Arthur Honegger |

Arthur Honegger

He haku nui ʻo Honegger, ʻo ia kekahi o nā haku haku mele hou i loaʻa ke ʻano o ka hanohano. E. Jourdan-Morange

ʻO ka haku mele Palani koʻikoʻi ʻo A. Honegger kekahi o nā mea pena kiʻi holomua o ko mākou manawa. ʻO ke ola holoʻokoʻa o kēia mea hoʻokani pila a me ka mea noʻonoʻo he lawelawe ia i kāna ʻoihana aloha. Ua hāʻawi ʻo ia i kona mau mana a me kona ikaika iā ia no kahi kokoke i 40 mau makahiki. ʻO ka hoʻomaka ʻana o ka hana a ka mea haku mele mai nā makahiki o ke Kaua Honua Mua, ua kākau ʻia nā hana hope loa ma 1952-53. Aia ʻo Peru Honegger ma luna o 150 mau haku mele, a me nā ʻatikala koʻikoʻi e pili ana i nā pilikia wela o ke kiʻi mele o kēia wā.

He kamaaina o Le Havre, ua hoʻohana ʻo Honegger i ka hapa nui o kona wā ʻōpio ma Switzerland, ka ʻāina hānau o kona mau mākua. Ua aʻo ʻo ia i nā mele mai ka wā kamaliʻi, ʻaʻole naʻe ma Zurich a i Le Havre paha. Ma ka ikaika, ua hoʻomaka ʻo ia e aʻo i ka haku mele ma ka makahiki 18 ma Paris Conservatory me A. Gedalzh (ke kumu a M. Ravel). Maʻaneʻi, hui ka mea haku mele i ka wā e hiki mai ana me D. Milhaud, ka mea, e like me ka Honegger, he mana nui iā ia, ua kōkua i ka hoʻokumu ʻana i kāna mau makemake a hoihoi i nā mele hou.

He paʻakikī ke ala hana o ka haku mele. I nā makahiki mua o 20. Ua komo ʻo ia i ka hui hoʻokumu o nā mea hoʻokani pila, i kapa ʻia e nā mea hoʻohewa ʻo "French Six" (e like me ka helu o kona mau lālā). ʻO ka noho ʻana o Honegger ma kēia kaiāulu i hāʻawi i ka manaʻo nui i ka hōʻike ʻana i nā kūʻē ʻana o ka manaʻo a me ka hana noʻeau i kāna hana. Ua hāʻawi ʻo ia i ka mahalo nui i ka constructivism ma kāna ʻāpana orchestral Pacific 231 (1923). Ua hui pū ʻia kāna hana mua me kahi kūleʻa weliweli, a ua kaulana ka hana i waena o nā mea aloha o nā ʻano huahana hou. "Ua kapa mua wau i ka ʻāpana Symphonic Movement," kākau ʻo Honegger. “Akā… i ka pau ʻana o ka helu, ua kapa aku au iā ia ʻo Pacific 231. ʻO ia ka inoa o nā locomotives mahu e alakaʻi i nā kaʻa koʻikoʻi" ... ʻike ʻia ka makemake o Honegger i ka urbanism a me ka constructivism i nā hana ʻē aʻe o kēia manawa: ma ke kiʻi symphonic " Rugby” a ma ka “Symphonic Movement No. 3”.

Eia nō naʻe, ʻoiai nā pilina hana me ka "Six", ua ʻike mau ʻia ka mea haku mele e ke kūʻokoʻa o ka noʻonoʻo noʻonoʻo, ka mea i hoʻoholo i ka laina nui o ka hoʻomohala ʻana o kāna hana. Aia i ka waena o 20s. Ua hoʻomaka ʻo Honegger e hana i kāna mau hana maikaʻi loa, hohonu kanaka a democratic. ʻO ka haku mele ʻāina ʻo ka oratorio "King David". Ua wehe ʻo ia i kahi kaulahao lōʻihi o kāna mau leo ​​nui a me nā frescoes orchestral "Calls of the World", "Judith", "Antigone", "Joan of Arc at the stake", "Dance of the Dead". Ma kēia mau hana, hoʻokaʻawale kūʻokoʻa ʻo Honegger i nā ʻano ʻano like ʻole i ke ʻano o kona manawa, e hoʻoikaika ana e hoʻokomo i nā manaʻo koʻikoʻi kiʻekiʻe i waiwai mau loa. No laila ka hoʻopiʻi ʻana i nā kumuhana kahiko, Baibala a me ka wā kahiko.

Ua hala nā hana maikaʻi a Honegger i nā pae nui loa o ka honua, e hoʻohauʻoli ana i ka poʻe hoʻolohe me ka nani o ka naʻau a me ka hou o ka ʻōlelo mele. ʻO ka haku mele ponoʻī i hana ikaika ma ke ʻano he alakaʻi o kāna mau hana ma kekahi mau ʻāina ma ʻEulopa a me ʻAmelika. I ka makahiki 1928, ua kipa 'o ia i Leningrad. Maʻaneʻi, ua hoʻokumuʻia ka pilina aloha a me ka hoʻolālā ma waena o Honegger a me nā mea mele Soviet, a me D. Shostakovich.

Ma kāna hana, ʻaʻole ʻimi wale ʻo Honegger i nā ʻāpana hou a me nā ʻano, akā no ka mea hoʻolohe hou. "Pono ke mele e hoʻololi i ka lehulehu a hoʻopiʻi i ka lehulehu," wahi a ka mea haku mele. "Akā no kēia, pono ʻo ia e hoʻololi i kona ʻano, lilo i maʻalahi, paʻakikī ʻole a i nā ʻano nui. ʻAʻole makemake ka poʻe i ka ʻenehana haku mele a me ka ʻimi. ʻO kēia ke ʻano mele aʻu i hoʻāʻo ai e hāʻawi ma "Jeanne at the stake". Ua hoʻāʻo wau e hiki ke loaʻa i ka mea hoʻolohe maʻamau a hoihoi no ka mea hoʻokani pila.

Ua ʻike ʻia nā manaʻo democratic o ka haku mele ma kāna hana ma nā ʻano mele a me nā ʻano hoʻohana. Kākau nui ʻo ia no ke kiʻiʻoniʻoni, lekiō, keaka keaka. Ua lilo ʻo Honegger i lālā o ka French People's Music Federation i ka makahiki 1935, a me nā mea hoʻokani pila holomua ʻē aʻe, i ka papa o ka anti-fascist Popular Front. I loko o kēia mau makahiki, ua kākau ʻo ia i nā mele lehulehu, ua hoʻololi i nā mele mele, ua komo i ka hoʻonohonoho mele o nā hana i ke ʻano o nā ʻahaʻaina nui o ka Great French Revolution. ʻO ka hoʻomau kūpono o ka hana a Honegger kāna hana i nā makahiki pōʻino o ka noho fascist ma Farani. He lālā o ka neʻe kūʻē, a laila hana ʻo ia i kekahi mau hana o ka ʻike aloha ʻāina. ʻO kēia ka Second Symphony, nā mele o ka Liberation a me nā mele no ka hōʻike lekiō ʻo Beats of the World. Me ka haku mele a me ka oratorio, ʻo kāna 5 symphonies pū kekahi i nā mea kiʻekiʻe loa o ka haku mele. ʻO ka hope o lākou i kākauʻia ma lalo o ka manaʻo pololei o nā hanana weliweli o ke kaua. Ke haʻi nei e pili ana i nā pilikia wela o ko mākou manawa, ua lilo lākou i mea kōkua nui i ka hoʻomohala ʻana i ke ʻano symphonic o ke kenekulia XNUMX.

Ua hōʻike ʻo Honegger i kāna manaʻo noʻonoʻo ʻaʻole wale i ka hana mele, akā i nā hana moʻokalaleo: ua kākau ʻo ia i nā puke mele a me nā puke ʻole. Me nā kumuhana like ʻole o ka hoʻoilina koʻikoʻi o ka haku mele, ʻo nā pilikia o nā mele o kēia wā a me kona ʻano pilikanaka e noho i kahi kikowaena. I nā makahiki hope o kona ola ʻana, ua ʻike ʻia ka haku mele ma ka honua holoʻokoʻa, he kauka hanohano o ke Kulanui o Zurich, a ua alakaʻi ʻo ia i kekahi mau hui mele honua mana.

I. Vetlitsyna

Nā haku mele:

kahawai – Judith (keaka Baibala, 1925, 2nd ed., 1936), Antigone (lyric tragedy, lib. J. Cocteau after Sophocles, 1927, tr “De la Monnaie”, Brussels), Eaglet (Lʻaiglon , hui pū me G. ʻO Iber, ma muli o ke keaka a E. Rostand, 1935, i hoʻokumu ʻia ma 1937, Monte Carlo), baleta – He wahaheʻe ka ʻoiaʻiʻo (Vèritè – mensonge, puppet ballet, 1920, Paris), Skating-Ring (Skating-Rink, Swedish roller ballet, 1921, post. 1922, Champs Elysees Theatre, Paris), Fantasy (Phantasie, ballet- sketch , 1922), Ma lalo o ka wai (Sous-marine, 1924, post. 1925, Opera Comic, Paris), Metal Rose (Rose de mètal, 1928, Paris), Cupid a me Psyche's Wedding (Les noces d 'Amour et Psychè, ma ka themes of “French Suites” by Bach, 1930, Paris), Semiramide (ballet-melodrama, 1931, post. 1933, Grand Opera, Paris), Icarus (1935, Paris), The White Bird Has Flew ( Un oiseau blanc s' est envolè, ​​​​no ka hoʻolauleʻa mokulele, 1937, Théâtre des Champs-Élysées, Paris), Song of Songs (Le cantique des cantiques, 1938, Grand Opera, Paris), The Birth of Color (La naissance des couleurs, 1940, ibid.), The Call of the Mountains (L'appel de la montagne, 1943, post. 1945, ibid.), Shota Rustaveli (me A. Tcherepnin, T. Harshanyi, 1945, Monte Carlo), Man in a Leopard ʻili (L'homme a la peau de lèopard, 1946); opereta – ʻO nā hana a ka Mōʻī Pozol (Les aventures du roi Pausole, 1930, tr “Buff-Parisien”, Paris), Nani mai Moudon (La belle de Moudon, 1931, tr “Jora”, Mézières), Baby Cardinal (Les petites Cardinal , me J. Hibert, 1937, Bouffe-Parisien, Paris); stage oratorio – King David (Le roi David, ma muli o ke keaka a R. Moraks, 1st edition – Symphonic salm, 1921, tr “Zhora”, Mezieres; 2nd edition – dramatic oratorio, 1923; 3rd edition – opera -oratorio, 1924, Paris ), Amphion (melodrama, 1929, post. 1931, Grand Opera, Paris), oratorio Cries of Peace (Cris du monde, 1931), dramatic oratorio Joan of Arc at the stake (Jeanne d' Arc au bucher, kikokiko na P. Claudel, 1935, Paniolo 1938, Basel), oratorio Hula o ka poe make (La danse des morts, kikokiko na Claudel, 1938), kaao dramatic Nicolas de Flue (1939, post. 1941, Neuchâtel ), Christmas Cantata (Une cantate de Noel , in liturgical and folk texts, 1953); no ka hookani pila - 5 symphonies (mua, 1930; lua, 1941; Liturgical, Liturgique, 1946; Basel pleasures, Deliciae Basilienses, 1946, symphony of three res, Di tre re, 1950), Prelude to the drama "Aglavena and Selinette (" pour ” Aglavaine et Sèlysette”, 1917), Ka Mele o Nigamon (Le chant de Nigamon, 1917), Ka Moolelo o na Lealea o ka Honua (Le dit des jeux du monde, 1918), Suite Summer Pastoral (Pastorale d'ètè , 1920), Mimic Symphony Horace- lanakila (Horace victorieux, 1921), Song of Joy (Chant de joie, 1923), Prelude to Shakespeare's The Tempest (Prèlude pour “La tempete”, 1923), Pacific 231 (Pacific 231, 1923). ), Rugby (Rugby, 1928) , Symphonic movement No 3 (Mouvement symphonique No3, 1933), Suite mai ka mele no ke kiʻi "Les Misérables" ("Les misèrables", 1934), Nocturne (1936), Serenade Angélique (Sèrènade pour Angèlique, 1945), Suite archaique (Suite archaique, 1951), Monopartita (Monopartita, 1951); nā ʻahamele me ka hoʻokani pila – concertino no ka piano (1924), no Volch. (1929), chamber concerto for flute, English. kiwi a me nā kaula. orc. (1948); lumi hoʻokani pila — 2 sonata no Skr. a me fp. (1918, 1919), sonata no ka viola a me ka piano. (1920), sonata no vlc. a me fp. (1920), sonatina no 2 Skr. (1920), sonatina no ka clarinet a me ka piano. (1922), sonatina no Skr. a me VC. (1932), 3 kaula. quartet (1917, 1935, 1937), Rhapsody no 2 ohe, clarinet a me ka piano. (1917), Anthem for 10 strings (1920), 3 counterpoints for piccolo, oboe, skr. a me VC. (1922), Prelude and Blues for harp quartet (1925); no ka piano - Scherzo, Humoresque, Adagio expressivo (1910), Toccata and Variations (1916), 3 ʻāpana (Prelude, Dedication to Ravel, Hommage a Ravel, Hula, 1919), 7 ʻāpana (1920), Sarabande mai ka album "Six" ( 1920), Swiss Notebook (Cahier Romand, 1923), Hoʻolaʻa iā Roussel (Hommage a A. Rousell, 1928), Suite (no 2 fp., 1928), Prelude, arioso a me fughetta ma kahi kumuhana BACH (1932), Partita ( no 2 fp. , 1940), 2 sketches (1943), Memories of Chopin (Souvenir de Chopm, 1947); no ka violin solo - sonata (1940); no ka okana – fugue and chorale (1917), for flute – Hulahula o ke kao (Danse de la chevre, 1919); nā mele a me nā mele, e pili ana i ka G. Apollinaire, P. Verlaine, F. Jammes, J. Cocteau, P. Claudel, J. Laforgue, R. Ronsard, A. Fontaine, A. Chobanian, P. Faure a me na mea e ae; mele no na hana keaka keaka - Ka Moʻolelo o nā Pāʻani o ka Honua (P. Meralya, 1918), Hula o ka Make (C. Larronda, 1919), Nā male hou ma ka hale kiaʻi ʻo Eiffel (Cocteau, 1921), Saul (A. Zhida, 1922), Antigone ( Sophocles – Cocteau, 1922) , Lilyuli (R. Rolland, 1923), Phaedra (G. D'Annunzio, 1926), Iulai 14 (R. Rolland; me nā haku haku ʻē aʻe, 1936), Silk slipper (Claudel, 1943), Karl the Bold (R Morax, 1944), Prometheus (Aeschylus - A. Bonnard, 1944), Hamlet (Shakespeare - Gide, 1946), Oedipus (Sophocles - A. Both, 1947), State of Siege (A. Camus, 1948). ), Me ke aloha ʻaʻole lākou e hoʻohenehene (A. Musset, 1951), Oedipus the King (Sophocles - T. Molniera, 1952); mele no ka lekiō – 12 hahau i ke aumoe (Les 12 coups de minuit, C. Larronda, radiomystery for choir and orc., 1933), Radio panorama (1935), Christopher Columbus (V. Age, radio oratorio, 1940), Beatings of the world ( Battements du monde, Makahiki, 1944), ʻO ke Poʻo Gula (Tete dʻor, Claudel, 1948), St. Francis o Assisi (Age, 1949), ʻO ke kalahala o François Villon (J. Bruire, 1951); mele no nā kiʻiʻoniʻoni (35), me “Crime and Punishment” (e like me FM Dostoevsky), “Les Misérables” (e like me V. Hugo), “Pygmalion” (e like me B. Shaw), “Abduction” (e like me Sh. F. Ramyu), "Kapena Fracas" (e like me T. Gauthier), "Napoleon", "Flight over the Atlantic".

Nā hana moʻokalaleo: Incantation aux fossiles, Lausanne (1948); Je suis compositeur, (P., 1951) (Unuhi Lūkini - He haku mele au, L., 1963); Nachklang. Schriften, Nā kiʻi. Documente, Z., (1957).

E hoʻomaopopo ': ʻO Shneerson GM, mele Palani o ke kenekulia XX, M., 1964, 1970; Yarustovsky B., Symphony e pili ana i ke kaua a me ka maluhia, M., 1966; Rappoport L., Arthur Honegger, L., 1967; nona, Kekahi mau hiʻohiʻona o A. Honegger's Harmony, ma Sat: Problems of Mode, M., 1972; Drumeva K., Dramatic oratorio na A. Honegger "Joan of Arc at the stake", ma ka hōʻiliʻili: Mai ka moʻolelo o nā mele haole, M., 1971; Sysoeva E., Kekahi mau ninau a A. Honegger's symphonism, ma ka ohi: Mai ka moolelo o na mele haole, M., 1971; nona iho, A. Onegger's Symphonies, M., 1975; Pavchinsky S, Symphonic works of A. Onegger, M., 1972; George A., A. Honegger, P., 1926; Gerard C, A. Honegger, (Brux., 1945); Bruyr J., Honegger et son oeuvre, P., (1947); Delannoy M., Honegger, P., (1953); Tappolet W., A. Honegger, Z., (1954), id. (Neucntel, 1957); Jourdan-Morhange H., Mes amis musiciens, P., 1955 Guilbert J., A. Honegger, P., (1966); Dumesnil R., Histoire de la musicique, t. 1959- La première moitiè du XX-e sícle, P., 5 (Unuhi ʻōlelo Lūkini o nā ʻāpana - Dumesnil R., nā haku mele Farani hou o ka hui ʻeono, ed. a me ka ʻatikala hoʻomaka M. Druskina, L., 1960) ; Peschotte J., A. Honegger. L'homme et son oeuvre, P., 1964.