Alexander Alexandrovich Slobodyanik |
Alexander Slobodyanik
ʻO Alexander Alexandrovich Slobodyanik mai ka wā'ōpiopio i waena o ka poʻe loea a me ka lehulehu. I kēia lā, ke loaʻa iā ia nā makahiki he nui o ka hana ʻahamele ma lalo o kona kāʻei, hiki i kekahi ke ʻōlelo me ka makaʻu ʻole i ka hana hewa ʻana ʻo ia a noho mau ʻo ia kekahi o nā pianist kaulana loa o kāna hanauna. He mea kupaianaha ʻo ia ma ke kahua, he hiʻohiʻona koʻikoʻi kona, i ka pāʻani hiki i kekahi ke manaʻo i kahi kālena nui ʻokoʻa - hiki i kekahi ke manaʻo koke, mai nā memo mua loa āna i lawe ai. Eia naʻe, ʻo ke aloha o ka lehulehu iā ia ma muli paha o nā kumu kūikawā. ʻOi aku ka nui o nā kālena a ʻoi aku ka nani o waho ma ke kahua ʻaha mele; Hoʻokomo ʻo Slobodianik i nā mea ʻē aʻe, akā ʻoi aku ka nui ma hope.
- Piano mele ma ka hale kūʻai pūnaewele Ozon →
Ua hoʻomaka ʻo Slobodyanyk i kāna aʻo maʻamau ma Lviv. ʻO kona makuakāne, he kauka kaulana, ua aloha ʻo ia i nā mele mai kona wā ʻōpio, i kekahi manawa ʻo ia ka violin mua o ka symphony orchestra. ʻAʻole hewa ka makuahine i ka piano, a ua aʻo ʻo ia i kāna keiki i nā haʻawina mua o ka hoʻokani ʻana i kēia mea kani. A laila ua hoʻouna ʻia ke keikikāne i kahi kula mele, iā Lydia Veniaminovna Galembo. Ma laila ʻo ia i huki koke ai i ka manaʻo iā ia iho: i ka makahiki ʻumikumamāhā ua hoʻokani ʻo ia i loko o ke keʻena o ka Lviv Philharmonic Beethoven's Third Concerto no Piano a me Orchestra, a ma hope ua hoʻokani ʻo ia me kahi hui clavier solo. Ua hoʻoneʻe ʻia ʻo ia i Moscow, i ke kula mele ʻumi makahiki ʻo Central. No kekahi manawa aia ʻo ia i ka papa o Sergei Leonidovich Dizhur, he mea hoʻokani pila kaulana ʻo Moscow, kekahi o nā haumāna o ke kula ʻo Neuhaus. A laila ua lawe ʻia ʻo ia ma ke ʻano he haumāna e Heinrich Gustavovich Neuhaus iā ia iho.
Me Neuhaus, ʻo nā papa a Slobodyanik, ʻōlelo paha kekahi, ʻaʻole maikaʻi, ʻoiai ua noho ʻo ia ma kahi kokoke i ke kumu kaulana no ʻeono makahiki. "ʻOiaʻiʻo, ʻaʻole ia i hana ma muli o koʻu hewa wale nō," wahi a ka mea hoʻokani piano, "a ʻaʻole loa wau e mihi a hiki i kēia lā." ʻAʻole pili ka Slobodyannik (ʻo ka ʻoiaʻiʻo) i ka poʻe i kaulana no ka hoʻonohonoho ʻana, hōʻiliʻili ʻia, hiki ke mālama iā lākou iho i loko o ka hao hao o ka hoʻopaʻi ʻana iā ia iho. Ua aʻo like ʻole ʻo ia i kona wā ʻōpiopio, e like me kona ʻano; ʻOi aku kāna mau kūleʻa mua mai kahi kālena kūlohelohe waiwai ma mua o ka hana ʻōnaehana a me ke kumu. ʻAʻole pūʻiwa ʻo Neuhaus i kāna kālena. ʻO ka poʻe ʻōpio mākaukau a puni iā ia he nui mau. "ʻO ka nui o ke kālena," i ʻōlelo hou ai ʻo ia ma mua o hoʻokahi manawa i kāna pōʻai, "ʻo ka ʻoi aku ka pono o ke koi no ke kuleana mua a me ke kūʻokoʻa" (Neigauz GG Ma ke akamai o ka hookani piano. – M., 1958. P. 195.). Me kona ikaika a me kona ikaika a pau, ua kipi ʻo ia i ka mea ma hope, e hoʻi ana i ka manaʻo iā Slobodyanik, ua kapa ʻia ʻo ia ma ka diplomatic "ka hoʻokō ʻole i nā hana like ʻole" (Neigauz GG Hoʻomanaʻo, hoʻomanaʻo, diaries. S. 114.).
Ua ʻae ʻo Slobodyanik iā ia iho, pono e hoʻomaopopo ʻia, maʻamau ʻo ia ka pololei a me ka ʻoiaʻiʻo i nā loiloi ponoʻī. "ʻO wau, pehea e hoʻokomo ai i ka maʻalahi, ʻaʻole i hoʻomākaukau pono ʻia no nā haʻawina me Genrikh Gustavovich. He aha kaʻu e ʻōlelo ai i kēia manawa i koʻu pale ʻana? Ua hoʻopio ʻo Moscow ma hope o Lvov iaʻu me nā manaʻo hou a ikaika hoʻi… Ua hoʻohuli ʻo ia i koʻu poʻo me nā hiʻohiʻona nani o ke ola metropolitan. Ua hauʻoli au i nā mea he nui - pinepine i ka pōʻino o ka hana.
I ka hopena, pono ʻo ia e kaʻawale me Neuhaus. Eia nō naʻe, mahalo nui ʻia ka hoʻomanaʻo ʻana o kahi mea hoʻokani pila i kēia lā: "Aia kekahi poʻe hiki ʻole ke poina. Aia lākou me ʻoe i nā manawa a pau, no ke koena o kou ola. Ua ʻōlelo pololei ʻia: ola ke kanaka pena i kona wā e hoʻomanaʻo ʻia ai… Ma ke ala, ua ʻike wau i ka mana o Henry Gustavovich no ka manawa lōʻihi, ʻoiai ʻaʻole wau i loko o kāna papa.
Ua puka 'o Slobodyanik mai ka conservatory, a laila puka i ke kula, ma lalo o ke alaka'i 'ana o kekahi haumāna o Neuhaus - Vera Vasilievna Gornostaeva. "He mea hoʻokani pila maikaʻi," wahi āna no kāna kumu hope, "maʻalahi, ʻike ʻike… He kanaka o ka moʻomeheu uhane akamai. A ʻo ka mea koʻikoʻi iaʻu he mea hoʻonohonoho maikaʻi loa: ʻaʻole au i emi iho i kona manaʻo a me kona ikaika. Ua kōkua ʻo Vera Vasilievna iaʻu e ʻike iaʻu iho i ka hana mele.
Me ke kōkua o Gornostaeva, ua hoʻopau maikaʻi ʻo Slobodyanik i ka manawa hoʻokūkū. ʻOiai ma mua, i kāna mau haʻawina, ua loaʻa iā ia nā makana a me nā diploma ma nā hoʻokūkū ma Warsaw, Brussels, a me Prague. I ka makahiki 1966, ua hana 'o ia i kona 'ike hope loa ma ke Kolu Tchaikovsky Competition. A ua loaʻa iā ia ka makana hanohano ʻehā. Ua pau ka manawa o kāna aʻo ʻana, ua hoʻomaka ke ola o kēlā me kēia lā o kahi mea hoʻokani mele ʻoihana.
… No laila, he aha nā hiʻohiʻona o Slobodianik e huki ai i ka lehulehu? Inā ʻoe e nānā i "kona" paʻi mai ka hoʻomaka ʻana o ke kanaono a hiki i kēia manawa, ʻo ka nui o nā ʻano i loko o ia mea e like me ka "waiwai o ka naʻau", "ka piha o nā manaʻo", "spontaneity of artistic experience", etc. , ʻaʻole kakaʻikahi, loaʻa i nā loiloi he nui a me nā loiloi koʻikoʻi mele. I ka manawa like, paʻakikī ke hoʻohewa i nā mea kākau o nā mea e pili ana iā Slobodyanyk. He mea paʻakikī ke koho i kekahi, e kamaʻilio e pili ana iā ia.
ʻOiaʻiʻo, ʻo Slobodyanik ma ka piano ka piha a me ka lokomaikaʻi o ka ʻike noʻeau, spontaneity o ka makemake, kahi huli ikaika a ikaika o nā makemake. A ʻaʻohe mea kupanaha. ʻO ka manaʻo nui i ka hoʻoili ʻana i nā mele he hōʻailona paʻa ia o ka hana talena; ʻO Slobodian, e like me ka mea i ʻōlelo ʻia, he kālena koʻikoʻi, ʻo ke ʻano i hāʻawi iā ia i piha, me ka ʻole o ka hana.
Akā naʻe, manaʻo wau, ʻaʻole kēia e pili ana i ka mele mele maoli. Ma hope o ka manaʻo kiʻekiʻe o ka hana a Slobodyanik, ʻo ka piha-koko a me ka waiwai o kāna mau ʻike kahua ka hiki ke ʻike i ka honua i kona waiwai āpau a me ka multicolor palena ʻole o kona mau kala. ʻO ka hiki ke ola a me ka hoihoi i ke kaiapuni, e hana mea like ole: e ʻike ākea, e lawe i nā mea āpau o nā mea hoihoi, e hanu, e like me kā lākou e ʻōlelo nei, me ka umauma piha ... ʻo Slobodianik maʻamau he mea hoʻokani pila. ʻAʻole i hoʻopaʻa ʻia kekahi iota, ʻaʻole i mae i nā makahiki o kāna hana lōʻihi. ʻO ia ke kumu i hoihoi ai ka poʻe hoʻolohe i kāna hana noʻeau.
He mea maʻalahi a ʻoluʻolu hoʻi i ka hui o Slobodyanik - inā ʻoe e hālāwai me ia i loko o ka lumi ʻaʻahu ma hope o kahi hana, a i ʻole ʻoe e nānā iā ia ma ke kahua, ma ke kīpē o kahi mea kani. Ua ʻike ʻia kekahi ʻano hanohano i loko ona; "ʻO ke ʻano hoʻolālā nani," kākau lākou e pili ana iā Slobodyanik i kekahi o nā loiloi - a me ke kumu maikaʻi. Me he mea lā: hiki anei ke hopu, ʻike, ʻike i kēia mau ʻano (ka nani ʻuhane, ka hanohano) i loko o kahi kanaka e noho ana ma kahi piano ʻaha mele, hoʻokani i kahi kikokikona mele i aʻo mua ʻia? ʻIke ʻia - hiki. ʻAʻohe mea a Slobodyanik i hoʻokomo ai i kāna mau papahana, a hiki i ka mea kupanaha loa, lanakila, scenically nani, iā ia ma ke ʻano he mea hoʻokani ʻaʻole hiki ke ʻike i kahi aka o ka narcissism. ʻOiai i kēlā mau manawa e hiki ai iāʻoe ke mahalo nui iā ia: i ka wā iʻoi aku ka maikaʻi a me nā mea a pau āna e hana ai, e like me kā lākou e'ōlelo nei, huli a puka i waho. ʻAʻohe mea liʻiliʻi, haʻaheo, ʻaʻohe mea e ʻike ʻia ma kāna hana. "Me kāna ʻikepili hauʻoli, ʻaʻohe hint o ka narcissism artistic," mahalo nui ka poʻe i kamaʻāina loa iā Slobodyanik. Pololei, ʻaʻole hoʻi i ʻike iki. No hea mai kēia: ua ʻōlelo ʻia ma mua o hoʻokahi manawa e "hoʻomau" ka mea pena i ke kanaka, inā makemake ʻo ia a ʻaʻole paha, ʻike a ʻike ʻole paha.
He ʻano ʻano pāʻani kona, me he mea lā ua kau ʻo ia i ke kānāwai nona iho: ʻaʻohe mea āu e hana ai ma ka papa keyboard, hana mālie nā mea a pau. Aia i loko o ka repertoire a Slobodyanik kekahi mau ʻāpana virtuoso nani (Liszt, Rachmaninoff, Prokofiev…); He mea paʻakikī ke hoʻomanaʻo ua wikiwiki ʻo ia, "hoʻokele" ma ka liʻiliʻi o hoʻokahi o lākou - e like me ka hana, a pinepine, me ka piano bravura. ʻAʻole ia he mea pōʻino ka hoʻohewa ʻana o ka poʻe hoʻohewa iā ia i kekahi manawa no ka lohi iki, ʻaʻole no ka kiʻekiʻe. ʻO kēia paha ke ʻano o ka nānā ʻana o ka mea pena ma ke kahua, ke manaʻo nei au i kekahi manawa, e nānā ana iā ia: ʻaʻole e pau ka huhū, ʻaʻole e pau ka huhū, ma ka liʻiliʻi loa i ka mea e pili ana i ke ʻano o waho. Ma lalo o nā kūlana a pau, e mālie, me ka hanohano o loko. ʻOiai i nā manawa hoʻokani maikaʻi loa - ʻaʻole ʻoe i ʻike i ka nui o lākou i loko o ke mele aloha a Slobodyanik i makemake nui ai - mai hāʻule i ka hoʻokiʻekiʻe, ka hauʻoli, ka haunaele ... E like me nā mea hoʻokani kupaianaha a pau, ʻo Slobodyanik kahi hiʻohiʻona, ʻano ʻano wale nō. Nails pāʻani; ʻO ke ala pololei loa, ʻo ia paha ke koho ʻana i kēia ʻano me ka huaʻōlelo Grave (slowly, majestically, significantly). Ma kēia ʻano, kaumaha iki i ke kani, e hōʻike ana i nā reliefs textured ma ke ʻano nui a convex, ua hoʻokani ʻo Slobodyanik i ke sonata Brahms 'F minor, Beethoven's Fifth Concerto, Tchaikovsky's First, Mussorgsky's Pictures at an Exhibition, Myaskovsky's sonatas. ʻO nā mea a pau i kapa ʻia i kēia manawa ʻo nā helu maikaʻi loa o kāna repertoire.
I kekahi manawa, i ka makahiki 1966, i ka hoʻokūkū ʻekolu ʻo Tchaikovsky Press Competition, e kamaʻilio me ka hauʻoli e pili ana i kāna wehewehe ʻana i ka concerto a Rachmaninov ma D minor, ua kākau ʻo ia: "Hoʻokani maoli ʻo Slobodianik ma Lūkini." ʻIke ʻia ka "Slavic intonation" iā ia - ma kona ʻano, hiʻohiʻona, ʻike honua kiʻi, pāʻani. ʻAʻole paʻakikī iā ia ke wehe, e hōʻike piha iā ia iho i nā hana a kona mau hoa aloha - ʻoi aku hoʻi i nā kiʻi i hoʻoulu ʻia e nā kiʻi o ka laulā palena ʻole a me nā wahi ākea ... nā ʻano pahū. Eia ke ano, mai ka laula a me ka laula. Pololei ka nānā ʻana. ʻO ia ke kumu i maikaʻi loa ai nā hana a Tchaikovsky lāua ʻo Rachmaninov i ka piano piano, a nui loa i ka Prokofiev hope loa. ʻO ia ke kumu (he kūlana kupaianaha!) ʻike ʻia ʻo ia me ka nānā ʻana ma waho. No nā haole, he mea hoihoi ia e like me ke ʻano maʻamau o Rūsia ma ka hoʻokani mele, ma ke ʻano he ʻano ʻāina momona a waihoʻoluʻu i ke kiʻi. Ua hoʻomaikaʻi maikaʻi ʻia ʻo ia ma mua o hoʻokahi manawa ma nā ʻāina o ka Honua Kahiko, a ua kūleʻa pū kekahi o kāna mau huakaʻi huakaʻi i waho.
I kekahi manawa ma ke kamaʻilio ʻana, ua hoʻopā ʻo Slobodyanik i ka mea nona, ma ke ʻano he mea hoʻokani, ʻoi aku ka maikaʻi o nā hana o nā ʻano nui. "Ma ke ʻano monumental, ʻoi aku ka ʻoluʻolu oʻu. Maliʻa paha ma mua o ka liʻiliʻi. Maʻaneʻi paha ka manaʻo noʻonoʻo o ka mālama pono ʻana iā ia iho - aia kēlā ... Inā hikiwaʻi iaʻu ke "hina" i kekahi wahi, "nalo" i kekahi mea i ke kaʻina o ka pāʻani, a laila ʻo ka hana - ke ʻōlelo nei au he hana nui i pālahalaha loa i ka wahi kani - ʻaʻole naʻe e pōʻino loa. E loaʻa ana ka manawa e hoʻopakele iā ia, e hoʻoponopono iā ia iho no kahi hewa kuʻuna, e hana maikaʻi i kekahi mea ʻē aʻe. Inā hōʻino ʻoe i kahi mea liʻiliʻi ma kahi hoʻokahi, hoʻopau ʻoe iā ia.
Uaʻikeʻo ia i kēlā me kēia manawa hiki iā ia ke "nalo" i kekahi mea ma ke kahua - ua loaʻa iā ia ma mua o hoʻokahi manawa, mai ka wā'ōpiopio. “Ma mua, ua ʻoi aku ka ʻino. I kēia manawa ua hōʻiliʻili ʻia ka hoʻomaʻamaʻa kahua i nā makahiki, kōkua ka ʻike o kāna ʻoihana ... ”A ʻoiaʻiʻo, ʻo wai o nā mea komo ʻole i hele hewa i ka wā o ka pāʻani, poina, komo i nā kūlana koʻikoʻi? ʻO Slobodyaniku, ʻoi aku paha ma mua o nā mea hoʻokani pila o kona hanauna. Ua loaʻa iā ia: me he mea lā i ʻike ʻole ʻia kekahi ʻano ao ma kāna hana, ua lilo koke ia i inert, static, internally demagnetized ... A i kēia lā, ʻoiai ʻo ka pianist i ka poʻokela o ke ola, me ka lako piha me nā ʻike like ʻole, hiki mai ia. ʻO kēlā mau ʻāpana mele ʻoliʻoli a ʻulaʻula e hoʻololi i kāna mau ahiahi me nā mea ʻoluʻolu ʻole. Me he mea lā ua nalowale ʻo ia i ka hoihoi i ka mea e hana nei no kekahi manawa, e komo ana i loko o kahi trance i manaʻo ʻole ʻia a ʻike ʻole ʻia. A laila, ʻaʻa hou ia, lawe ʻia, alakaʻi wiwo ʻole i ka lehulehu.
Aia kekahi hanana i loko o ka moʻolelo o Slobodyanik. Ua pāʻani ʻo ia ma Moscou i kahi mele a ʻaʻole i hana pinepine ʻia e Reger - Variations a me Fugue ma kahi kumuhana na Bach. I ka wā mua, ʻaʻole hoihoi loa ka mea hoʻokani piano. Ua ʻike ʻia ʻaʻole i lanakila. Ma muli o ka hōʻeha ʻole, ua hoʻopau ʻo ia i ke ahiahi ma ka hana hou ʻana i nā ʻano like ʻole o Reger. A hana hou ʻia (me ka hoʻonui ʻole) me ka hanohano – mālamalama, hoʻoulu, wela. Ua like ʻo Clavirabend i ʻelua ʻāpana like ʻole - ʻo ia ka Slobodyanik holoʻokoʻa.
Aia kekahi hemahema i kēia manawa? Malia paha. ʻO wai ka mea e hoʻopaʻapaʻa: he mea pena kiʻi hou, he ʻoihana i ke ʻano kiʻekiʻe o ka ʻōlelo, pono e hoʻokele i kāna hoʻoikaika. Pono e hiki ke kāhea iā ia ma ka makemake, ma ka liʻiliʻi loa lio i kāu hana hoʻomohala. Ma ke kamaʻilio ʻana me ka ʻoiaʻiʻo, ua hiki i kēlā me kēia o ka poʻe hele ʻahamele, ʻo ka poʻe i ʻike nui ʻia, hiki ke hana i kēia? A ʻaʻole anei, ʻoiai nā mea a pau, ʻo kekahi mau mea pena "paʻa ʻole" ʻaʻole i ʻike ʻia e ko lākou ʻano hoʻomohala, e like me V. Sofronitsky a i ʻole M. Polyakin, ʻo ia ka mea hoʻonani a haʻaheo o ke ʻano ʻoihana?
Aia nā haku (ma ka hale keaka, ma ke keʻena ʻaha mele) hiki iā lākou ke hana me ka pololei o nā mea hoʻoponopono impeccably i hoʻoponopono ʻia - hoʻohanohano a hoʻomaikaʻi iā lākou, kahi ʻano kūpono o ka ʻano mahalo loa. Aia kekahi. He mea maʻamau ka loli o ka ola kino no lākou, e like me ka pāʻani ʻana o chiaroscuro i ke awakea o ke kauwela, e like me ke kahe ʻana o ke kai, e like me ka hanu ʻana no kahi mea ola. ʻO ka connoisseur nani a me ka psychologist o ka hoʻokani mele, ʻo GG Neuhaus (ua loaʻa iā ia kahi mea e ʻōlelo ai e pili ana i nā ʻano o ka waiwai o ke kahua - nā kūleʻa a me nā hāʻule ʻole) ʻaʻole i ʻike, no ka laʻana, i kekahi mea e hoʻopaʻi ʻia i ka ʻoiaʻiʻo ʻaʻole hiki i kahi mea hoʻokani mele. i "e hana i nā huahana maʻamau me ka pololei o ka hale hana - ko lākou ʻike ākea " (Neigauz GG Hoʻomanaʻo, hoʻomanaʻo, diaries. S. 177.).
Aia ma luna nei ka papa inoa o nā mea kākau i hui pū ʻia me ka hapa nui o nā hoʻokō unuhi a Slobodyanik – Tchaikovsky, Rachmaninov, Prokofiev, Beethoven, Brahms… Hiki iā ʻoe ke hoʻohui i kēia pūʻulu me nā inoa o nā mea haku mele e like me Liszt (ma ka repertoire a Slobodyanik, ka B-minor Sonata, ka ʻO Rhapsody ʻeono, Campanella, Mephisto Waltz a me nā ʻāpana Liszt ʻē aʻe), Schubert (B flat major sonata), Schumann (Carnival, Symphonic Etudes), Ravel (Concerto no ka lima hema), Bartok (Piano Sonata, 1926), Stravinsky ("Parsley ”).
ʻAʻole maopopo ʻo Slobodianik iā Chopin, ʻoiai ua aloha nui ʻo ia i kēia mea kākau, pili pinepine i kāna hana - ʻo nā mea hoʻolaha a ka mea piano e hōʻike ana i nā preludes, etudes, scherzos, ballads a Chopin. Ma ke ʻano he kānāwai, ʻaʻole ka makahiki 1988 i kā lākou. ʻO Scarlatti, Haydn, Mozart - kakaikahi loa kēia mau inoa ma nā papahana o kāna ʻaha mele. (ʻOiaʻiʻo, i ka makahiki XNUMX, hoʻokani ākea ʻo Slobodyanik i ka concerto a Mozart ma B-flat major, āna i aʻo ai ma mua. ). Malia paha, ʻo ka manaʻo ma ʻaneʻi aia i loko o kekahi mau hiʻohiʻona noʻonoʻo a me nā waiwai i hoʻokumu mua ʻia i kona ʻano kiʻi. Akā i kekahi mau hiʻohiʻona o kāna "mea piano piano" - pū kekahi.
Loaʻa iā ia nā lima ikaika e hiki ke hōʻoki i nā pilikia o ka hana: hilinaʻi a ikaika hoʻi ka ʻenehana chord, spectacular octaves, a pēlā aku. ʻO ia hoʻi, ka virtuosity pili-loa. ʻOi aku ka haʻahaʻa o nā mea i kapa ʻia ʻo "mea liʻiliʻi" a Slobodyanik. Manaʻo ʻia ʻo ia i kekahi manawa ʻaʻohe ona openwork subtlety i ke kaha kiʻi, māmā a me ka lokomaikaʻi, calligraphic hahai i nā kikoʻī. Ua hewa paha ke ʻano no kēia - ʻo ke ʻano o nā lima o Slobodyanik, ko lākou "kumukanawai" piano. Hiki nō naʻe, ʻo ia iho ka hewa. A i ʻole, ʻo ka mea i kapa ʻia ʻo GG Neuhaus i kona manawa i ka hoʻokō ʻole ʻana i nā ʻano "hana" hoʻonaʻauao: kekahi mau hemahema a me nā hemahema mai ka wā ʻōpio. ʻAʻole ia i hele me ka hopena ʻole no kekahi.
Ua ʻike nui ʻo Slobodyanik i nā makahiki i noho ai ma ke kahua. He nui nā pilikia, noʻonoʻo iā lākou. Ua hopohopo ʻo ia ma waena o ka lehulehu, e like me kāna i manaʻoʻiʻo ai, aia kekahi emi o ka hoihoi i ke ola ʻaha mele. "Me he mea lā iaʻu ke ʻike nei kā mākou poʻe hoʻolohe i kahi hōʻeha mai nā ahiahi philharmonic. ʻAʻole nā mea hoʻolohe a pau, akā, i kekahi hihia, he hapa nui. A i ʻole ʻo ke ʻano ʻaha mele ponoʻī wale nō ka "luhi"? ʻAʻole hoʻi au e hoʻokuʻu ʻia.
ʻAʻole ʻo ia e hoʻōki i ka noʻonoʻo ʻana i nā mea e hiki ke hoʻohuli i ka lehulehu i ka Philharmonic Hall i kēia lā. Mea hana kiʻekiʻe? Me ke kanalua ole. Akā aia kekahi mau kūlana ʻē aʻe, manaʻoʻiʻo ʻo Slobodyanik, ʻaʻole ia e hoʻopilikia i ka noʻonoʻo ʻana. ʻo kahi laʻana. I ko mākou manawa ikaika, ʻike ʻia nā papahana lōʻihi a lōʻihi me ka paʻakikī. I kekahi manawa, 50-60 mau makahiki i hala aku nei, hāʻawi nā mea pena kiʻi i nā ahiahi i ʻekolu mau ʻāpana; i kēia manawa e like ia me kahi anachronism - ʻoi aku paha, e haʻalele wale ka poʻe hoʻolohe mai ka hapa ʻekolu ... Ua manaʻo ʻo Slobodyanik e ʻoi aku ka paʻakikī o nā papahana ʻahamele i kēia mau lā. ʻAʻohe lōʻihi! I ka hapa lua o nā makahiki kanawalu, loaʻa iā ia nā clavirabends me ka ʻole o ka hoʻokuʻu ʻana, ma kahi ʻāpana. “No ka lehulehu o kēia lā, ʻoi aku ka nui o ka hoʻolohe ʻana i nā mele no ka ʻumi a i hoʻokahi hola a me ʻumikumamālima minuke. ʻO ka hoʻomaha, i koʻu manaʻo, ʻaʻole koi mau. I kekahi manawa e hoʻoheheʻe wale ʻia, e hoʻohuli. ”…
Noʻonoʻo ʻo ia i kekahi mau mea ʻē aʻe o kēia pilikia. ʻO ka ʻoiaʻiʻo ua hiki mai ka manawa, ʻike ʻia, e hana i kekahi mau hoʻololi i ke ʻano maoli, ke ʻano, ka hoʻonohonoho ʻana o nā hana ʻaha mele. He hua nui loa ia, e like me Alexander Alexandrovich, e hoʻokomo i nā helu keʻena-ensemble i loko o nā papahana solo kahiko - ma ke ʻano he ʻāpana. No ka laʻana, pono e hui pū nā pianists me nā violinists, cellists, vocalists, etc. Ma ke kumu, hoʻonanea kēia i nā ahiahi philharmonic, ʻoi aku ka hoʻohālikelike ʻana i ke ʻano, ʻoi aku ka ʻokoʻa o ka ʻike, a no laila he mea hoihoi i ka poʻe hoʻolohe. ʻO ia nō paha ke kumu i hoʻohilahila nui ʻia ai ka hoʻokani pila iā ia i nā makahiki i hala iho nei. (Ma ke ala, he hiʻohiʻona maʻamau o nā mea hoʻokani he nui i ka wā o ke oʻo ʻana.) Ma 1984 a me 1988, hana pinepine ʻo ia me Liana Isakadze; Ua hana lākou i nā hana no ka violin a me ka piano na Beethoven, Ravel, Stravinsky, Schnittke…
Loaʻa i kēlā me kēia mea pena nā hana maʻamau a ʻoi aku ka liʻiliʻi, e like me kā lākou e ʻōlelo nei, e hala ana, a aia nā ʻaha mele, mālama ʻia ka hoʻomanaʻo no ka manawa lōʻihi. Inā kamaʻilio e pili ana ia ʻO nā hana a Slobodyanik i ka hapa ʻelua o nā makahiki kanawalu, ʻaʻole hiki i kekahi ke hōʻole i kāna hana hui ʻana o Mendelssohn's Concerto for Violin, Piano and String Orchestra (1986, accompanied by the State Chamber Orchestra of the USSR), Chausson's Concerto for Violin, Piano and String ʻO Quartet (1985) me V. Tretyakov makahiki, me V. Tretyakov a me ka Borodin Quartet), ʻo Schnittke's piano concerto (1986 a me 1988, i ukali ʻia e ka State Chamber Orchestra).
A makemake wau e haʻi aku i kekahi ʻaoʻao o kāna hana. I loko o nā makahiki, hoʻonui a makemake ʻo ia i nā keʻena hoʻonaʻauao mele - nā kula mele, nā kula mele, nā conservatories. "Ma laila, ʻike ʻoe e hoʻolohe maoli lākou iā ʻoe, me ka hoihoi, me ka ʻike o ia mea. A e hoʻomaopopo lākou i ka mea āu, ma ke ʻano he mea hoʻokani, i makemake ai e ʻōlelo. Manaʻo wau ʻo kēia ka mea nui loa no ka mea pena kiʻi: e hoomaopopoia. E hiki mai kekahi mau ʻōlelo koʻikoʻi ma hope. ʻOiai ʻaʻole ʻoe makemake i kekahi mea. Akā, ʻo nā mea a pau e puka mai ana me ka pōmaikaʻi, e kūleʻa ana ʻoe, ʻaʻole ia e ʻike ʻole ʻia.
ʻO ka mea ʻino loa no ka mea hoʻokani mele ʻaha mele, ʻo ia ka manaʻo ʻole. A ma nāʻoihana hoʻonaʻauao kūikawā, ma keʻano he kūlana,ʻaʻohe poʻe manaʻoʻole a me ka manaʻoʻole.
I koʻu manaʻo, ʻoi aku ka paʻakikī a me ke kuleana o ka pāʻani ʻana i nā kula mele a me nā kula mele ma mua o ka pāʻani ʻana i nā hale philharmonic he nui. A makemake au iā ia iho. Eia kekahi, mahalo ʻia ka mea pena ma ʻaneʻi, mālama lākou iā ia me ka mahalo, ʻaʻole lākou e koi iā ia e ʻike i kēlā mau manawa hoʻohaʻahaʻa e hāʻule i kekahi manawa i kāna ʻāpana e pili ana i ka hoʻokele ʻana o ka hui philharmonic.
E like me kēlā me kēia mea pena kiʻi, ua loaʻa iā Slobodyanik kekahi mea i nā makahiki, akā i ka manawa like ua nalowale kekahi mea ʻē aʻe. Eia naʻe, mālama ʻia kona hauʻoli e "hoʻā wale" i ka wā o ka hana. Hoʻomanaʻo wau i kekahi manawa a mākou i kamaʻilio pū ai me ia ma nā kumuhana like ʻole; ua kamaʻilio mākou e pili ana i nā manawa malu a me nā loli o ke ola o kahi mea hoʻokani malihini; Ua nīnau au iā ia: hiki paha, ma ke kumu, ke pāʻani maikaʻi, inā ʻo nā mea āpau a puni ka mea pena kiʻi iā ia e pāʻani, ʻino: ʻo ke keʻena ʻelua (inā hiki iā ʻoe ke kāhea i nā hale i kēlā mau lumi i kūpono ʻole no nā ʻahamele, kahi āu i loaʻa ai i kekahi manawa. e hoʻokani), a me ka poʻe anaina (inā hiki ke lawe ʻia nā ʻākoakoa lehulehu a ʻuʻuku loa o nā kānaka no kahi anaina philharmonic maoli), a me kahi mea kani haki, etc., etc. "Ua ʻike anei ʻoe," wahi a Alexander Alexandrovich, "i loko o kēia , no laila e ʻōlelo ai, pāʻani maikaʻi nā "kūlana pono ʻole". ʻAe, ʻae, hiki iā ʻoe, hilinaʻi iaʻu. Akā - inā wale nō hiki ke lealea i ke mele. ʻAʻole hiki koke mai kēia makemake, e hoʻopau i nā minuke 20-30 i ka hoʻoponopono ʻana i ke kūlana. Akā, i ka wā e hopu maoli ai ke mele iā ʻoe, ahea e hoohuliia, - lilo nā mea āpau a puni i mea ʻole, mea ʻole. A laila hiki iā ʻoe ke pāʻani maikaʻi loa…”
ʻAe, ʻo kēia ka waiwai o kahi mea pena maoli - e hoʻoheheʻe iā ia iho i ke mele a pau ʻo ia i ka nānā ʻana i nā mea āpau a puni iā ia. A ʻo Slobodianik, e like me kā lākou i ʻōlelo ai, ʻaʻole i nalowale kēia mākaukau.
ʻOiaʻiʻo, i ka wā e hiki mai ana, e kali ana nā hauʻoli hou a me nā hauʻoli o ka hui ʻana me ka lehulehu - aia nā paʻi, a me nā ʻano ʻē aʻe o ka holomua i ʻike nui ʻia e ia. ʻAʻole paha ʻo ia ka mea nui iā ia i kēia lā. Ua hōʻike mua ʻo Marina Tsvetaeva i kahi manaʻo pololei loa i ka wā e komo ai kahi mea pena kiʻi i ka hapa lua o kāna ola hana, lilo ia i mea nui iā ia. ʻaʻole ka holomua, akā ka manawa...
G. Tsypin, 1990
