waena |

Farani mediante, mai Late Lat. waena, ʻano. case mediantis - aia ma ka waena, ka hoʻopāpā

1) ʻO ke koho ʻana i nā chord i hoʻokahi hapakolu i luna a i lalo mai ka tonic, ʻo ia hoʻi nā degere III a me VI o ke ʻano; ma kahi ʻano haiki, M. (a i ʻole M. luna) – inoa. chord o ka III degere (ka VI degere ma keia hihia ua kapaia ka submediant, a haʻahaʻa M.). Hoʻohālikelike ʻia nā leo e pili ana i kēia ala - nā degere III a me VI o ke ʻano. harmonic ka hana o M. chords i hoʻoholo mua ʻia e ko lākou kūlana waena ma waena o ka mea nui. chords: III – ma waena o I a me V, VI – ma waena o I a me IV. No laila ka pālua o ka hana a M. chords: III he mana nāwaliwali i hōʻike ʻia, VI he subdominant nāwaliwali, ʻoiai ʻo III a me VI hiki ke hana i kekahi mau hana tonic. No laila hoʻi ka manaʻo hōʻike o M. chords - ka palupalu, ka uhi o ko lākou ʻokoʻa i ka tonic, ke neʻe nei ka palupalu o ka tertian ke hoʻohui ʻia me ka tonic, subdominant, a dominant. Ma nā pilina ʻē aʻe (no ka laʻana, VI-III, III-VI, VI-II, II-III, VI-III, a me nā mea ʻē aʻe), ʻo M. harmonies e hoʻolilo i ka hilinaʻi o nā chords ma ka tonic o ke ʻano i ʻike ʻole ʻia, e hōʻike ana i kā lākou local (variables) ) hana, e kokua ana i ka hookumu ana o tonal variability (no ka laʻana, ma Prince Yuri's arioso "Oh nani, waiwai waiwai ole" mai ka opera "The Legend of the Invisible City of Kitezh and the Maiden Fevronia").

I ka ʻanuʻu harmonic. theory (G. Weber, 1817-21; PI Tchaikovsky, 1872; NA Rimsky-Korsakov, 1884-85) M. chords are among the seven diatonic. ʻO nā ʻanuʻu, ʻoiai ʻo nā ʻaoʻao ua kaʻawale a ʻoi aku paha lākou mai nā mea nui (I a me V). Ma ke kumumanaʻo hana (X. Riemann), ua unuhi ʻia ʻo M. ma ke ʻano he hoʻololi ʻana o nā "ʻekolu mau harmonies koʻikoʻi" - T, D a me S: e like me ko lākou mau ʻano like (e laʻa, ma C-dur egh - Dp) a i ʻole nā ​​consonances o ka hoʻololi hoʻomaka (egh i ka C-dur hiki ke:

), ma muli o ka hapa maoli o kēia mau chord i loko o ka pōʻaiapili. Wahi a G. Schenker, pili ka manaʻo o M. chords (a me nā mea ʻē aʻe) i ke kuhikuhi kikoʻī o ka neʻe ʻana, ma nā laina o nā leo ma waena o ka leo mua a me ka leo i kuhikuhi ʻia. Ua hoʻomaopopo ʻo GL Catoire iā M. ma muli o ka neʻe ʻana o ka prim a me ka hapalima i nā triads nui (no ka laʻana, ma C - dur

)

Ma ka manaʻo o nā mea kākau o ka "Practical Course of Harmony" (IV Sposobina, II Dubovsky, SV Evseev, VV Sokolov, 1934-1935), ua hāʻawi ʻia kahi waiwai hana i hui ʻia i M chords (i C-dur egh - DTIII, a – c – e – TS VI)

(I ka manawa like, loaʻa hou i ka wehewehe ʻana i ka paona nui, a hoʻi ka manaʻo holoʻokoʻa ʻaʻole iā Riemann wale nō, akā, ʻaʻole liʻiliʻi loa, iā Rimsky-Korsakov). Ma ke kumumanaʻo o nā mea hoʻololi, nā hana a Yu. ʻO N. Tyulin, hiki i ke kolu o ka hana nui ke hana i nā hana T a me D, a me VI - T, S a me D; i ka liʻiliʻi III - T, S a me D, a me VI - T a me S. (Nā laʻana o nā wehewehe like ʻole o ke kaʻina harmonic like):

2) Ma ke ʻano o nā mele Gregorian, M. (mediante; nā inoa ʻē aʻe - metrum) - ka hopena waena (e like me BV Asafiev - "caesura half-cadence"), e hoʻokaʻawale ana i ka mea holoʻokoʻa i ʻelua ʻāpana kaulike kaulike:

E hoʻomaopopo ': 1) Tchaikovsky PI, Ke alakai i ka hoao ana i ka lokahi, M., 1872, like, Poln. coll. cit., vol. III a, M., 1957, Rimsky-Korsakov HA, Buke a'o o ka lokahi, St. Petersburg, 1886, pa'i hou ia. i piha. coll. soch., vol. IV, M., 1960; ʻO Catuar GL, ʻO ke kumuhana o ka lokahi, ʻāpana 1, M., 1924; ʻO ka papa hana o ka lokahi, ʻāpana 1, M., 1934 (ed. Sposobin I., Dubovsky I., Evseev S., Sokolov V.; Berkov V., Harmony, māhele 1-3, M., 1962-66, M. ., 1970; Tyulin Yu., Privavo N., Theoretical Foundations of Harmony, M., 1965, Weber G., Versuch einer geordneten Theorie der Tonsetzkunst, Bd 1-3, Mainz, 1818-21; Riemann H., Vereinfachte Harmoniele Schenker H., Neue musikalische Theorien und Phantasien, Bd 1893-1896, Stuttg.-BW, 1901-1, 3.

2) Gruber RI, Moʻolelo o ka moʻomeheu mele, vol. 1, māhele 1, M.-L., 1941, p. 394

ʻO Yu. N. Kholopov