Edison Vasilyevich Denisov |

Edison Denisov

ʻO ka nani palaho o nā hana nui e ola ana i kona manawa ponoʻī, e lilo i mea ʻoiaʻiʻo kiʻekiʻe loa. E. Denisov

Hōʻike ʻia nā mele Lūkini o ko mākou mau lā e kekahi mau kiʻi nui. Ma waena o ka mua o lākou ʻo Muscovite E. Denisov. Ma hope o ke aʻo ʻana i ka pāʻani piano (Tomsk Music College, 1950) a me ka hoʻonaʻauao kulanui (Physics and Mathematics Faculty of Tomsk University, 1951), ua komo ka mea haku mele he iwakāluakūmālua makahiki i ka Moscow Conservatory iā V. Shebalin. ʻO nā makahiki o ka ʻimi ʻana ma hope o ka puka ʻana mai ka conservatory (1956) a me ke kula puka (1959) i hōʻailona ʻia e ka mana o D. Shostakovich, nāna i kākoʻo i ke kālena o ka haku mele ʻōpio a me ia i lilo ai ʻo Denisov i mau hoaaloha i kēlā manawa. I ka ʻike ʻana ua aʻo ka conservatory iā ia i ke kākau ʻana, ʻaʻole i ke kākau ʻana, ua hoʻomaka ka haku mele ʻōpio e haku i nā ʻano hana haku mele hou a ʻimi i kona ala ponoʻī. Ua aʻo ʻo Denisov iā I. Stravinsky, B. Bartok (ka Second String Quartet - 1961 i hoʻolaʻa ʻia i kāna hoʻomanaʻo), P. Hindemith ("a hoʻopau iā ia"), C. Debussy, A. Schoenberg, A. Webern.

ʻO ke ʻano ponoʻī o Denisov e hele mālie i nā haku o nā makahiki 60. ʻO ka wehe mua ʻana o ke ʻano hou ʻo "The Sun of the Incas" no ka soprano a me 11 mau mea kani (1964, kikokikona na G. Mistral): ʻo ka poetry o ke ʻano, me nā leo o nā kiʻi animist kahiko loa, ʻike ʻia ma kahi ʻaʻahu o nā kala mele kani kani. Aia kekahi ʻaoʻao o ke ʻano i ʻEkolu ʻāpana no cello a me ka piano (1967): ma nā ʻaoʻao ʻoi loa he mele o ka hohonu lyrical concentration, he cantilena cello tense me nā leo maikaʻi loa o ka piano ma kahi papa inoa kiʻekiʻe, ʻokoʻa me ka ʻoi aku ka ikaika o ka puʻupuʻu o nā "points, pricks, slaps" asymmetrical, ʻo ia hoʻi nā "pana" o kahi pāʻani maʻamau. Hoʻopili pū ka Second Piano Trio (1971) ma ʻaneʻi - mele o ka puʻuwai, maʻalahi, mele, manaʻo nui.

ʻO keʻano o Denisov he mea nui. Akā, hōʻole ʻo ia i ka nui o nā mele o kēia manawa, nā mele hou - hoʻohālike i ke ʻano o kekahi, neo-primitivism, aestheticization o banality, conformist omnivorousness. Wahi a ka mea haku mele: "ʻO ka nani kekahi o nā manaʻo koʻikoʻi o ke kiʻi." I ko mākou manawa, nui ka poʻe haku mele i makemake maoli e ʻimi i ka nani hou. I loko o 5 mau ʻāpana no ka ʻohe, ʻelua mau piano a me ka percussion, Silhouettes (1969), puka mai nā kiʻi o nā kiʻi wahine kaulana mai ka motley fabric o ke kani - Donna Anna (mai WA ​​Mozart's Don Juan), Glinka's Lyudmila, Lisa (mai The Queen of Spades) P. Tchaikovsky), Lorelei (mai kahi mele na F. Liszt), Maria (mai A. Berg's Wozzeck). ʻO nā mele manu no ka piano a me ka lipine i hoʻomākaukau ʻia (1969) lawe mai i ka ʻala o ka nahele Lūkini, nā leo manu, nā leo a me nā leo ʻē aʻe o ke ʻano i loko o ka hale ʻaha mele, ke kumu o ke ola maʻemaʻe a manuahi. "Ua ʻae wau me Debussy ʻo ka ʻike ʻana i ka puka ʻana o ka lā hiki ke hāʻawi i ka mea haku mele ma mua o ka hoʻolohe ʻana i ka Beethoven's Pastoral Symphony." Ma ka pāʻani "DSCH" (1969), i kākau ʻia no ka hoʻohanohano ʻana iā Shostakovich (ʻo kāna poʻo mua ke poʻo), hoʻohana ʻia kahi kumuhana leka (Josquin Despres, JS Bach, Shostakovich iā ia iho i haku mele ma ia mau kumuhana). Ma nā hana ʻē aʻe, hoʻohana nui ʻo Denisov i ka chromatic intonation EDS, e kani ʻelua i kona inoa a me kona inoa: EDiSon DEniSov. Ua hoʻoikaika nui ʻia ʻo Denisov e ka launa pū ʻana me nā moʻolelo Lūkini. E pili ana i ka pōʻaiapuni "Lamentations" no ka soprano, percussion a me ka piano (1966), ʻōlelo ka mea haku mele: "ʻAʻohe mele mele hoʻokahi ma ʻaneʻi, akā ua pili ka laina leo holoʻokoʻa (ma ka laulā, a me nā mea kani) ma ke ala pololei loa me ʻO ka moʻolelo Lūkini me ka ʻole o nā manawa o ka stylization a me ka ʻole o nā huaʻōlelo.

ʻO ka hui pū ʻana o ka nani nani o nā leo i hoʻomaʻemaʻe ʻia a me nā kikokikona absurdt ka leo nui o ka ʻumi-neʻe pōʻai "Blue Notebook" (ma nā laina o A. Vvedensky a me D. Kharms, 1984) no ka soprano, heluhelu, violin, cello. , ʻelua piano a ʻekolu pūʻulu bele. Ma o ka alogism grotesque a me ka biting ("ʻo ke Akua i loko o ka hale paʻahao ma laila me ka maka ʻole, ʻaʻohe lima, ʻaʻohe wāwae ..." - ʻAʻole. lira” – No. 3).

Mai ka makahiki 70 mai. ke hoʻonui nei ʻo Denisov i nā ʻano nui. ʻO kēia nā mea kani concerto (St. 10), he Requiem kupaianaha (1980), akā he mele noʻonoʻo kiʻekiʻe e pili ana i ke ola kanaka. ʻO nā hoʻokō maikaʻi loa ʻo ia ka Violin Concerto (1977), ka mele mele ʻo Cello Concerto (1972), ka Concerto piccolo mua loa (1977) no kahi saxophonist (e pāʻani ana i nā saxophones ʻē aʻe) a me kahi orchestra percussion nui (6 hui), ka ballet "Confession. ” na A. Musset (post . 1984), ka opera “Foam of Days” (ma muli o ka puke moʻolelo na B. Vian, 1981), i hana me ka lanakila nui ma Paris i Malaki 1986, “Four Girls” (e pili ana i ka P. Picasso, 1987). ʻO ka hōʻuluʻulu ʻana o ke ʻano oʻo ka Symphony for large orchestra (1987). Hiki i nā ʻōlelo a ka mea haku mele ke lilo i epigraph iā ia: "Ma kaʻu mele, ʻo ka mele ka mea nui." Loaʻa ka laulā o ka hanu symphonic e nā ʻano mele like ʻole - mai nā hanu haʻahaʻa loa a hiki i nā nalu ikaika o nā puʻuwai hōʻike. Ma ka pili ʻana i ka 1000th anniversary o ka bapetizo ʻana o Rusia, ua hana ʻo Denisov i kahi hana nui no ka papa mele a cappella "Quiet Light" (1988).

ʻO ka hana kiʻi a Denisov e pili ana i ka laina "Petrine" o ka moʻomeheu Lūkini, ka moʻomeheu o A. Pushkin, I. Turgenev, L. Tolstoy. Ke hoʻoikaika nei no ka nani kiʻekiʻe, kū'ē ia i nā ʻano o ka hoʻomaʻamaʻa pinepine ʻana i ko mākou manawa, ka maʻalahi maʻalahi loa o ka noʻonoʻo pop.

Y. Kholopov