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hooholo - hāʻule ka uila i ka wā o ka hoʻololi ʻana mai dissonance i consonance, mai harmonic. hiki ole ke hana (D, S) a hiki i ka pa'a (T), mai ka leo chord ole a i ka chord, a me ia hoololi iho. ʻO ka hoʻololi ʻana o nā mokuʻāina o ka ʻāʻī a me ka hoʻokuʻu ʻana o ka ʻāʻī i ʻike ʻia ma ke ʻano he hoʻomaha e hāʻawi ai i ka ʻoluʻolu, a pili pū me ka hoʻololi ʻana i kahi mea ʻoluʻolu, i ka leʻaleʻa. No laila ka nani ka waiwai o R. a me ka nani pili. nā hana o nā kani-nā manaʻo a me nā kani-R. (mālama pū ʻia lākou me kā lākou hui ʻokoʻa). ʻO ka hoʻomau ʻana o ka hawewe-like fluctuation o ka haʻalulu a me R. ua like ia me ka hanu ʻana o kahi mea ola, systole a me diastole. Hoʻoholo ʻia ʻo R. nā ʻenehana leo (no ka laʻana, ka neʻe ʻana o ka leo hoʻolauna i luna i ka tonic mua, kahi leo ʻole i kahi leo pili). ʻO ke koʻikoʻi ma ʻaneʻi no ka neʻe ʻana i kēlā me kēia kekona (nui a liʻiliʻi), no ka mea. "Hoʻopau maikaʻi ia i ke ʻano" o ke kani mua. Eia naʻe, ma lalo o nā kūlana o kahi harmonic R. a me ka noʻonoʻo ʻole kekona hiki ke hiki (PI Tchaikovsky, "Francesca da Rimini", nā pahu hope). Pili ia R., aka, aole like me ia, coloristic. ka hoʻoneʻe ʻia ʻana o ka manaʻo hoʻopaʻapaʻa quasi-dominant (Des7> – Des) i ka nocturne b-moll op a F. Chopin. 9 ʻAʻole 3. R. manaʻo i ka manaʻo o kahi consonance ʻae a me ka manaʻo o ia. ʻO ia ka mea maʻamau no ka mele o ka ʻōnaehana liʻiliʻi nui (ua hoʻomaka ʻia kona hoʻokumu ʻana i ka waena o ke kenekulia 15, ʻo kona mana i nā kenekulia 17-19; ʻo ka hapa nui o ia mea i ola a hiki i ke kenekulia 20). Weed-century. monody R. ma ke ʻano he manawa formative he malihini (ma ke kumu, pale ʻia nā hopena o ka ʻāʻī a me ka hoʻokuʻu ʻana i loko, me ka ʻole o R. ʻaʻole hiki ke loaʻa). I ka polyphony, ua hoʻopaʻa ʻia ka māhele o R. ma ke ʻano he ʻenehana no ka subordinating dissonance i ka consonance. ʻO kā lākou polarization, ʻoi aku ka nui o ka polarization o ka hana paʻa a me ka instability, i hana i nā kūlana no ka pono o R. a me kona ʻike acute (ʻo F. Couperin i kapa ʻia ke kaʻina hana o R. ka huaʻōlelo "se sauver", ʻoiaʻiʻo - e hoʻopakele ʻia).

Hiki ke hoʻonui ʻia ka pilina o nā ʻāpana "tension" - "resolution" i nā kūkulu ʻana o nā unahi nui (e like me ka waena paʻa ʻole a i ʻole ka hoʻomohala ʻana a me ka hana hou ʻana i ka "hoʻoponopono" i kona ʻāʻī); i kēia hihia, loaʻa i ka hopena R. kahi manaʻo ākea, hoʻololi i ka hoʻohua ʻana. I ke au o ka romanticism (a i ke kenekulia 20), ua hoʻomohala ʻia nā ʻano mele hou (ʻo ia hoʻi, ʻaʻole piha ʻo R., a me R., e pili ana i kekahi ʻaoʻao o ka ʻāʻī; no ka laʻana, ma Chopin's mazurka ma C-dur. op.24 ʻAʻole 2 e hōʻike ana i ke kaula hoʻoholo e hana ʻia ma ka hoʻohālikelike ʻana i nā triad ʻekolu: T, D a me S, ʻoiai ʻo kā lāua mau pālua - T a me D, T a me S - ʻaʻole e hoʻoholo. I ka mele o ka 20th kenekulia ka mea hou i hōʻike 'ia iho, i ka mea, i ka violation o ka polarity o dissonance a me ka consonance, ma kahi o ka mea i hoʻokumu 'ia ka multi-stage gradation o dissonance (theoretically, ma A. Schoenberg, P. Hindemith; ma ka hope, "harmonisches Gefälle" - "harmonious relief"). Mahalo i nā tonics paʻakikī (dissonant), ua hiki ke hoʻoholo i kahi dissonance ikaika i kahi dissonance liʻiliʻi a hoʻololi i ka hoʻololi dissonance-consonance me kahi hoʻololi multi-stage mai ka dissonance ikaika loa i ka consonance ikaika loa, a me ke alakaʻi, no ka laʻana, ke kani tonic. prima i loko o kahi chord nui ʻehiku (kūʻē i ka gravity kuʻuna, ʻike - SS Prokofiev, Fleeting, No 14, bars 24-25), hoʻonā i loko i ka tonic. consonance (Prokofiev, Sarcasms, No 3, nā pahu hope).

E hoʻomaopopo ': Rohwer J., Das “Ablösungsprinzip” in der abendländischen Musik…, “Zeitschrift für Musiktheorie”, 1976, H. 1. See also lit. ma lalo o nā ʻatikala Harmony, Dissonance, Dominant, Lad, Subdominant.

ʻO Yu. N. Kholopov