Nā leo hapa |
ʻŌlelo mele

Nā leo hapa |

Māhele puke wehewehe
ʻōlelo a me nā manaʻo

nā leo hapa (German Teiltцne, Partialtцne, French partieles sons, English partiales tones) – nā leo kani i loko o ka spectrum o ke mele. kani, nā mea nui o ke kani kani. Kū mai kēlā me kēia o lākou ma muli o nā oscillations sinusoidal o ke ʻano maʻalahi. ʻāpana o ke kino kani (no ka laʻana, 1/2, 1/3, etc. o nā ʻāpana o ke kaula). Ma ke kani mele, koe wale no ka leo, e like me Krom ua hoʻoholo ʻia ka pitch, maʻa mau i nā mea he nui. Ch. t.; Hoʻohui lākou i hoʻokahi holoʻokoʻa, hiki ke lohe ʻia (i hoʻokaʻawale ʻia e ka pepeiao) wale nō me ka nānā ʻana a i ʻole me ke kōkua o nā mea kani kūikawā. nā kānana. Ma ka pepeiao Ch. t. he mau kani maʻalahi; ʻike ʻia lākou e ka pitch a me ka leo nui. Hoʻokaʻawale i ka harmonica. Ch. t. (harmonics), hoʻoponopono i kekahi i kekahi ma ke alapine e like me ke ʻano o nā helu kūlohelohe - 1, 2, 3, 4, etc. ea mai na mea kani makani ), a inharmonic. Ch. t., ua hoopiliia na alapine e k.-l. kumukānāwai ʻokoʻa (no ka laʻana, hiki i nā mea kani ke loaʻa nā ratio like 1, 32, 52, 72, etc.). Ch. t., aia maluna o ke kumu nui. nā leo, i kapa ʻia ʻo overtones; i loko o ke kumumanaʻo o ka acoustics, aia ka manaʻo o untertons, kahi e hōʻike ai i nā alapine o ka t., aia ma lalo o ka mea nui. nā kani. I ka harmonic. nā kuʻuna, chords, consonances, the interaction between Ch. t. alakaʻi i ke kūkulu ʻana i kahi mea hou aku. overtones (nā leo o coincidence, hui pū ʻana o ka ʻokoʻa, a me nā mea ʻē aʻe), i kekahi manawa ke hoʻololi nei i ka lokahi, i ke ʻano o nā kuʻi - periodic. hoʻololi i ka leo o ka leo holoʻokoʻa. I ka hana. I ka hoʻomaʻamaʻa, hoʻohana nui ʻia ke ʻano o ka hoʻokaʻawale ʻana i ka leo ʻeleʻele mai ke kani maʻamau - harmonics.

E hoʻomaopopo ': Garbuzov HA, Natural overtones and their harmonic meaning, in the book: Proceedings of the HYMN. Sat. Nā hana a ke Komisina no ka Musical Acoustics, vol. 1, Moscow, 1925; ʻO kāna, Harmonic hoʻololi ʻana i nā chords e nā ʻano kūlohelohe maoli, ibid., vol. 2, M., 1929; nona iho, Zone nature of timbre hearing, M., 1956; Nā mea hoʻokani pila, M.-L., 1940, M., 1954; Korsunsky SG, Ka hopena o ka spectrum o ka leo i ʻike ʻia ma kona kiʻekiʻe, i ka Pōʻaono: Nā pilikia o ka acoustics physiological, vol. 2, M.-L., 1950; Nazaikinsky EV, Rags Yu. N., Ka manaʻo o nā pahu mele a me ka manaʻo o kēlā me kēia harmonics o ke kani, i ka hōʻiliʻili: Ke noi ʻana i nā ʻano noiʻi acoustic i ka musicology, M., 1964; Volodin AA, Ka hana o ka harmonic spectrum i ka ʻike ʻana i ka pitch a me ka timbre o ke kani, ma: Musical Art and Science, vol. 1, M., 1970; Meyer E., Buchmann G., Die Klangspektren der Musikinstrumente, B., 1931.

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