhi wale wau i ko lākou ola").
Ua kōkua nā kumu aʻo ʻelua iā Kerer e hoʻopaʻa i nā āpau i kāna hoʻonaʻauao kūikawā; Mahalo iā Tamarkina lāua ʻo Slonim, ʻaʻole wale ʻo ia i puka maikaʻi mai ka conservatory, akā ua waiho pū ʻia ma laila e aʻo ai. ʻO lākou, nā kumu aʻoaʻo a me nā hoaaloha o ka piano ʻōpio, ua aʻo iā ia e hoʻāʻo i kona ikaika ma ka All-Union Competition of Performing Musicians i hoʻolaha ʻia ma 1961.
"I ka hoʻoholo ʻana e hele i Moscow, ʻaʻole wau i hoʻopunipuni iaʻu iho me nā manaʻolana kūikawā," i hoʻomanaʻo ai ʻo Kerer. Malia paha, ʻo kēia ʻano noʻonoʻo, ʻaʻole kaumaha ma muli o ka hopohopo nui a i ʻole ka hauʻoli ʻuhane, ua kōkua iaʻu i kēlā manawa. Ma hope mai, ua noʻonoʻo pinepine au i ka hoʻokuʻu ʻia ʻana o ka poʻe mele ʻōpio e pāʻani ana i nā hoʻokūkū i ko lākou nānā mua ʻana i kahi makana. Hoʻopaʻa ia, hoʻoluhi i ke kaumaha o ke kuleana, hoʻoluhi i ka manaʻo: nalowale ka pāʻani i kona māmā, kūlohelohe, maʻalahi ... I ka makahiki 1961 ʻaʻole wau i noʻonoʻo i nā makana - a ua hana maikaʻi wau. ʻAe, no ka wahi mua a me ka inoa o ka laureate, ʻoi aku ka hauʻoli o kēia pīhoihoi iaʻu… "
ʻAʻole nona wale nō ka pīhoihoi o ka lanakila ʻana o Kerer. ʻO ka mea hoʻokani mele 38 makahiki, aneane ʻike ʻole ʻia e kekahi, nona ke komo ʻana i ka hoʻokūkū, ma ke ala, koi ʻia ka ʻae kūikawā (ka palena makahiki o nā mea hoʻokūkū i kaupalena ʻia, e like me nā lula, i 32 mau makahiki), me kona kūleʻa sensational ua hookahuli i na wanana a pau i hoike mua ia, e kue i na manao a me na manao. "I loko o nā lā liʻiliʻi wale nō, ua lanakila ʻo Rudolf Kerer i kahi kaulana kaulana," wahi a ka mea paʻi mele. “Ua kūʻai ʻia aku ka mua o kāna mau ʻaha mele ma Moscow, i loko o kahi lewa hauʻoli. Ua hoʻolaha ʻia nā ʻōlelo a Kerer ma ka lekiō a me ke kīwī. Ua pane aku ka poʻe paʻi me ke aloha i kāna mau hana hoʻomaka. Ua lilo ʻo ia i kumuhana o nā kūkākūkā wela ma waena o nā poʻe loea a me nā amateurs i hiki ke hoʻokaʻawale iā ia i waena o nā pianists Soviet nui loa ... " (Rabinovich D. Rudolf Kerer // Musical Life. 1961. No. 6. P. 6.).
Pehea ka mea hoʻokipa mai Tashkent i hoʻohauʻoli i ka poʻe hoʻolohe metropolitan maʻalahi? ʻO ke kūʻokoʻa a me ka ʻokoʻa ʻole o kāna mau ʻōlelo kahua, ke ʻano o kona mau manaʻo, ke ʻano kumu o ka hana mele. ʻAʻoleʻo ia i pani i kekahi o nā kula piano kaulana -ʻaʻoleʻo Moscow a me Leningrad; ʻaʻole ʻo ia i "hōʻike" i kekahi, akā ʻo ia wale nō. ʻO kona ʻano maikaʻi nō hoʻi. Ua nele paha ʻo ia i ka ʻōlinolino o waho, akā ua ʻike kekahi i kona ikaika kumu, a me ka wiwo ʻole, a me ke ʻano nui. Ua hauʻoli ʻo Kerer i kāna hana ʻana i nā hana paʻakikī e like me Liszt's "Mephisto Waltz" a me F-minor ("Transcendental") Etude, Glazunov's "Theme and Variations" a me Prokofiev's First Concerto. Akā ʻoi aku ma mua o nā mea ʻē aʻe - ʻo ka overture iā "Tannhäuser" na Wagner - Liszt; Ua pane ʻo Moscow i kāna wehewehe ʻana i kēia mea he hana mana.
No laila, ua lawa nā kumu ʻoihana no ka lanakila ʻana i ka wahi mua mai Kerer. ʻO ke kumu maoli naʻe o kona lanakila ʻana he mea ʻē aʻe.
Loaʻa iā Kehrer kahi ʻike ola piha, ʻoi aku ka waiwai, ʻoi aku ka paʻakikī ma mua o ka poʻe i hoʻokūkū me ia, a ua ʻike maopopo ʻia kēia i kāna pāʻani. ʻO ka makahiki o ka mea hoʻokani piano, ʻo ka ʻoi o ka hopena ʻaʻole i pale wale iā ia mai ka hoʻokūkū ʻana me nā ʻōpio akamai akamai, akā, ua kōkua paha lākou ma kekahi ʻano. "ʻO ka mele," wahi a Bruno Walter, "ʻo ia ka "conductor of the individuality" o ka mea nāna ia e hoʻokani: e like me kāna unuhi ʻana i kahi hoʻohālikelike, "pehea ka metala ke alakaʻi o ka wela" (Performing art of foreign country. – M., 1962. Issue IC 71.). Mai ke mele i kani ʻia i ka wehewehe ʻana o Kehrer, mai kāna ʻano ʻano hana kiʻi, aia ka hanu o kahi mea maʻamau ʻole no ke kahua hoʻokūkū. ʻO ka poʻe hoʻolohe, a me nā lālā o ke kiure, ʻike lākou i mua o lākou ʻaʻole he mea hoʻomaka i haʻalele wale ma hope o kahi manawa ao ʻole o ke aʻo ʻana, akā he mea pena kiʻi oʻo. Ma kāna pāʻani – koʻikoʻi, i pena ʻia i kekahi manawa me nā leo koʻikoʻi a me ke kani ʻana – ua manaʻo kekahi i ka mea i kapa ʻia ʻo psychological overtones…
Ua hala ka manawa. Ua waiho ʻia nā ʻike hoihoi a me nā manaʻo o ka hoʻokūkū 1961. Ke holomua nei i mua o ka pianism Soviet, ua noho lōʻihi ʻo Kerer i kahi kūpono i waena o kāna mau hoa hana mele. Ua kamaʻāina lākou i kāna hana me ka piha a me ka kikoʻī - me ka ʻole o ka hype, ka mea pinepine e hele pū me nā pīhoihoi. Ua hui mākou ma nā kūlanakauhale he nui o ka USSR a ma waho - ma GDR, Polani, Czechoslovakia, Bulgaria, Romania, Iapana. Ua aʻo ʻia hoʻi nā ikaika o kona ʻano kahua. He aha lākou? He aha ka mea pena i kēia lā?
ʻO ka mea mua, pono e ʻōlelo e pili ana iā ia ma ke ʻano he haku o ke ʻano nui i ka hana hana; ma ke ʻano he mea pena kiʻi i hōʻike ʻia kāna talena me ka hilinaʻi nui i nā canvases mele nui. Pono ʻo Kerer i nā wahi leo nui kahi e hiki ai iā ia ke hoʻoikaika mālie a hoʻoikaika i ka haʻalulu ikaika, e hōʻailona i nā hoʻomaha o ka hana mele me ka paʻi nui, e kuhikuhi pono i nā culminations; ʻOi aku ka maikaʻi o kāna mau hana keaka ke nānā ʻia me he mea lā e neʻe aku ana mai ia mau mea, mai kahi mamao. ʻAʻole ia he mea kūpono ʻole i waena o kāna mau ʻōlelo kūleʻa e like me Brahms' First Piano Concerto, Beethoven's Fifth, Tchaikovsky's First, Shostakovich's First, Rachmaninov's Second, sonata cycles by Prokofiev, Khachaturian, Sviridov.
ʻO nā hana o nā ʻano nui e pili ana i nā mea pāʻani ʻahamele a pau i kā lākou repertoire. ʻAʻole naʻe lākou no nā mea a pau. No kekahi, ʻo kahi kaula wale nō o nā ʻāpana i puka mai, kahi kaleidoscope o nā manawa kani ʻālohilohi a liʻiliʻi paha ... ʻAʻole hiki kēia me Kerer. Me he mea lā ua hopu ʻia ke mele e ka hao hao mai iā ia: ʻaʻohe mea āna e pāʻani ai - ʻo ka concerto D-minor a Bach a i ʻole ka sonata A-minor a Mozart, nā "Symphonic etudes" a Schumann a i ʻole nā mea hoʻomaka a me nā fugues a Shostakovich - ma nā wahi āpau i kāna kauoha hana, hoʻopaʻi kūloko, ʻoihana lanakila lanakila. He kumu makemakika ʻo ia, ʻaʻole ʻo ia i nalowale i kona ʻono no ka loiloi, nā ʻano hoʻolālā, a me ke kūkulu ʻana i ka mele. ʻO ia ka hale kūʻai o kona noʻonoʻo noʻonoʻo, ʻo ia hoʻi kāna mau ʻano noʻeau.
Wahi a ka hapa nui o nā mea hoʻohewa, loaʻa iā Kehrer ka lanakila nui loa ma ka wehewehe ʻana iā Beethoven. ʻOiaʻiʻo, aia nā hana a kēia mea kākau i kekahi o nā wahi koʻikoʻi ma nā pepa hoʻolaha a ka mea hoʻokani piano. ʻO ke ʻano o ke mele a Beethoven – kona ʻano wiwo ʻole a me ka manaʻo ikaika, ka leo koʻikoʻi, nā ʻokoʻa ikaika o ka naʻau – ua kūlike me ke ʻano noʻeau o Kerer; ua lōʻihi kona manaʻo ʻana i kahi ʻoihana no kēia mele, ua ʻike ʻo ia i kāna hana hoʻokani maoli i loko. I nā manawa hauʻoli ʻē aʻe i kāna pāʻani, hiki i kekahi ke manaʻo i ka hui piha a me ka organik me ka noʻonoʻo noʻeau o Beethoven - kēlā hui ʻuhane me ka mea kākau, ʻo ia "symbiosis" hana i wehewehe ʻia e KS Stanislavsky me kāna kaulana "ʻO wau": "Ke ola nei au, ʻo wau. ola , manaʻo wau a manaʻo like me ka hana ” (Stanislavsky KS ʻO ka hana a kahi mea keaka iā ia iho // Nā hana i hōʻiliʻili - M., 1954. T. 2. Māhele 1. S. 203.). Ma waena o nā "hana" hoihoi loa a Kehrer's Beethoven repertoire ʻo ka ʻumikumamāhiku a me ka ʻumikumamāwalu Sonatas, ka Pathetique, ka Aurora, ka ʻelima Concerto a, ʻoiaʻiʻo, ka Appassionata. (E like me kāu e ʻike ai, ua hoʻomaka ka mea hoʻokani piano i ke kiʻi ʻoniʻoni Appassionata, e hāʻawi ana i kāna wehewehe ʻana i kēia hana i hiki i ka lehulehu o nā miliona.) He mea mahalo ʻia ʻo nā hana a Beethoven i kūlike ʻaʻole wale me nā ʻano pilikino o Kerer, he kanaka a he kanaka. mea pena, akā me nā ʻano ʻano o kāna piano. Paʻa a paʻa (ʻaʻole me ka hapa ʻole o ka "impact") hana leo, fresco kaila o ka hana - kōkua kēia mau mea i ka mea pena e hoʻokō i ka manaʻo kiʻekiʻe kiʻekiʻe ma ka "Pathetique", a ma ka "Appassionata", a ma nā piano ʻē aʻe he nui a Beethoven. opuses.
Aia kekahi haku mele i ʻaneʻane e kūleʻa mau me Kerer—Sergei Prokofiev. He haku mele e pili kokoke ana iā ia ma nā ʻano he nui: me kāna lyricism, kaohi a me ka laconic, me ka makemake i ka instrumental toccato, no kahi pāʻani maloʻo a nani. Eia kekahi, kokoke ʻo Prokofiev iā Kerer me ka ʻaneʻane o kāna mau pūʻali o nā ʻano hōʻike: "ke kaomi o nā ʻano metric paʻakikī", "maʻalahi a me ka squareness o ke kani", "he nānā ʻana me nā kiʻi mele hoʻonaninani ʻole", "materiality" o ke ʻano. , "ka inertia o ka ulu mau ʻana o nā hiʻohiʻona" (SE Feinberg) (Feinberg SE Sergei Prokofiev: Nā ʻano o ke ʻano // Pianoism as an Art. 2nd ed. – M., 1969. P. 134, 138, 550.). ʻAʻole hiki ke ʻike i ka ʻōpio Prokofiev i ke kumu o nā lanakila kiʻi a Kerer - ka Concerto Piano Mua. Ma waena o nā mea i hoʻokō ʻia e ka piano piano ʻo Prokofiev's Second, Third and Seventh Sonatas, Delusions, prelude in C major, ka huakaʻi kaulana mai ka opera The Love for Three Oranges.
Hoʻokani pinepine ʻo Kerer iā Chopin. Aia nā hana a Scriabin a me Debussy i kāna mau papahana. ʻO kēia paha nā ʻāpana hoʻopaʻapaʻa loa o kāna repertoire. Me ka lanakila ʻole o ka mea hoʻokani pila ma ke ʻano he unuhi ʻōlelo – Chopin's Second Sonata, Scriabin's Third Sonata… – ʻo ia nā mea kākau e hōʻike pū i kekahi mau ʻaoʻao malu o kāna kiʻi. Ma ʻaneʻi, ma nā waltzes nani a me nā preludes a Chopin, ma nā mea liʻiliʻi palupalu a Scriabin, ma nā mele nani a Debussy, ua ʻike kekahi i ka hoʻomaʻamaʻa ʻole ʻana o ka pāʻani ʻana a Kerer i kekahi manawa, ʻo ia ma kekahi mau wahi he ʻoʻoleʻa. A ʻaʻole maikaʻi ka ʻike ʻana i loko o ia mea i ka hoʻomaʻamaʻa ʻana i nā kikoʻī, kahi ʻano ʻoniʻoni a me ka nuance coloristic. Malia paha, hiki i kēlā me kēia mea hoʻokani piano, ʻo ka poʻe koʻikoʻi loa, ke inoa i kekahi mau ʻāpana ʻaʻole no "kana" piano; ʻAʻole ʻokoʻa ʻo Kerr.
ʻAʻole i nele ka wehewehe ʻana a ka mea hoʻokani pila i nā mele – ma ke ʻano he hoʻomaopopo a manaʻo ʻia e nā haku mele aloha. Hoʻomaka mākou e hana i kahi hoʻoholo hoʻopaʻapaʻa. ʻO ka noʻonoʻo o nā mea hoʻokani mele, a me nā mea haku mele paha, e like me ke ʻano o nā mea kākau, ʻike i kāna "poets" a me kāna "poʻe kākau moʻolelo". (E hiki anei i kekahi ma ka honua o nā mea kākau ke hoʻopaʻapaʻa ʻo wai o kēia mau ʻano ʻoi aku ka "ʻoi aku ka maikaʻi" a ʻo wai ka "ʻoi aku ka ʻino"? ʻAʻole, ʻoiaʻiʻo.) ʻIke ʻia a aʻo ʻia ka ʻano mua, manaʻo mākou e pili ana i ka lua o ka liʻiliʻi. pinepine; a inā, no ka laʻana, ke kani maoli nei ka manaʻo o ka "piano poet", a laila ʻaʻole hiki ke ʻōlelo ʻia e pili ana i "nā mea kākau moʻolelo o ka piano". I kēia manawa, aia ma waena o lākou he nui nā haku hoihoi - koʻikoʻi, naʻauao, ʻano ʻuhane. I kekahi manawa, makemake kekahi o lākou e wehewehe pololei i nā palena o kā lākou repertoire, e hāʻawi ana i ka makemake i kekahi mau hana, e waiho ana i nā mea ʻē aʻe ...
Ma waena o nā hoahana, ʻike ʻia ʻo Kerer ʻaʻole wale he mea hoʻokani mele. Mai ka makahiki 1961, ua a'o 'o ia ma ka Conservatory o Moscow. Ma waena o kāna mau haumāna ka mea lanakila o ka IV Tchaikovsky Competition, ka mea pena kaulana Brazilian A. Moreira-Lima, ka mea hoʻokani piano Czech Bozhena Steinerova, ka mea lanakila o ka VIII Tchaikovsky Competition Irina Plotnikova, a me kekahi mau ʻōpio Soviet a me nā mea hana haole. "Ua maopopo iaʻu inā ua hoʻokō ka mea hoʻokani pila i kekahi mea ma kāna ʻoihana, pono e aʻo ʻia ʻo ia," wahi a Kerer. "E like me kā mākou koi ʻana e hoʻāla i ka poʻe haku o ka pena pena, hale kiʻiʻoniʻoni, hale kiʻiʻoniʻoni - ʻo nā mea a pau a mākou i kapa ai he" artists ". A ʻaʻole ia he mea pili i ka pono pono. Ke komo nei ʻoe i ke aʻo ʻana, ʻike ʻoe i ka wehe ʻana o kou mau maka i nā mea he nui… "
I ka manawa like, hoʻonāukiuki kekahi mea iā Kerer ke kumu i kēia lā. Wahi a ia, he mea hoʻonāukiuki i ka hoʻomaʻamaʻa a me ka noʻonoʻo o ka poʻe ʻōpio o kēia wā. ʻO ke akamai ʻoihana ʻoi loa. ʻAʻole wale ma ka Conservatory Moscow, kahi āna e hana ai, akā i nā kula mele ʻē aʻe ma ka ʻāina, kahi āna e kipa aku ai. "Nānā ʻoe i nā piano ʻōpio ʻē aʻe a ʻike ʻoe ʻaʻole lākou e noʻonoʻo nui i kā lākou aʻo ʻana e pili ana i kā lākou ʻoihana. A ke ʻimi nei lākou ʻaʻole i nā kumu wale nō, akā nā kahu koʻikoʻi, nā poʻe mālama i hiki ke mālama i ko lākou holomua ʻana, e kōkua, e like me kā lākou e ʻōlelo nei, e ala i ko lākou mau wāwae.
ʻOiaʻiʻo, pono ka poʻe ʻōpio e hopohopo i ko lākou wā e hiki mai ana. He kūlohelohe maoli kēia, maopopo iaʻu nā mea āpau. Akā naʻe… Ma ke ʻano he mea hoʻokani pila, ʻaʻole hiki iaʻu ke mihi i ka ʻike ʻana ʻaʻole ʻo nā leo i koʻu manaʻo e pono ai. ʻAʻole hiki iaʻu ke ʻae i ka huhū no ka hoʻohuli ʻia ʻana o nā mea nui i ke ola a me ka hana. Ua hewa paha au…”
Ua pololei ʻo ia, ʻoiaʻiʻo, a ʻike pono ʻo ia. ʻAʻole ʻo ia makemake, ʻoiai, e hōʻino aku kekahi iā ia no kēlā ʻano ʻelemākule, no ka ʻōhumu maʻamau a koʻikoʻi i ka ʻōpio "i kēia manawa".
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I nā kau 1986/87 a me 1987/88, ua ʻike ʻia kekahi mau poʻo inoa hou ma nā papahana a Kerer – Bach's Partita in B flat major a me Suite in A minor, Liszt's Obermann Valley and Funeral Procession, Grieg's Piano Concerto, kekahi o nā ʻāpana a Rachmaninoff. ʻAʻoleʻo ia e hūnā i kaʻoiaʻiʻo i kona mau makahiki heʻoi aku ka paʻakikī e aʻo i nā mea hou, e lawe mai i ka lehulehu. Akā - pono, e like me ia. He mea pono ʻole e hoʻopaʻa ʻia ma kahi hoʻokahi, ʻaʻole e hoʻokaʻawale i ke ʻano hana; e manao like ʻikena mea hoʻokani ʻahamele. Pono ia, ma ka pōkole, ma ka ʻoihana a me ka psychologically. A ʻaʻole i emi iki ka lua ma mua o ka mea mua.
I ka manawa like, ua hana pū ʻo Kerer i ka hana "hoʻihoʻi" - hana hou ʻo ia i kekahi mea mai ka repertoire o nā makahiki i hala, hoʻokomo hou i loko o kāna ola ʻaha mele. "I kekahi manawa he mea hoihoi loa ia e nānā i ke ʻano o ka loli ʻana o nā ʻano i nā wehewehe mua. No laila, pehea ʻoe e hoʻololi ai iā ʻoe iho. Manaʻo wau aia kekahi mau hana i loko o nā palapala mele o ka honua e koi wale ana e hoʻihoʻi ʻia i kēlā me kēia manawa, nā hana e pono e hoʻonui ʻia a noʻonoʻo hou. Nui ko lakou waiwai i ko lakou mau mea i loko, pela lehulehui kēlā me kēia manawa o ka huakaʻi o ke ola e loaʻa iā ia kekahi mea i ʻike ʻole ʻia ma mua, ʻike ʻole ʻia, ʻike ʻole ʻia…
I ka manawa like, ke hoʻāʻo nei ʻo Kerer e hoʻomau ʻole i ka manawa lōʻihi ma kahi mea - e ʻōlelo, ma nā hana a ka mea kākau hoʻokahi, ʻaʻohe mea pili a aloha paha. "Ua ʻike au i ka hoʻololi ʻana i nā ʻano mele, nā ʻano haku mele like ʻole," i ʻōlelo ai ʻo ia, "e kōkua i ka mālama ʻana i ka leo naʻau i ka hana. A he mea nui loa kēia. I ka wā ma hope o nā makahiki he nui o ka hana paʻakikī, ka nui o nā hana ʻaha mele, ʻo ka mea nui ʻaʻole e nalowale ka ʻono no ka hoʻokani piano. A eia ka hoʻololi ʻana o nā manaʻo mele like ʻole a kōkua nui iaʻu - hāʻawi ia i kahi ʻano hou o loko, hōʻoluʻolu i nā manaʻo, hoʻomaha i ka luhi.
No kēlā me kēia mea pena, hiki mai kahi manawa, hoʻohui ʻo Rudolf Rikhardovich, i ka wā e hoʻomaka ai ʻo ia e hoʻomaopopo he nui nā hana āna e aʻo ʻole ai a pāʻani ma ke kahua. ʻAʻole hiki i ka manawa… He mea kaumaha, ʻoiaʻiʻo, akā ʻaʻohe mea e hana ʻia. Manaʻo wau me ka minamina, no ka laʻana, pehea ka nuiʻAʻole wau i pāʻani i loko o kona ola nā hana a Schubert, Brahms, Scriabin, a me nā haku haku mele ʻē aʻe. ʻOi aku ka maikaʻi o kou makemake e hana i kāu hana i kēia lā.
'Ōlelo lākou, hiki i nā poʻe akamai (ʻoi aku ka nui o nā hoa hana) ke hana hewa i kekahi manawa i kā lākou loiloi a me nā manaʻo; lehulehu ma i ka hopena aole hewa. “ʻOku ʻikai lava ke mahino ʻe he kau fanongo takitaha ki ha meʻa ʻi he taimi ʻe taha,” ko e tohi ʻa Vladimir Horowitz, “ka ʻi heʻenau fakataha, ʻoku nau mahino! Ma kahi o ʻekolu mau makahiki, ua hauʻoli ka hana kiʻi a Kerer i ka manaʻo o ka poʻe hoʻolohe i ʻike iā ia he mea hoʻokani pila maikaʻi, ʻoiaʻiʻo, ʻaʻohe manaʻo maʻamau. A lakou aole kuhihewa...
G. Tsypin, 1990
