Alberto Ginastera |
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Alberto Ginastera
He haku mele ʻo Argentine ʻo Alberto Ginastera, he mea hoʻokani pila ma ʻAmelika Latina. Ua noʻonoʻo pono ʻia kāna mau hana ma waena o nā hiʻohiʻona maikaʻi loa o nā mele o ke kenekulia XNUMX.
Ua hānau ʻia ʻo Alberto Ginastera ma Buenos Aires i ka lā 11 ʻApelila, 1916, i loko o kahi ʻohana o ka poʻe malihini Italia-Katala. Ua hoʻomaka ʻo ia e aʻo i ka mele i ka makahiki ʻehiku a komo i ka conservatory i ka makahiki ʻumikūmālua. I loko o kāna mau makahiki haumāna, ʻo ka mele a Debussy lāua ʻo Stravinsky i hana i ka manaʻo hohonu loa iā ia. Hiki ke ʻike ʻia ka mana o kēia poʻe haku mele ma kāna mau hana pākahi. ʻAʻole i mālama ka mea haku mele i kāna mau haku mele mua i kākau ʻia ma mua o ka makahiki 1936. Ua manaʻo ʻia ua loaʻa i kekahi poʻe ʻē aʻe ka hopena like, ma muli o ka piʻi ʻana o nā koi a me ka hoʻohewa ʻana o Ginastera i kāna hana. I ka makahiki 1939, ua puka maika'i 'o Ginastera mai ka conservatory. Ma mua koke o kēlā, ua hoʻopau ʻo ia i kekahi o kāna mau mele nui mua - ʻo ka ballet "Panambi", i hana ʻia ma ke kahua o ka Teatro Colon ma 1940.
Ma 1942, ua loaʻa iā Ginastera kahi Guggenheim Fellowship a hele i ʻAmelika Hui Pū ʻIa, kahi āna i aʻo ai me Aaron Copland. Mai ia manawa, ua hoʻomaka ʻo ia e hoʻohana i nā ʻenehana haku mele ʻoi aku ka paʻakikī, a ua ʻike ʻia kona ʻano hou e like me ka nationalism subjective, kahi e hoʻohana mau ai ka haku mele i nā mea kuʻuna a kaulana o nā mele Argentine. ʻO nā haku mele kaulana loa o kēia wā ʻo “Pampeana no. 3” (Symphonic pastoral i ʻekolu neʻe) a me Piano Sonata No.
I kona hoʻi ʻana mai ʻAmelika Hui Pū ʻIa i Argentina, ua hoʻokumu ʻo ia i ka conservatory ma La Plata, kahi āna i aʻo ai mai 1948 a 1958. Aia ma waena o kāna mau haumāna nā mea haku mele e hiki mai ana ʻo Astor Piazzolla lāua ʻo Gerardo Gandini. I ka makahiki 1962, ua hana ʻo Ginastera, a me nā mea haku mele ʻē aʻe, i ka Latin American Center for Musical Research ma ka Instituto Torcuato di Tella. I ka pau ʻana o nā makahiki 60, neʻe ʻo ia i Geneva, kahi i noho ai me kāna wahine lua, ʻo ia ka cellist Aurora Natola.
Ua make ʻo Alberto Ginastera ma Iune 25, 1983. Ua kanu ʻia ʻo ia ma ka hale kupapaʻu Plainpalais ma Geneva.
ʻO Alberto Ginastera ka mea kākau o nā keaka a me nā ballet. Ma waena o nā hana ʻē aʻe a ka mea haku mele he concerto no ka piano, cello, violin, harp. Ua kākau ʻo ia i nā hana he nui no ka symphony orchestra, piano, mele no ka hale kiʻiʻoniʻoni a me ka hale kiʻiʻoniʻoni, romances, a me nā hana keʻena.
Ua kākau ka mea mele mele ʻo Sergio Pujol e pili ana i ka mea haku mele ma kāna puke 2013 ʻO One Hundred Years of Musical Argentina: "He ʻano nui ʻo Ginastera o nā mele kula, kahi ʻano hale mele i loko ona iho, kahi mea koʻikoʻi i ka nohona moʻomeheu o ka ʻāina no ʻehā mau makahiki."
A eia ke ʻano o Alberto Ginastera i ʻike ai i ka manaʻo o ke kākau ʻana i nā mele: "ʻO ka haku mele, i koʻu manaʻo, ua like ia me ka hana ʻana i ka hale hana. Ma ke mele, hoʻolaha kēia hoʻolālā i ka manawa. A inā, ma hope o ka hala ʻana o ka manawa, mālama ka hana i ka manaʻo o ka hemolele o loko, i hōʻike ʻia ma ka ʻuhane, hiki iā mākou ke ʻōlelo ua hiki i ka mea haku mele ke hana i kēlā ʻano hoʻolālā.
Nadia Koval
Nā haku mele:
kahawai – Airport (Aeroporto, opera buffa, 1961, Bergamo), Don Rodrigo (1964, Buenos Aires), Bomarso (ma hope o M. Lines, 1967, Washington), Beatrice Cenci (1971, ibid); baleta – choreographic legend Panambi (1937, staged in 1940, Buenos Aires), Estancia (1941, staged in 1952, ibid; new edition 1961), Tender night (Tender night; based on concert variations for chamber orchestra, 1960, New York); cantatas – Magical America (America magica, 1960), Milena (i nā kikokikona na F. Kafka, 1970); no ka hookani pila - 2 symphonies (Portegna - Porteсa, 1942; elegiac - Sinfonia elegiaca, 1944), Creole Faust Overture (Fausto criollo, 1943), Toccata, Villancico a me Fugue (1947), Pampean No. (Variaciones concertantes, no ke keʻena mele, 3); concerto for strings (1953); nā ʻahamele me ka hoʻokani pila – 2 no ka piano (Argentinian, 1941; 1961), no ka violin (1963), no cello (1966), no ka harp (1959); lumi hoʻokani pila — Pampean No. 1 no ka violin and piano (1947), Pampean No. 2 no cello and piano (1950), 2 kaulahao quartets (1948, 1958), quintet piano (1963); no ka piano – Hula ʻArgentine (Danzas argentinas, 1937), 12 American preludes (12 ʻAmelika mua, 1944), suite Creole hula (Danzas criollas, 1946), sonata (1952); no ka leo me ka mea kani – Melodies of Tucuman (Cantos del Tucumán, me ka ohe, violin, harp a me 2 pahu, i na mele na RX Sanchez, 1938) a me na mea e ae; aloha; aaioee – ʻElima mau mele ʻAmelika no ka leo a me ka piano (Cinco canciones populares argentinas, 1943); mele no ke keaka "Olyantai" (1947), etc.
