Pedalization |

ʻO ka pedalization - kekahi o nā mea nui o ka piano. hoʻopiʻi. ʻAʻole lawelawe wale ʻo P. no ka hoʻopili ʻana i nā kani, mālama i ka lokahi, hoʻonui a hoʻonāwaliwali paha i ke kani. ʻOkoʻa ka noi akamai. ʻO nā ala e ʻohi ai a wehe i ka wāwae ʻākau (pedal retarded, half-pedal, quarter-pedal, vibrating a haʻalulu paha, etc.), hui a kaʻawale paha o nā pedal ʻelua, hui pū ʻana o ka pedal a me ke kani non-pedal, a me nā mea ʻē aʻe. ʻO nā ʻano o ka pedaling e hoʻololi i ke kala o ke kani a hoʻonui i ka palette o ka hōʻike. a me nā aka waihoʻoluʻu, ʻoi aku ka nui ma ka ʻōlelo Sepania. prod. nā mea aloha a me nā mea hoʻohiwahiwa. ʻO kēia mau mea maʻalahi o P., pili me ke ʻano o ka op i hana ʻia. a ʻo ke ʻano o ke mele, e hilinaʻi ʻia i ke akamai a me ke ʻano o ka mea hoʻokani i ka wā o ka pāʻani, a me ke kani ʻana o ke keʻena a me nā ʻano o ka mea kani; no laila nā kikoʻī maikaʻi o ka hana noʻeau. ʻAʻole hiki ke ʻike ʻia a koho ʻia ʻo P. ma nā memo - ua hoʻoholo ʻia e Ch. arr. ke mele, ka lohe, ke ano o ke ano, ka hana noeau. intuition and taste of the interpreter, kona akamai loea. ʻO AG Rubinshtein (ua kapa ʻia ʻo ia ʻo P. "ka ʻuhane o ka fp."), F. Busoni, a me V. Gieseking i kaulana loa no ka hana akamai a P.

ʻAʻole kūʻokoʻa ʻo P. ma ka lira. hana pilikia. ka hooulu ana, he obligatory. hapa o ka hookani ana i keia mea kani.

E hoʻomaopopo ': Bukhovtsev A., alakaʻi i ka hoʻohana ʻana i ka pedal piano, M., 1886, 1904; Lyakhovitskaya S., Wolman B., ʻatikala hoʻomaka i ka paʻi mele: Maykapar S., He iwakālua mau pedal preludes no pianoforte, M. - L., 1964; Golubovskaya NI, ʻO ka Art of Pedalization, M. - L., 1967; Kchler L., Systematische Lehrmethode für Cldvierspiel und Musik, Bd 1-2, Lpz., 1857-1858, 1882; nona iho, Der Clavier-Pedalzug, V., 1882; Schmitt, H., Das Pedal des Claviers, W., 1875; Riemann H., Vergleichende theoretischpraktische Klavier-Schule, Hamb. —St. Petersburg, (1883), 1890; Lavignac AJ, L'Ecole de la pédale, P., 1889, 1927; Faskenberg G., Les pédales du piano, P., 1; Rubinstein A., Leitfaden zum richtigen Gebrauch der Pianoforte-Pedalen, Lpz., 1895; Breithaupt R., Die natürliche Klaviertechnik, Lpz., 1896, 1905 Riemann L., Das Wesen des Klavierklanges, Lpz., 1925; Boghen F., Appunti ed esempi per l'uso dei pedali del pianoforte, Mil., 1927, 1911; Kreutzer L., Das normale Klavierpedal, Lpz., 1915, 1941; Bowen I., Pedaling the modern pianoforte, (L., 1915); Leimer K., Rhythmik, Dynamik, Pedal, Mainz, 1928, 1936.

GM Kogan