Mikhail Izrailevich Vaiman |
Mikhail Vaiman
I nā ʻatikala e pili ana iā Oistrakh a me Kogan, nā ʻelele kaulana loa o ke kula violin Soviet, hoʻohui mākou i kahi ʻatikala ma Mikhail Vayman. Ma ka hana hana a Vaiman, ua hōʻike ʻia kekahi laina koʻikoʻi o ka hana Soviet, nona ka manaʻo koʻikoʻi a me ka nani.
He puka puka ʻo Vayman mai ke kula ʻo Leningrad o nā violinists, nāna i hana i nā mea hana nui e like me Boris Gutnikov, Mark Komissarov, Dina Shneiderman, ka Bulgarian Emil Kamillarov, a me nā mea ʻē aʻe. Wahi a kāna mau pahuhopu hana, ʻo Vayman ka mea hoihoi loa no ka mea noiʻi. He kanaka violinist kēia e hele ana ma ke ʻano o nā kumu kuʻuna kiʻekiʻe. Ke ʻimi nei ʻo ia e komo i loko o ka manaʻo hohonu o ke mele āna e hana nei, a ʻo ka mea nui e loaʻa ai kahi leka hoʻokiʻekiʻe i loko. Ma Wyman, hui pū ka mea noʻonoʻo i ke kahua mele me ka "mea pena o ka puʻuwai"; ʻO kāna hana noʻonoʻo, lyrical, ua hoʻopili ʻia me nā huaʻōlelo o ke akamai a me ke akamai o ke ʻano o ke ʻano kanaka-etika. ʻAʻole ia he coincidence ka hele ʻana o Wymann ma ke ʻano he mea hoʻokani mai Bach a Frank a me Beethoven, a me Beethoven o ka manawa hope. ʻO kēia kāna credo ʻike, hana ʻia a loaʻa i ka ʻeha ma muli o ka noʻonoʻo lōʻihi i nā pahuhopu a me nā pahuhopu o ka hana. Ua ʻōlelo ʻo ia e koi ana ka noʻonoʻo i ka "naʻau maʻemaʻe" a ʻo ka maʻemaʻe o ka noʻonoʻo he kūlana koʻikoʻi no kahi hana hoʻokani hoʻoikaika maoli. ʻO nā ʻano kūlohelohe, - wahi a Wyman, ke kamaʻilio pū me ia e pili ana i ke mele, - hiki iā lākou ke hana i nā kiʻi honua wale nō. Ke waiho nei ke ʻano o ka mea pena i kahi hōʻailona pau ʻole i nā mea a pau āna e hana ai.
Eia naʻe, hiki ke ʻokoʻa ka "maʻemaʻe", "kiʻekiʻe". Hiki iā lākou ke manaʻo, no ka laʻana, kahi ʻano aestheticized over-life. No Wyman, pili loa kēia mau manaʻo me ka manaʻo hanohano o ka maikaʻi a me ka ʻoiaʻiʻo, me ke kanaka, me ka ʻole o ka hana ʻana i make. Noʻonoʻo ʻo Wyman i ke kiʻi mai kahi hiʻohiʻona pono a ʻike ʻo ia ʻo ke kuleana nui o ka mea pena. ʻO ka mea liʻiliʻi loa, hoihoi ʻo Wyman i ka "violinism", ʻaʻole i hoʻomehana ʻia e ka naʻau a me ka ʻuhane.
I loko o kāna mau manaʻo, ua kokoke ʻo Vayman iā Oistrakh o nā makahiki i hala iho nei, a me nā violinists haole - iā Menuhin. Manaʻoʻiʻo ʻo ia i ka mana hoʻonaʻauao o ka noʻonoʻo a ʻaʻole ʻae ʻo ia i nā hana e lawe ana i ka noʻonoʻo anu, ka kānalua, ka hao, ka palaho, ka ʻole. ʻOi aku ka malihini i ka rationalism, constructivist abstractions. No ia, ʻo ke kiʻi ke ʻano o ka ʻike noʻonoʻo o ka ʻoiaʻiʻo ma o ka hōʻike ʻana i ka noʻonoʻo o ke ʻano o kēia wā. ʻO ka cognitiveness, ka hoʻomaopopo pono ʻana i ke ʻano hana noʻeau i lalo o kāna ʻano hana.
ʻO ka manaʻo hoʻomohala o Wyman e alakaʻi i ka ʻoiaʻiʻo, me ka loaʻa ʻana o ke kauoha maikaʻi loa i nā ʻano ʻaha mele nui, ʻoi aku ka nui o kona makemake i ka pilina, ʻo ia ke ala e hōʻike ai i nā nuances maʻalahi o ka manaʻo, nā ʻano liʻiliʻi o nā manaʻo. No laila ka makemake i ke ʻano o ka pāʻani declamatory, kahi ʻano o ka leo "'ōlelo" ma o nā ʻenehana kikoʻī kikoʻī.
He aha ke ʻano ʻano hiki ke hoʻokaʻawale ʻia ʻo Wyman? ʻO wai ʻo ia, "maʻamau", e like me kāna wehewehe ʻana iā Bach a me Beethoven, a i ʻole "romantic"? ʻOiaʻiʻo, he aloha ma ke ʻano o kahi manaʻo aloha loa o ke mele a me ke ʻano e pili ana iā ia. ʻO Romantic kāna ʻimi ʻana i kahi kūlana kiʻekiʻe, kāna lawelawe hanohano i ke mele.
Ua hānau ʻia ʻo Mikhail Vayman ma Dekemaba 3, 1926 ma ke kūlanakauhale ʻo Ukrainian o Novy Bug. I kona mau makahiki ehiku, ne'e ka 'ohana i Odessa, kahi i noho ai ka violinist e hiki mai ana i kona wā kamali'i. ʻO kona makuakāne no ka heluna o nā mea hoʻokani pila akamai, a he nui lākou i kēlā manawa ma nā panalāʻau; Ua alakaʻi ʻo ia, hoʻokani i ka violin, hāʻawi i nā haʻawina violin, a aʻo i nā kumuhana theoretical ma ke kula mele ʻo Odessa. ʻAʻole i loaʻa i ka makuahine kahi hoʻonaʻauao mele, akā, pili pili i ke ʻano mele ma o kāna kāne, makemake nui ʻo ia e lilo kāna keiki i mea hoʻokani pila.
ʻO nā hui mua o ka ʻōpio ʻo Mikhail me nā mele i hana ʻia ma New Bug, kahi i alakaʻi ai kona makuakāne i ka orchestra o nā mea kani makani ma ka Hale o Culture o ke kūlanakauhale. Ua hele mau ke keikikāne me kona makuakāne, ua lilo i mea hoʻokani i ka pū a ua komo i nā ʻaha mele. Akā, ua kūʻē ka makuahine me ka manaʻo he mea pōʻino i ke keiki ke hoʻokani i ka mea kani. Hoʻopau ka neʻe ʻana i Odessa i kēia leʻaleʻa.
I ka makahiki 8 o Misha, ua lawe ʻia ʻo ia i P. Stolyarsky; ua pau ka launa ana me ke komo ana o Wyman i ke kula mele a kekahi kumu keiki kupanaha. Ua aʻo nui ʻia ke kula ʻo Vaiman e ke kōkua o Stolyarsky ʻo L. Lembergsky, akā ma lalo o ka mākaʻikaʻi ʻana o ke kumu kula ponoʻī, nāna i nānā mau i ka ulu ʻana o ka haumāna akamai. Ua hoʻomau kēia a hiki i ka makahiki 1941.
Ma Iulai 22, 1941, ua koho ʻia ka makuakāne o Vayman i ka pūʻali koa, a i ka makahiki 1942 ua make ʻo ia ma mua. Ua waiho wale ʻia ka makuahine me kāna keikikāne 15 makahiki. Ua loaʻa iā lākou ka lono o ka make ʻana o ko lākou makuakāne i ko lākou mamao ʻana mai Odessa - ma Tashkent.
Ua hoʻokuʻu ʻia kahi conservatory mai Leningrad ma Tashkent, a ua kākau ʻia ʻo Vayman i kahi kula ʻumi makahiki ma lalo o ia, ma ka papa o Professor Y. Eidlin. Ke kākau inoa koke nei i ka papa 8, i ka makahiki 1944 ua puka ʻo Wyman mai ke kula kiʻekiʻe a ua holo koke i ka hoʻokolokolo no ka conservatory. Ma ka conservatory, ua aʻo pū ʻo ia me Eidlin, he kumu hohonu, akamai, a koʻikoʻi koʻikoʻi. ʻO kāna kūpono ka hoʻokumu ʻana ma Wyman i nā ʻano o kahi mea noʻonoʻo-mea hana kiʻi.
ʻOiai i ka wā o ke aʻo ʻana i ke kula, hoʻomaka lākou e kamaʻilio e pili ana iā Wyman ma ke ʻano he violinist hoʻohiki i loaʻa nā ʻikepili āpau e hoʻomohala i kahi mele mele mele nui. I ka makahiki 1943, ua ho'ouna 'ia 'o ia i ka loiloi 'ana i nā haumāna akamai o nā kula mele ma Moscow. He hana kupaianaha i hana ʻia i ke kiʻekiʻe o ke kaua.
I ka makahiki 1944, ua hoʻi ka Leningrad Conservatory i kona kūlanakauhale hānau. No Wyman, ua hoʻomaka ka manawa o Leningrad o ke ola. Ua lilo ʻo ia i mea hōʻike i ka wikiwiki o ka moʻomeheu kahiko o ke kūlanakauhale, kāna mau kuʻuna, ʻoluʻolu e komo i nā mea a pau a kēia moʻomeheu e lawe ai iā ia iho - kona koʻikoʻi kūikawā, piha i ka nani o loko, ka hoʻonaʻauao haʻahaʻa, kahi makemake no ka lokahi a me ka piha ʻano, naʻauao kiʻekiʻe. ʻIke maopopo kēia mau ʻano iā lākou iho i kāna hana.
ʻO kahi milestone kaulana i ke ola o Wyman ʻo 1945. Ua hoʻouna ʻia kahi haumāna ʻōpio o ka Leningrad Conservatory i Moscow i ka hoʻokūkū All-Union mua ma hope o ke kaua o ka hoʻokani pila a lanakila i kahi diploma me ka hanohano ma laila. I ka makahiki hoʻokahi, ua hana ʻia kāna hana mua ma ka Hale Nui o ka Leningrad Philharmonic me kahi orkestra. Ua hana ʻo ia i ka Concerto a Steinberg. Ma hope o ka pau ʻana o ka ʻahamele, hele mai ʻo Yury Yuriev, People's Artist o ka USSR, i ka lumi ʻaʻahu. “Opio. ʻōlelo ʻo ia, hoʻopā. - ʻo kēia lā kāu hoʻomaka - e hoʻomanaʻo iā ia a hiki i ka hopena o kou mau lā, no ka mea, ʻo ia ka ʻaoʻao poʻomanaʻo o kou ola noʻeau. "Ke hoʻomanaʻo nei au," wahi a Wyman. — Ke hoʻomanaʻo nei au i kēia mau ʻōlelo ma ke ʻano he mau ʻōlelo hoʻokaʻawale a ka mea keaka nui, nāna i hoʻokauwā mau i ka hana noʻeau. Nani ka maikaʻi inā mākou a pau e lawe i kahi ʻāpana o kona ʻā ʻana i loko o ko mākou naʻau!
Ma ka ho'āʻo kūpono no ka International J. Kubelik Competition ma Prague, i mālamaʻia ma Moscow,ʻaʻole i hoʻokuʻu ka poʻe hauʻoli iā Vayman mai ke kahua no ka manawa lōʻihi. He lanakila maoli. Eia naʻe, ma ka hoʻokūkū, ua pāʻani ʻo Wyman me ka maikaʻi ʻole a ʻaʻole i lanakila i kahi e hiki ai iā ia ke hilinaʻi ma hope o ka hana ʻo Moscow. ʻO kahi hopena maikaʻi ʻole - ka makana ʻelua - ua loaʻa iā Weimann ma Leipzig, kahi i hoʻouna ʻia ai i 1950 i ka J.-S. ʻO Bach. Ua hoʻomaikaʻi ka jure i kāna wehewehe ʻana i nā hana a Bach ma ke ʻano o ka noʻonoʻo a me ke ʻano.
Mālama pono ʻo Wyman i ka mekala gula i loaʻa ma ka Belgian Queen Elisabeth Competition ma Brussels i ka makahiki 1951. ʻO ia kāna hana hoʻokūkū hope loa. Ua kamaʻilio ka paʻi mele honua e pili ana iā ia a me Kogan, ka mea i loaʻa ka makana mua. Eia hou, e like me ka makahiki 1937, ua helu ʻia ka lanakila o kā mākou violinists ma ke ʻano he lanakila o ke kula violin Soviet holoʻokoʻa.
Ma hope o ka hoʻokūkū, lilo ke ola o Wyman i mea maʻamau no ka mea pena mele. He nui nā manawa e hele ai ʻo ia ma Hungary, Polani, Czechoslovakia, Romania, ka Federal Republic of Germany a me ka German Democratic Republic (he 19 mau manawa ma ka Lepupalika Kemokalaka Kelemania!); nā ʻahamele ma Finland. Norewai, Denmark, Austria, Pelekiuma, Israel, Iapana, Enelani. Ma nā wahi a pau he lanakila nui, mahalo nui ʻia no kāna ʻoihana akamai a hanohano. ʻAʻole koke e ʻike ʻia ʻo Wyman ma ʻAmelika Hui Pū ʻIa, a ua kau inoa ʻia kahi ʻaelike no kāna huakaʻi.
I ka makahiki 1966, ua loa'a i ka mea pena kaulana Soviet ka inoa o ka Mea Ho'ohanohano Ho'ohanohano o ka RSFSR.
Ma nā wahi a Wyman e hoʻokani ai, e loiloi ʻia kāna pāʻani me ka pumehana kupaianaha. Hoʻopā ʻo ia i nā puʻuwai, hauʻoli me kāna mau hiʻohiʻona hōʻike, ʻoiai ke hōʻike mau ʻia kona akamai loea i nā loiloi. “ʻO ka pāʻani ʻana a Mikhail Vayman mai ka ana mua o ka Bach Concerto a hiki i ka hahau hope loa o ke kakaka ma ka hana bravura a Tchaikovsky he elastic, resilient, a nani hoʻi, mahalo ʻia ʻo ia i ke poʻo o nā violinists kaulana honua. Ua ʻike ʻia kekahi mea hanohano i ka moʻomeheu maʻemaʻe o kāna hana. ʻAʻole ʻo ka Soviet violinist he virtuoso maikaʻi wale nō, akā, he mea hoʻokani pila naʻauao hoʻi.
“ʻOiaʻiʻo, ʻo ka mea nui loa i ka pāʻani a Wyman ʻo ka mahanahana, ka nani, ke aloha. Hoʻokahi neʻe o ke kakaka e hōʻike i nā ʻano o nā manaʻo, "i ʻōlelo ʻia e ka nūpepa "Kansan Uutiset" (Finland).
Ma Berlin, i ka makahiki 1961, ua ho'okani 'o Wymann i ka concerto na Bach, Beethoven a me Tchaikovsky me Kurt Sanderling ma ke kahua o ke alaka'i. "ʻO kēia ʻahamele, i lilo i hanana maoli maoli, ua hōʻoia i ka pilina o ke alakaʻi hanohano ʻo Kurt Sanderling me ka mea pena kiʻi Soviet 33 makahiki i hoʻokumu ʻia ma luna o nā kumu hohonu kanaka a me nā loea."
Ma ka ʻāina hānau o Sibelius i ʻApelila 1965, ua hoʻokani ʻo Vayman i kahi concerto e ka mea haku mele Finnish nui a hauʻoli hoʻi i nā Finns phlegmatic me kāna pāʻani. "Ua hōʻike ʻo Mikhail Vayman iā ia iho he haku i kāna hana ʻana i ka Sibelius Concerto. Hoʻomaka ʻo ia me he mea lā mai kahi mamao aku, me ka noʻonoʻo, e hahai pono ana i nā hoʻololi. Ua kani hanohano nā huaʻōlelo o ka adagio ma lalo o kāna kakaka. I ka hopena, i loko o ke ʻano o ka wikiwiki haʻahaʻa, ua pāʻani ʻo ia me nā pilikia "fon aben" (haughtily.— LR), ʻoiai ua hōʻike ʻo Sibelius i kona manaʻo i ke ʻano e hana ʻia ai kēia ʻāpana. No nā ʻaoʻao hope loa, ua loaʻa iā Wyman nā kumuwaiwai ʻuhane a me nā ʻenehana o kahi virtuoso nui. Kiola akula ʻo ia iā lākou i loko o ke ahi, e waiho ana naʻe kekahi hapa (nā memo marginal, i kēia hihia, he aha ka mea i koe i mālama ʻia) ma ke ʻano he mālama. ʻAʻole ʻo ia e hele i ka laina hope. He mea pono ʻo ia i ka hahau hope loa," i kākau ai ʻo Eric Tavastschera ma ka nūpepa Helsingen Sanomat ma ʻApelila 2, 1965.
A ua like nā manaʻo ʻē aʻe o nā mea hoʻohewa Finnish: "ʻO kekahi o nā virtuosos mua o kona manawa", "Great Master", "Purity and impeccability of technique", "Originality and maturity of interpretation" - ʻo ia nā loiloi o ka hana a Sibelius a me nā concerto ʻo Tchaikovsky, kahi a Vayman a me ka Leningradskaya Orchestra philharmonics ma lalo o ke alakaʻi ʻana a A. Jansons i huakaʻi i Finland i ka makahiki 1965.
ʻO Wyman he mea hoʻokani pila. No nā makahiki he nui, ua paʻa ʻo ia i ka pilikia o ka wehewehe ʻana i nā hana a Bach. I kekahi mau makahiki i hala aku nei, me ka hoʻomau like ʻana, ua hoʻololi ʻo ia i ka hoʻoponopono ʻana i ka pilikia o ka hoʻoilina o Beethoven.
Me ka paʻakikī, ua haʻalele ʻo ia i ke ʻano hoʻokani mele a Bach. I ka hoʻi ʻana i ke kumu o nā sonata, ua ʻimi ʻo ia i ka manaʻo nui i loko o ia mau mea, e hoʻomaʻemaʻe ana iā lākou i ka patina o nā kuʻuna kahiko i waiho i kahi ʻike o ko lākou hoʻomaopopo ʻana i kēia mele. A ʻo nā mele a Bach ma lalo o ke kakaka o Weimann i ʻōlelo ma ke ʻano hou. Ua ʻōlelo ʻia, no ka mea, ua hoʻolei ʻia nā liona pono ʻole, a ua hōʻike ʻia ke ʻano kikoʻī o ke ʻano o Bach. “Melodic recitation” – ʻo ia ke ʻano o Wyman i hoʻokani ai i nā sonata a me nā partitas a Bach. I ka hoʻomohala ʻana i nā ʻenehana like ʻole o ka ʻenehana recitative-declamatory, ua hoʻokani ʻo ia i ke kani o kēia mau hana.
ʻO ka manaʻo noʻonoʻo ʻoi loa ʻo Wyman i ka pilikia o ka ethos i ke mele, ʻoi aku ka paʻa o kona manaʻo i ka pono e hele mai i ka mele o Beethoven. Ua hoʻomaka ka hana ma kahi concerto violin a me kahi pōʻai sonata. Ma nā ʻano ʻelua, ua ʻimi mua ʻo Wyman e hōʻike i ke kumu pono. ʻAʻole makemake nui ʻo ia i ka heroism a me ka hana keaka e like me ka manaʻo kiʻekiʻe o ka ʻuhane o Beethoven. "I ko mākou mau makahiki o ka kānalua a me ka hoʻopaʻapaʻa, ka hoʻohenehene a me ka hoʻomāʻewaʻewa, kahi i luhi ai ke kanaka," wahi a Wyman, "pono ka mea hoʻokani pila e kāhea me kāna ʻoihana i kahi mea ʻē aʻe - i ka manaʻoʻiʻo i ke kiʻekiʻe o nā manaʻo kanaka, i ka hiki ke maikaʻi, i ka ʻike ʻana i ka pono o ke kuleana ethical, a ma luna o kēia mau mea a pau ka pane kūpono loa i loko o ka mele o Beethoven, a me ka manawa hope o ka hana.
I ka pōʻai o nā sonatas, hele ʻo ia mai ka hope, ka ʻumi, a me he mea lā e "hohola" i kona lewa i nā sonata āpau. Pēlā nō i loko o ka concerto, kahi i lilo ai ka lua o ka māhele o ka hapa mua a me ka lua i ke kikowaena, hoʻokiʻekiʻe ʻia a hoʻomaʻemaʻe ʻia, i hōʻike ʻia ma ke ʻano he ʻano ʻano ʻuhane maikaʻi.
I loko o ka hoʻonā noʻonoʻo a me ka pono o ka pōʻaiapuni o nā sonatas a Beethoven, he hopena hou maoli, ua kōkua nui ʻia ʻo Wyman e kāna hui pū ʻana me ka mea hoʻokani piano kaulana ʻo Maria Karandasheva. I loko o nā sonata, ua hui pū ʻelua mau mea pena like like no ka hana hui, a ʻo ka makemake o Karandasheva, ʻo ke koʻikoʻi a me ke koʻikoʻi, i hui pū ʻia me ka ʻuhane kupaianaha o ka hana a Wyman, ua hāʻawi i nā hopena maikaʻi loa. No nā ahiahi ʻekolu ma ʻOkakopa 23, 28 a me Nowemapa 3, 1965, ma ka Hale Glinka ma Leningrad, ua wehe ʻia kēia "moʻolelo e pili ana i ke kanaka".
ʻO ka lua a ʻaʻole liʻiliʻi koʻikoʻi o ka makemake o Waiman, ʻo ia ka mea hou, a me ka Soviet. ʻOiai i kona wā'ōpiopio, ua hāʻawi nui ʻo ia i ka ikaika i ka hana ʻana i nā hana hou a nā mea haku mele Soviet. Me ka Concert of M. Steinberg i ka makahiki 1945, ua hoʻomaka kona ala noʻeau. Ua ukali ʻia e ka Lobkowski Concerto, i hana ʻia ma 1946; i ka hapa mua o nā makahiki 50, ua hoʻoponopono a hoʻokani ʻo Vaiman i ka Concerto e ka haku mele Georgian ʻo A. Machavariani; i ka hapa lua o ka 30s – B. Kluzner's Concert. ʻO ia ka mea hoʻokani mua o ka Shostakovich Concerto ma waena o nā violinists Soviet ma hope o Oistrakh. Ua loaʻa iā Vaiman ka hanohano e hoʻokani i kēia Concerto ma ke ahiahi i hoʻolaʻa ʻia no ka lā hānau 50th o ka haku mele ma 1956 ma Moscow.
Hana ʻo Vaiman i nā hana a nā mea haku mele Soviet me ka nānā pono a mālama. I nā makahiki i hala iho nei, e like me Moscow iā Oistrakh a me Kogan, pēlā ma Leningrad, kokoke i nā mea haku mele a pau i haku i nā mele no ka violin e huli i Vaiman. I ka ʻumi makahiki o Leningrad art ma Moscow i Dekemaba 1965, ua hoʻokani maikaʻi ʻo Vaiman i ka Concerto na B. Arapov, ma ka "Leningrad Spring" i ʻApelila 1966 - ka Concerto na V. Salmanov. I kēia manawa ke hana nei ʻo ia i nā ʻahamele na V. Basner a me B. Tishchenko.
He kumu hoihoi a noʻonoʻo ʻo Wyman. He kumu noʻeau ʻo ia. ʻO kēia ka mea maʻamau ka haʻalele ʻana i ka ʻaoʻao ʻenehana o ke aʻo ʻana. I kēia hihia, kāpae ʻia kēlā ʻaoʻao hoʻokahi. Mai kāna kumu ʻo Eidlin, ua hoʻoilina ʻo ia i kahi ʻano loiloi i ka ʻenehana. Loaʻa iā ia nā manaʻo noʻonoʻo maikaʻi, ʻōnaehana hoʻonohonoho i kēlā me kēia māhele o ka hana violin, kāhāhā ka hoʻomaopopo pono ʻana i ke kumu o ka pilikia o ka haumāna a ʻike pehea e hoʻopau ai i nā hemahema. Akā, pili kēia mau mea i ke ʻano hana noʻeau. Hoʻolilo ʻo ia i nā haumāna i "poeta", alakaʻi iā lākou mai ka hana lima a hiki i nā ʻoihana kiʻekiʻe loa. Loaʻa i kēlā me kēia o kāna mau haumāna, ʻo ka poʻe me nā mākaukau maʻamau, nā ʻano o kahi mea pena.
“Ua aʻo a aʻo pū me ia ka poʻe violinists mai nā ʻāina he nui: ʻo Sipika Leino lāua ʻo Kiiri mai Finland, Paole Heikelman mai Denmark, Teiko Maehashi lāua ʻo Matsuko Ushioda mai Iapana (ua lanakila ka mea hope i ka inoa o ka laureate o ka hoʻokūkū Brussels ma 1963 a me ka hoʻokūkū Moscow Tchaikovsky ma Moscow. 1966 d.), Stoyan Kalchev mai Bulgaria, Henrika Cszionek mai Polani, Vyacheslav Kuusik mai Czechoslovakia, Laszlo Kote a me Androsh mai Hungary. ʻO nā haumāna Soviet o Wyman ka diploma lanakila o ka All-Russian Competition Lev Oskotsky, ka mea lanakila o ka Paganini Competition ma Italia (1965) Philip Hirshhorn, ka mea lanakila o ka International Tchaikovsky Competition ma 1966 Zinovy Vinnikov.
ʻAʻole hiki ke ʻike ʻia ka hana aʻoaʻo nui a me ka hua o Weimann ma waho o kāna mau haʻawina ma Weimar. No nā makahiki he nui, ma ka hale noho mua o Liszt, ua mālama ʻia nā seminar mele honua i kēlā me kēia Iulai. Ke kono nei ke aupuni o ka GDR i nā kumu mele nui loa mai nā ʻāina like ʻole iā lākou. Hele mai nā violinists, cellists, pianists a me nā mea hoʻokani pila o nā ʻoihana ʻē aʻe. No ʻehiku mau makahiki, ua kono ʻia ʻo Vayman, ka mea hoʻokani pila ma ka USSR, e alakaʻi i ka papa violin.
Mālama ʻia nā papa ma ke ʻano o nā haʻawina hāmama, i mua o kahi anaina o 70-80 poʻe. Ma waho aʻe o ke aʻo ʻana, hāʻawi ʻo Wymann i nā ʻahamele i kēlā me kēia makahiki ma Weimar me kahi papahana like ʻole. Me he mea lā, he kiʻi kiʻi no ka seminar. I ke kauwela o 1964, ua hoʻokani ʻo Wyman i ʻekolu sonata no ka violin solo a Bach ma ʻaneʻi, e hōʻike ana i kona ʻike i ke mele a kēia haku mele ma luna o lākou; i ka makahiki 1965 ua hoʻokani ʻo ia i ka Beethoven Concertos.
No nā hana hoʻokani a me ke aʻo maikaʻi ʻana i ka makahiki 1965, ua loaʻa iā Wyman ke poʻo inoa o ka senator hanohano o ka F. Liszt Higher Musical Academy. ʻO Vayman ka hā o ka mea hoʻokani pila i loaʻa kēia inoa: ʻo ka mua ʻo Franz Liszt, a ma mua koke o Vayman, ʻo Zoltan Kodály.
ʻAʻole i pau ka moʻolelo moʻopuna a Wyman. ʻO kāna mau koi iā ia iho, nā hana āna i hoʻonohonoho ai iā ia iho, he mea ia e hōʻoiaʻiʻo ai e hoʻāpono ʻo ia i ke kūlana kiʻekiʻe i hāʻawi ʻia iā ia ma Weimar.
L. Raaben, 1967
Ma ke kiʻi: alakaʻi - E. Mravinsky, soloist - M. Vayman, 1967
