Alfredo Casella |

Alfredo Casella

ʻO ka haku mele Italia, ka mea hoʻokani pila, ka mea alakaʻi a me ka mea kākau mele. Hānau ʻia i loko o kahi ʻohana o nā mea hoʻokani pila (ʻo kona makuakāne he cellist, he kumu ma ka Musical Lyceum ma Turin, ʻo kona makuahine he pianist). Ua aʻo ʻo ia ma Turin me F. Bufaletti (piano) a me G. Cravero (harmony), mai 1896 - ma Paris Conservatory me L. Diemera (piano), C. Leroux (harmony) a me G. Fauré (composition).

Ua hoʻomaka ʻo ia i kāna ʻoihana mele ma ke ʻano he piano a alakaʻi. Ua huakaʻi ʻo ia i nā ʻāina ʻEulopa he nui (ma Russia - i 1907, 1909, i ka USSR - i 1926 a me 1935). Ma 1906-09, he lālā ʻo ia (hoʻokani i ka harpsichord) o ka hui o nā mea kani kahiko o A. Kazadezyus. I ka makahiki 1912, ua hana ʻo ia ma ke ʻano he mele mele no ka nūpepa ʻo L'Homme libre. I ka makahiki 1915-22 ua aʻo ʻo ia ma ka Santa Cecilia Music Lyceum ma Roma (papa piano), mai ka makahiki 1933 ma ke kula ʻo Santa Cecilia (papa hoʻomaikaʻi piano), a ma ke kula ʻo Chijana ma Siena (ke poʻo o ke keʻena piano). ).

Ke hoʻomau nei i kāna mau hana ʻaha mele (pianist, conductor, i nā makahiki 30 he lālā o ka Italian Trio), ua hoʻolaha ʻo Casella i nā mele ʻEulopa hou. I ka makahiki 1917, ua hoʻokumu ʻo ia i ka National Musical Society ma Roma, a ua hoʻololi ʻia i ka Italian Society of Modern Music (1919), a mai ka makahiki 1923 i loko o ka Corporation for New Music (kahi ʻāpana o ka International Society for Contemporary Music).

I ka wā mua o ka hoʻomohala ʻana ua hoʻoikaika ʻia e R. Strauss lāua ʻo G. Mahler. I ka makahiki 20. ua neʻe i ke kūlana neoclassicism, e hui pū ana i nā ʻenehana hou a me nā ʻano kahiko i kāna mau hana (Scarlattiana no ka piano a me 32 strings, op. 44, 1926). Ka mea kākau o nā opera, ballets, symphonies; ʻO ka nui o nā unuhi piano a Casella i kōkua i ke ala hou ʻana o ka hoihoi i nā mele Italia mua. Ua komo 'o ia ma ka ho'opuka 'ana i ka papa mele kahiko o ka piano (JS Bach, WA Mozart, L. Beethoven, F. Chopin).

Na Casella nā hana musicological, incl. ʻatikala e pili ana i ka ulu ʻana o ka cadence, monographs ma IF Stravinsky, JS Bach a me nā mea ʻē aʻe. Lunahooponopono o na hana piano kahiko.

Mai ka makahiki 1952, ua kapa ʻia ka International Piano Competition ma hope o AA Casella (hoʻokahi i kēlā me kēia 2 makahiki).

CM Hryshchenko

Nā haku mele:

kahawai – ʻO ka Snake Woman (La donna serpente, ma hope o ka moʻolelo moʻolelo a C. Gozzi, 1928-31, post. 1932, Opera, Roma), The Legend of Orpheus (La favola d'Orfeo, after A. Poliziano, 1932, tr Goldoni, Venice), Desert of Temptation (Il deserto tentato, pohihihi, 1937, tr Comunale, Florence); baleta – choreography, comedy Monastery ma luna o ka wai (Le couvent sur l'eau, 1912-1913, post. ma lalo o ka inoa Venetian monastery, Il convento Veneziano, 1925, tr “La Scala”, Milan), Bowl (La giara, ma hope o ka pōkole moʻolelo na L. Pirandello, 1924, “Tr Champs Elysees”, Paris), lumi o nā kiʻi (La camera dei disegni o Un balletto per fulvia, ballet keiki, 1940, Tr Arti, Roma), Rose of a Dream (La rosa del sogno, 1943, tr Opera, Roma); no ka hookani pila – 3 symphonies (b-moll, op. 5, 1905-06; c-moll, op. 12, 1908-09; op. 63, 1939-1940), Heroic elegy (op. 29, 1916), Village march ( Marcia rustica, op. 49, 1929), Introduction, aria and toccata (op. 55, 1933), Paganiniana (op. 65, 1942), concerto for strings, piano, timpani and percussion (op. 69, 1943) and others ; no nā mea kani (solo) me ka hoʻokani pila – Partita (no ka piano, op. 42, 1924-25), Roman Concerto (no ka okana, keleawe, timpani a me na kaula, op. 43, 1926), Scarlattiana (no ka piano a me 32 strings, op. 44, 1926) ), concerto no Skr. (a-moll, op. 48, 1928), concerto no ka piano, skr. a me VC. (op. 56, 1933), Nocturne a me tarantella no wlc. (op. 54, 1934); nā mea kani; ʻāpana piano; nā mele aloha; transcriptions, incl. ʻO ka hoʻokani pila o ka piano fantasy "Islamey" na Balakirev.

Nā hana moʻokalaleo: L'evoluzione della musica a traverso la storia della cadenza perfetta, L., 1923; Polytonality and atonality, L. 1926 (Unuhi Lūkini o ka ʻatikala na K.); Strawinski a me Roma, 1929; Brescia, 1947; 21+26 (hōʻiliʻili ʻatikala), Roma, 1930; Il pianoforte, Roma-Mil., 1937, 1954; I segreti della giara, Firenze, 1941 (autobiography, unuhi English – Music in my time. The memoirs, Norman, 1955); GS Bach, Torino, 1942; Beethoven intimo, Firenze, 1949; La tecnica dell'orchestra contemporanea (me V. Mortari), Mil., 1950, Buc., 1965.

E hoʻomaopopo ': И. Глебов, А. Казелла, Л., 1927; Соrtеsе L., A. Casella, Genoa, 1930; A. Casella – Symposium, hoʻoponopono ʻia e GM Gatti lāua ʻo F. d'Amico, Mil., 1958.