Vera Vasilievna Gornostayeva (Vera Gornostayeva) |
ʻO Vera Gornostayeva
Ua hele mai ʻo Vera Vasilievna Gornostaeva i ka hana, ma kāna mau ʻōlelo ponoʻī, "ma o ke aʻo ʻana" - ʻaʻole maʻamau ke ala. ʻO ka pinepine, hiki ke kū'ē: loaʻa lākou i ka kaulana ma ke kahua ʻaha mele a, ma ke ʻano he hana aʻe, hoʻomaka lākou e aʻo. ʻO nā laʻana o kēia nā moʻolelo o Oborin, Gilels, Flier, Zach a me nā mea hoʻokani pila kaulana ʻē aʻe. ʻO ka hele ʻana i ka ʻaoʻao ʻē aʻe he mea maʻalahi loa, ʻo ka hihia o Gornostaeva kekahi o kēlā mau ʻokoʻa e hōʻoia i ke kānāwai.
He kumu mele kona makuahine i hāʻawi piha iā ia iho i ka hana me nā keiki; ʻO ke "kumu pediatrician", me kāna ʻano haʻahaʻa haʻahaʻa, e kamaʻilio e pili ana i ka ʻoihana a ka makuahine o Gornostaev. "Ua loaʻa iaʻu kaʻu mau haʻawina piano mua ma ka home," wahi a ka pianist, "a laila ua aʻo au ma ke kula ʻo Moscow Central Music School me kahi kumu akamai a me kahi kanaka hoʻohiwahiwa ʻo Ekaterina Klavdievna Nikolaeva. Ma ka conservatory, ʻo Heinrich Gustavovich Neuhaus koʻu kumu.
I ka makahiki 1950, ua ho'okani 'o Gornostaeva i ka ho'okūkū ho'okani pila ma Prague a ua lanakila 'o ia i ka inoa laureate. Akā, ma hope o kēlā, ʻaʻole ʻo ia i hele mai i ke kahua o ke kahua ʻaha mele, e like me ke ʻano kūlohelohe, akā i ka Gnessin Musical and Pedagogical Institute. He mau makahiki ma hope mai, mai ka makahiki 1959, ua hoʻomaka ʻo ia e hana ma ka Conservatory Moscow; Ke aʻo nei ʻo ia ma laila a hiki i kēia lā.
"Ke manaʻoʻiʻo ʻia ʻo ka hana aʻoaʻo e hana i nā pilikia koʻikoʻi no ka hana ʻaha mele," wahi a Gornostaeva. "ʻOiaʻiʻo, pili nā papa i loko o ka lumi papa me ka nalowale nui o ka manawa. Akā, mai poina kākou! — a me ka pomaikai nui i ka mea nana e ao aku. ʻOi loa inā laki ʻoe e hana pū me kahi haumāna ikaika a akamai. Pono ʻoe ma ke kiʻekiʻe o kou kūlana, ʻeā? — ʻo ia hoʻi, pono ʻoe e noʻonoʻo mau, e ʻimi, e ʻimi, e kālailai. ʻAʻole wale no ka ʻimi - e imi aku; ma hope o nā mea a pau, ʻaʻole ʻo ka ʻimi ponoʻī ka mea nui i kā mākou ʻoihana, ʻo nā mea ʻike ka mea nui. Ua maopopo iaʻu ʻo ia ka aʻoaʻo, kahi aʻu i komo ai i loko o nā makahiki he nui ma muli o ka makemake o nā kūlana, ua hoʻokumu i kahi mea hoʻokani pila i loko oʻu, ua hoʻolilo iaʻu i koʻu ʻano ... Ua hiki mai ka manawa i ʻike ai wau Hiki iaʻu mai pāʻani: paʻakikī loa ka noho mālie inā loaʻa ia haʻi. Ma ka hoʻomaka ʻana o nā makahiki kanahiku, hoʻomaka wau e hoʻokani mau. ʻO nā mea hou aku; i kēia manawa hele nui au, kaʻapuni ma nā kūlanakauhale like ʻole, hoʻopaʻa moʻolelo.
ʻO kēlā me kēia mea hoʻokani 'aha mele (koe wale ka mea maʻamau, ʻoiaʻiʻo) he mea kupaianaha i kona ʻano ponoʻī. ʻO Gornostaeva ka mea hoihoi, ʻo ka mea mua, e like me kanaka - kumu, hiʻohiʻona, me kahi helehelena olaola a hoihoi. ʻAʻole naʻe ʻo kāna piano ponoʻī e huki i ka manaʻo; ʻaʻole nā mea hana waho. Hiki paha i kekahi o nā haumāna o Gornostaeva i kēia lā (a i ʻole i nehinei) ke hana i ka manaʻo maikaʻi ma ke kahua ma mua o kā lākou kumu. ʻO kēia ka manaʻo holoʻokoʻa - ʻo lākou, me ko lākou hilinaʻi, ikaika, hauʻoli, e hoʻohauʻoli hou aku. eo; ʻoi aku ka hohonu a me ke koʻikoʻi.
I kekahi manawa, e kamaʻilio ana ma ka nūpepa, ua ʻōlelo ʻo Gornostaeva: "ʻO ka ʻoihana ʻoihana ke ala e hōʻike ai ke kanaka i kona honua i loko. A ke ʻike mau nei mākou i ka ʻike o kēia ao i loko o ka hōʻiliʻili ʻana i nā mele, i ka pāʻani a ka mea pāʻani, a i ka haʻi ʻōlelo hoʻokani piano. Hiki iā ʻoe ke lohe i ke kiʻekiʻe o ka moʻomeheu, ka ʻono, ka manaʻo, ka naʻauao, ke ʻano" (I kapa ʻia ma hope o Tchaikovsky: ʻOhi o nā ʻatikala a me nā palapala e pili ana i ka Third International Competition of Musicians-Performers i kapa ʻia ma hope o PI Tchaikovsky. – M 1970. S. 209.). Aia nā mea āpau ma ʻaneʻi, kēlā me kēia ʻōlelo. ʻAʻole wale nā roulades a i ʻole ka lokomaikaʻi, ka ʻōlelo a i ʻole ka pedalization i lohe ʻia ma ka ʻaha mele - ʻo kahi ʻāpana ʻike ʻole o ka poʻe i manaʻo pēlā. Lohe ʻia nā mea ʻē aʻe…
Me Gornostaeva ka pianist, no ka laʻana, ʻaʻole paʻakikī ke "hoʻolohe" i kona manaʻo. Aia ʻo ia ma nā wahi a pau, aia kāna noʻonoʻo i nā mea āpau. He ʻaiʻē ʻo ia iā ia i ka maikaʻi o kāna hana. I ka poʻe, ʻo ka mea mua, ʻike ʻo ia i nā kānāwai o ka hōʻike mele: ʻike ʻo ia i ka piano, ʻike. chego hiki ke hoʻokō ma luna o ia mea a as hana iā ia. A pehea kona akamai i ka hoʻohana ʻana i kāna mau hana piano! ʻEhia ka nui o kona mau hoa hana he hapa wale nō, ma kekahi ʻano a i ʻole, e ʻike ana i ke ʻano i hāʻawi iā lākou? Hōʻike piha ʻo Gornostaeva i kāna mau hana hana - he hōʻailona o nā mea ikaika a me (ʻo ka mea nui loa!) nā manaʻo koʻikoʻi. ʻO kēia noʻonoʻo kupaianaha, kona papa ʻoihana kiʻekiʻe i manaʻo nui ʻia i nā ʻāpana maikaʻi loa o ka repertoire o ka mea hoʻokani piano – mazurkas a me waltzes, ballads a me sonatas na Chopin, rhapsodies (op. 79) a me intermezzo (op. 117 a me 119) na Brahms, “Sarcasm "a me ka pōʻai "Romeo a me Juliet" na Prokofiev, Preludes na Shostakovich.
Aia nā mea hana ʻahamele e hoʻohauʻoli ana i ka lehulehu ma ka ikaika ko lākou mau manaʻo, e ʻā ana me ka hoihoi nui, pili i ka hana ʻana i ka ʻōlelo. He ʻokoʻa ʻo Gornostaeva. Ma kāna mau ʻike pae, ʻaʻole ka mea nui ʻano nui kumu (pehea ka ikaika, ka malamalama ...), a kūhelu - ka mea i hōʻike ʻia ma nā epithets "hoʻomaʻemaʻe", "hoʻomaʻemaʻe", "aristocratic", etc. Hoʻomanaʻo wau, no ka laʻana, kāna mau papahana Beethoven - "Pathetic", "Appassionata", "Lunar", ʻEhiku a i kanakolukumamālua. sonata. ʻAʻole naʻe ka hoʻoikaika ikaika i hana ʻia e ka mea pena o kēia mele, ʻaʻole hoʻi i ka manaʻo hoʻoikaika ikaika, ʻaʻole hoʻi i nā kuko puahiohio. Ma ka ʻaoʻao ʻē aʻe, maʻalahi, hoʻomaʻemaʻe ʻia o nā manaʻo, kahi moʻomeheu kiʻekiʻe o ka ʻike - ʻoi loa i nā ʻāpana lohi, i nā ʻāpana o ke ʻano lyrical-contemplative.
ʻOiaʻiʻo, ʻo ka nele o ka "quantitative" i ka pāʻani Gornostaeva i kekahi manawa ke manaʻo nei ʻo ia iho. ʻAʻole maʻalahi iā ia i ke kiʻekiʻe o nā kiʻekiʻe, i ke mele e koi ai i ka fortissimo paʻa, waiwai; ua kaupalena ʻia nā hiki kino maoli o ka mea pena, a i kekahi manawa ʻike ʻia! Pono ʻo ia e hoʻopaʻa i kona leo piano. Ma Beethoven's Pathetique, lanakila ʻo ia ma mua o ka lua o ka neʻe, ʻo Adagio mālie. Ma Mussorgsky's Pictures at an Exhibition, ʻo Gornostaeva's melancholic Old Castle he mea maikaʻi loa a ʻaʻole maikaʻi loa ka Bogatyr Gates.
Eia naʻe, inā mākou e hoʻomanaʻo wahi ma ke akamai o ka piano, pono kakou e kamailio no kekahi mea e ae. ʻO M. Gorky, e kamaʻilio pū me B. Asafiev, i kekahi manawa; ʻokoʻa nā mea hoʻokani pila maoli i ka lohe ʻana ʻaʻole mele wale. (E hoʻomanaʻo kākou iā Bruno Walter: "He mea hoʻokani pila wale nō ka mea hoʻokani pila.") ʻO Gornostaeva, ma ka'ōlelo a Gorky, ua hāʻawiʻia e lohe i kaʻoihana meleʻaʻole wale i ke mele; ʻo ia ke ala i lanakila ai ʻo ia i ke kuleana o ke kahua ʻahamele. Lohe ʻo ia i ka "ʻoi aku", "ākea", "hohonu", e like me ke ʻano maʻamau o ka poʻe me ka manaʻo uhane nui, nā pono noʻonoʻo waiwai, kahi ʻano hoʻohālikelike-hui i hoʻomohala ʻia - i ka pōkole, ka poʻe i hiki ke ʻike i ka honua ma o ka prisma o ke mele…
Me ke ano e like me Gornostaeva, me kona hana ikaika i na mea a pau e puni ana iaia, he mea hiki ole ke alakai i ka aoao hookahi a me ka paa. Aia kekahi poʻe i "contraindicated" maʻamau e hana i hoʻokahi mea; pono lākou e hoʻololi i nā leʻaleʻa hana, hoʻololi i nā ʻano hana; ʻO nā ʻokoʻa o kēia ʻano ʻaʻole ia e hoʻopilikia iā lākou i ka liʻiliʻi, akā e hauʻoli iā lākou. I loko o kona ola a pau, ua komo ʻo Gornostaeva i nā ʻano hana like ʻole.
Maikaʻi kāna kākau ʻana, ʻano ʻoihana. No ka hapanui o kona mau hoa, ʻaʻole ia he hana maʻalahi; Ua makemake nui ʻo Gornostaeva iā ia a me ka makemake. He kanaka akamai i ka palapala, me ka manaʻo maikaʻi loa i nā mea maʻalahi o ka ʻōlelo, ʻike ʻo ia i ka ʻaʻahu ʻana i kona mau manaʻo i ke ʻano ola, nani, ʻaʻole maʻamau. Ua paʻi pinepine ʻia ʻo ia ma ka nūpepa waena, ua ʻike nui ʻia kāna mau ʻatikala - "Svyatoslav Richter", "Reflections at the Concert Hall", "A Man Graduated from the Conservatory", "E lilo ʻoe i Artist?" a me nā mea ʻē aʻe.
Ma kāna mau ʻōlelo lehulehu, ʻatikala a me ke kamaʻilio ʻana, pili ʻo Gornostaev i nā ʻano pilikia like ʻole. A aia naʻe nā kumuhana e hoʻohauʻoli iā ia ma mua o nā mea ʻē aʻe. ʻO kēia, ʻo ka mea mua, nā hopena nani o ka ʻōpio hana. He aha ka mea e pale ai i nā haumāna maikaʻi a maikaʻi, ka nui o lākou i loko o kā mākou mau kula hoʻonaʻauao, i kekahi manawa, ʻaʻole ia e ʻae iā lākou e ulu i mau haku nui? I kekahi ʻano - nā kākalaioa o ke ola ʻaha mele, kekahi mau manawa malu i ka hoʻonohonoho ʻana o ke ola philharmonic. ʻO Gornostaeva, ka mea i hele a nānā i nā mea he nui, uaʻike e pili ana iā lākou a me kaʻoiaʻiʻo (ʻikeʻo ia i ka pololei, inā pono, a me ka koi) i'ōlelo ma kēia kumuhana ma kaʻatikala "Ke aloha nei ka luna o ka philharmonic i ke mele?". ʻO ia hoʻi, ke kūʻē nei i nā kūleʻa wikiwiki loa ma ke kahua ʻaha mele - aia lākou i nā pōʻino he nui, nā mea hoʻoweliweli huna. I ka wā i loaʻa ai iā Eteri Anjaparidze, kekahi o kāna mau haumāna, ka makana IV ma ka hoʻokūkū ʻo Tchaikovsky i ka makahiki ʻumikūmāhiku, ʻaʻole i manaʻo ʻo Gornostaeva he mea ʻoi loa ka haʻi ʻana i ka lehulehu (no ka pono o Anjaparidze iā ia iho) he makana "kiʻekiʻe kiʻekiʻe" no kēia. kona mau makahiki. "ʻO ka holomua," i kākau ai ʻo ia i kekahi manawa, "pono e hiki mai i ka manawa kūpono. He mea hana ikaika loa. ”… (Gornostaeva V. E lilo anei ʻoe i mea pena? // Moʻomeheu Soviet. 1969 29 pairs.).
Akā ʻo ka mea pōʻino loa, ʻo Vera Vasilievna e haʻi hou aʻe, ʻo ia ka wā e pau ai ko lākou hoihoi i nā mea ʻē aʻe ma mua o ka hana, e ʻimi wale ana i nā pahuhopu, i kekahi manawa utilitarian. A laila, e like me kāna, nā mea hoʻokani mele, "ʻoiai me ka loaʻa ʻana o kahi kālena hoʻokō ʻole, ʻaʻole loa e ulu i loko o kahi ʻano kiʻi nani, a noho mau i nā ʻoihana liʻiliʻi a hiki i ka hopena o ko lākou mau lā, ka poʻe i nalowale i ka hou a me ka spontaneity o ka ʻōpio ma luna o ka makahiki, akā ʻaʻole i loaʻa i ka mea pena i makemake nui ʻia o ka hiki ke noʻonoʻo kūʻokoʻa, no laila e ʻōlelo ai, ʻike ʻuhane " (Ibid.).
I kēia mau lā, ua paʻi nā ʻaoʻao o ka nūpepa Sovetskaya Kultura i nā kiʻi koʻikoʻi i hana ʻia e Mikhail Pletnev lāua ʻo Yuri Bashmet, nā mea hoʻokani pila a Gornostaeva e mālama nui ai. I ka manawa o ka 100th anniversary o ka hānau ʻana o GG Neuhaus, ua paʻi ʻia kāna ʻatikala "Master Heinrich", a he nui ka resonance i nā pōʻai mele. ʻOi aku ka nui o ka resonance - a ʻoi aku ka nui o ka hoʻopaʻapaʻa - ua hoʻokumu ʻia e ka ʻatikala "Who Owns Art", kahi i hoʻopā ai ʻo Gornostaeva i kekahi mau mea pōʻino o kā mākou mele mele i hala ("Soviet Culture", Mei 12, 1988).
Eia naʻe, ʻaʻole wale ka poʻe heluhelu i kamaʻāina iā Gornostaeva; ʻike nā mea hoʻolohe lekiō a me nā mea nānā TV. ʻO ka mea mua, mahalo i nā pōʻaiapuni o nā papahana mele a me ka hoʻonaʻauao kahi e lawe ai ʻo ia i ka misionari paʻakikī o ka haʻi ʻana e pili ana i nā haku mele koʻikoʻi o ka wā i hala (Chopin, Schumann, Rachmaninov, Mussorgsky) - a i ʻole nā hana i kākau ʻia e lākou; i ka manawa like, hōʻike ʻo ia i kāna ʻōlelo ma ka piano. I kēlā manawa, ʻo ka telecasts Gornostaeva "Introducing the Young", ka mea i hāʻawi iā ia i ka manawa e kamaʻilio ai i ka lehulehu me kekahi o nā poʻe hoʻomaka o ke kahua ʻaha mele o kēia lā, ua hoʻāla nui i ka hoihoi. I ka makahiki 1987/88, ua lilo ka papahana kīwī Open Piano i mea nui nona.
ʻO ka mea hope loa, he mea koʻikoʻi ʻo Gornostaeva i nā seminar like ʻole a me nā hālāwai kūkā e pili ana i ka hana mele a me ke aʻo ʻana. Hāʻawi ʻo ia i nā hōʻike, nā memo, nā haʻawina wehe. Inā hiki, hōʻike ʻo ia i nā haumāna o kāna papa. A, ʻoiaʻiʻo, pane ʻo ia i nā nīnau he nui, kūkākūkā, hāʻawi i ka ʻōlelo aʻo. "Pono wau e hele i nā seminar a me nā symposiums (ua kapa ʻia lākou he ʻokoʻa) ma Weimar, Oslo, Zagreb, Dubrovnik, Bratislava a me nā kūlanakauhale ʻē aʻe o ʻEulopa. Akā, ʻoiaʻiʻo, ʻo kaʻu mea makemake nui loa ʻo ia nā hālāwai me nā hoa hana ma ko mākou ʻāina - ma Sverdlovsk, Tbilisi, Kazan ... A ʻaʻole wale no ka mea e hōʻike nui nei lākou i ka hoihoi nui, e like me ka mea i ʻike ʻia e nā keʻena lehulehu a me ka lewa ponoʻī, e noho aliʻi nei. ma ia mau hanana. ʻO ka ʻoiaʻiʻo i loko o kā mākou conservatories, ʻoi aku ka kiʻekiʻe o ke kūkākūkā o nā pilikia ʻoihana, i koʻu manaʻo, ma mua o nā wahi ʻē aʻe. A ʻaʻole hiki i kēia ke hauʻoli ...
Manaʻo wau ua ʻoi aku koʻu pono ma ʻaneʻi ma mua o nā ʻāina ʻē aʻe. A ʻaʻohe pale ʻōlelo.
Kaʻana like i ka ʻike o kāna hana aʻoaʻo ponoʻī, ʻaʻole luhi ʻo Gornostaeva i ka hoʻoikaika ʻana i ka mea nui ʻaʻole e kau i nā hoʻoholo wehewehe i ka haumāna. mawaho, ma ke ano kuhikuhi. Mai koi aku ʻo ia e pāʻani i kāna hana e aʻo nei e like me ke ʻano o kāna kumu. “ʻO ka mea nui loa, ʻo ia ke kūkulu ʻana i ka manaʻo hana e pili ana i ke ʻano o ka haumāna, ʻo ia hoʻi, e like me kona mau hiʻohiʻona maoli, nā makemake, a me kona hiki. No ke kumu maoli, ʻoiaʻiʻo, ʻaʻohe ala ʻē aʻe.
… I loko o nā makahiki lōʻihi a Gornostaeva i hoʻolaʻa ai i ke aʻo ʻana, ua hele aku ka nui o nā haumāna ma kona lima. ʻAʻole i loaʻa iā lākou a pau ka manawa e lanakila ai ma ka hoʻokūkū hoʻokūkū, e like me A. Slobodyanik a i ʻole E. Andzhaparidze, D. Ioffe a i ʻole P. Egorov, M. Ermolaev a i ʻole A. Paley. Akā ʻo nā mea āpau me ka ʻokoʻa ʻole, e kamaʻilio pū me ia i ka wā o nā papa, ua hui pū me ka honua o ka moʻomeheu ʻuhane a me ka ʻoihana. A ʻo kēia ka mea waiwai loa i loaʻa i ka haumāna ma ke kula kiʻi mai ke kumu.
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ʻO nā papahana ʻahamele i hoʻokani ʻia e Gornostaeva i nā makahiki i hala iho nei, ua hoʻohuli ʻia kekahi. No ka laʻana, ʻekolu sonata a Chopin (kau makahiki 1985/86). A i ʻole, ʻo nā piano liʻiliʻi a Schubert (kau makahiki 1987/88), i waena o ia mau mea i hana ʻole ʻia nā Musical Moments, Op. 94. Ua hui ka lehulehu me ka hoihoi i ka Clavierabend i hoʻolaʻa iā Mozart - Fantasia a me Sonata ma C minor, a me ka Sonata ma D Major no nā piano ʻelua, hoʻokani ʻia e Vera Vasilievna me kāna kaikamahine, K. Knorre (kau makahiki 1987/88) .
Ua hoʻihoʻi hou ʻo Gornostaeva i kekahi mau mele i loko o kāna repertoire ma hope o ka hoʻomaha lōʻihi - noʻonoʻo hou ʻo ia iā lākou ma kekahi ʻano, hoʻokani ʻia ma ke ʻano ʻokoʻa. Hiki i kekahi ke kuhikuhi i kēia pili i ka Shostakovich's Prelude.
ʻO PI Tchaikovsky ke hoʻohauʻoli nui iā ia. Ua pāʻani ʻo ia i kāna "Album keiki" ma mua o hoʻokahi manawa i ka hapa lua o nā makahiki kanawalu, ma nā papahana kīwī a me nā ʻahamele.
“Aia paha i loko o koʻu koko ke aloha i kēia haku mele. I kēia lā ke manaʻo nei au ʻaʻole hiki iaʻu ke hoʻokani wale i kāna mele - ʻoiai, ʻaʻole hiki i ke kanaka ke ʻōlelo ʻole i kekahi mea, inā aia - he aha ... i ke aloha mai ka wā kamaliʻi. Loaʻa ia me nā mele maikaʻi wale nō: ʻike ʻoe iā ia i kou ola a pau - a mahalo ʻoe iā ia i kou ola a pau… "
Ke hoʻomanaʻo nei i nā hana a Gornostaeva i nā makahiki i hala iho nei, ʻaʻole hiki i kekahi ke hāʻule i ka inoa hou, ʻoi aku paha ka mea nui a me ke kuleana. Ua mālama ʻia ma ka Hale Liʻiliʻi o ka Conservatory Moscow i ʻApelila 1988 ma ke ʻano he ʻahaʻaina i hoʻolaʻa ʻia i ka makahiki 100 o ka hānau ʻana o GG Neuhaus. Hoʻokani ʻo Gornostaeva iā Chopin i kēlā ahiahi. A maikaʻi loa kāna pāʻani…
"ʻO ka lōʻihi o koʻu hāʻawi ʻana i nā ʻahamele, ʻoi aku ka nui o koʻu manaʻo i ke koʻikoʻi o nā mea ʻelua," wahi a Gornostaeva. “ʻO ka mea mua, ma ke kumu hea i haku ai ka mea pena kiʻi i kāna mau papahana, a he mau loina o kēia ʻano kāna. ʻO ka lua, inā paha e noʻonoʻo ʻo ia i nā kikoʻī o kāna hana hana. Ua ʻike anei ʻo ia i kona ikaika, a me kāna mea ʻole, i hea kona wahi i loko o ka papa piano, a ma hea - ʻaʻole kāna.
No ka hoʻomākaukau ʻana i nā papahana, ʻo ka mea nui iaʻu i kēia lā, ʻo ia ka ʻimi ʻana i kahi kumu semantic i loko o lākou. ʻO ka mea nui ma ʻaneʻi ʻaʻole wale ke koho ʻana o kekahi mau mea kākau a i ʻole nā hana kikoʻī. ʻO ka hui pū ʻana o lākou he mea nui, ʻo ke kaʻina o ka hana ʻana i ka ʻaha mele; ʻo ia hoʻi, ka hoʻololi ʻana o nā kiʻi mele, nā manaʻo o ka noʻonoʻo, nā nuances noʻonoʻo… ʻO ka hoʻolālā nui o nā hana e kani ana kēlā me kēia i ke ahiahi.
I kēia manawa e pili ana i ka mea aʻu i koho ai e ka huaʻōlelo hana hana. ʻO ka huaʻōlelo, ʻoiaʻiʻo, he kūlana, kokoke, a eia naʻe ... Pono kēlā me kēia mea mele ʻaha mele, i koʻu manaʻo, e loaʻa i kekahi ʻano manaʻo hoʻopakele e haʻi iā ia i ka mea i pili pono iā ia a me ka mea ʻole. I ka mea hiki iā ia ke hōʻoia maikaʻi iā ia iho, a me ka mea e ʻoi aku ka maikaʻi o ka pale ʻana. Loaʻa i kēlā me kēia o mākou ma ke ʻano he "ʻano o ka leo hoʻokani" a he mea kūpono ʻole ia e noʻonoʻo ʻole i kēia.
ʻOiaʻiʻo, makemake mau ʻoe e pāʻani i nā mea he nui - ʻo kēia a me kēlā, a ʻo ke kolu ... He kūlohelohe maoli ka makemake no kēlā me kēia mea mele maoli. ʻAe, hiki iā ʻoe ke aʻo i nā mea āpau. Akā, pono e lawe ʻia i waho o nā mea a pau ma ke kahua. No ka laʻana, pāʻani au i nā mele like ʻole ma ka home - nā mea aʻu e makemake ai e pāʻani iaʻu iho a me nā mea a kaʻu mau haumāna e lawe mai i ka papa. Eia naʻe, i loko o nā papahana o kaʻu mau haʻiʻōlelo lehulehu, ua waiho wale au i kekahi hapa o kaʻu mea i aʻo ai.
Hoʻomaka maʻamau nā ʻahamele a Gornostaeva me kāna ʻōlelo waha i nā ʻāpana āna e hana ai. Ua hoʻomaʻamaʻa ʻo Vera Vasilievna i kēia no ka manawa lōʻihi. Akā i kēia mau makahiki i hala iho nei, ua loaʻa iā ia ka manaʻo kūikawā no ka poʻe hoʻolohe. Ma ke ala, ua manaʻo ʻo ia ua hoʻohuli ʻo Gennady Nikolaevich Rozhdestvensky iā ia ma kekahi ʻano; ua hōʻoia hou kāna hiʻohiʻona iā ia i ka ʻike i ke koʻikoʻi a me ka pono o kēia mea.
Eia naʻe, ʻaʻole liʻiliʻi nā kamaʻilio ʻana o Gornostaeva me ka lehulehu me nā mea e hana nei ma kēia ʻano. No ia, ʻaʻole ʻo ka ʻike e pili ana i nā hana i hana ʻia ka mea nui iā ia iho, ʻaʻole ka factology, ʻaʻole ka ʻike mōʻaukala a me ka ʻike mele. ʻO ka mea nui, ʻo ia ka hana ʻana i kahi ʻano i loko o ke keʻena, e hoʻolauna i ka poʻe hoʻolohe i ka lewa mele mele - e "hoʻokuʻu" i kona ʻike, e like me ka ʻōlelo a Vera Vasilievna. No laila kona ʻano kūikawā o ka kamaʻilio ʻana i ka lehulehu – hūnā, kūlohelohe maoli, ʻaʻohe kumu aʻoaʻo, ʻeha o ke kumu aʻo. Hiki ke loaʻa nā haneli o nā kānaka i loko o ke keʻena; E loaʻa i kēlā me kēia o lākou ka manaʻo e pili ana ʻo Gornostaeva iā ia, ʻaʻole i kekahi "kanaka ʻekolu" abstract. Heluhelu pinepine ʻo ia i nā mele i ke kamaʻilio ʻana me ka lehulehu. ʻAʻole wale no kona aloha iā lākou, akā no ke kumu maʻalahi e kōkua iā ia e hoʻokokoke i ka poʻe hoʻolohe i ke mele.
ʻOiaʻiʻo, ʻaʻole ʻo Gornostaeva, ma lalo o nā kūlana, heluhelu mai kahi ʻāpana pepa. Hoʻoponopono mau ʻia kāna mau ʻōlelo waha e pili ana i nā papahana hoʻokō. Akā ʻo ka improvisation o ke kanaka i ʻike maopopo a pololei i kāna mea e makemake ai e ʻōlelo.
Aia kekahi pilikia ma ke ʻano o ka haʻi ʻōlelo ākea a Gornostaeva i koho ai nona iho. ʻO ka paʻakikī o ka hoʻololi ʻana mai ka hoʻopiʻi waha i ka lehulehu - i ka pāʻani a me ka hope. "Ma mua, he pilikia koʻikoʻi kēia noʻu," wahi a Vera Vasilievna. “A laila ua maʻa iki au. Akā naʻe, ʻo ka mea e manaʻo nei he maʻalahi ke kamaʻilio ʻana a me ka pāʻani ʻana, ka hoʻololi ʻana i kekahi me kekahi, he maʻalahi loa ia.
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Piʻi ka piʻi kūlohelohe: pehea e hana ai ʻo Gornostaeva i nā mea āpau? A ʻo ka mea nui, pehea nā mea a pau me ia ana e haʻalele i? He kanaka ʻeleu ʻo ia, hoʻonohonoho, hoʻoikaika - ʻo ia ka mea mua. ʻO ka lua, ʻaʻole i emi iki, he loea maikaʻi loa ʻo ia, he mea hoʻokani pila o ka naʻauao waiwai, ka mea i ʻike i nā mea he nui, aʻo, heluhelu hou, hoʻololi i kona manaʻo, a ʻo ka mea nui loa, he kālena ʻo ia. ʻAʻole i hoʻokahi mea, kūloko, kaupalena ʻia e ke ʻano o "mai" a "i"; kālena ma ka laulā - ākea, ākea, ākea. He mea hiki ʻole ke hāʻawi ʻole iā ia i ka hōʻaiʻē ma kēia ʻano ...
G. Tsypin, 1990
