Evgeny Igorevich Kissin |

Evgeny Kissin

Ua aʻo mua ka lehulehu e pili ana iā Evgeny Kisin i ka makahiki 1984, i kona hoʻokani ʻana me kahi orkestra i alakaʻi ʻia e Dm. ʻO Kitayenko ʻelua concerto piano na Chopin. Ua hana ʻia kēia hanana ma ka Hale Nui o ka Conservatory o Moscow a hana i kahi manaʻo maoli. ʻO ka mea hoʻokani piano he ʻumikūmākolu makahiki, he haumāna papa ʻeono o ke kula mele kūikawā ʻo Gnessin Secondary Special Music School, ua ʻōlelo koke ʻia he hana mana. Eia kekahi, ʻaʻole wale nā ​​​​poʻe mele hoʻopunipuni a me ka ʻike ʻole i ʻōlelo, akā ʻo ka poʻe loea. ʻOiaʻiʻo, ʻo ka mea a kēia keikikāne i hana ai i ka piano ua like loa ia me kahi hana mana ...

Ua hānau ʻia ʻo Zhenya i ka makahiki 1971, ma Moscow, i loko o kahi ʻohana i hiki ke ʻōlelo ʻia he hapa mele. (ʻO kona makuahine he kumu kula mele ma ka papa piano; kona kaikuaʻana, he pianist hoʻi, i hoʻokahi manawa i aʻo ʻia ma ke Kula ʻo Central Music ma ka Conservatory.) I ka wā mua, ua hoʻoholo ʻia e hoʻokuʻu iā ia mai nā haʻawina mele - lawa, ʻōlelo lākou. , ʻAʻole i loaʻa i kahi keiki ka wā kamaliʻi maʻamau, e ʻae iā ia ma ka liʻiliʻi o ka lua. He ʻenekinia ka makua kāne o ke keiki, no ke aha ʻaʻole pono ʻo ia, i ka hopena, e hahai i ke ala like? … Eia naʻe, ʻokoʻa ka hana ʻana. ʻOiai he pēpē, hiki iā Zhenya ke hoʻolohe i ka pāʻani a kona kaikuahine no nā hola me ka hoʻomaha ʻole. A laila hoʻomaka ʻo ia e hīmeni - pololei a maopopo - nā mea a pau i hiki i kona pepeiao, inā ʻo Bach's fugues a i ʻole ʻo Beethoven's Rondo "Fury over a Lost Penny." I ka makahiki ʻekolu, hoʻomaka ʻo ia e hana i kekahi mea, e ʻohi ana i nā mele āna i makemake ai ma ka piano. Ma kahi huaʻōlelo, ua maopopo loa he mea hiki ʻole ke aʻo iā ia i ke mele. A ʻaʻole ʻo ia i koho ʻia e lilo i ʻenekinia.

He ʻeono paha makahiki o ke keikikāne i kona lawe ʻia ʻana i AP Kantor, he kumu kaulana i waena o Muscovites o ke kula Gnessin. "Mai ko mākou hui mua ʻana, hoʻomaka ʻo ia e kāhāhā iaʻu," i hoʻomanaʻo ai ʻo Anna Pavlovna, "e kāhāhā mau iaʻu i kēlā me kēia haʻawina. No ka haʻi ʻana i ka ʻoiaʻiʻo, ʻaʻole hoʻomaha ʻo ia i kekahi manawa i ka pīhoihoi iaʻu a hiki i kēia lā, ʻoiai ua hala nā makahiki he nui mai ka lā a māua i hui ai. Pehea ʻo ia i hoʻomaikaʻi ai i ka papa keyboard! ʻAʻole hiki iaʻu ke haʻi aku iā ʻoe no ia mea, pono wau e lohe… Ke hoʻomanaʻo mau nei au i kona "hele ʻana" ma nā kī like ʻole (a ʻo kēia me ka ʻike ʻole i kekahi manaʻo, nā lula!), A i ka hopena e hana ʻo ia. ʻoiaʻiʻo e hoʻi i ka tonic. A ua puka mai nā mea a pau mai loko mai o ia me ka harmoniously, logically, nani! Ua hānau ʻia ke mele ma kona poʻo a ma lalo o kona mau manamana lima, i nā manawa a pau; ua pani koke ia kekahi kumu e kekahi. No ka nui o kaʻu noi ʻana iā ia e hana hou i kāna mea i pāʻani ai, hōʻole ʻo ia. "Akā ʻaʻole wau e hoʻomanaʻo ..." A hoʻomaka koke ʻo ia e noʻonoʻo i kahi mea hou loa.

Ua nui kaʻu mau haumāna i kaʻu mau makahiki he kanahā o ke aʻo ʻana. Puu o. Hoʻopili pū me nā mea akamai maoli, e like me, no ka laʻana, N. Demidenko a i ʻole A. Batagov (i kēia manawa he mau piano kaulana lākou, nā lanakila o nā hoʻokūkū). Akā ʻaʻole au i ʻike i kekahi mea e like me Zhenya Kisin ma mua. ʻAʻole ia he pepeiao nui kona i ke mele; ʻoiai, ʻaʻole ia he mea maʻamau. ʻO ka mea nui ke ʻano ikaika o kēia lono! Pehea ka nui o ka noʻonoʻo, ka noʻonoʻo noʻonoʻo, ka noʻonoʻo o ke keiki!

… Ua kū koke mai ka nīnau i mua oʻu: pehea e aʻo ai? Hoʻoponopono, koho ʻia e ka pepeiao - nani kēia mau mea. Akā, pono ʻoe i ka ʻike no ka ʻike mele mele, a me ka mea a mākou i kapa ai ʻo ka hui ʻoihana o ka pāʻani. Pono e loaʻa i kekahi mau mākau hana maʻemaʻe a me nā mākaukau - a loaʻa iā lākou e like me ka hiki… Pono wau e ʻōlelo ʻaʻole wau e ʻae i ka hoʻomaʻamaʻa a me ka palaualelo ma kaʻu papa; No'u iho, he nani ko ka piano, a he mea nui ia ia'u.

Ma kahi huaʻōlelo, ʻaʻole wau i makemake, a ʻaʻole hiki ke hāʻawi i kahi mea ma ka liʻiliʻi o nā kumu ʻoihana o ka hoʻonaʻauao. Akā ʻaʻole hiki ke "maloʻo" i nā papa ... "

Pono e ʻae ʻia ua kū maoli ʻo AP Kantor i nā pilikia paʻakikī. ʻO ka poʻe a pau e pili ana i ka hoʻonaʻauao mele, ʻike lākou: ʻoi aku ka mākaukau o ka haumāna, ʻoi aku ka paʻakikī (a ʻaʻole maʻalahi, e like me ka naively manaʻoʻiʻo) ke kumu. ʻOi aku ka maʻalahi a me ke akamai āu e hōʻike ai i loko o ka lumi papa. Aia kēia ma lalo o nā kūlana maʻamau, me nā haumāna o ka ʻoi aʻe a i ʻole ka liʻiliʻi maʻamau. A maanei? Pehea e kūkulu ai i nā haʻawina he keiki? He aha ke ʻano hana āu e hahai ai? Pehea e kamaʻilio ai? He aha ka wikiwiki o ke aʻo ʻana? Ma ke kumu hea i koho ʻia ai ka repertoire? Nā unahi, nā hana kūikawā, a me nā mea'ē aʻe - pehea e hana ai me lākou? ʻO kēia mau nīnau a pau o AP Kantor, ʻoiai ʻo kāna mau makahiki he nui o ke aʻo ʻana, pono e hoʻoponopono hou ʻia. ʻAʻohe mea ma mua o kēia hihia. ʻAʻole loa i loaʻa iā ia kahi pae aʻoaʻo. ʻike hoʻokumue like me keia manawa.

"I koʻu hauʻoli nui, ua aʻo ʻo Zhenya i nā "ʻenehana" āpau o ka hoʻokani piano koke. Notation mele, hui metro-rhythmic o nā mele, nā mākau pianistic kumu a me nā hiki - ua hāʻawi ʻia kēia mau mea iā ia me ka pilikia ʻole. Me he mea lā ua ʻike mua ʻo ia a hoʻomanaʻo wale i kēia manawa. Ua aʻo koke au i ka heluhelu mele. A laila hele ʻo ia i mua - a pehea ka wikiwiki!

I ka pau ʻana o ka makahiki mua o ke aʻo ʻana, hoʻokani ʻo Kissin kokoke i ka "Album keiki" a Tchaikovsky, nā sonata māmā a Haydn, nā mea hana ʻekolu a Bach. Ma ka papa ʻekolu, ua komo kāna mau papahana i nā fugues ʻekolu a me ʻehā leo o Bach, nā sonatas a Mozart, nā mazurkas a Chopin; i hoʻokahi makahiki ma hope - ʻo Bach's E-minor toccata, Moszkowski's etudes, Beethoven's sonatas, Chopin's F-minor piano concerto… Ua ʻōlelo lākou he keiki hoʻokalakupua mau. mua nā manawa kūpono i ka makahiki o ke keiki; ʻo ia ka "holo mua" ma kēia ʻano hana. ʻO Zhenya Kissin, kahi hiʻohiʻona maʻamau o kahi keiki prodigy, i kēlā me kēia makahiki, ʻoi aku ka ʻike a me ka wikiwiki e haʻalele i kāna mau hoa. A ʻaʻole wale ma ke ʻano o ka paʻakikī ʻenehana o nā hana i hana ʻia. Ua loaʻa ʻo ia i kona mau hoa i ka hohonu o ke komo ʻana i ke mele, i loko o kona ʻano kiʻi a me ke mele, kona ʻano. Eia naʻe, e kūkākūkā ʻia kēia ma hope.

Ua ʻike mua ʻia ʻo ia ma nā pōʻai mele ʻo Moscow. Ma kekahi ʻano, i kona wā he haumāna papa ʻelima, ua hoʻoholo ʻia e hoʻonohonoho i kāna ʻaha mele - pono no ke keikikāne a hoihoi no nā poʻe ʻē aʻe. He mea paʻakikī ke ʻōlelo pehea i ʻike ʻia ai kēia ma waho o ke kula ʻo Gnessin - ma waho o kahi pepa liʻiliʻi liʻiliʻi, ʻaʻohe mea hoʻolaha e pili ana i ka hanana e hiki mai ana. Eia naʻe, i ka hoʻomaka ʻana o ke ahiahi, ua piha ke kula ʻo Gnessin i ka poʻe. Ua piha ka poʻe i loko o nā alahele, kū i loko o kahi pā paʻa i nā ala, piʻi i luna o nā papaʻaina a me nā noho, piha ma nā puka makani ... Ma ka hapa mua, hoʻokani ʻo Kissin i ka Bach-Marcello's Concerto ma D minor, Mendelssohn's Prelude and Fugue, Schumann's Variations "Abegg ”, kekahi mau Chopin's mazurkas, “Dedication » Schumann-List. Ua hoʻokani ʻia ʻo Chopin's Concerto ma F minor ma ka ʻāpana ʻelua. (Hoʻomanaʻo ʻo Anna Pavlovna i ka wā hoʻomaha ua lanakila mau ʻo Zhenya iā ia me ka nīnau: "ʻAe, i ka manawa hea e hoʻomaka ai ka ʻāpana ʻelua! ʻAe, i ka manawa hea e kani ai ka bele!" . )

Nui ka holomua o ia ahiahi. A ma hope o kekahi manawa, ua ukali ʻia kēlā hana hui like me D. Kitaenko ma ka BZK (ʻelua concerto piano na Chopin), i ʻōlelo ʻia ma luna. Ua lilo ʻo Zhenya Kissin i mea kaulana…

Pehea ʻo ia i hoʻohauʻoli ai i ke anaina metropolitan? ʻO kekahi hapa o ia mea - ma ka ʻoiaʻiʻo o ka hana ʻana i nā hana paʻakikī, maopopo "ʻaʻole kamaliʻi". ʻO kēia ʻōpio lahilahi a palupalu, aneane he keiki, ua hoʻopā mua ʻia e kona helehelena ma ke kahua - me ka hoʻoulu ʻana i kona poʻo, nā maka ākea ākea, ka wehe ʻana mai nā mea āpau o ke ao ... he mea hiki ole ke mahalo. Me nā ʻāpana paʻakikī loa a me ka pianistically "insidious", ua hoʻopaʻa manuahi ʻo ia, me ka ʻike ʻole ʻia - me ka hoʻoikaika ʻole i ke ʻano maoli a me ke ʻano o ka huaʻōlelo.

Eia naʻe, ua nānā ka poʻe akamai ʻaʻole wale, a ʻaʻole nui loa i kēia. Pīhoihoi lākou i ka ʻike ʻana ua "hāʻawi ʻia" ke keiki e komo i loko o nā wahi i mālama ʻia a me nā wahi huna o ke mele, i loko o kona wahi hoʻāno; ua ʻike mākou ua hiki i kēia keiki kula ke manaʻo - a hōʻike i kāna hana - ka mea nui loa i ka mele: ʻo ia manaʻo noʻeau, kela mea ʻano hōʻike… I ka wā i hoʻokani ai ʻo Kissin i nā ʻaha mele a Chopin me ka hoʻokani pila ʻo Kitayenko, me he mea lā nona iho ʻO Chopin, ola a ʻoiaʻiʻo i kāna mau hiʻohiʻona liʻiliʻi, ʻo ia ʻo Chopin, ʻaʻole ia he mea ʻoi aʻe a liʻiliʻi paha e like me ia, e like me ka mea maʻamau. A ʻoi aku ka maikaʻi o kēia no ka mea i ka makahiki ʻumikūmākolu e hoʻomaopopo ia ʻIke ʻia ka ʻike mua loa o nā ʻano hana kiʻi ... Aia kekahi huaʻōlelo i ka ʻepekema - "anticipation", ʻo ia hoʻi ka manaʻo, wānana a ke kanaka i kahi mea i ʻike ʻole ʻia i kāna ʻike pilikino. (“He haku mele ʻoiaʻiʻo, manaʻoʻiʻo ʻo Goethe, he ʻike maoli kona o ke ola, a no ka hōʻike ʻana ʻaʻole pono ʻo ia i ka ʻike nui a i ʻole nā ​​​​mea hana empirical …” (Eckerman IP Conversations with Goethe i nā makahiki hope o kona ola. – M., 1981 . S. 112).). Ua ʻike ʻo Kissin mai ka hoʻomaka ʻana, ua manaʻo ʻo ia i ke mele i kekahi mea, i hāʻawi ʻia i kona mau makahiki, ʻaʻole ʻo ia "ʻaʻole pono" ʻike a manaʻo. He mea ano e, kupanaha no ia mea; ʻO kekahi o ka poʻe hoʻolohe, ua kipa aku i nā hana a ka mea hoʻokani piano ʻōpio, ua ʻae lākou i kekahi manawa ua ʻoluʻolu ʻole lākou ...

A ʻo ka mea kupaianaha, hoʻomaopopo i ke mele - ma ka mea nui me ke kokua ole a alakai ole mai. ʻAʻohe kānalua, ʻo kāna kumu, ʻo AP Kantor, he loea koʻikoʻi; ʻAʻole hiki ke hoʻonui ʻia kāna mau pono i kēia hihia: ua hoʻokō ʻo ia i lilo ʻaʻole wale i kumu aʻoaʻo akamai iā Zhenya, akā he hoaaloha maikaʻi a me ke kākāʻōlelo. Eia naʻe, he aha ka mea i hana ai i kāna pāʻani kū hoʻokahi ma ke ano maoli o ka olelo, aole hiki iaia ke hai. ʻAʻole ʻo ia, ʻaʻole kekahi. ʻO kāna intuition kupaianaha wale nō.

… Ua ukali ʻia ka hana hoʻohiwahiwa ma ka BZK e kekahi mau mea ʻē aʻe. I ka Mei o ka makahiki 1984, ua hoʻokani ʻo Kissin i kahi ʻaha mele ma ka Hale Liʻiliʻi o ka Conservatory; ua komo ka papahana, ʻo ia hoʻi, ʻo Chopin's F-minor fantasy. E hoʻomanaʻo kākou ma kēia pili ʻana ʻo ka noʻonoʻo kekahi o nā hana paʻakikī loa i ka repertoire o nā pianists. Aʻaʻole wale ma keʻano o ka virtuoso-technical - hele me ka'ōleloʻole; paʻakikī ka haku mele ma muli o kāna kiʻi kiʻi kiʻi, kahi ʻōnaehana paʻakikī o nā manaʻo mele, nā manaʻo like ʻole, a me nā dramaturgy kūʻē loa. Ua hana ʻo Kissin i ka manaʻo noʻonoʻo a Chopin me ka hoʻohuli ʻana like me kāna hana ʻana i nā mea ʻē aʻe. He mea hoihoi ia ke aʻo ʻana i kēia hana i ka manawa pōkole loa: ʻekolu pule wale nō i hala mai ka hoʻomaka ʻana o ka hana a hiki i ka hoʻomaka ʻana i ka hale ʻaha mele. Malia paha, he mea hoʻomaʻamaʻa mele, mea pena a kumu paha i mea e mahalo pono ai i kēia ʻoiaʻiʻo.

ʻO ka poʻe e hoʻomanaʻo nei i ka hoʻomaka ʻana o ka hana ʻoihana a Kissin e ʻae like ʻo ka hou a me ka piha o nā manaʻo i hoʻopiʻi nui iā ia. Pīhoihoi au i kēlā ʻoiaʻiʻo o ka ʻike mele, kēlā maʻemaʻe maʻemaʻe a me ka naivety, i ʻike ʻia (a i kēlā manawa pinepine ʻole) i waena o nā mea pena ʻōpio. Ua hoʻokani ʻia kēlā me kēia ʻāpana mele e Kissin me he mea lā ʻo ia ka mea i aloha nui ʻia a aloha nui ʻia iā ia - ʻoi aku paha, ua like maoli nō ia ... : pololei waho, “pololei”, kani ʻenehana. Ma hope o Kissin, nui nā mea hoʻokani piano, ʻaʻole i hoʻokaʻawale i ka poʻe mana loa, ua hoʻomaka koke lākou e ʻike ʻia he ʻano hōʻoluʻolu, haʻahaʻa, ʻoluʻolu ʻole - me he mea lā i ke kula kiʻekiʻe i kā lākou hana ... ʻike ʻia nā canvases kani; a ua hoʻomaka kēia mau canvases e ʻālohilohi me nā kala mele mele maʻemaʻe nani. ʻO nā hana i kamaʻāina lōʻihi i ka poʻe hoʻolohe, ua aneane ʻike ʻole ʻia; ʻO ka mea i lohe ʻia i hoʻokahi tausani manawa, ua lilo ia i mea hou, me he mea lā ʻaʻole i lohe ʻia ma mua ...

ʻO ia ʻo Kissin i ka waena o ke kanawalu, ʻo ia hoʻi, ma ke kumu, i kēia lā. ʻOiai, ʻoiaʻiʻo, i nā makahiki i hala iho nei, ua hoʻololi ʻo ia, ʻoi. I kēia manawa, ʻaʻole kēia he keikikāne, akā he kanaka ʻōpio i kona wā nui, ma ka ʻaoʻao o ke oʻo.

Ma ke ʻano maʻamau a ma nā mea a pau e hōʻike nui ʻia, Kissin i ka manawa like i mālama ʻia no ka mea kani. ʻAʻole loa e hele i nā palena o ke ana a me ka ʻono. He mea paʻakikī ke haʻi aku i hea nā hopena o nā hana aʻoaʻo a Anna Pavlovna, a ma hea nā hōʻike o kāna ʻano noʻonoʻo ponoʻī. ʻOiaʻiʻo, ʻo ka ʻoiaʻiʻo: ua hānai maikaʻi ʻia ʻo ia. Expressiveness – expressiveness, enthusiasm – enthusiasm, aka, o ka hoike ana o ka holoholona hihiu, aole ia e hele i na palena nona, ma waho aʻe o ka hoʻokō “neʻe” hiki ke hoʻomaka… He mea hoihoi: ʻike ʻia ka hopena i ka mālama ʻana i kēia hiʻohiʻona o kona helehelena. Me ia, no kekahi manawa, aia kekahi talena kūlohelohe ʻē aʻe ma ke kahua ʻaha mele - ʻo Polina Osetinskaya. E like me Kissin, aia nō ʻo ia i waenakonu o ka poʻe loea a me ka lehulehu; Ua kamaʻilio nui lākou e pili ana iā ia a me ia, e hoʻohālikelike ana iā lākou ma kekahi ʻano, e kiʻi ana i nā mea like a me nā hoʻohālikelike. A laila, pau nā kamaʻilio o kēia ʻano, maloʻo. Ua hōʻoia ʻia (no ka ʻumi ʻumi o ka manawa!) ʻO ka ʻike ʻana i nā pōʻai ʻoihana e pono ai, a me nā categoricalness āpau, ka mālama ʻana i nā lula o ka ʻono maikaʻi i ke kiʻi. Pono ia i ka hiki ke hana nani, hanohano, kūpono ma ke kahua. ʻAʻole maikaʻi ʻo Kissin ma kēia ʻano. ʻO ia ke kumu i noho ai ʻo ia ma waho o ka hoʻokūkū ma waena o kāna mau hoa.

Ua kū ʻo ia i kahi hoʻokolohua ʻē aʻe, ʻaʻole i emi iki ka paʻakikī a me ke kuleana. ʻAʻole ʻo ia i hāʻawi i kumu e hōʻino ai iā ia iho no ka hōʻike ʻana iā ia iho, no ka nānā nui ʻana i kona kino ponoʻī, ka mea e hana pinepine ai nā talena ʻōpio. Eia kekahi, he mau punahele lākou i ka lehulehu ... "Ke piʻi ʻoe i nā alapiʻi o ke kiʻi, mai kīkēkē me kou mau kuʻekuʻe wāwae," i ʻōlelo ʻia e ka mea hoʻokani Soviet kaulana ʻo O. Androvskaya. ʻAʻole i lohe ʻia ka "kikeke o nā kuʻekuʻe wāwae" a Kissin. No ka mea, "ʻaʻoleʻo ia iho" ke pāʻani nei, akāʻo ka Mea kākau. Eia hou, ʻaʻole ia he mea kupanaha inā ʻaʻole no kona mau makahiki.

… Ua hoʻomaka ʻo Kissin i kāna ʻoihana kahua, e like me kā lākou i ʻōlelo ai, me Chopin. ʻAʻole ma ka manawa kūpono, ʻoiaʻiʻo. He makana kāna no ke aloha; ʻoi aku ka maopopo. Hiki ke hoʻomanaʻo, no ka laʻana, nā mazurkas a Chopin i hana ʻia e ia - he palupalu, ʻala a ʻala e like me nā pua hou. ʻO nā hana a Schumann (Arabesques, C major fantasy, Symphonic etudes), Liszt (rhapsodies, etudes, etc.), Schubert (sonata in C minor) kokoke iā Kissin i ka nui like. ʻO nā mea a pau āna e hana ai ma ka piano, ka unuhi ʻana i ka romantics, maʻamau ke ʻano kūlohelohe, e like me ka inhaling a me ka exhaling.

Eia nō naʻe, manaʻoʻiʻo ʻo AP Kantor ʻo ke kuleana o Kissin, ma ke kumu, ʻoi aku ka laulā a ʻoi aku ka nui. I ka hōʻoia ʻana, ʻae ʻo ia iā ia e hoʻāʻo iā ia iho i nā papa like ʻole o ka repertoire pianistic. Hoʻokani 'o ia i nā hana he nui a Mozart, i nā makahiki i hala iho nei, ho'okani pinepine 'o ia i ke mele o Shostakovich (First Piano Concerto), Prokofiev (Third Piano Concerto, Sixth Sonata, "Fleeting", kaawale helu mai ka suite "Romeo and Juliet"). Ua hoʻokumu paʻa nā poʻe Lūkini iā ​​​​lākou iho i kāna mau papahana - Rachmaninov (Second Piano Concerto, preludes, etudes-pictures), Scriabin (Third Sonata, preludes, etudes, the plays "Fragility", "Inspired Poem", "Dance of Longing") . A eia, i loko o kēia repertoire, noho ʻo Kisin ʻo Kisin - haʻi i ka ʻoiaʻiʻo a ʻaʻohe mea ʻē aʻe ma ka ʻoiaʻiʻo. A ma ʻaneʻi ʻaʻole i ka leka wale nō, akā i ka ʻuhane o ke mele. Eia naʻe, ʻaʻole hiki ke hoʻomaopopo ʻia ʻaʻole liʻiliʻi ka poʻe piano i kēia manawa "hoʻokō" i nā hana a Rachmaninov a i ʻole Prokofiev; i kekahi hihia, ʻaʻole nui loa ka hana kiʻekiʻe o kēia mau hana. ʻO kekahi mea ʻo Schumann a i ʻole Chopin ... "Chopinists" i kēia mau lā hiki ke helu maoli ʻia ma nā manamana lima. A ʻoi aku ka nui o ke kani ʻana o ke mele a ka mea haku mele ma nā keʻena ʻaha mele, ʻoi aku ka paʻa o ka maka. ʻO ia paha ke kumu e hoʻāla ai ʻo Kissin i ke aloha mai ka lehulehu, a ua hui pū ʻia kāna mau papahana mai nā hana o ka romantics me ka hoihoi.

Mai ka waena o ke kanawalu, ua hoʻomaka ʻo Kissin e huakaʻi i nā ʻāina ʻē. I kēia lā, ua kipa mua ʻo ia, a ʻoi aku i hoʻokahi manawa, ma ʻEnelani, Italia, Sepania, Austria, Iapana, a me nā ʻāina ʻē aʻe. Ua ʻike ʻia a aloha ʻia ʻo ia ma nā ʻāina ʻē; ke hele mai nei na kono e hele mai i ka makaikai iaia me ka mahuahua mau; paha, ua ʻae pinepine ʻo ia inā ʻaʻole no kāna aʻo ʻana.

Ma waho, a ma ka home, hāʻawi pinepine ʻo Kissin i nā ʻahamele me V. Spivakov a me kāna orkestra. ʻO Spivakov, pono mākou e hāʻawi iā ia i kāna kuleana, e hana nui i ka hopena o ke keiki; ua hana ʻo ia a hoʻomau i ka hana nui iā ia iho, no kāna ʻoihana ʻoihana.

I loko o kekahi o nā huakaʻi, i ʻAukake 1988, ma Salzburg, ua hoʻolauna ʻia ʻo Kissin iā Herbert Karajan. Wahi a lākou ʻaʻole hiki i ka maestro he kanawalu makahiki ke kāohi i kona mau waimaka i kona lohe mua ʻana i ka pāʻani ʻana o ke kanaka ʻōpio. Ua kono koke ʻo ia iā ia e kamaʻilio pū. ʻOiaʻiʻo, he mau mahina ma hope mai, ma ka lā 30 o Dekemaba o ia makahiki hoʻokahi, ua hoʻokani ʻo Kissin lāua ʻo Herbert Karaja i ka Concerto Piano Mua a Tchaikovsky ma West Berlin. Ua hoʻolaha ʻo Televise i kēia hana ma Kelemania. I ke ahiahi aʻe, i ka pō o ka makahiki hou, ua hana hou ʻia ka hana; I kēia manawa ua hele ka hoʻolaha i ka hapa nui o nā ʻāina ʻEulopa a me ʻAmelika. Ma hope o kekahi mau mahina, ua hoʻokani ʻia ka ʻahamele e Kissin lāua ʻo Karayan ma Central Television.

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Ua ʻōlelo ʻo Valery Bryusov i kekahi manawa: “… Hāʻawi nui nā talena poetic i ka wā e hui pū ʻia me ka ʻono maikaʻi a alakaʻi ʻia e ka manaʻo ikaika. I mea e lanakila ai ka hana noʻeau i nā lanakila nui, pono nā ʻike ākea ākea no ia. ʻO ka moʻomeheu o ka noʻonoʻo wale nō e hiki ai ka moʻomeheu o ka ʻuhane. (Ka poʻe kākau moʻolelo Lūkini e pili ana i ka hana palapala. – L., 1956. S. 332.).

ʻAʻole ʻo Kissin wale nō ka manaʻo ikaika a me ka ʻike i ke kiʻi; ʻike kekahi i ka naʻauao inquisitive a me ka hāʻawi ʻana i ka ʻuhane ākea - "ʻike", e like me ka huaʻōlelo o nā psychologists Western. Makemake ʻo ia i nā puke, ʻike pono i ka poema; Hōʻike nā ʻohana e hiki iā ia ke heluhelu i nā ʻaoʻao holoʻokoʻa ma ka puʻuwai mai Pushkin, Lermontov, Blok, Mayakovsky. Hāʻawi mau ʻia ke aʻo ʻana ma ke kula iā ia me ka pilikia ʻole, ʻoiai i kekahi manawa pono ʻo ia e hoʻomaha nui i kāna mau haʻawina. He leʻaleʻa kāna - chess.

He mea paʻakikī i ka poʻe o waho ke kamaʻilio pū me ia. He laconicʻo ia - "noho mālie", e like me ka'ōlelo a Anna Pavlovna. Eia naʻe, i loko o kēia "kanaka hāmau", ʻike ʻia, aia kahi hana i loko mau, hoʻomau, ikaika a paʻakikī loa. ʻO ka hōʻoia maikaʻi loa o kēia kāna pāʻani.

He paʻakikī ke noʻonoʻo i ka paʻakikī o Kissin i ka wā e hiki mai ana. Ma hope o nā mea a pau,ʻo ka "noi" i hanaʻia e ia - a ka mea! - pono e hoaponoia. E like me ka manaolana o ka lehulehu, i hookipa pumehana i ka mea hookani pila, i manaoio ia ia. ʻAʻohe mea, manaʻo nui lākou i kēia lā e like me Kisin. ʻAʻole hiki iā ia ke hoʻomau i ke ʻano o ʻelua a ʻekolu mau makahiki i hala aku nei - a i ʻole ma ka pae o kēia manawa. ʻAe, hiki ʻole. Eia "a i ʻole - a i ʻole" ... ʻo ia hoʻi ʻaʻohe ona ala ʻē aʻe e hele i mua, e hoʻonui mau iā ia iho, me kēlā me kēia kau hou, papahana hou.

Eia kekahi, ma ke ala, loaʻa iā Kissin nā pilikia e pono e hoʻoponopono ʻia. Aia kekahi mea e hana ai, he mea e "hoonui". ʻAʻole i ka nui o nā manaʻo hoihoi i kāna pāʻani, i ka nānā ʻana iā ia me ka nānā pono a me ka akahele, hoʻomaka ʻoe e ʻike i kekahi mau hemahema, nā hemahema, nā bottlenecks. No ka laʻana, ʻaʻole ʻo Kissin he mea hoʻokele impeccable o kāna hana ponoʻī: ma ke kahua, i kekahi manawa e hoʻolalelale ʻo ia i ka wikiwiki, "hoʻokele", e like me kā lākou e ʻōlelo nei ma ia mau hihia; ʻO kāna piano i kekahi manawa ke kani ʻana, ʻeleʻele, "hoʻonui ʻia"; uhi ʻia ka lole mele i kekahi manawa me ka mānoanoa, nui ka uhi ʻana i nā wahi pedal. I kēia mau lā, no ka laʻana, i ka manawa 1988/89, hoʻokani ʻo ia i kahi papahana ma ka Hale Nui o ka Conservatory, kahi, me nā mea ʻē aʻe, aia ʻo Chopin's B minor sonata. Ke koi nei ka Lunakanawai e olelo ua maopopo loa na hemahema i oleloia maluna.

ʻO ka papahana ʻaha mele hoʻokahi, ma ke ala, ua komo pū me Schumann's Arabesques. ʻO lākou ka helu mua, wehe i ke ahiahi a, ʻoiaʻiʻo, ʻaʻole lākou i hele maikaʻi loa. "Arabesques" hoike mai Kissin 'aʻole koke,ʻaʻole mai ka mua minuke o ka hana "komo" i ke mele - pono ia i kekahi manawa i mea e emotionally pumehana, e imi i ka makemake kahua moku'āina. ʻOiaʻiʻo, ʻaʻohe mea maʻamau, ʻoi aku ka maʻamau i ka hana hana nui. Loaʻa kēia i nā mea āpau. Eia naʻe… Kokoke, akā ʻaʻole me nā mea a pau. ʻO ia ke kumu hiki ʻole ke kuhikuhi i kēia kuʻekuʻe Achilles o ka mea hoʻokani piano ʻōpio.

Hoʻokahi mea hou. ʻO ka mea nui loa paha. Ua ʻike mua ʻia: no Kissin ʻaʻohe mea hiki ʻole ke hoʻokō ʻia i nā pilikia virtuoso-technical, ua hoʻokō ʻo ia i nā pilikia pianistic me ka ʻike ʻole ʻia. ʻAʻole naʻe kēia manaʻo hiki iā ia ke manaʻo i ka mālie a me ka mālama ʻole i ka ʻōlelo o ka "ʻenehana". ʻO ka mea mua, e like me ka mea i ʻōlelo ʻia ma mua, ʻaʻole loaʻa kāna ("ʻenehana") i kekahi. i keu aku, hiki wale ke nele. A ʻoiaʻiʻo, aia ka nele mau o nā mea pena kiʻi nui a koi; ʻoi aku, ʻoi aku ka nui, ka wiwo ʻole i kā lākou mau manaʻo hoʻomohala, ʻoi aku ka nui o ka nele. Akā ʻaʻole ʻo ia wale nō. Pono e ʻōlelo pololei ʻia, ʻo ka piano a Kisin nona iho ʻaʻole ia e hōʻike i kahi waiwai aesthetic koʻikoʻi - kēlā kumu waiwai, ka mea maʻamau e hoʻokaʻawale i nā haku o ka papa kiʻekiʻe, he hōʻailona ʻano o lākou. E hoʻomanaʻo mākou i nā mea pena kaulana loa o ko mākou manawa (ʻo ka makana a Kissin e hāʻawi i ke kuleana i ia mau hoʻohālikelike): kā lākou ʻoihana. akamai leʻaleʻa, hoʻopā iā ia iho, e like me, me ka nānā ʻole i nā mea ʻē aʻe. ʻAʻole hiki ke ʻōlelo ʻia e pili ana iā Kisin. ʻAʻole naʻe ʻo ia e piʻi i luna o ia mau kiʻekiʻe. Inā, ʻoiaʻiʻo, manaʻo mākou e pili ana i ka honua mele a me ka hoʻokani Olympus.

A ma ka laulā, ʻo ka manaʻo ʻo ia ka nui o nā mea i ka hoʻokani piano i hiki ke maʻalahi iā ia. Malia paha maʻalahi loa; no laila nā mea hoʻohui a me nā mea maikaʻi ʻole o kāna ʻoihana. I kēia lā, ʻo ka mea mua, ʻike ʻia ka mea i loaʻa mai kāna talena kūlohelohe kūʻokoʻa. A maikaʻi kēia, ʻoiaʻiʻo, akā no ka manawa wale nō. I ka wā e hiki mai ana, pono e loli kekahi mea. He aha? Pehea? I ka manawa hea? Aia nā mea a pau…

G. Tsypin, 1990