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Georges Auric
He lālā o ka Institute of France (1962). Ua aʻo ʻo ia ma ka Montpellier Conservatory (piano), a laila ma ka Paris Conservatory (papa o ka counterpoint a me ka fugue me J. Cossade), i ka manawa like ma 1914-16 - ma ka Schola Cantorum me V. d'Andy (papa mele) . I ka makahiki 10, ua hoʻomaka ʻo ia e haku, i ka makahiki 15 ua hana ʻo ia i kāna hana mua ma ke ʻano he haku mele (i ka makahiki 1914, ua hoʻokani ʻia kāna mau mele ma nā ʻaha mele o ka National Musical Society).
I ka makahiki 1920, no ka ʻeono. E like me nā lālā ʻē aʻe o kēia hui, ua ʻike maikaʻi ʻo Orik i nā ʻano hou o ke kenekulia. No ka laʻana, ʻike ʻia nā mana jazz ma kāna foxtrot "Farewell, New York" ("Adieu, New York", 1920). ʻO ka mea haku mele ʻōpio (J. Cocteau i hoʻolaʻa i ka puke liʻiliʻi ʻo Rooster and Harlequin, 1918 iā ia) makemake i ka hale keaka a me ka hale mele. I ka makahiki 20. Ua kākau ʻo ia i nā mele no nā hana keaka he nui: ʻO Molière's Boring (ma hope i hana hou ʻia i loko o kahi ballet), Beaumarchais's Marriage of Figaro, Ashar's Malbrook, Zimmer's Birds and Meunier after Aristophanes; "The Silent Woman" na Ashar lāua ʻo Ben-Johnson a me nā mea ʻē aʻe.
I loko o kēia mau makahiki, hoʻomaka ʻo ia e hui pū me SP Diaghilev a me kāna hui "Russian Ballet", nāna i hoʻokumu i ka ballet a Orik "Troublesome" (1924), a ua kākau kūikawā ʻia no kāna mau ballet "Sailors" (1925), "Pastoral" (1926). ), "Imaginary" (1934). Me ka hiki ʻana mai o ka hale kiʻiʻoniʻoni kani, ʻo Orik, i lawe ʻia e kēia kiʻi nui, ua kākau i nā mele no nā kiʻiʻoniʻoni, e like me Blood of the Poet (1930), Freedom for Us (1932), Caesar and Cleopatra (1946), Beauty and the Beast "( 1946), "Orpheus" (1950).
He lālā ʻo ia o ka papa o ka People's Musical Federation (mai ka makahiki 1935), i komo i ka neʻe anti-fascist. Ua hana ʻo ia i kekahi mau mele lehulehu, ʻo ia hoʻi ʻo "Sing, girls" (lyrics by L. Moussinac), he ʻano mele ia no nā ʻōpio Farani i nā makahiki ma mua o ke Kaua Honua II. Mai ka hopena o 2s. He liʻiliʻi kā Orik kākau. Mai ka makahiki 50, Pelekikena o ka Society for the Protection of Copyrights of Composers and Music Publishers, ma 1954-1957 Pelekikena o ka Lamoureux Concerts, ma 60-1962 Luna Nui o ka National Opera Houses (Grand Opera and Opera Comic).
ʻO Auric kekahi o nā haku haku mele Farani o kēia wā. Hoʻohanohano ʻia ʻo ia e kahi makana melodic waiwai, kahi makemake no nā ʻakaʻaka a me ka hoʻohenehene. Hōʻike ʻia ke mele a Orik e ka māmā o ke ʻano melodic, ka maʻalahi o ka ʻōlelo harmonic. ʻO kāna mau hana e like me Four Songs of Suffering France (i nā mele na L. Aragon, J. Superville, P. Eluard, 1947), he pōʻaiapuni o 6 mau mele a hiki i ka wā e hiki mai ana, ua hoʻopiha ʻia me nā ʻeha kanaka. Eluara (1948). Ma waena o nā haku mele keʻena, ʻike ʻia ka sonata piano piano F-dur (1931). ʻO kekahi o kāna mau hana koʻikoʻi ʻo ka ballet Phaedra (e pili ana i ka palapala a Cocteau, 1950), i kapa ʻia e ka poʻe hoʻohewa Farani "he pōʻino choreographic."
Nā haku mele:
ballets – Boring (Les facheux, 1924, Monte Carlo); ʻO nā luina (Les matelots, 1925, Paris), Pastoral (1926, ibid.), Charms of Alcina (Les enchantements d'Alcine 1929, ibid.), Rivalry (La concurrence, 1932, Monte Carlo), Imaginary (Les imaginaires, 1934). , ibid.), ʻO ka Artist a me kāna Model (Le peintre et son modele, 1949, Paris), Phaedra (1950, Florence), The Path of Light (Le chemin de lumiere, 1952), The Room (La chambre, 1955, Palika), ʻaihue pōlele (Le bal des voleurs, 1960, Nervi); no ka orc. - overture (1938), suite mai ka ballet Phaedra (1950), symphony. suite (1960) a me nā mea ʻē aʻe; suite no ke kīkā a me ka hoʻokani pila; keena-instr. ensembles; no ka fp. – preludes, sonata F-dur (1931), impromptu, 3 pastorals, Partita (no 2 fp., 1955); nā mele, nā mele, nā mele no nā keaka. hale kiʻiʻoniʻoni a kiʻiʻoniʻoni. Lit. cit.: Autobiography, in: Bruor J., L'écran des musiciens, P., [1930]; Notice sur la vie et les travaux de J. Ibert, P., 1963
Nā hana moʻokalaleo: Autobiography, in: Bruyr J., L'écran des musiciens, P., (1930); Notice sur la vie et les travaux de J. Ibert, P., 1963
E hoʻomaopopo ': Mele Palani Hou. "ʻeono". Sat. Art. I. Glebov, S. Ginzburg a me D. Milo, L., 1926; Schneerson G., mele Palani o ke kenekulia XX, M., 1964, 1970; kāna, ʻElua o nā "ʻeono", "MF", 1974, No 4; Kosacheva R., Georges Auric a me kāna mau ballet mua, "SM", 1970, No 9; Landormy R., La musique française apris Débussy, (P., 1943); Rostand C, La musique française contemporaine, P., 1952, 1957; ʻO Jour-dan-Morhange J., Mes amis musiciens, P., (1955) (Unuhi Lūkini - E. Jourdan-Morhange, Koʻu mau hoa hoʻokani pila, M., 1966); Golia A., G. Auric, P., (1); Dumesni1958 R., Histoire de la musique des origines a nos Jours, v. 1 - La première moitié du XXe sícle, P., 5 (Unuhi Lūkini o kahi ʻāpana mai ka hana - R. Dumesnil, Nā haku mele Farani hou o ka hui ʻeono. , L., 1960); Poulenc F., Moi et mes amis, P.-Gen., (1964) (Unuhi Lūkini - Poulenc R., ʻO wau a me koʻu mau hoaaloha, L., 1963).
IA Medvedeva
