Vladimir Vsevolodovich Krainev |
ʻO Vladimir Krainev
He makana mele hauʻoli ʻo Vladimir Krainev. ʻAʻole wale ka nui, mālamalama, a me nā mea ʻē aʻe - ʻoiai mākou e kamaʻilio e pili ana i kēia ma hope. pololei - hauʻoli. ʻIke koke ʻia kona pono ma ke ʻano he mea hoʻokani mele, e like me kā lākou e ʻōlelo nei, me ka maka ʻōlohelohe. ʻIke ʻia e ka ʻoihana a me ka mea aloha mele maʻalahi. He piano ʻo ia no ka lehulehu ākea - he ʻano hana kūikawā kēia, ʻaʻole i hāʻawi ʻia i kēlā me kēia o nā mea pena kiʻi huakaʻi ...
Ua hānau ʻia ʻo Vladimir Vsevolodovich Krainev ma Krasnoyarsk. He mau kauka kona mau makua. Ua hāʻawi lākou i kā lāua keiki i ka hoʻonaʻauao ākea a me ka nui; ʻAʻole hoʻi i mālama ʻia kona mana mele. Mai ka makahiki ʻeono, ua aʻo ʻo Volodya Krainev ma ke kula mele ʻo Kharkov. ʻO Maria Vladimirovna Itigina kāna kumu mua. "ʻAʻohe wahi panalāʻau liʻiliʻi i kāna hana," i hoʻomanaʻo ai ʻo Krainev. "Ua hana ʻo ia me nā keiki, i koʻu manaʻo, maikaʻi loa ..." Ua hoʻomaka ʻo ia i ka hana mua. Ma ka papa ʻekolu a ʻehā paha, hoʻokani ʻo ia i ka ʻaha mele ʻo Haydn me ka orkestra; i ka makahiki 1957 ua komo ʻo ia i ka hoʻokūkū o nā haumāna o nā kula mele Ukrainian, kahi i loaʻa ai iā ia, me Yevgeny Mogilevsky, ka makana mua. ʻOiai, i kona wā kamaliʻi, ua aloha nui ʻo ia i ke kahua. Ua mālama ʻia kēia i loko ona a hiki i kēia lā: “Ua hoʻoikaika ʻia ka hiʻohiʻona iaʻu… No ka nui o ka hauʻoli, ʻoliʻoli mau wau i koʻu hele ʻana i ka ramp.
- Piano mele ma ka hale kūʻai pūnaewele Ozon →
(Aia kahi ʻāpana kūikawā o nā mea pena - ʻo Krainev i waena o lākou - ka mea e hoʻokō i nā hopena hoʻolālā kiʻekiʻe loa i ka wā e kū ai lākou i ka lehulehu. ʻO kekahi ʻano, i ka wā kahiko, ua hōʻole ʻole ka mea hoʻokani kaulana Lūkini ʻo MG Savina e pāʻani i kahi hana ma Berlin no hoʻokahi wale nō. mākaʻikaʻi – Emperor Wilhelm. Pono e hoʻopiha ʻia ke keʻena me nā ʻaha aliʻi a me nā luna o ke kiaʻi imperial; Pono ʻo Savina i kahi anaina ... "Pono wau i kahi anaina," hiki iā ʻoe ke lohe mai Krainev.)
I ka makahiki 1957, ua hui 'o ia me Anaida Stepanovna Sumbatyan, he haku kaulana o ka piano pedagogy, kekahi o na kumu alakai ma ke Kula Mele Kikowaena o Moscow. I ka wā mua, he episodic kā lākou hālāwai. Hele mai ʻo Krainev no nā kūkākūkā, kākoʻo ʻo Sumbatyan iā ia me nā ʻōlelo aʻo a me nā ʻōlelo aʻo. Mai ka makahiki 1959, ua hoʻopaʻa inoa ʻia ʻo ia ma kāna papa; i kēia manawa he haumāna ʻo ia no ke kula mele ʻo Moscow Central Music. "Pono nā mea a pau ma ʻaneʻi e hoʻomaka mai ka hoʻomaka ʻana," hoʻomau ʻo Krainev i ka moʻolelo. "ʻAʻole wau e ʻōlelo he maʻalahi a maʻalahi. ʻO ka manawa mua wau i haʻalele ai i nā haʻawina kokoke me ka waimaka. A hiki i kēia manawa, ma Kharkov, me he mea lā ua aneane wau he mea pena kiʻi piha, akā ma ʻaneʻi ... ua kū koke wau i nā hana hou a maikaʻi loa. Hoʻomanaʻo wau ua makaʻu lākou i ka wā mua; a laila hoʻomaka ʻo ia e ʻoi aku ka hoihoi a me ka hoihoi. Ua aʻo mai ʻo Anaida Stepanovna iaʻu ʻaʻole wale, a ʻaʻole hoʻi i ka nui o ka hana pianistic, ua hoʻolauna mai ʻo ia iaʻu i ka honua o ka ʻoihana kiʻekiʻe. He kanaka noʻonoʻo poʻomanaʻo maikaʻi loa, ua hana nui ʻo ia iaʻu i mea hoʻohui iaʻu i nā puke, pena kiʻi ... ʻO nā mea āpau e pili ana iā ia i hoihoi mai iaʻu, akā, ʻo ka mea nui paha, ua hana ʻo ia me nā keiki a me nā ʻōpio me ka ʻole o ka hana kula, e like me nā mākua. . A ʻo mākou kāna mau haumāna, ua ulu koke mākou.
Hoʻomanaʻo kona mau hoa ma ke kula i ka wā e huli ai ke kamaʻilio ʻana iā Volodya Krainev i kāna mau makahiki kula: ʻo ia ke ola, impulsiveness, impulsiveness ponoʻī. E kamaʻilio maʻamau lākou e pili ana i ia poʻe - he haʻalulu, he haʻahaʻa ... He pololei a hāmama kona ʻano, maʻalahi ʻo ia e hui pū me nā poʻe, ma lalo o nā kūlana āpau ua ʻike ʻo ia i ka ʻoluʻolu a me ke ʻano maoli; ʻoi aku kona makemake ma mua o nā mea a pau o ka honua i ka ʻakaʻaka, ka hoʻomākeʻaka. "ʻO ka mea nui i loko o kā Krai kālena ʻo kāna minoʻaka, kekahi ʻano o ka piha piha o ke ola" (Fahmi F. Ma ka inoa mele // Soviet culture. 1977. December 2), kākau kekahi o nā mea hoʻokani mele i nā makahiki he nui ma hope. ʻO kēia mai kāna mau lā kula…
Aia kekahi huaʻōlelo "sociability" i loko o ka huaʻōlelo o nā loiloi hou, ʻo ia hoʻi, unuhi ʻia i ka ʻōlelo colloquial maʻamau, ka hiki ke maʻalahi a me ka wikiwiki e hoʻokumu i kahi pilina me ka poʻe e hoʻolohe ai. Mai kona mau hi'ohi'ona mua loa ma ke kahua, ua ha'alele 'o Krainev i ke kanalua 'o ia he mea ho'okani pila. Ma muli o ke ʻano o kona ʻano, hōʻike maʻamau ʻo ia iā ia iho ma ke kamaʻilio ʻana me nā poʻe ʻē aʻe me ka hoʻoikaika ʻole iki; ua like like me ia ma ke kahua. GG Neuhaus kiko'ī huki noonoo i: "Volodya no hoi ka makana o ke kamaʻilio - ia maʻalahi hele mai i loko o ka lehulehu" (EO Pervy Lidsky // Sov. Music. 1963. No. 12. P. 70.). Pono e manaʻo ʻia ua ʻaiʻē ʻo Krainev i kāna hopena hauʻoli ma ke ʻano he mea hoʻokani mele ʻaʻole i liʻiliʻi loa i kēia kūlana.
Akā, ʻoiaʻiʻo, ʻo ka mea mua, ua ʻaiʻē ʻo ia iā ia - he ʻoihana kūleʻa ma ke ʻano he kiʻi mākaʻikaʻi - kāna ʻikepili pianistic waiwai nui. Ma kēia ʻano, ua kū ʻo ia ma waena o kona mau hoa kula waena. E like me ka mea ʻole, ua aʻo koke ʻo ia i nā hana hou. Hoʻopaʻanaʻau koke i ka mea; hōʻiliʻili wikiwiki i ka repertoire; i loko o ka lumi papa, ua ʻike ʻia ʻo ia e ka wikiwiki, ke akamai, ka ʻike maoli; a ʻo ia ka mea nui loa no kāna ʻoihana i ka wā e hiki mai ana, ua hōʻike ʻo ia i ka hana maopopo loa o kahi virtuoso papa kiʻekiʻe.
"ʻO nā pilikia o kahi kauoha ʻenehana, aneane ʻaʻole wau i ʻike," wahi a Krainev. Hōʻike me ka ʻike ʻole o ka bravado a i ʻole ka hoʻonui ʻana, e like me ke ʻano maoli. A ua hoʻohui ʻo ia: "Ua kūleʻa wau, e like me kā lākou e ʻōlelo nei, mai ka pā ..." Ua makemake ʻo ia i nā ʻāpana paʻakikī, super-fast tempos - kahi hōʻailona o nā virtuosos hānau āpau.
Ma ka Moscow Conservatory, kahi i komo ai ʻo Krainev i ka makahiki 1962, ua aʻo mua ʻo ia me Heinrich Gustavovich Neuhaus. “Ke hoʻomanaʻo nei au i kaʻu haʻawina mua. ʻO kaʻoiaʻiʻo, ʻaʻole i kūleʻa loa. Ua hopohopo nui au, ʻaʻole hiki iaʻu ke hōʻike i kekahi mea kūpono. A laila, ma hope o kekahi manawa, ua maikaʻi nā mea. Hoʻomaka nā papa me Genrikh Gustavovich e lawe mai i nā manaʻo hauʻoli hou aʻe. Ma hope o nā mea a pau, loaʻa iā ia kahi mana aʻoaʻo kūikawā - e hōʻike i nā ʻano maikaʻi loa o kēlā me kēia o kāna mau haumāna.
Ua hoʻomau nā hālāwai me GG Neuhaus a hiki i kona make ʻana i ka makahiki 1964. Ua hele hou ʻo Krainev i kāna huakaʻi i loko o nā paia o ka conservatory ma lalo o ke alakaʻi ʻana a ke keiki a kāna kumu, ʻo Stanislav Genrikhovich Neuhaus; puka 'o ia mai kāna papa conservatory papa hope loa (1967) a me ke kula puka (1969). "E like me kaʻu e haʻi aku ai, ʻo wau ʻo Stanislav Genrikhovich ma ke ʻano he mau mea mele ʻokoʻa loa. ʻIke ʻia, ua hana wale ia noʻu i kaʻu mau haʻawina. ʻO ke aloha "expressive" o Stanislav Genrikhovich i hōʻike nui mai iaʻu ma ke kahua o ka hōʻike mele. Ua aʻo nui nō hoʻi au mai kaʻu kumu ma ke ʻano o ke kani piano.
(He mea hoihoi e hoʻomaopopo iā Krainev, he haumāna, he haumāna puka, ʻaʻole i hoʻōki i ke kipa ʻana i kāna kumu kula, ʻo Anaida Stepanovna Sumbatyan. ke kumu a me ka haumana.)
Mai ka makahiki 1963, ua hoʻomaka ʻo Krainev e piʻi i nā ʻanuʻu o ke alapiʻi hoʻokūkū. I ka makahiki 1963 ua loaʻa iā ia ka makana ʻelua ma Leeds (Great Britain). ʻO ka makahiki aʻe - ka makana mua a me ka inoa o ka lanakila o ka hoʻokūkū Vian da Moto ma Lisbon. Akā ua kali ka ho'āʻo nui iā ia i ka makahiki 1970 ma Moscow, ma ka hoʻokūkū ʻehā Tchaikovsky. ʻO ka mea nui ʻaʻole wale no ka mea kaulana ʻo Tchaikovsky Competition ma ke ʻano he hoʻokūkū o ka ʻāpana kiʻekiʻe o ka paʻakikī. Ma muli o ka hāʻule ʻole - kahi pōʻino ʻole, kahi kuhi hewa ʻole - hiki ke hoʻopau koke i kāna mau hana mua. Hoʻopau i kāna mea i hana nui ai e loaʻa ma Leeds a me Lisbon. Ke hana nei kēia i kekahi manawa, ua ʻike ʻo Krainev.
Uaʻikeʻo ia, ua laweʻo ia i nā pilikia, ua hopohopoʻo ia - a ua lanakilaʻo ia. Me ka mea hoʻokani piano ʻEnelani ʻo John Lill, ua loaʻa iā ia ka makana mua. Ua kākau lākou e pili ana iā ia: "Ma Krainev aia ka mea i kapa ʻia ʻo ka makemake e lanakila, ʻo ka hiki ke lanakila i ka ʻeha nui me ka hilinaʻi mālie" (Fahmi F. Ma ka inoa mele.).
Ua hoʻoholo hope loa ʻo 1970 i kona kūlana pae. Mai ia manawa, ʻaʻole ʻo ia i haʻalele i ke kahua nui.
I kekahi manawa, ma kekahi o kāna mau hana ma Moscow Conservatory, ua wehe ʻo Krainev i ka papahana ahiahi me ka polonaise a Chopin ma A-flat major (Op. 53). ʻO ia hoʻi, he ʻāpana i manaʻo ʻia ʻo ia kekahi o nā papa piano paʻakikī loa. He nui paha, ʻaʻole i hoʻopili i kekahi mea koʻikoʻi i kēia ʻoiaʻiʻo: ʻaʻole lawa ʻo Krainev, ma kāna mau pepa, nā pāʻani paʻakikī loa? No ka mea loea, akā naʻe, aia kahi manawa kupaianaha ma ʻaneʻi; ma hea e hoʻomaka ai ʻōlelo nui ka hana a kahi mea pena (pehea a me kona hoʻopau ʻana). No ka wehe ʻana i ka clavirabend me kahi A-flat major Chopin polonaise, me kona ʻano kalaiʻoniʻoni a me nā kikoʻī piano kikoʻī, nā kaulahao octaves ma ka lima hema, me kēia kaleidoscope o ka hoʻokō ʻana i nā pilikia, ʻaʻole ia e manaʻo i kekahi (a ʻaneʻane ʻole. ) "makaʻu pae" i loko o kekahi. Mai noʻonoʻo i nā kānalua ma mua o ka ʻaha mele a i ʻole ka noʻonoʻo ʻuhane; e ike mai na minute mua loa o ka noho ana ma ke kahua, e hele mai kela moku'āina o ka "calm confidence", ka mea i kokua ia Krainev ma nā hoʻokûkû - ka hilinaʻi i kona mau aʻalolo, ka hoomalu ana, ka ike. A ʻoiaʻiʻo, ma kou manamana lima.
Pono e hoʻomaopopo kūikawā i nā manamana lima o Krainev. Ma kēia ʻāpana, ua huki ʻo ia i ka manaʻo, e like me kā lākou e ʻōlelo nei, mai nā lā o ke Kula Nui. E hoʻomanaʻo: “… ʻaneʻane ʻaʻole au i ʻike i nā pilikia ʻenehana… Ua hana au i nā mea āpau ma waho o ka ʻeke.” keia hiki ke hāʻawi wale ʻia e ke ʻano. Ua makemake mau ʻo Krainev i ka hana ma ka mea kani, ua hoʻohana ʻo ia i ke aʻo ʻana ma ka conservatory no ʻewalu a ʻeiwa mau hola i ka lā. (ʻAʻohe ona mea kani ponoʻī i kēlā manawa, ua noho ʻo ia i loko o ka lumi papa ma hope o ka pau ʻana o nā haʻawina a ʻaʻole i haʻalele i ke kīpē a hiki i ka pō.) Eia nō naʻe, ua ʻaiʻē ʻo ia i kāna mau mea hoʻokō maikaʻi loa ma ka ʻenehana piano i kahi mea i ʻoi aku ma mua o ʻO ka hana wale nō - e like me kāna, hiki ke hoʻokaʻawale ʻia mai nā mea i loaʻa ma ka hoʻoikaika mau ʻana, ka hana luhi a me ka hoʻoikaika. “ʻO ka mea hoʻokani pila ka mea hoʻomanawanui loa o ka poʻe,” wahi a Paul Dukas, ka mea haku mele Farani, “a ua hōʻoia nā moʻoʻiʻo inā e pili ana i ka hana ke lanakila ʻana i kekahi mau lālā laurel, kokoke i nā mea hoʻokani pila e hāʻawi ʻia nā puʻu laurel” (Ducas P. ʻO Muzyka a me ka mea maoli // Nā ʻatikala a me nā loiloi o nā mea haku mele o Farani.—L., 1972. S. 256.). ʻO nā laurels a Krainev i ka piano ʻaʻole wale kāna hana ...
I kāna pāʻani hiki ke manaʻo, no ka laʻana, ka plasticity nani. Hiki ke ʻike ʻia ʻo ka noho ʻana ma ka piano ka mea maʻalahi, kūlohelohe a ʻoluʻolu hoʻi nona. Ua kākauʻo GG Neuhaus i kekahi manawa e pili ana i ka "mea kupaianaha virtuoso dexterity" (Neihaus G. Good and Different // Vech. Moscow. 1963. December 21) Krainev; ʻO kēlā me kēia huaʻōlelo ma ʻaneʻi ua kūlike loa. ʻO ka epithet "kupanaha" a me ka huaʻōlelo ʻokoʻa ʻole "virtuoso adroitness“. He mea kupanaha loa ʻo Krainev i ke kaʻina hana: nā manamana lima māmā, ka uila a me ka pololei o ka lima, ka dexterity maikaʻi loa i nā mea a pau āna e hana ai ma ke kīpē ... ʻO ka ʻoiaʻiʻo o nā mea hana ʻē aʻe, kahi papa haʻahaʻa, ʻike ʻia he ikaika a paʻakikī hana, ka lanakila ʻana i nā ʻano pilikia like ʻole, nā hoʻopunipuni motor-technical, etc., loaʻa iā ia ka māmā, lele, maʻalahi. ʻO ia ma kāna hana ʻo Chopin's A-flat major polonaise, i ʻōlelo ʻia ma luna, a me Schumann's Second Sonata, a me Liszt's "Wandering Lights", a me Scriabin's etudes, a me Limoges mai Mussorgsky's "Pictures at an Exhibition", a he nui aku. "E hana i ka maʻamau kaumaha, ka māmā maʻamau a me ka māmā," i aʻo ai ka ʻōpio ʻo KS Stanislavsky. ʻO Krainev kekahi o nā mea hoʻokani piano liʻiliʻi i loko o kahi hoʻomoana o kēia lā, e pili ana i ke ʻano o ka pāʻani, ua hoʻoponopono pono i kēia pilikia.
A ʻo kekahi hiʻohiʻona hou o kāna helehelena hoʻokani - koa. ʻAʻole he aka o ka hopohopo, ʻaʻole he mea maʻamau i waena o ka poʻe e hele ana i ka ramp! ʻO ka wiwo ʻole - i ke ʻano o ka wiwo ʻole, e hoʻokūkū i ka "aʻaʻa", e like me ka ʻōlelo a kekahi o nā mea hoʻohewa. (ʻAʻole anei ia e hōʻike ana i ke poʻo o ka loiloi o kāna hana, waiho ʻia i loko o kekahi o nā nūpepa Austrian: "Tiger o nā kī i ke kahua.") Krainev makemake e lawe i nā pilikia, ʻaʻole makaʻu iā ia i ka paʻakikī loa a me ka kūlana hana kuleana. Pela oia i kona wa opiopio, pela no ia i keia manawa; no laila ka nui o kona kaulana i ka lehulehu. ʻO ka poʻe piano o kēia ʻano makemake maʻamau i kahi hopena pop alohilohi. ʻAʻole ʻokoʻa ʻo Krainev, hiki i kekahi ke hoʻomanaʻo, no ka laʻana, kāna mau wehewehe ʻana i ka "Wanderer" a Schubert, ʻo Ravel's "Night Gaspard", Liszt's First Piano Concerto, Debussy's "Fireworks"; ʻO kēia mau mea a pau e hoʻohauʻoli nui ai. ʻO kahi manawa noʻonoʻo hoihoi: e nānā pono ana, he mea maʻalahi ke ʻike i ka mea e hoʻohauʻoli ai iā ia, "ʻona" i ke kaʻina hana o ka hana mele ʻaha mele: ʻo ke ʻano he mea nui iā ia; ke anaina e hooikaika ana iaia; ʻO ke kumu o ke akamai kaʻa piano, kahi āna e "ʻauʻau ai" me ka leʻaleʻa maopopo ... No laila ke kumu o ka hoʻoikaika kūikawā - hoʻokani piano.
ʻIke ʻo ia i ka pāʻani, ʻaʻole wale me ka virtuoso "chic" akā nani pū kekahi. Ma waena o kāna mau helu pūlima, ma ka ʻaoʻao o ka virtuoso bravura, he mau mele mele piano e like me Schumann's Arabesques, Chopin's Second Concerto, Schubert-Liszt's Evening Serenade, kekahi mau intermezzos mai Brahms' hope opuses, Andante mai Scriabin's Second Sonata, Tchaikovsky's Dum… , hiki iā ia ke hoʻohihi maʻalahi me ka ʻoluʻolu o kona leo noʻeau: ua ʻike pono ʻo ia i nā mea huna o nā leo piano velvety a iridescent, nā ʻōniʻoniʻo opua nani ma ka piano; i kekahi manawa, hāwanawana ʻo ia i ka mea hoʻolohe me ka hāwanawana mele mālie. ʻAʻole ia he coincidence ka poʻe hoʻohewa e hoʻomaikaʻi ʻaʻole wale i kāna "lima lima", akā i ka nani o nā ʻano kani. ʻO ka nui o nā hana hoʻokani piano a ka mea hoʻokani pila me he mea lā ua uhi ʻia me kahi "lacquer" pipiʻi - mahalo ʻoe iā lākou me ka manaʻo like āu e nānā ai i nā huahana a nā mea hana kaulana Palekh.
I kekahi manawa, akā naʻe, i kona makemake e kala i ka pāʻani me nā ʻulaʻula o ke kala kani, hele ʻo Krainev i kahi ʻoi aku ma mua o kona pono ... Ma ia mau hihia, hiki mai ka ʻōlelo ʻōlelo Farani: he nani loa kēia no ka ʻoiaʻiʻo ...
Inā ʻoe e kamaʻilio e pili ana ka poe nui loa ʻO ka lanakila o Krainev ma keʻano he unuhi'ōlelo, aia paha ma kahi mua o lākou ka mele a Prokofiev. No laila, i ka Sonata ʻEwalu a me ka Concerto ʻEkolu, ua aie ʻo ia i kāna mekala gula ma ka hoʻokūkū Tchaikovsky; me ka lanakila nui ua hoʻokani ʻo ia i ka Sonata ʻElua, ʻeono a me ʻEhiku no kekahi mau makahiki. I kēia mau lā, ua hana nui ʻo Krainev i ka hoʻopaʻa ʻana i nā ʻelima ʻelima o nā concerto piano a Prokofiev ma nā moʻolelo.
Ma ke kumu, ua kokoke ke ʻano o Prokofiev iā ia. Kokoke i ka ikehu o ka uhane, consonant me kona ike honua. Ma ke ʻano he pianist, makemake pū ʻo ia i ke kākau piano a Prokofiev, ʻo ia ka "steel lope" o kāna mele. Ma keʻano laulā, makemakeʻo ia i nā hana ma kahi e hiki ai iāʻoe, e like me kā lākou e'ōlelo nei, "hoʻoluliluli" i ka mea hoʻolohe. ʻAʻole ʻo ia e hoʻoluhi i ka lehulehu; mahalo i kēia ʻano o nā haku mele, nā hana āna i hoʻokomo ai i kāna mau papahana.
Akā ʻo ka mea nui loa, ʻo ka mele a Prokofiev e hōʻike piha ana i nā hiʻohiʻona o ka noʻonoʻo noʻonoʻo o Krainev, kahi mea pena kiʻi e hōʻike pono ana i kēia lā i nā hana hana. (Hoʻokokoke kēia iā ia ma kekahi mau mea iā Nasedkin, Petrov, a me kekahi poʻe ʻahamele ʻē aʻe.) ʻO ka ikaika o Krainev ma ke ʻano he mea hoʻokani, ʻo kona manaʻo, hiki ke ʻike ʻia ma ke ʻano o ka hōʻike ʻana i nā mea mele. imprint maopopo o ka manawa. ʻAʻole ia he mea kūpono, ma ke ʻano he unuhi ʻōlelo, ʻoi aku ka maʻalahi iā ia e hōʻike iā ia iho i ke mele o ke kenekulia XNUMX. ʻAʻohe pono e "hoʻololi hou" iā ʻoe iho, e hoʻoponopono hou iā ia iho (i loko, psychologically…), e like me ka mea e hana ai i kekahi manawa i ka poetics o nā haku haku mele.
Ma waho aʻe o Prokofiev, hoʻokani pinepine a lanakila ʻo Krainev iā Shostakovich (nā piano concerto, Second Sonata, preludes a me fugues), Shchedrin (First Concerto, preludes and fugues), Schnittke (Improvisation and Fugue, Concerto for Piano and String Orchestra - ma ke ala. , iā ia, Krainev, a hoʻolaʻa ʻia), Khachaturian (Rhapsody Concerto), Khrennikov (Third Concerto), Eshpay (Second Concerto). Ma kāna mau papahana hiki ke ʻike iā Hindemith (Theme a me ʻehā mau ʻano like ʻole no ka piano a me ka orkestra), ʻo Bartók (Second Concerto, nā ʻāpana no ka piano) a me nā mea hana kiʻi ʻē aʻe he nui o ko mākou kenekulia.
ʻO ka hoʻohewa, Soviet a me nā haole, ma ke ʻano he kānāwai, he mea maikaʻi iā Krainev. ʻAʻole ʻike ʻia kāna mau ʻōlelo koʻikoʻi; ʻAʻole mālama ka poʻe loiloi i nā huaʻōlelo leo nui, e kuhikuhi ana i kāna mau hoʻokō, e haʻi ana i kāna mau pono ma ke ʻano he mea hoʻokani mele. I ka manawa like, hana ʻia nā koi i kekahi manawa. Me ka poʻe i aloha ʻole i ka piano. ʻO ka hapa nui, hoʻohewa ʻia ʻo ia no ka wikiwiki loa, i kekahi manawa me ka feverishly inflated pace. Hiki iā mākou ke hoʻomanaʻo, no ka laʻana, ʻo Chopin's C-sharp minor (Op. 10) etude i hana ʻia e ia, ka B-minor scherzo e ka mea kākau hoʻokahi, ka hope o Brahms 'sonata ma F-minor, Ravel's Scarbo, nā helu pākahi mai Mussorgsky's. Nā kiʻi ma kahi Hōʻikeʻike . Ke pāʻani nei i kēia mele i nā ʻaha mele, i kekahi manawa kokoke "ma kahi liʻiliʻi", holo wikiwiki ʻo Krainev i nā kikoʻī pilikino, nā kikoʻī kikoʻī. ʻIke ʻo ia i kēia mau mea a pau, hoʻomaopopo, akā naʻe ... "Inā wau e "hoʻokele", e like me kā lākou e ʻōlelo nei, a laila, manaʻoʻiʻo mai iaʻu, me ka ʻole o ka manaʻo ʻole," e haʻi ana ʻo ia i kona mau manaʻo no kēia mea. "Me he mea lā, manaʻo wau i ke mele i loko, noʻonoʻo wau i ke kiʻi."
ʻOiaʻiʻo, ʻaʻole i manaʻo ʻia nā "exaggerations o ka wikiwiki" a Krainev. He hewa paha ka ʻike ʻana ma ʻaneʻi i ka bravado nele, virtuosity, pop panache. ʻIke loa, i ka neʻe ʻana o ka mele a Krainev, e pili ana nā ʻano o kona ʻano, ka "reactivity" o kāna ʻano kiʻi. Ma kona wikiwiki, ma ke ano, kona ano.
Hoʻokahi mea hou. I kekahi manawa, loaʻa iā ia ka hauʻoli i ka wā o ka pāʻani. Ma kahi e hāʻule ai i ka hauʻoli i ke komo ʻana i ke kahua; mai ka ʻaoʻao, mai ke keʻena, ua maʻalahi ke ʻike. ʻO ia ke kumu ʻaʻole ʻoluʻolu nā mea hoʻolohe a pau, ʻoi aku ka mea koi, i kāna hoʻouna ʻana e nā manaʻo noʻonoʻo noʻonoʻo a hohonu i ka ʻuhane; ka wehewehe ana a ka mea piano o ka E-flat major Op. 81st Beethoven Sonata, Bach Concerto ma F Minor. ʻAʻole ʻo ia i hōʻoiaʻiʻo piha i kekahi mau canvases pōʻino. I kekahi manawa hiki ke lohe ʻia ma ia mau hana ʻoi aku ka maikaʻi o kona hoʻokō ʻana i ka mea kani ma mua o ke mele āna e hoʻokani ai. unuhi...
Eia naʻe, ua hoʻoikaika lōʻihi ʻo Krainev e lanakila iā ia iho i kēlā mau mokuʻāina o ka hoʻokiʻekiʻe ʻana i ke kahua, ka hauʻoli, i ka wā e ʻike maopopo ʻia ai ke ʻano a me nā manaʻo. ʻAʻole e lanakila mau ʻo ia i kēia, akā ʻo ka hoʻoikaika ʻana ua nui. ʻO nā mea a pau o ke ola e hoʻoholo hope loa ʻia e ka "reflex of the goal," i kekahi manawa i kākau ai ʻo PI Pavlov (Pavlov IP He iwakālua mau makahiki o ka hoʻopaʻa ʻana i ka ʻoihana hopohopo kiʻekiʻe (ʻano) o nā holoholona. - L., 1932. P. 270 // Kogan G. At the gates of mastery, ed. 4. – M., 1977. P. 25.). I ke ola o kahi mea pena, ʻoi aku. Ke hoʻomanaʻo nei au i nā makahiki he kanawalu, ua pāʻani ʻo Krainev me Dm. ʻO ʻEkolu Concerto a Kitayenko Beethoven. He hana kupaianaha ia ma nā ʻano he nui: ʻike ʻole i waho, "muted", kaohi ʻana i ka neʻe. Ua ʻoi aku ka ʻoi aku o ke kaohi ʻana ma mua o ka maʻamau. ʻAʻole maʻamau no ka mea pena kiʻi, ua hōʻike ʻole ʻo ia iā ia mai kahi ʻaoʻao hou a hoihoi ... ʻO ia ka mea i hoʻohālikelike ʻia i ka haʻahaʻa o ke ʻano pāʻani, dullness o nā kala, ka hōʻole ʻana i nā mea āpau ma waho i hōʻike ʻia iā ia iho i nā ʻaha mele a Krainev me E. Nesterenko, ʻoiaʻiʻo. pinepine i nā makahiki kanawalu (nā papahana mai nā hana a Mussorgsky, Rachmaninov a me nā mea haku mele ʻē aʻe). A ʻaʻole wale ka mea hoʻokani piano ma ʻaneʻi i ka hui. He mea pono ke hoʻomaopopo ʻana i ka launa pū ʻana me Nesterenko - he mea hana kiʻi i kaulike mau, ʻoluʻolu, ʻoi aku ka maikaʻi o ka mālama ʻana iā ia iho - hāʻawi nui iā Krainev. Ua ʻōlelo ʻo ia e pili ana i kēia ma mua o hoʻokahi, a me kāna pāʻani ponoʻī - pū kekahi ...
ʻO Krainev i kēia lā kekahi o nā wahi koʻikoʻi o ka pianism Soviet. ʻAʻole e pau kāna mau papahana hou i ka huki ʻana i ka manaʻo o ka lehulehu; hiki ke lohe pinepine ʻia ka mea pena ma ka lekiō, ʻike ʻia ma ka pale TV; mai kapekepeke i na hoike e pili ana iaia a me ka nupepa nupepa. ʻAʻole i lōʻihi ma mua, i Mei 1988, ua hoʻopau ʻo ia i kāna hana ma ka pōʻai "All Mozart Piano Concertos". Ua ʻoi aku ma mua o ʻelua makahiki a ua hoʻokani pū ʻia me ka Chamber Orchestra o ka Lithuanian SSR ma lalo o ke alakaʻi ʻana a S. Sondeckis. Ua lilo nā papahana a Mozart i wahi koʻikoʻi ma ka moʻolelo biography o Krainev, me ka loaʻa ʻana o nā hana he nui, nā manaʻolana, nā ʻano pilikia āpau a - ʻo ka mea nui loa! - ka hauʻoli a me ka hopohopo. 'A'ole wale no ka ho'opa'a 'ana i ka hana nui o 27 concerto no ka piano a me ka orkestra 'a'ole ia he hana ma'alahi (ma ko mākou'āina, 'o E. Virsaladze wale nō ka mea mua o Krainev ma kēia'ano, ma ke Komohana - D. Barenboim a, paha, ʻoi aku ka nui o nā mea piano). "I kēia lā, ʻike maopopo loa wau ʻaʻohe oʻu kuleana e hōʻino i ka poʻe e hele mai ana i kaʻu mau hana, e manaʻo ana i kahi mea hou, hoihoi, ʻike ʻole ʻia e lākou mai kā mākou mau hālāwai. ʻAʻohe oʻu kuleana e hoʻonāukiuki i ka poʻe i ʻike iaʻu no ka manawa lōʻihi a maikaʻi, a no laila e ʻike i kaʻu hana i ka kūleʻa a me ka kūleʻa ʻole, nā hoʻokō a me ka nele. Ma kahi o 15-20 mau makahiki i hala aku nei, ʻo ka ʻoiaʻiʻo, ʻaʻole wau i hoʻopilikia nui iaʻu iho me ia mau nīnau; I kēia manawa, noʻonoʻo pinepine wau iā lākou. Ke hoʻomanaʻo nei au i kekahi manawa aʻu i ʻike ai i kaʻu mau leka ma kahi kokoke i ka Hale Nui o ka Conservatory, a ʻaʻohe mea i ʻike i ka hauʻoli hauʻoli. I kēia lā, i koʻu ʻike ʻana i nā pepa like ʻole, ʻike wau i nā manaʻo i ʻoi aku ka paʻakikī, hoʻopilikia, kūʻē ... "
ʻO ka mea nui loa, hoʻomau ʻo Krainev, ʻo ia ke kaumaha o ke kuleana o ka mea hana ma Moscow. ʻOiaʻiʻo, ʻo kēlā me kēia mea hoʻokani mele huakaʻi mai ka USSR e moeʻuhane i ka kūleʻa i loko o nā keʻena ʻaha mele o ʻEulopa a me ʻAmelika - akā ʻo Moscow (ʻo ia paha kekahi mau kūlanakauhale nui ʻē aʻe o ka ʻāina) ʻo ia ka mea nui a "paʻakikī" nona. "Ke hoʻomanaʻo nei au i ka makahiki 1987 ua pāʻani au ma Vienna, i loko o ke keʻena Musik-Verein, 7 mau ʻaha mele i nā lā 8 - 2 solo a me 5 me kahi orkestra," wahi a Vladimir Vsevolodovich. "Ma ka home paha, ʻaʻole wau i ʻaʻa e hana i kēia ... »
Ma keʻano laulā, manaʻoʻiʻo ʻo ia ka manawa e hōʻemi ai i ka nui o nā hiʻohiʻona lehulehu. "Inā ʻoi aku ʻoe ma mua o 25 mau makahiki o ka hana hoʻomau ma hope ou, ʻaʻole maʻalahi ka hoʻihoʻi ʻana mai nā ʻahamele e like me ka wā ma mua. I ka hala ʻana o nā makahiki, ʻike ʻoe a ʻoi aku ka maopopo. ʻO kaʻu manaʻo i kēia manawa ʻaʻole i nā ikaika kino (e hoʻomaikaʻi i ke Akua, ʻaʻole lākou i hāʻule i kēia manawa), akā ʻo ka mea maʻamau i kapa ʻia ʻo nā mana ʻuhane - nā manaʻo, ka ikaika hopohopo, a me nā mea ʻē aʻe. A ʻae, ʻoi aku ka nui o ka manawa. Hiki iā ʻoe, ʻoiaʻiʻo, "haʻalele" ma muli o ka ʻike, ka ʻenehana, ka ʻike o kāu ʻoihana, nā maʻamau i ke kahua a me nā mea like. ʻOi loa inā pāʻani ʻoe i nā hana āu i aʻo ai, ka mea i kapa ʻia i luna a i lalo, ʻo ia hoʻi, nā hana i hana ʻia i nā manawa he nui ma mua. Akā ʻoiaʻiʻo, ʻaʻole hoihoi. ʻAʻole loaʻa iā ʻoe kahi leʻaleʻa. A ma ke ʻano o koʻu ʻano, ʻaʻole hiki iaʻu ke piʻi i ke kahua inā ʻaʻole wau hoihoi, inā i loko oʻu, ma ke ʻano he mea hoʻokani pila, aia ka hakahaka… "
Aia kekahi kumu i emi pinepine ai ka hana a Krainev i nā makahiki i hala iho nei. Hoʻomaka ʻo ia e aʻo. ʻOiaʻiʻo, ua aʻo ʻo ia i nā pianists ʻōpio i kēlā me kēia manawa; Ua makemakeʻo Vladimir Vsevolodovich i kēia haʻawina, ua manaʻoʻo ia he mea kāna e'ōlelo ai i kāna mau haumāna. I kēia manawa ua hoʻoholo ʻo ia e "hōʻoia" i kāna pilina me ka pedagogy a hoʻi (ma 1987) i ka conservatory like āna i puka ai i nā makahiki he nui aku nei.
… ʻO Krainev kekahi o kēlā poʻe e neʻe mau ana i ka ʻimi. Me kāna kālena piano nui, kāna hana a me kāna neʻe ʻana, e hāʻawi paha ʻo ia i kāna poʻe pā me nā mea kupanaha noʻonoʻo, nā wili hoihoi i kāna kiʻi, a me nā haʻalulu hauʻoli.
G. Tsypin, 1990
