Mario Rossi |
Mario rossi
"I ka wā e ho'āʻo ai kekahi e noʻonoʻo i kahi alakaʻi Italia maʻamau, lawe ʻia kekahi i ka brio maʻamau a me ka naʻau, sanguine tempos a me ka nani o ka superficiality, "theater at the console", ke ʻano o ke ʻano a me ka haki ʻana o ka pahu o ke alakaʻi. ʻO Mario Rossi ke kū'ē pololei o kēia nānā. ʻAʻohe mea hoʻohauʻoli, hoʻomaha, ʻoluʻolu, a ʻaʻole hoʻi i hoʻohanohano ʻia i loko o ia mea," i kākau ai ka mea loea mele Austrian A. Viteshnik. A ʻoiaʻiʻo, ma kāna ʻano - ʻoihana like ʻole, me ka ʻole o ka hōʻike a me ka hoʻokiʻekiʻe ʻana, a ma ke ʻano o ka unuhi ʻana i nā ideals, a ma ke ʻano o ka repertoire, ʻoi aku ka nui o Rossi e hoʻokokoke i nā alakaʻi o ke kula Kelemania. ʻO ke ʻano pololei, ka nānā pono ʻana i ka kikokikona a ka mea kākau, ka pololei a me ka monumentality o nā manaʻo - ʻo ia kāna mau hiʻohiʻona. Ua haku ʻo Rossi i nā ʻano mele like ʻole: ʻo ka laulā epic o Brahms, ka hauʻoli o Schumann, a me nā ala nani o Beethoven kokoke iā ia. ʻO ka mea hope loa, haʻalele hoʻi i ka moʻomeheu Italia, ʻo ia ka mea mua o ka symphonic, ʻaʻole ia he conductor operatic.
A he Italia maoli nō ʻo Rossi. Hōʻike ʻia kēia i kāna penchant no ka hanu mele (bel canto style) o ka ʻōlelo orchestral, a me ka lokomaikaʻi maikaʻi āna i hāʻawi ai i nā symphonic miniatures i ke anaina, a ʻoiaʻiʻo hoʻi, i loko o kāna repertoire, kahi o ka mea kahiko - ma mua o ke kenekulia XNUMX - noho i kahi wahi koʻikoʻi. kenekulia - a me nā mele Italia hou. I ka hana a ka mea alakaʻi, he nui nā haku mele a Gabrieli, Vivaldi, Cherubini, poina ʻia e Rossini i loaʻa ke ola hou, nā haku mele a Petrassi, Kedini, Malipiero, Pizzetti, Casella i hana ʻia. Eia naʻe, ʻaʻole malihini ʻo Rossi i ka mele operatic o ke kenekulia XNUMX: nui nā lanakila i lawe ʻia iā ia e ka hana ʻana o nā hana a Verdi, a ʻo ia hoʻi ʻo Falstaff. Ma ke ʻano he alakaʻi opera, ʻo ia, e like me ka poʻe hoʻohewa, "hoʻohui ʻo ia i ke ʻano hema me ka noʻonoʻo a me ka hoʻomaʻamaʻa ʻākau, ka ikaika a me ka pololei, ke ahi a me ke ʻano o ka hoʻonohonoho ʻana, kahi hoʻomaka nui a me ka maopopo o ka hoʻomaopopo ʻana i ka architectonics o ka hana."
ʻO ke ala ola o Rossi he maʻalahi a nele i ka sensationalism e like me kāna kiʻi. Ua ulu ʻo ia a loaʻa ka kaulana ma kona kūlanakauhale home ʻo Roma. Ma ʻaneʻi ua puka ʻo Rossi mai ke Kulanui ʻo Santa Cecilia ma ke ʻano he haku mele (me O. Respighi) a he alakaʻi (me D. Settacholi). I ka makahiki 1924, ua laki ʻo ia no ka lilo ʻana i hope o B. Molinari ma ke ʻano he alakaʻi o ka ʻaha mele ʻo Augusteo ma Roma, kahi āna i mālama ai no aneane ʻumi makahiki. A laila ʻo Rossi ka alakaʻi alakaʻi o ka Florence Orchestra (mai 1935) a alakaʻi i nā ʻahaʻaina Florentine. ʻOiai ua hana ʻo ia ma Italia a puni.
Ma hope o ke kaua, ma ke kono a Toscanini, ua hoʻokō ʻo Rossi no kekahi manawa i ke alakaʻi noʻeau o ka hale kiʻiʻoniʻoni ʻo La Scala, a laila lilo ʻo ia i alakaʻi alakaʻi nui o ka Italian Radio Orchestra ma Turin, e alakaʻi pū ana i ka Radio Orchestra ma Roma. I loko o nā makahiki, ua hōʻoia ʻo Rossi iā ia iho he kumu maikaʻi loa, nāna i kōkua nui i ka hoʻokiʻekiʻe ʻana i ka pae kiʻekiʻe o ka Turin Orchestra, kahi āna i huakaʻi ai i ʻEulopa. Ua hana pū ʻo Rossi me nā hui maikaʻi loa o nā kikowaena moʻomeheu nui, i komo i nā ʻaha mele ma Vienna, Salzburg, Prague a me nā kūlanakauhale ʻē aʻe.
L. Grigoriev, J. Platek, 1969
