Alexey Borisovich Lyubimov (Alexei Lubimov) |

Alexei Lubimov

ʻAʻole ʻo Aleksey Lyubimov he kiʻi maʻamau i loko o ke kaiapuni mele a me ka hoʻokani ʻo Moscow. Ua hoʻomaka ʻo ia i kāna ʻoihana ma ke ʻano he pianist, akā i kēia lā ʻaʻohe kumu liʻiliʻi e kapa iā ia he harpsichordist (a i ʻole he mea hoʻokani pila). Loaʻa ka kaulana ma ke ʻano he soloist; i kēia manawa ua aneane ʻo ia i mea pāʻani hui ʻoihana. Ma ke ʻano maʻamau, ʻaʻole ʻo ia e pāʻani i ka mea e pāʻani ai - no ka laʻana, a hiki i ka hapalua o ke kanawalu ʻaʻole ʻo ia i hana i nā hana a Liszt, hoʻokani ʻo ia iā Chopin ʻelua a ʻekolu mau manawa wale nō - akā hoʻokomo ʻo ia i kāna mau papahana ʻaʻohe mea nāna e hana. .

Ua hānau ʻia ʻo Alexei Borisovich Lyubimov ma Moscow. Ua hiki mai i waena o nā hoalauna o ka ʻohana Lyubimov ma ka home he kumu kaulana - pianist Anna Danilovna Artobolevskaya. Ua huki ʻo ia i ka manaʻo i ke keikikāne, ʻike i kona hiki. A laila ua hoʻopau ʻo ia ma ke Kula ʻo Central Music, ma waena o nā haumāna o AD Artobolevskaya, ma lalo o kāna nānā ʻana i aʻo ai ʻo ia no nā makahiki he ʻumi - mai ka papa mua a hiki i ka ʻumikūmākahi.

"Ke hoʻomanaʻo mau nei au i nā haʻawina me Alyosha Lyubimov me ka hauʻoli," wahi a AD Artobolevskaya. – Ke hoʻomanaʻo nei au i kona hele ʻana mai i kaʻu papa, he naʻaupō ʻo ia, akamai, pololei. E like me nā keiki maikaʻi loa, ua hoʻohanohano ʻia ʻo ia e ka wikiwiki a me ka wikiwiki i nā manaʻo mele. Me ka leʻaleʻa, ua aʻo ʻo ia i nā ʻāpana like ʻole i nīnau ʻia iā ia, hoʻāʻo e haku i kekahi mea nona iho.

Ma kahi o 13-14 mau makahiki, ua ʻike ʻia kahi haʻihaʻi kūloko ma Alyosha. Ua ala aʻe ka makemake nui i ka mea hou i loko ona, ʻaʻole i haʻalele iā ia ma hope. Ua aloha nui ʻo ia iā Prokofiev, ua hoʻomaka ʻo ia e nānā pono i nā mele hou. Manaʻo wau he mana nui ʻo Maria Veniaminovna Yudina iā ia ma kēia.

ʻO MV Yudina Lyubimov kekahi mea e like me ka "moopuna" aʻoaʻo: ua lawe kāna kumu, ʻo AD Artobolevskaya, i nā haʻawina mai kahi pianist Soviet koʻikoʻi i kona wā ʻōpio. Akā, ʻike paha ʻo Yudina iā Alyosha Lyubimov a hoʻokaʻawale iā ia i waena o nā mea ʻē aʻe ʻaʻole wale no kēia kumu. Ua hoʻohauʻoli ʻo ia iā ia i ka hale kūʻai o kāna ʻano hana hana; ʻo ia hoʻi, ʻike ʻo ia i loko ona, i kāna mau hana, i kahi mea pili a pili iā ia iho. "ʻO nā hana ʻaha mele a Maria Veniaminovna, a me ka kamaʻilio pilikino me ia, ua lilo ia i mea hoʻokani mele nui iaʻu i koʻu wā ʻōpio," wahi a Lyubimov. Ma ke kumu hoʻohālike o Yudina, ua aʻo ʻo ia i ke kūpaʻa kiʻekiʻe kiʻekiʻe, me ka hoʻohālikelike ʻole i nā mea hana. Malia paha, he hapa mai ia ia a me kona ʻono i nā hana hou mele, ka wiwo ʻole i ke kamaʻilio ʻana i nā hana wiwo ʻole o ka manaʻo haku mele hou (e kamaʻilio mākou e pili ana i kēia ma hope). ʻO ka hope, mai Yudina a me kekahi mea ma ke ʻano o ka pāʻani ʻana iā Lyubimov. ʻAʻoleʻo ia iʻike wale i ka mea pena ma ke kahua, akā ua hui pū me ia ma ka hale o AD Artobolevskaya; Ua ʻike maikaʻi ʻo ia i ka piano a Maria Veniaminovna.

Ma ka Moscow Conservatory, ua aʻo ʻo Lyubimov no kekahi manawa me GG Neuhaus, a ma hope o kona make ʻana me LN Naumov. E haʻi i ka ʻoiaʻiʻo, ʻo ia, ma ke ʻano he kanaka artistic - a hele mai ʻo Lyubimov i ke kulanui ma ke ʻano he kanaka i hoʻokumu ʻia - ʻaʻole i like me ke kula aloha o Neuhaus. Akā naʻe, manaʻoʻiʻo ʻo ia ua aʻo nui ʻo ia mai kāna mau kumu conservative. Hana ʻia kēia ma ke kiʻi, a pinepine hoʻi: hoʻonui ʻia ma o nā pilina me nā mea ʻē aʻe…

I ka makahiki 1961, ua komo ʻo Lyubimov i ka hoʻokūkū All-Russian o ka hoʻokani pila a lanakila i ka wahi mua. ʻO kāna lanakila hou aʻe - ma Rio de Janeiro i ka hoʻokūkū honua o nā instrumentalists (1965), - ka makana mua. A laila - Montreal, hoʻokūkū piano (1968), makana ʻehā. ʻO ka mea hoihoi, ma Rio de Janeiro a me Montreal, loaʻa iā ia nā makana kūikawā no ka hana maikaʻi loa o nā mele o kēia wā; 'o kona 'ike no'eau i kēia manawa e puka mai ana ma kona 'ano kiko'ī.

Ma hope o kona puka 'ana mai ka conservatory (1968), ua noho 'o Lyubimov no kekahi manawa i loko o kona mau paia, e 'ae ana i ke kulana kumu o ke keena hui. Akā i ka makahiki 1975 ua haʻalele ʻo ia i kēia hana. "Ua maopopo iaʻu he pono iaʻu ke nānā aku i hoʻokahi mea ..."

Eia naʻe, i kēia manawa ke ulu nei kona ola ma ke ʻano he "hoʻopuehu ʻia", a me ka manaʻo nui. Hoʻokumu ʻia kāna mau pilina hana maʻamau me kahi hui nui o nā mea pena - O. Kagan, N. Gutman, T. Grindenko, P. Davydova, V. Ivanova, L. Mikhailov, M. Tolpygo, M. Pechersky ... Hoʻonohonoho ʻia nā hana ʻahamele hui. i loko o nā keʻena o Moscow a me nā kūlanakauhale ʻē aʻe o ka ʻāina, hoʻolaha ʻia kahi ʻano o nā mea hoihoi, i nā manawa a pau i kekahi ala. Hana ʻia nā hui like ʻole; Hana pinepine ʻo Lyubimov ma ke ʻano he alakaʻi no lākou a i ʻole, e like me ka ʻōlelo ʻana a nā mea hoʻolaha i kekahi manawa, "Music coordinator". Ke hoʻokō ʻia nei kāna mau repertory lanakila: ma ka ʻaoʻao hoʻokahi, ke ʻimi mau nei ʻo ia i loko o ka puʻuwai o nā mele kahiko, ka haku ʻana i nā waiwai kiʻi i hana ʻia ma mua o JS Bach; ma kekahi ʻaoʻao, hōʻoia ʻo ia i kona mana ma ke ʻano he connoisseur a me ka loea i ke kahua o ke mele hou, ʻike i kāna mau ʻano like ʻole - a hiki i nā mele rock a me nā hoʻokolohua uila, inclusive. Pono e ʻōlelo ʻia e pili ana i ka makemake o Lyubimov i nā mea kani kahiko, e ulu nei i nā makahiki. Loaʻa i kēia mau ʻano like ʻole o nā ʻano a me nā ʻano hana i kona manaʻo ponoʻī? Me ke kanalua ole. Loaʻa ka holoʻokoʻa a me ka organicity. I mea e hoʻomaopopo ai i kēia, pono kekahi, ma ka liʻiliʻi ma nā ʻōlelo ākea, e kamaʻāina i nā manaʻo o Lyubimov e pili ana i ke ʻano o ka wehewehe. I kekahi mau wahi, ua ʻokoʻa lākou mai nā mea i ʻae ʻia.

ʻAʻole hoihoi loa ʻo ia (ʻaʻole ia e hūnā) i ka hana ʻana ma ke ʻano he ʻano hana hoʻomohala pilikino. Maanei ʻo ia e paʻa nei, ʻaʻohe kānalua, i kahi kūlana kūikawā i waena o kāna mau hoa. ʻIke ʻia ʻo ia i kēia lā, i ka wā, ma ka ʻōlelo a GN Rozhdestvensky, "hele ka poʻe i kahi ʻaha mele symphony e hoʻolohe i ka mea alakaʻi, a i ka hale keaka - e hoʻolohe i ka mea mele a nānā paha i ka ballerina" (Rozhdestvensky GN Manaʻo ma ke mele. – M., 1975. P. 34.). Hoʻomaopopo ʻo Lyubimov i kona hoihoi i ke mele ponoʻī - ma ke ʻano he ʻano hana noʻeau, ʻano, ʻano mea - a ʻaʻole i loko o kahi kikoʻī o nā pilikia e pili ana i ka hiki ke hiki i kāna wehewehe ʻana i ke kahua. ʻAʻole ia he mea nui iā ia ke komo i ke kahua ma ke ʻano he soloist a ʻaʻole paha. He mea nui ka "i loko o ka mele", e like me kāna i hoʻokomo ai i kahi kamaʻilio. No laila kona hoihoi i ka hana mele hui, i ke ʻano keʻena-ensemble.

Akā ʻaʻole ʻo ia wale nō. Aia kekahi. He nui loa nā stencil ma ke kahua ʻaha mele o kēia lā, wahi a Lyubimov. "Noʻu, ʻaʻohe mea ʻoi aku ka maikaʻi ma mua o kahi peʻa ..." ʻIke nui ʻia kēia i ka wā i hoʻopili ʻia i nā mea kākau e hōʻike ana i nā ʻano kaulana loa i ka ʻoihana mele, nāna i kākau, e ʻōlelo, i ke kenekulia XNUMX a i ʻole i ka manawa o XNUMXth. He aha ka mea hoihoi i nā hoa o Lyubimov - Shostakovich a i ʻole Boulez, Cage a i ʻole Stockhausen, Schnittke a i Denisov paha? ʻO ka ʻoiaʻiʻo e pili ana i kā lākou hana ʻaʻohe stereotypes interpretative i kēia manawa. "Ke ulu nei ke kūlana hoʻokani mele ma ʻaneʻi me ka manaʻo ʻole no ka mea hoʻolohe, wehe ʻia e like me nā kānāwai i ʻike ʻole ʻia ma mua ..." wahi a Lyubimov. ʻO ka mea like, ma keʻano laulā, i ke mele o ka wā ma mua o Bach. No ke aha ʻoe e ʻike pinepine ai i nā hiʻohiʻona kiʻi o nā kenekulia XNUMXth-XNUMXth i kāna mau papahana? No ka mea, ua nalo lōʻihi kā lākou hana kuʻuna. No ka mea, makemake lākou i nā ʻano wehewehe hou. New - No Lyubimov, he mea nui kēia.

ʻO ka hope, aia kekahi kumu e hoʻoholo ai i ke ala o kāna hana. Ua manaʻoʻiʻo ʻo ia e hoʻokani ʻia ke mele ma nā mea kani i haku ʻia ai. Aia kekahi mau hana ma ka piano, a ʻo kekahi ma ka harpsichord a i ʻole virginal. I kēia lā, ua lawe ʻia no ka hoʻokani ʻana i nā ʻāpana o nā haku kahiko ma kahi piano o ka hoʻolālā hou. Kūʻē ʻo Lyubimov i kēia; ke hoʻololi nei kēia i ke ʻano noʻeau o ka mele ponoʻī a me ka poʻe i kākau ia mea, ʻōlelo ʻo ia. ʻAʻole lākou i hōʻike ʻia, he nui nā subtleties - stylistic, timbre-coloristic - i loaʻa i loko o nā mele mele o ka wā i hala, ua hoʻemi ʻia i mea ʻole. ʻO ka pāʻani ʻana, i kona manaʻo, pono ke hoʻokani ʻia ma nā mea kani kahiko maoli a i ʻole i hana kope ʻia. Hookani 'o ia ia Rameau a me Couperin ma ka harpsichord. Inā pono, hiki iā ia ke hoʻohana i nā mea hana ʻē aʻe he nui, e like me ka mea i hana ʻia i kāna hana, a ʻoi aku ma mua o hoʻokahi. Ua maopopo i ka wā lōʻihi e hoʻokaʻawale kēia iā ia mai ka piano ma ke ʻano he ʻoihana hoʻokani kūloko.

Mai ka mea i ʻōlelo ʻia, ʻaʻole paʻakikī ke hoʻoholo ʻo Lyubimov he mea pena me kona mau manaʻo, manaʻo, a me nā loina. He ʻano ʻokoʻa, i kekahi manawa paradoxical, e lawe ana iā ia mai nā ala maʻamau, i hele maikaʻi ʻia i ka hana hana. (ʻAʻole ia he coincidence, ke haʻi hou aku nei mākou, i kona wā'ōpiopio ua kokokeʻo ia iā Maria Veniaminovna Yudina,ʻaʻole ia he mea kūponoʻo ia i hōʻailona iā ia me kona nānā.) ʻO kēia mau mea a pau ke kauoha nei i ka mahalo.

ʻOiai ʻaʻole ʻo ia e hōʻike i kahi makemake i ka hana o kahi soloist, pono nō ʻo ia e hana i nā helu solo. ʻAʻohe o kona ʻiʻini e hoʻolulu piha iā ia iho "i loko o ke mele", e hūnā iā ia iho, ʻo kona ʻano kiʻi kiʻi, ke hele ʻo ia ma ke kahua, e ʻālohilohi i ka hana me ka maopopo loa.

Kāohi ʻia ʻo ia ma hope o ka mea kani, hōʻiliʻili i loko, hoʻopaʻi ʻia i nā manaʻo. Paʻa iki paha. (I kekahi manawa e lohe kekahi e pili ana iā ia - "ʻano paʻa".) Alien i kekahi impulsiveness i nā ʻōlelo kahua; ua hoʻonohonoho pono ʻia ka pōʻai o kona mau manaʻo e like me ke kūpono. Ma hope o nā mea a pau āna e hana ai, aia kahi manaʻo mele noʻonoʻo maikaʻi. ʻIke ʻia, ʻo ka nui o kēia paʻakikī kiʻi mai nā ʻano kūlohelohe a pilikino o Lyubimov. Akā ʻaʻole mai lākou wale nō. I loko o kāna pāʻani - maopopo, calibrated akahele, noʻonoʻo i ka manaʻo kiʻekiʻe loa o ka huaʻōlelo - hiki i kekahi ke ʻike i kahi kumu aesthetic maopopo loa.

ʻO ke mele, e like me kouʻike, i kekahi manawa e hoʻohālikelikeʻia me ka hoʻolālā, nā mea hoʻokani pila me nā mea kākau. ʻO Lyubimov i kāna ʻano hana hana e like me ka mea hope. ʻOiai ʻo ia e pāʻani ana, ua haku ʻo ia i nā haku mele. Me he mea lā e kūkulu ana i nā hale kani i ka lewa a me ka manawa. Ua ʻike ʻia ka ʻōlelo hoʻohewa i ka manawa e hoʻomalu nei ka "mea kūkulu" i kāna mau wehewehe; pela no a koe. I nā mea a pau, loaʻa i ka pianist ka proportionality, architectonic calculation, strict proportionality. Inā mākou e ʻae pū me B. Walter "ʻo ke kumu o nā kiʻi āpau he kauoha", ʻaʻole hiki i kekahi ke ʻae aku he manaʻolana a paʻa nā kumu o ka hana a Lyubimov ...

ʻO ka mea maʻamau i hoʻokūpaʻa ʻia e nā mea pena kiʻi o kāna hale waihona Ka mea i ho'oholo i kāna hoʻokokoke ʻana i ke mele unuhi. Ua lōʻihi a hōʻole ʻo Lyubimov i ka hana ʻana i ka individualism a me ka anarchy. (Ma ka laulā, manaʻo ʻo ia ʻo ke ʻano o ke kahua, i hoʻokumu ʻia ma ka wehewehe ponoʻī ʻana o nā haku mele i hana ʻia e ka mea hoʻokani ʻaha mele, e lilo ia i mea kahiko, a ʻo ka hoʻopaʻapaʻa ʻana o kēia hoʻokolokolo ʻaʻole ia e hoʻopilikia iki iā ia.) ʻO ka mea kākau nona ka hoʻomaka a me ka hopena o ke kaʻina wehewehe holoʻokoʻa, o nā pilikia āpau e kū mai ana ma kēia pili. . He pā hoihoi. ʻO A. Schnittke, ma hope o kona kākau ʻana i kahi loiloi o ka hana hoʻokani piano (ʻo nā haku mele a Mozart i loko o ka papahana), "ua pūʻiwa ʻo ia i ka ʻike ʻana ʻo ia (nānā.— Mr. C.) ʻaʻole nui loa e pili ana i ka concerto a Lyubimov e pili ana i ke mele a Mozart” (Schnittke A. Subjective notes on objective performance // Sov. Music. 1974. No. 2. P. 65.). Ua hiki mai ʻo A. Schnittke i kahi manaʻo kūpono "ʻaʻole

ʻo ia hana, ʻaʻole nui ka manaʻo o ka poʻe hoʻolohe e pili ana i kēia mele. Malia paha ʻo ka pono kiʻekiʻe loa o ka mea hoʻokani ke hōʻoia i ka mele āna e hoʻokani ai, ʻaʻole ʻo ia iho. (Ibid.). Hōʻike maopopo nā mea a pau i luna i ke kuleana a me ke koʻikoʻi kumu naʻauao i nā hana a Lyubimov. Aia ʻo ia i ka ʻāpana o nā mea hoʻokani pila ka mea kupaianaha no ko lākou manaʻo noʻonoʻo - pololei, mākaukau, ʻaʻole maʻamau. ʻO ia kona ʻano pilikino (ʻoiai inā kūʻē ʻo ia i kāna mau hōʻike hoʻohālikelike nui loa); ʻo ia hoʻi, kona ʻaoʻao ikaika loa. ʻAʻole paha i mamao loa ʻo E. Ansermet, ka mea haku mele a me ke alakaʻi o Swiss, mai ka ʻoiaʻiʻo i ka wā i ʻōlelo ai ʻo ia "he ʻano like ʻole ma waena o ka mele a me ka makemakika" (Anserme E. Kūkākūkā e pili ana i ke mele. – L., 1976. S. 21.). Ma ka hoʻomaʻamaʻa ʻana o kekahi mau mea pena kiʻi, ke kākau mele a hoʻokani paha lākou, maopopo loa kēia. ʻO ka mea nui, ʻo Lyubimov.

ʻOiaʻiʻo, ʻaʻole i nā wahi a pau kona ʻano i hoʻomaopopo like. ʻAʻole māʻona nā mea hoʻohewa a pau, no ka laʻana, ma kāna hana ʻana iā Schubert - impromptu, waltzes, nā hula Kelemania. Pono mākou e lohe i kēia mea haku mele ma Lyubimov i kekahi manawa, ʻaʻohe ona naʻau maʻalahi, aloha ʻoiaʻiʻo, pumehana ma ʻaneʻi ... Pela nō paha. Akā, ma ka ʻōlelo maʻamau, ʻo Lyubimov ka mea maʻamau i kāna mau repertory aspirations, i ke koho ʻana a me ka hōʻuluʻulu ʻana o nā papahana. ʻIke pono ʻo ia i hea kona nā waiwai repertory, a me kahi hiki ʻole ke hoʻokuʻu ʻia. ʻO kēlā mau mea kākau āna i kuhikuhi ai, ʻo ko mākou mau hoa a i ʻole nā ​​haku kahiko, ʻaʻole kūʻē i kāna ʻano hana.

A he mau mea hou aʻe i ke kiʻi o ka mea hoʻokani piano - no ke kaha kiʻi maikaʻi o kona mau hiʻohiʻona a me nā hiʻohiʻona. He ikaika ʻo Lyubimov; e like me ke kānāwai, he mea maʻalahi iā ia ke alakaʻi i ka haʻiʻōlelo mele ma ka neʻe ʻana, ka manawa ikaika. Loaʻa iā ia kahi paʻi manamana lima ikaika a maopopo - maikaʻi loa ka "articulation," e hoʻohana i kahi ʻōlelo i hoʻohana mau ʻia e hōʻike i nā ʻano koʻikoʻi no nā mea hoʻokani e like me ka wehewehe ʻana a me ka hoʻomaopopo ʻana i ke kahua ʻōlelo. ʻO ia paha ka ikaika o nā mea a pau, ma ka papa mele. He emi iki - ma ka hoʻopaʻa leo kala wai. "ʻO ka mea kupanaha loa e pili ana i kāna pāʻani ʻana ʻo ia ka toccato electrified" (Ordzhonikidze G. Hui Puna me ka Mele //Sov. Mele. 1966. No. 9. P. 109.), ua kākau kekahi o nā mea hoʻokani pila ma waena o nā makahiki kanaono. Ma kahi nui, ʻoiaʻiʻo kēia i kēia lā.

Ma ka hapa lua o ka XNUMX, ua hāʻawi hou ʻo Lyubimov i kahi mea hoʻohauʻoli i ka poʻe hoʻolohe i manaʻo ʻia ua maʻa i nā ʻano mea kupanaha i kāna mau papahana.

Ma mua, ua ʻōlelo ʻia ʻaʻole ʻo ia e ʻae i ka mea a ka hapa nui o nā mea hoʻokani mele ʻaha mele, makemake ʻo ia i nā wahi haʻawina liʻiliʻi, inā ʻaʻole i ʻike ʻole ʻia. Ua'ōleloʻia no ka manawa lōʻihiʻaʻoleʻo ia i hoʻopā i nā hana a Chopin a me Liszt. No laila, ua loli koke nā mea a pau. Ua hoʻomaka ʻo Lyubimov e hāʻawi i nā clavirabends āpau i ke mele a kēia poʻe haku. I ka makahiki 1987, no ka laʻana, ua pāʻani ʻo ia ma Moscow a me kekahi mau kūlanakauhale ʻē aʻe o ka ʻāina ʻekolu Sonnets of Petrarch, ka Poina Waltz No. ; ua hoʻomau ʻia ka papa hoʻokahi i ke kau aʻe. Ua lawe kekahi poʻe i kēia ma ke ʻano he eccentricity ʻē aʻe ma ka ʻaoʻao o ka mea hoʻokani piano - ʻaʻole ʻoe i ʻike i ka nui o lākou, e ʻōlelo lākou, aia ma kāna moʻokāki ... Eia naʻe, no Lyubimov i kēia hihia (e like me, ʻoiaʻiʻo, mau) aia kahi hōʻoia kūloko. i kāna hana: "Ua kaʻawale wau mai kēia mele no ka manawa lōʻihi, ʻaʻole wau i ʻike i kahi mea kupanaha i koʻu hoʻāla koke ʻana iā ia. Makemake wau e ʻōlelo me ka maopopo loa: ʻo ka huli ʻana iā Chopin lāua ʻo Liszt ʻaʻole ia he ʻano noʻonoʻo, "poʻo" hoʻoholo ma kaʻu ʻaoʻao - no ka manawa lōʻihi, ʻōlelo lākou, ʻaʻole wau i pāʻani i kēia mau mea kākau, pono wau e pāʻani ... ʻAʻole , ʻaʻole, huki wale au iā lākou. Ua hele mai nā mea a pau mai kahi o loko, ma ke ʻano o ka manaʻo maʻemaʻe.

No ka laʻana, ua lilo ʻo Chopin i haku mele hapa poina iaʻu. Hiki iaʻu ke ʻōlelo ua loaʻa iaʻu iaʻu iho - e like me ka ʻike ʻia ʻana o nā haku hana poina ʻole o ka wā i hala. ʻO ia paha ke kumu o koʻu ala ʻana mai i kahi manaʻo ola a ikaika nona. A ʻo ka mea nui loa, ua manaʻo wau ʻaʻohe oʻu mau wehewehe wehewehe paʻakikī e pili ana i ke mele a Chopin - no laila, hiki iaʻu ke pāʻani.

ʻO ka mea like me Liszt. ʻO kahi kokoke loa iaʻu i kēia lā ʻo Liszt hope loa, me kona ʻano filosofia, kona honua paʻakikī a hanohano, mysticism. A, ʻoiaʻiʻo hoʻi, me kāna kala kani kumu a hoʻomaʻemaʻe. Me ka hauʻoli nui wau i kēia manawa ke pāʻani nei i nā Clouds Grey, Bagatelles me ke kī ʻole, a me nā hana ʻē aʻe a Liszt o ka manawa hope o kāna hana.

ʻO kaʻu hoʻopiʻi ʻana iā Chopin lāua ʻo Liszt he ʻano ʻano like. Ua ʻike lōʻihi wau, e hana ana i nā hana a nā mea kākau o ke kenekulia XNUMX, he nui ka poʻe o lākou e lawe i kahi hiʻohiʻona maopopo o ka romanticism. I kekahi hihia, ʻike maopopo wau i kēia noʻonoʻo - ʻaʻohe mea like ʻole i ka nānā mua ʻana - i ke mele a Silvestrov, Schnittke, Ligeti, Berio ... I ka hopena, ua hiki iaʻu i ka manaʻo he ʻoi aku ka nui o ke ʻano kiʻi hou i ka romanticism ma mua o ka wā ma mua. manaʻoʻiʻo. I koʻu hoʻokomo ʻia ʻana i kēia manaʻo, ua huki ʻia au, no laila, i nā kumu kumu mua - i ka wā i hele ai ka nui, loaʻa i kona hoʻomohala ʻana.

Ma ke ala, ʻoluʻolu wau i kēia lā ʻaʻole wale i nā kukui o ka romanticism - Chopin, Liszt, Brahms ... makemake nui wau i kā lākou poʻe ʻōpio, nā haku mele o ka hapakolu mua o ke kenekulia XNUMX, nāna i hana i ka manawa o ʻelua. eras - classicism a me ka romanticism, hoʻohui iā lākou me kekahi. Ke noʻonoʻo nei au i nā mea kākau e like me Muzio Clementi, Johann Hummel, Jan Dussek. Nui nō hoʻi i kā lākou haku mele e kōkua i ka hoʻomaopopo ʻana i nā ala hou o ka hoʻomohala ʻana i ka moʻomeheu mele honua. ʻO ka mea nui loa, he nui ka poʻe akamai a me ka poʻe akamai ʻaʻole i nalowale i kā lākou waiwai kiʻi a hiki i kēia lā. "

I ka makahiki 1987, hoʻokani ʻo Lyubimov i ka Symphony Concerto no ʻelua mau piano me ka hui mele a Dussek (ua hoʻokani ʻia ka ʻāpana o ka piano lua e V. Sakharov, i hui pū ʻia me ka hui mele i alakaʻi ʻia e G. Rozhdestvensky) - a ʻo kēia hana, e like me kāna i manaʻo ai, ua hoʻāla i ka hoihoi nui. mawaena o ka poe anaina.

A pono e hoʻomaopopo a wehewehe ʻia kekahi leʻaleʻa hou o Lyubimov. ʻAʻole liʻiliʻi, inā ʻaʻole i manaʻo ʻia, ma mua o kona hoihoi me Western European romanticism. He aloha kahiko kēia, i ʻike ʻia e ka mea mele ʻo Viktoria Ivanovna i kēia manawa. "ʻOiaʻiʻo, ʻaʻole i loko o ke aloha ka mea nui. Nui koʻu hoihoi i nā mele i kani ʻia i loko o nā hale hale aliʻi o ka waena o ke kenekulia i hala. Ma hope o nā mea a pau, ua lilo ia i mea maikaʻi loa o ka kamaʻilio ʻuhane ma waena o nā kānaka, i hiki ai ke haʻi i nā ʻike hohonu loa a pili loa. Ma nā ʻano he nui, he ʻokoʻa ia o ke mele i hoʻokani ʻia ma ke kahua ʻaha mele nui - pompous, leo nui, ʻālohilohi me nā lole leo nani a nani. Akā i loko o ke kiʻi salon - inā he ʻoiaʻiʻo maoli, kiʻekiʻe kiʻekiʻe - hiki iā ʻoe ke manaʻo i nā nuances naʻau maʻalahi loa i ke ʻano o ia mea. ʻO ia ke kumu he waiwai ia iaʻu.

I ka manawa like, ʻaʻole hoʻōki ʻo Lyubimov i ka pāʻani mele i kokoke iā ia i nā makahiki i hala. Hoʻopili i ka wā kahiko, ʻaʻole ia e loli a ʻaʻole e loli. I ka makahiki 1986, no ka laʻana, ua hoʻokumu ʻo ia i ka Golden Age of the Harpsichord series of concerts, i hoʻolālā ʻia no kekahi mau makahiki ma mua. Ma ke ʻano he ʻāpana o kēia pōʻai, ua hana ʻo ia i ka Suite ma D minor na L. Marchand, ka suite "Celebrations of the Great and Old Menestrand" na F. Couperin, a me kekahi mau pāʻani ʻē aʻe a kēia mea kākau. ʻO ka hoihoi nui ʻole i ka lehulehu ka papahana "Gallant festivities at Versailles", kahi i hoʻokomo ʻia ai ʻo Lyubimov i nā mea kani a F. Dandrieu, LK Daken, JB de Boismortier, J. Dufly a me nā mea haku mele Farani ʻē aʻe. Pono mākou e haʻi pū aku i nā hana hui pū ʻana a Lyubimov me T. Grindenko (nā mele violin na A. Corelli, FM Veracini, JJ Mondonville), O. Khudyakov (nā suites no ka ʻohe a me nā bass kikohoʻe na A. Dornell a me M. de la Barra ); ʻAʻole hiki i kekahi ke hoʻomanaʻo, i ka hopena, nā ahiahi mele i hoʻolaʻa ʻia no FE Bach ...

Eia naʻe, ʻaʻole ka nui o ka mea i ka nui i loaʻa ma ka waihona a hoʻokani ʻia i ka lehulehu. ʻO ka mea nui ʻo Lyubimov i kēia lā ke hōʻike nei iā ia iho, e like me ka wā ma mua, he "hoʻihoʻi" akamai a ʻike i nā mele kahiko, me ka mākaukau e hoʻihoʻi iā ia i kona ʻano kumu - ʻo ka nani o kona ʻano, ke kūpaʻa o ka hoʻonaninani kani, ka maʻalahi a me ka maʻalahi. ʻoluʻolu o nā ʻōlelo mele.

… I nā makahiki i hala iho nei, ua loaʻa iā Lyubimov kekahi mau huakaʻi hoihoi ma waho. Pono wau e ʻōlelo ma mua, ma mua o lākou, no ka manawa lōʻihi (ma kahi o 6 mau makahiki) ʻaʻole ʻo ia i hele ma waho o ka ʻāina. A no ka mea wale nō, mai ka manaʻo o kekahi mau luna i alakaʻi i ka moʻomeheu mele i nā makahiki he kanahiku a me nā makahiki he kanawalu, ua hana ʻo ia i "ʻaʻole ia" nā hana i hana ʻia. Kona predilection no contemporary haku mele, no ka mea i kapaia "avant-garde" - Schnittke, Gubaidulina, Sylvestrov, Cage, a me nā mea 'ē aʻe - 'aʻole i, e kau mālie, sympathize "ma luna". ʻO ka home hoʻoikaika i ka wā mua i hoʻonāukiuki iā Lyubimov. A ʻo wai ka poʻe hana ʻahamele ʻaʻole e huhū ma kona wahi? Eia naʻe, ua emi ka manaʻo ma hope. "Ua ʻike wau aia kekahi mau mea maikaʻi i kēia kūlana. Ua hiki ke noʻonoʻo holoʻokoʻa i ka hana, i ke aʻo ʻana i nā mea hou, no ka mea, ʻaʻohe wahi mamao a lōʻihi mai ka home i hoʻopilikia iaʻu. A ʻoiaʻiʻo, i loko o nā makahiki i lilo au i mea pena kiʻi "kaʻi ʻia", ua hiki iaʻu ke aʻo i nā papahana hou he nui. No laila, ʻaʻohe hewa me ka maikaʻi ʻole.

I kēia manawa, e like me kā lākou i ʻōlelo ai, ua hoʻomaka hou ʻo Lyubimov i kāna ola huakaʻi maʻamau. ʻO ka mea i hala koke aku nei, me ka mea hoʻokani pila i alakaʻi ʻia e L. Isakadze, hoʻokani ʻo ia i ka Mozart Concerto ma Finland, hāʻawi i kekahi mau clavirabends solo ma GDR, Holland, Belgium, Austria, etc.

E like me kēlā me kēia haku maoli, loaʻa iā Lyubimov iho lehulehu. ʻO ka nui, he poʻe ʻōpio kēia - hoʻomaha ka poʻe hoʻolohe, makemake i ka hoʻololi ʻana o nā manaʻo a me nā ʻano hana hou like ʻole. Loaʻa i ke aloha ia lehulehu, ʻaʻole ia he hana maʻalahi ka ʻoliʻoli ʻana i kona nānā mau ʻana no kekahi mau makahiki. Ua hiki iā Lyubimov ke hana. Aia nō paha ka pono no ka hōʻoia ʻana e lawe maoli ana kāna kiʻi i kahi mea nui a pono no nā kānaka?

G. Tsypin, 1990