Antonio Pappano |

Antonio Pappano

ʻAmelika ʻAmelika. He mea ʻino iki. A me ka inoa hope ʻakaʻaka: Pappano. Akā, ua lanakila kāna ʻoihana i ka Vienna Opera. ʻAʻohe mea kānalua ʻaʻole i kōkua ka inoa iā ia. Me he mea lā he caricature o ka mea ʻai pasta Italia. ʻAʻole maikaʻi ke kani ʻana inā ʻōlelo ʻia ma ka ʻōlelo Pelekania. No ka poʻe e ʻimi nei i ka ʻoiaʻiʻo o nā mea ma nā inoa, ua like paha ia me ka inoa o ka mea buffoon mai ka Magic Flute, ʻo ia hoʻi ʻo Papageno.

ʻOiai ʻo kona inoa ʻakaʻaka, ʻo Antonio (Anthony) Pappano, he kanahākūmākolu makahiki, i hānau ʻia ma Lākana i kahi ʻohana o nā malihini mai Campania (ke kūlanakauhale nui ʻo Naples), ʻo ia kekahi o nā alakaʻi koʻikoʻi o ka hanauna hope loa. No ka hōʻoiaʻiʻo ʻana i kēia me ka hilinaʻi piha, ʻo nā kala palupalu, nā nuances rhythmic fragile o nā kaula, e hoʻomākaukau ai i ka aria kaulana "Recondita armonia", a Roberto Alagna i mele ai i ke kiʻi ʻoniʻoni Tosca i alakaʻi ʻia e Benoit Jacot, ua lawa. ʻAʻohe mea alakaʻi ʻē aʻe mai ka manawa o Herbert von Karajan i hiki ke hopu i nā leo o ka Impressionism "a la Debussy" i kēia ʻaoʻao mele ʻole. Ua lawa ka lohe ʻana i ka hoʻolauna ʻana i kēia aria i hiki i kēlā me kēia mea pā o nā mele a Puccini ke hoʻōho: "Eia kahi alakaʻi maikaʻi!".

Ua ʻōlelo pinepine ʻia e pili ana i nā malihini ʻItalia i loaʻa ka hauʻoli ma waho o kā lākou waiwai i manaʻo ʻole ʻia a improvised. ʻAʻole ʻo Antonio kekahi o lākou. He mau makahiki o ka hana nui ma hope ona. Ua aʻo ʻia ʻo ia e kona makuakāne, ʻo ia hoʻi kāna kumu mua, he kumu hīmeni akamai ma Connecticut. Ma ʻAmelika Hui Pū ʻIa, ua aʻo ʻo Antonio i ka piano, haku mele a me ka hoʻokani pila me Norma Verrilli, Gustav Mayer a me Arnold Franchetti, kekahi o nā haumāna hope loa o Richard Strauss. ʻO kāna internship - kekahi o nā mea hanohano - ma nā hale kiʻiʻoniʻoni o New York, Chicago, Barcelona a me Frankfurt. ʻO ia ke kōkua o Daniel Barenboim ma Bayreuth.

Ua hōʻike ʻia ka manawa e hōʻoia ai iā ia iho iā ia ma Malaki 1993 ma Vienna Opera: Christoph von Dohnany, he alakaʻi alakaʻi ʻEulopa, i ka manawa hope i hōʻole ʻo ia e alakaʻi iā Siegfried. I kēlā manawa, aia wale nō kahi ʻōpio a hoʻohiki ʻo Italia-ʻAmelika kokoke. I ka ʻike ʻana o ka poʻe koho a mākaukau i ka mele mele i kona komo ʻana i loko o ka lua orkestra, ʻaʻole hiki iā lākou ke ʻae i ka ʻakaʻaka: puʻupuʻu, me ka lauoho mānoanoa ʻeleʻele e hāʻule ana ma kona lae me nā neʻe koke. A ʻae, he inoa! Ua hele ʻo Antonio i kekahi mau ʻanuʻu, piʻi i ka podium, wehe i ka helu… Ua hāʻule kona nānā ʻana i ke kahua, a ʻo ka nalu o ka ikehu, ka nani o ke ʻano, ʻo ke kuko lele he hopena kupaianaha i ka poʻe mele: ʻoi aku ka maikaʻi o ko lākou hīmeni ʻana. I ka pau ʻana o ka hana, ʻo ka poʻe hoʻolohe, nā mea hoʻohewa, a, ʻaʻole hiki ke loaʻa, hāʻawi nā mea hoʻokani o ka orchestra iā ia i kahi hoʻōho kū. Mai ia manawa, ua noho ʻo Antonio Pappano i nā kūlana koʻikoʻi. ʻO ka mua ma ke ʻano he alakaʻi mele ma ka Oslo Opera House, a laila ma La Monnaie ma Brussels. I ka makahiki 2002/03 e ʻike mākou iā ia ma nā mana o London's Covent Garden.

Ua ʻike nā kānaka a pau iā ia he alakaʻi opera. ʻOiaʻiʻo, makemake pū ʻo ia i nā ʻano mele ʻē aʻe: symphonies, ballets, chamber compositions. Leʻaleʻa ʻo ia i ka hoʻokani piano ma kahi hui me nā mea hoʻokani Lied. A hoihoi ʻia ʻo ia i nā mele o nā manawa a pau: mai Mozart a Britten a me Schoenberg. Akā i ka nīnau ʻana i ke ʻano o kāna pilina me nā mele Italia, pane ʻo ia: "Aloha wau i ka melodrama e like me ka opera German, ʻo Verdi e like me Wagner. Akā, pono wau e ʻae, ke unuhi wau iā Puccini, haʻalulu kekahi mea i loko oʻu ma kahi pae subconscious.

Riccardo Lenzi L'Espresso magazine, Mei 2, 2002 Unuhi mai Italia mai

I mea e loaʻa ai kahi manaʻo nui o ke ʻano a me ke ʻano o Pappano, hōʻike mākou i kahi ʻāpana liʻiliʻi mai kahi ʻatikala a Nina Alovert, i paʻi ʻia ma ka nūpepa ʻAmelika Russkiy Bazaar. Hoʻolaʻa ia i ka hana ʻana o Eugene Onegin ma ka Metropolitan Opera ma 1997. Ua alakaʻi ʻia ka hana e A. Pappano. ʻO kāna hana keaka hoʻomaka. ʻO nā mele Lūkiniʻo V. Chernov (Onegin), G. Gorchakova (Tatiana), M. Tarasova (Olga), V. Ognovenko (Gremin), I. Arkhipova (Nanny) i komo i ka hana. Kūkākūkā ʻo N. Alovert me Chernov:

"Makemake au i ka lewa Lūkini," wahi a Chernov, "ʻaʻole paha i manaʻo nā alakaʻi i ka mele a me nā mele a Pushkin (ua alakaʻi ʻia ka hana e R. Carsen - ed.). Ua loaʻa iaʻu kahi hālāwai me ke alakaʻi alakaʻi ʻo Pappano i ka hoʻomaʻamaʻa ʻana i ke kiʻi hope loa me Tatiana. Nalu ka mea alakaʻi i kāna pahu me he mea lā e alakaʻi ana i ka hana ʻahamele o kahi ʻaka mele symphony. Ua haʻi aku au iā ia: “E kali, pono ʻoe e hoʻomaha ma ʻaneʻi, eia kēlā me kēia huaʻōlelo e kani kaʻawale, e like me ka waimaka e kulu ana: “Akā, hauʻoli ... ua hiki ... kokoke loa ... ". A pane mai ke alakaʻi: "Akā, ʻoluʻolu kēia!" Hele mai ʻo Galya Gorchakova a, me ke kamaʻilio ʻole ʻana iaʻu, e haʻi iā ia i ka mea like. Maopopo mākou, ʻaʻole naʻe ke alakaʻi. ʻAʻole lawa kēia ʻike.

Hōʻike ʻia kēia ʻāpana i ka maikaʻi ʻole o ka ʻike ʻia ʻana o nā mele opera Lūkini i kekahi manawa ma ke Komohana.

operanews.ru