Wahi |

aie? (mai ka Greek zonn - kāʻei) - hōʻike i ka pilina ma waena o nā mea mele. ʻO ke kani ke ʻano hanana kino (frequency, intensity, haku mele ʻana, lōʻihi) a me kāna muses. ʻano maikaʻi (pitch, leo nui, timbre, lōʻihi) e like me ka noʻonoʻo ʻana i ka noʻonoʻo kanaka o kēia mau kino. nā mea kani. Ua hoʻokomo ʻia ka manaʻo e nā pueo. mea hoʻokani pila ʻo N. A. ʻO Garbuzov. Mea loea. ua loaʻa i ka noiʻi, ʻo ia hoʻi, kēlā me kēia ʻanuʻu o nā muses. unahi (c, cis, d, etc.) me ke kino. ʻAʻole pili ka ʻaoʻao i hoʻokahi alapine, e like me ka ʻōnaehana i hōʻike ʻia ma ka makemakika (no ka laʻana, ke ʻano like), akā he helu o nā alapine kokoke; i ka wā e loli ai nā alapine i loko o kēia mau palena, ʻaʻole e loli ka maikaʻi o ke kani i kekahi pae: no ka laʻana, hiki i ke kani a1 ke loaʻa ʻaʻole 440 Hz (OST 7710) wale nō, akā ʻo 439, 438, 437, 436, 435 pū kekahi. e like me 441, 442, 443, 444, 445 Hz, me ka huli ole i gis1 a i ole b1. Ua kapa ʻia ia mau pae alapine he wahi kani-kiʻekiʻe. Ma nā hoʻokolohua a Garbuzov, hoʻokani nā poʻe me nā kaula kani maikaʻi loa a i ʻole nā ​​mea kani kūikawā. nā mea hana no nā leo i hāʻawi ʻia me nā ala. nā loli pinepine; ʻoi aku ka laulā o ka ʻāpana i nā papa inoa kiʻekiʻe i kekahi manawa ma mua o 200 keneta (ie he leo holoʻokoʻa!). ʻO nā mea mele kiʻekiʻe me nā ʻano maikaʻi. Hoʻonohonoho ka lohe i nā manawa i ʻōlelo ʻia me nā loli a hiki i 60-70 keneta. Ua ʻike ʻia nā hopena like ma ke aʻo ʻana i nā hōʻike passive o ka lohe piha a pili paha (ʻo ia hoʻi, i ka loiloi ʻana i nā ʻano ʻokoʻa intonational o kēlā me kēia ʻanuʻu o ka unahi a i ʻole nā ​​ʻano like ʻole o nā ratio alapine i nā wā. ʻAʻole hiki ke ʻike ʻia ka ʻāpana me nā koina paepae (e laʻa, me ka paepae hoʻokae kiʻekiʻe e like me 5-6 keneta); i loko o ka pitch zone, hiki i nā mea mele ke hoʻokaʻawale, e like me Garbuzov, a hiki i 10 mau leo ​​kani. nā aka. ʻO ka hoʻokumu ʻana i ke ʻano zonal o ka lohe pitch e wehe i nā mea hou no ke aʻo ʻana i ka hana noʻeau. nā wehewehe mele. e hana. Ma nā hana a Garbuzov, a me kāna mau haumāna a me kāna poʻe hahai (A. V. Rabinovich, E. A. Malteva, S. G. Korsunsky, O. E. Sakhaltuyeva, Yu. N. Rags, E. V. Nazaykinsky), ka manaʻo aesthetic o ka manaʻo o "zone". ʻO ka manaʻo noʻeau o ka mea haku mele a me ka hoʻolālā wehewehe ʻana o ka mea hoʻokani e hoʻoikaika i ke koho ʻana o kekahi a i ʻole ke kani ʻana mai ka ʻāpana. ʻO Z., no laila, hōʻike i ka laulā o nā mea hiki ke hōʻike kiʻekiʻe i loaʻa i ka mea hoʻokani. ʻO ka manaʻo o Z. ua hoʻonui ʻia e Garbuzov i ka ʻike o ka manawa a me ke kani, ke kani (ka leo nui) a me ka lohe kani (e nānā i ka pepeiao Musical). ʻO ka manaʻo o ke ʻano ʻāpana o ke mele. Ua nui ka mana o ka lohe i ka ulu ʻana o ka hoʻonaʻauao. a me nā manaʻo noʻonoʻo o nā mea hoʻokani mele a ʻike ʻia i nā mea he nui. nā puke, nā haʻawina manual, nā kula i paʻi ʻia ma USSR a ma waho. ʻAe ʻia nā manaʻo theoretical hou e alakaʻi i kekahi mau haʻawina o ke kaʻina hana muses. hoʻokō a hāʻawi i nā nui. a me nā ʻano. kuhi pl. phenomena o ka "microworld" o ke mele.

E hoʻomaopopo ': Rabinovich AV, Oscillographic method of melody analysis, M., 1932; Korsunsky SG, Zones of intervals ke hoʻokani iā ​​​​lākou ma nā mea kani me ka leo manuahi, Physiological Journal of the USSR, 1946, v. 32, No 6; Garbuzov HA, Zonal ano o ka lohe pitch, M.-L., 1948; nona iho, Zone nature of tempo and rhythm, M., 1950; kāna, Intrazonal intonation lohe a me nā ʻano o kona hoʻomohala ʻana, M.-L., 1951; kona, ʻano Zonal o ka lohe ikaika, M., 1955; nona iho, Zone nature of timbre hearing, M., 1956; Sakhaltueva OE, Ma kekahi mau hiʻohiʻona o ka leo e pili ana i ke ʻano, dynamics a me ka lokahi, ma: Nā hana o ka 'Oihana Music Theory o ka Moscow State Conservatory. PI Tchaikovsky, vol. 1, Moscow, 1960; Rags Yu. N., ke kani o ke mele e pili ana i kekahi o kona mau mea, ibid.; Rags Yu. N. and Nazaikinsky EV, Musical-theoretical research and development of theory of hearing, in collection: "Laboratory of Musical Acoustics" (ma ka 100th anniversary of the MoLGK i kapa ʻia ma hope o PI Tchaikovsky), M., 1966.

ʻO Yu. N. Rags