ʻO ke mele mele |
mai ka lat. dicto - dictate, repeat
Hoʻopaʻa i nā mele ma ka pepeiao, a me nā hana mele liʻiliʻi ʻelua, ʻekolu a me ʻehā; kekahi o nā ala no ka hoʻomohala ʻana i ka pepeiao mele ma nā papa solfeggio. ʻO ka maʻamau D. m. hana ʻia ma ka piano, monophonic D. m. mele ʻia i kekahi manawa e ke kumu a hoʻokani ʻia ma nā mea kani. Ma ka waiwai o D. m. no ka hooulu ana i ke mele. ka lohe ʻana i kekahi o ka XG Negeli i hōʻike mua ʻia; i ka manawa aʻe, ka hoʻomohala ʻana o ke ʻano o D. m. Ua hoʻolohe ʻo ia iā X. Riemann a me nā muse haole kaulana ʻē aʻe. nā mea hoʻomanaʻo a me nā mea hoʻonaʻauao. Ma Rusia, D. m. komo i ke kula. hoʻomaʻamaʻa i nā makahiki 60. 19th century No kāna kuleana nui ma ke mele. ua kākau ʻia ka hoʻonaʻauao e NA Rimsky-Korsakov ("Musical Articles and Notes", 1911). No ka mea, ua ʻike ʻia ke ʻano o ka hoʻomohala ʻana i nā muses ma ke ʻano kūpono loa. ʻO ka lohe ʻana, ma ke kaʻina hana o D. m., hoʻohana maʻamau ia i ka preliminarily, ka hoʻolohe ʻana a me ka hoʻomaopopo ʻana i nā mea o ka lokahi, ka puʻupuʻu, ka lokahi, ke alakaʻi leo a me ke ʻano o ka laʻana i kuhikuhi ʻia, a ukali ʻia e ka hoʻopaʻa ʻana i ka mea i lohe ʻia; kū'ē kēia ʻenehana i ke ʻano hana maʻamau (mechanical) o ka hoʻopaʻa ʻana i ka D. m. I kekahi manawa, hoʻohana ʻia ke mele e like me D. m. nā paukū i hana ʻia e instr. hui a i ʻole mea hoʻokani pila; i ka wā e hoʻopaʻa ai i ia mau laʻana, pono ka haumāna e ʻike a koho i nā mea kani ma ka pepeiao, e hoʻopaʻa i ka mele wale nō, akā i kāna mea kani. Loaʻa i nā mākau o D. m. kōkua i ka haku mele e hoʻopaʻa i nā mele a me nā mele e puka mai ana i loko o kona manaʻo. Nā kumuhana.
E hoʻomaopopo ': Ladukhin NM, He kaukani mau hiʻohiʻona o ke mele mele, M., (bg), hope. ed., M., 1964; Ostrovsky AL, Pavlyuchenko SA, Shokin VP, Hoʻopuka mele, M.-L., 1941; Ostrovsky AL, Essays on the methodology of music theory and solfeggio, L., 1954, p. 265-86; Agazhanov AP, ʻElua ʻāpana ʻōlelo, M., 1947, 1962; nona ponoi, Eha-hapa dictations, M., 1961; Vakhromeev VA, Nā nīnau o ke aʻo ʻana i ka solfeggio i ke kula mele o nā keiki, M., 1963, M., 1966; Muller T., ʻEkolu leo dictations, M., 1967; ʻO Alekseev B. lāua ʻo Blum Dm., Systematic course of music dictation, M., 1969; Nägei HG, Vollständige und ausführliche Gesangschule, Bd 1, Z., 1; Lavignac AJA, Cours complet théorique et pratique de dictée musicale, P.-Brux., 1810; Riemann H., Katechismus des Musikdiktats, Lpz., 1882, 1889; Battke M., Neue Formen des Musikdiktats, B., 1904; Gédailge A., L'enseignement de la musique par l'éducation méthodique de l'oreille, v. 1913-1, P., 1-2; ʻO Dickey fr. M. and French E., Melody writing and ear training, Boston, 1921; Reuter Fr., Zur Methodik der Gehörübungen und des Musikdiktats, Lpz., 23; Martens H., Musikdiktat, ma ka moʻo: Beiträge zur Schulmusik, H. 1926, Lahr (Baden), 1927, Wolfenbüttel, 1; Waldmann G., 1930 Diktate zur Musiklehre, B., 1958; Willems E., L'oreille musicale, t. 1080, Kenela, 1931; Grabner H., Neue Gehörbung, B., 1; Schenk P., Schule der musikalischen Gehörbildung, H. 1940-1950, Trossingen, 1; nona iho, Schule des musikalischen Hörens, I, Lpz.-V., 8; Jersild J., Lehrbuch der Gehörbildung. Rhythmus, Kph., 1951.
VA Vakhromeev
