Gioachino Rossini |

ʻO Gioachino Rossini

Ke poeleele nei nae ke ahiahi uliuli, Ua hiki koke mai ka manawa o kakou i ka opera; Aia ka Rossini leʻaleʻa, ka mea aloha o ʻEulopa - Orpheus. Hoʻowahāwahā i ka hoʻohewa ʻoʻoleʻa ʻO ia mau loa; hou mau loa. Ninini ʻo ia i nā kani - hoʻolapalapa lākou. Kahe lakou, puhi. E like me nā honi ʻōpio ʻO nā mea a pau i ka hauʻoli, i ka lapalapa o ke aloha, E like me ka ʻūhā ʻai He kahawai a me nā ʻōpala gula ... A. Pushkin

Ma waena o nā mea haku mele Italia o ke kenekulia XIX. Noho ʻo Rossini i kahi kūikawā. ʻO ka hoʻomaka ʻana o kāna ala hoʻomohala e hāʻule i ka manawa i hoʻomaka ai ka nalo ʻana o ka operatic art o Italia, ʻaʻole i lōʻihi ma mua o ʻEulopa. ʻO ka ʻOpera-buffa e luʻu ana i ka leʻaleʻa noʻonoʻo ʻole, a ua hoʻohaʻahaʻa ʻia ka opera-seria i kahi hana ʻano ʻole. ʻAʻole wale ʻo Rossini i hoʻōla a hoʻoponopono hou i ka opera Italia, akā he hopena nui nō hoʻi i ka hoʻomohala ʻana i ka hana operatic European holoʻokoʻa o ke kenekulia i hala. "Divine Maestro" - ka mea i kapa ʻia ʻo G. Heine ka mea haku mele Italia nui, nāna i ʻike iā Rossini "ka lā o Italia, e hoʻopau ana i kāna mau kukuna sonorous a puni ka honua."

Ua hānau ʻia ʻo Rossini i loko o ka ʻohana o kahi mea hoʻokani pila ʻilihune a me kahi mea mele opera kūloko. Me kahi hui huakaʻi, ua ʻauwana nā mākua a puni nā kūlanakauhale like ʻole o ka ʻāina, a ua kamaʻāina ka mea haku mele e hiki mai ana mai ka wā kamaliʻi i ke ola a me nā loina i hoʻomalu i nā hale opera Italia. ʻO ke ʻano ikaika, ka noʻonoʻo hoʻomāʻewaʻewa, ke alelo ʻoi i ke ʻano o Gioacchino liʻiliʻi me ke mele maʻalahi, ka lohe maikaʻi a me ka hoʻomanaʻo kupaianaha.

I ka makahiki 1806, ma hope o kekahi mau makahiki o nā haʻawina unsystematic i ka mele a me ke mele, ua komo ʻo Rossini i ka Bologna Music Lyceum. Ma laila, ua aʻo ka mea haku mele i ka cello, violin a me ka piano. ʻO nā papa me ka mea haku mele kaulana ʻo S. Mattei ma ke kumumanaʻo a me ka haku mele, ka hoʻonaʻauao ikaika ʻana iā ia iho, ke aʻo ʻana i ka mele a J. Haydn a me WA ​​Mozart - ua ʻae kēia mau mea iā Rossini e haʻalele i ka lyceum ma ke ʻano he mea hoʻokani moʻomeheu i haku i ke akamai. o ka haku mele maikai ana.

I ka hoʻomaka ʻana o kāna ʻoihana, ua hōʻike ʻo Rossini i kahi makemake nui no ka hale keaka mele. Ua kākau ʻo ia i kāna opera mua ʻo Demetrio lāua ʻo Polibio i ka makahiki 14. Mai ka makahiki 1810, ua haku ka mea haku mele i kekahi mau opera o nā ʻano ʻano like ʻole i kēlā me kēia makahiki, e loaʻa mālie ana ka kaulana ma nā pōʻai opera ākea a lanakila i nā pae o nā hale kiʻiʻoniʻoni Italia nui loa: Fenice ma Venice , San Carlo ma Napela, La Scala ma Milana.

ʻO ka makahiki 1813 kahi hoʻololi i ka hana keaka a ka mea haku mele, 2 haku mele i hoʻokumu ʻia i kēlā makahiki – “Italian in Algiers” (onepa-buffa) a me “Tancred” (heroic opera) – hoʻoholo i nā ala nui o kāna hana hou. ʻAʻole ma muli o ke mele maikaʻi wale nō ka holomua o nā hana, akā, ma muli o ke ʻano o ka libretto, i hoʻopiha ʻia me nā manaʻo aloha ʻāina, i kūlike me ka neʻe hoʻokuʻu aupuni no ka hui hou ʻana o Italia, i wehe ʻia i kēlā manawa. ʻO ka hoʻopiʻi lehulehu i hoʻokumu ʻia e nā opera a Rossini, ka hoʻokumu ʻana i ka "Hymn of Independence" ma ke noi ʻana o nā poʻe aloha ʻāina o Bologna, a me ke komo ʻana i nā hōʻikeʻike o ka poʻe hakakā kūʻokoʻa ma Italia - ua alakaʻi kēia i kahi mākaʻi huna lōʻihi. ka nānā ʻana, i hoʻokumu ʻia no ka haku mele. ʻAʻole ʻo ia i manaʻo iā ia iho he kanaka noʻonoʻo politika a kākau ʻo ia i kekahi o kāna mau leka: "ʻAʻole au i komo i ka politika. He mea hoʻokani pila wau, ʻaʻole i manaʻo ʻia e lilo i mea ʻē aʻe, ʻoiai inā wau i ʻike i ke komo ʻana i ka mea e hana nei i ka honua, a ʻoi aku hoʻi i ka hopena o koʻu ʻāina hānau.

Ma hope o "Italian in Algiers" a me "Tancred" ua piʻi koke ka hana a Rossini a ma hope o 3 mau makahiki hiki i kekahi o nā kiʻekiʻe. I ka hoʻomaka ʻana o ka makahiki 1816, ua hana ʻia ka mua o The Barber of Seville ma Roma. Kākau ʻia i loko o nā lā 20 wale nō, ʻaʻole kēia ʻo ke keaka ka mea kiʻekiʻe kiʻekiʻe loa o Rossini comedic-satirical genius, akā ʻo ka culminating point ma kahi kokoke i hoʻokahi kenekulia o ka hoʻomohala ʻana i ke ʻano opera-buifa.

Me The Barber of Seville, ua hele ka kaulana o ka haku mele ma waho o Italia. Ua hōʻoluʻolu ke ʻano ʻo Rossini maikaʻi i ke ʻano o ʻEulopa me ka leʻaleʻa ʻoliʻoli, ka manaʻo ʻālohilohi, ka ʻiʻini nui. "Ke ulu nei kaʻu The Barber i ka holomua i kēlā me kēia lā," i kākau ai ʻo Rossini, "a hiki i nā hoa paio ikaika loa o ke kula hou āna i hoʻokō ai i ka omo ʻana i mea e hoʻomaka ai lākou e aloha i kēia kanaka akamai. hou aku.” ʻO ka manaʻo hoihoi a me ka manaʻo haʻahaʻa i ke mele a Rossini o ka lehulehu aristocratic a me nā aliʻi bourgeois i kōkua i ka puka ʻana mai o nā hoa paio no ka mea haku mele. Eia nō naʻe, ma waena o ka poʻe akamai akamai o ʻEulopa, aia kekahi mau connoisseurs koʻikoʻi o kāna hana. ʻO E. Delacroix, O. Balzac, A. Musset, F. Hegel, L. Beethoven, F. Schubert, M. Glinka ma lalo o ke mele a Rossin. Aʻo KM Weber a me G. Berlioz, ka mea i noho i kahi kūlana koʻikoʻi e pili ana iā Rossini,ʻaʻole i kānalua i kona akamai. "Ma hope o ka make ʻana o Napoleon, aia kekahi kanaka e kamaʻilio mau ʻia ma nā wahi āpau: ma Moscow a me Naples, ma Lākana a me Vienna, ma Paris a me Calcutta," kākau ʻo Stendhal e pili ana iā Rossini.

Nalo mālie ka mea haku mele i ka onepe-buffa. Kākau koke ʻia ma kēia ʻano, ʻaʻole hōʻike ʻo "Cinderella" i ka poʻe hoʻolohe i nā hōʻike hoʻomohala hou o ka mea haku mele. ʻO ka opera The Thieving Magpie, i haku ʻia i ka makahiki 1817, ua ʻoi aku ma mua o nā palena o ke ʻano hoʻohenehene, e lilo ana i kumu hoʻohālike o ke keaka mele maoli. Mai ia manawa, ua hoʻomaka ʻo Rossini e nānā nui i nā keaka heroic-dramatic. Ma hope o Othello, ʻike ʻia nā hana mōʻaukala kaʻao: Mose, The Lady of the Lake, Mohammed II.

Ma hope o ka hoʻokahuli Italia mua (1820-21) a me kona hoʻopau ʻino ʻana e nā pūʻali koa Austrian, hele ʻo Rossini i ka huakaʻi i Vienna me kahi hui keaka Neapolitan. Ua hoʻoikaika hou ka lanakila o Viennese i ka kaulana ʻEulopa o ka haku mele. Ke hoʻi nei ʻo Rossini no kekahi manawa pōkole i Italia no ka hana ʻana o Semiramide (1823), hele ʻo Rossini i Lākana a laila i Paris. Noho ʻo ia ma laila a hiki i ka makahiki 1836. Ma Palika, ke poʻo nei ka mea haku mele i ka Hale ʻOpera Italia, e ʻimi ana i kona mau hoa ʻōpio e hana i loko; nā hana hou no ka Grand Opera ʻo Mose a me Mohammed II (ua hoʻokumu ʻia ka hope ma Paris ma lalo o ka inoa ʻo The Siege of Corinth); kākau, kauoha ʻia e ka ʻOpera Comique, ka opera nani Le Comte Ory; a ʻo ka hope loa, i ʻAukake 1829, ua kau ʻo ia ma ke kahua o ka Grand Opera i kāna hana hope loa - ʻo ka opera "William Tell", i loaʻa ka hopena nui i ka hoʻomohala ʻana o ke ʻano o ka opera heroic Italian ma ka hana a V. Bellini. , G. Donizetti a me G. Verdi.

Ua hoʻopau ʻo "William Tell" i ka hana keaka mele a Rossini. ʻO ka noho mālie o ka maestro maikaʻi i hahai iā ia, nona nā opera 40 ma hope ona, ua kapa ʻia e nā poʻe o ka wā i ka mea pohihihi o ke kenekulia, e hoʻopuni ana i kēia kūlana me nā ʻano kuhi like ʻole. Ua kākau iho ka mea haku mele: “Pehea ka mua, ma ke ʻano he kanaka makua ʻole, ua hoʻomaka wau e haku, e like me ka wā ma mua, ma mua o ka mea i ʻike mua ʻia, ua hoʻōki au i ke kākau ʻana. Ke hana mau nei ia i ke ola: ʻo ka mea e hoʻomaka i ka wanaʻao, e like me nā kānāwai o ke ʻano, e hoʻopau koke.

Eia naʻe, ma hope o ka pau ʻana o ke kākau ʻana i nā keaka, ua hoʻomau ʻo Rossini i ke kikowaena o ka nānā ʻana o ke kaiāulu mele ʻEulopa. Ua hoʻolohe ʻo Paris a pau i ka ʻōlelo koʻikoʻi a ka mea haku mele, ua hoihoi kona ʻano i nā mea mele, nā haku mele, a me nā mea pena e like me ka magnet. Ua hui ʻo R. Wagner me ia, ua haʻaheo ʻo C. Saint-Saens i kāna kamaʻilio ʻana me Rossini, ua hōʻike ʻo Liszt i kāna mau hana i ka maestro Italia, ua ʻōlelo ʻo V. Stasov me ka hoihoi e pili ana i ka hui ʻana me ia.

I nā makahiki ma hope o William Tell, ua hana ʻo Rossini i ka hana uhane kupanaha ʻo Stabat mater, ka Little Solemn Mass a me ka Song of the Titans, kahi hōʻiliʻili mua o nā leo leo i kapa ʻia ʻo Evenings Musical, a me kahi pōʻai o nā ʻāpana piano me ke poʻo inoa ʻo Sins of Old. makahiki. . Mai 1836 a hiki i 1856 Rossini, i hoʻopuni ʻia e ka hanohano a me ka hanohano, noho ʻo ia ma Italia. Ma laila ʻo ia i alakaʻi ai i ka Bologna Musical Lyceum a ua komo ʻo ia i nā hana aʻo. I kona hoʻi ʻana i Paris, ua noho ʻo ia ma laila a hiki i ka hopena o kona mau lā.

He 12 mau makahiki ma hope o ka make ʻana o ka mea haku mele, ua hoʻoneʻe ʻia kona lehu i kona ʻāina hānau a kanu ʻia i loko o ka hale pule o ka Ekalesia o Santa Croce ma Florence, kokoke i nā koena o Michelangelo a me Galileo.

Ua hāʻawi aku ʻo Rossini i kāna waiwai holoʻokoʻa no ka pono o ka moʻomeheu a me ka ʻoihana o kona kūlanakauhale hānau ʻo Pesaro. I kēia mau lā, mālama mau ʻia nā ʻahaʻaina opera Rossini, ma waena o ka poʻe i komo i hiki ke hālāwai me nā inoa o nā mea hoʻokani pila o kēia wā.

I. Vetlitsyna

• ʻO ke ala hoʻomohala o Rossini →
• Huli kiʻi o Rossini ma ke kahua o "serious opera" →

Hānau ʻia i loko o ka ʻohana o nā mea hoʻokani pila: ʻo kona makuakāne he pū kani, ʻo kona makuahine he mele. Aʻo e hoʻokani i nā mea kani like ʻole, hīmeni. Ua aʻo ʻo ia i ka haku mele ma ke kula mele ʻo Bologna ma lalo o ke alakaʻi ʻana a Padre Mattei; ʻaʻole i pau ka papa. Mai 1812 a 1815 ua hana ʻo ia no nā hale kiʻiʻoniʻoni o Venice a me Milan: ʻo ka "Italian in Algiers" kahi kūleʻa kūikawā. Ma ke kauoha a ka impresario Barbaia (Ua mare ʻo Rossini i kāna hoaaloha, ʻo ka soprano Isabella Colbran), hana ʻo ia i ʻumikūmāono mau opera a hiki i 1823. Ua neʻe ʻo ia i Paris, kahi i lilo ai ʻo ia i alakaʻi no ka Théâtre d'Italien, ka mea haku mele mua o ke aliʻi a me ka luna nui. o ka himeni ana ma Farani. Aloha ʻoe i nā hana a ka mea haku mele i ka makahiki 1829 ma hope o ka hana ʻana o "William Tell". Ma hope o ka haʻalele ʻana me Colbrand, male ʻo ia iā Olympia Pelissier, hoʻonohonoho hou i ka Bologna Music Lyceum, e noho ana ma Italia a hiki i 1848, i ka wā i lawe hou mai ai nā ʻino politika iā ia i Paris: ʻo kona villa ma Passy kekahi o nā kikowaena o ke ola noʻeau.

ʻO ka mea i kapa ʻia ʻo "last classic" a i hoʻomaikaʻi ʻia e ka lehulehu ma ke ʻano he mōʻī o ke ʻano comic, i nā opera mua loa i hōʻike i ka lokomaikaʻi a me ka nani o ka hoʻoulu ʻana melodic, ka kūlohelohe a me ka māmā o ke mele, nāna i hāʻawi i ke mele. kahi i nāwaliwali ai nā kuʻuna o ke kenekulia XNUMX, kahi ʻano ʻoiaʻiʻo a kanaka. Hiki i ka mea haku mele ke hoʻololi iā ia iho i nā hana keaka o kēia wā, akā naʻe, hiki iā ia ke kipi iā lākou, ke keʻakeʻa nei, no ka laʻana, i ka virtuosic arbitrariness o nā mea hana a i ʻole ka hoʻololi ʻana.

ʻO ka hana hou nui loa no Italia i kēlā manawa, ʻo ia ke kuleana koʻikoʻi o ka orchestra, ʻo ia hoʻi, mahalo iā Rossini, ua lilo i mea ola, kelepona a nani hoʻi (ʻike mākou i ke ʻano nani o nā overtures, e hoʻolohe maoli ana i kekahi manaʻo). ʻO kahi makemake hauʻoli no kahi ʻano hedonism orchestral mai ka ʻoiaʻiʻo ʻo kēlā me kēia mea kani, i hoʻohana ʻia e like me kona mau ʻenehana, ʻike ʻia me ka hīmeni a me ka ʻōlelo. I ka manawa like, hiki iā Rossini ke hōʻoia i ka pono o nā huaʻōlelo e lawelawe i ka mele, ʻaʻole ia, me ka ʻole o ka hoʻokaʻawale ʻana i ke ʻano o ka kikokikona, akā, ma ka ʻokoʻa, e hoʻohana iā ia i kahi ala hou, hou a hoʻololi pinepine i ka maʻamau. rhythmic patterns - ʻoiai ka mea hoʻokani pila me ka leʻaleʻa i ka haʻiʻōlelo, e hana ana i kahi hoʻomaha mele a me ka symphonic a me ka hoʻokō ʻana i nā hana hōʻike a kiʻi paha.

Ua hōʻike koke ke akamai o Rossini iā ​​ia iho i ke ʻano o ka opera seria me ka hana ʻana o Tancredi i ka makahiki 1813, ka mea i lawe mai i ka mea kākau i kāna lanakila nui mua me ka lehulehu mahalo i nā ʻike melodic me kā lākou lyricism haʻahaʻa a me ka haʻahaʻa, a me ka hoʻomohala ʻana i nā instrumental unconstrained. kona kumu i ke ʻano mele. ʻO nā loulou ma waena o kēia mau ʻano operatic ʻelua i pili loa iā Rossini a hoʻoholo i ka hōʻike kupaianaha o kāna ʻano koʻikoʻi. I ka makahiki 1813, ua hōʻike pū ʻo ia i kahi haku mele, akā ma ke ʻano comic, ma ka ʻuhane o ka mea kahiko Neapolitan comic opera - "Italian in Algiers". He opera waiwai kēia i nā leo mai Cimarosa, akā me he mea lā i hoʻolaʻa ʻia e ka ikaika ʻino o nā ʻano, i hōʻike ʻia ma ka crescendo hope loa, ʻo ka mea mua e Rossini, a laila e hoʻohana iā ia ma ke ʻano he aphrodisiac i ka wā e hana ai i nā kūlana paradoxical a i ʻole unrestrainedly hauʻoli.

ʻO ka noʻonoʻo ʻano honua o ka mea haku mele ʻike i ka leʻaleʻa i kahi puka no kona makemake i ka caricature a me kona hoihoi olakino, ʻaʻole ia e ʻae iā ia e hāʻule i loko o ka conservatism o ka classicism a i ʻole ka ʻoi loa o ka romanticism.

E hoʻokō ʻo ia i kahi hopena comic maikaʻi loa ma The Barber of Seville, a he ʻumi makahiki ma hope e hele mai ʻo ia i ka nani o The Comte Ory. Eia kekahi, ma ke ʻano koʻikoʻi, e neʻe ʻo Rossini me nā neʻe nui i kahi opera ʻoi aku ka maikaʻi a me ka hohonu: mai ka heterogeneous, akā ikaika a nostalgic "Lady of the Lake" i ka pōʻino "Semiramide", e hoʻopau ana i ka wā Italia. o ka haku mele, piha i ka dizzying vocalizations a me ka pohihihi phenomena i loko o ka Baroque ono, i ka "Siege o Korineto" me kona mau mele, i ka descriptiveness koʻikoʻi a me ka monumentality kapu o "Mose" a, hope, i "William Haʻi".

Inā he mea kupanaha ka loaʻa ʻana o Rossini i kēia mau hoʻokō ma ke kahua o ka opera i loko o iwakālua mau makahiki wale nō, ʻo ia hoʻi ke ʻano o ka hāmau ʻana ma hope o ia manawa hua a lōʻihi no nā makahiki he kanahā, i manaʻo ʻia ʻo ia kekahi o nā hihia hiki ʻole ke hoʻomaopopo ʻia ma ka mōʻaukala o ka moʻomeheu, - paha ma ka aneane demonstrative detachment, pono, nae, o keia pohihihi noonoo, a ma ka hoike o kona moʻokalaleo kaao, o ka papa, oi fictional ma mua o maoli, i haawiia mai i ka haku mele hiki ke hana i loko o kona maikai makahiki. He kakaikahi ka poe i ike ua hoopio nui ia oia e ka makemake neurotic no ka noho mehameha, me ka hoopau ana i ka lealea.

ʻAʻole naʻe i hoʻōki ʻo Rossini i ka haku mele ʻana, ʻoiai ua ʻoki ʻo ia i ka launa pū ʻana me ka lehulehu, e kamaʻilio nui ana iā ia iho i kahi hui liʻiliʻi o nā malihini, nā mea maʻamau i kāna mau ahiahi home. ʻO ka hoʻoulu ʻana o nā hana ʻuhane a me ke keʻena hou i puka mālie i ko mākou mau lā, e hoʻāla ana i ka hoihoi o nā connoisseurs wale nō: ua ʻike ʻia nā haku hana maoli. ʻO ka hapa maikaʻi loa o ka hoʻoilina o Rossini, ʻo ia nō ka opera, a ʻo ia ka luna kānāwai o ke kula Italia e hiki mai ana, e hana ana i kahi helu nui o nā hiʻohiʻona i hoʻohana ʻia e nā mea haku mele ma hope.

I mea e hōʻike maikaʻi ai i nā hiʻohiʻona hiʻohiʻona o ia kālena nui, ua hana ʻia kahi paʻi koʻikoʻi hou o kāna mau opera ma ke ʻano o ka Center for the Study of Rossini ma Pesaro.

G. Marchesi (unuhi e E. Greceanii)

Nā haku mele na Rossini:

kahawai – Demetrio and Polibio (Demetrio e Polibio, 1806, post. 1812, tr. "Balle", Roma), Palapala hoʻohiki no ka male (La cambiale di matrimonio, 1810, tr. "San Moise", Venice), Ka hihia 'ē (L'equivoco stravagante, 1811, "Teatro del Corso" , Bologna), Hauʻoli hoʻopunipuni (Lʻinganno felice, 1812, tr "San Moise", Venice), Cyrus ma Babulona ( Ciro in Babilonia, 1812, tr “Municipale”, Ferrara), Silk Stairs (La scala di seta, 1812, tr “San Moise”, Venice), Touchstone (La pietra del parugone, 1812, tr “La Scala”, Milan) , Hana ʻo Chance i ʻaihue, a i ʻole nā ​​pahu hui ʻia (L'occasione fa il ladro, ossia Il cambio della valigia, 1812, tr San Moise, Venice), Signor Bruschino, a i ʻole Accidental Son (Il signor Bruschino, ossia Il figlio per azzardo, 1813 , ibid.), Tancredi , 1813, tr Fenice, Venice), Italia ma Algeria (L'italiana in Algeri, 1813, tr San Benedetto, Venice), Aurelian ma Palmyra (Aureliano in Palmira, 1813, tr "La Scala", Milana), Tureke ma Italia (Il turco ma Italia, 1814, ibid.), Sigismondo (Sigismondo, 1814, tr “Fenice”, Venice), Elizabeth, Queen of England (Elisabetta, regina d'Inghilterra, 1815, tr “San Carlo", Naples), Torvaldo a me Dorliska (Torvaldo eDorliska, 1815, tr "Balle", Roma), Almaviva, a i ʻole Vain precaution (Almaviva, ossia L'inutile precauzione; ʻike ʻia ma lalo o ka inoa ʻo The Barber of Seville – Il barbiere di Siviglia, 1816, tr Argentina, Roma), Nupepa, a i ʻole Marriage by Competition (La gazzetta, ossia Il matrimonio per concorso, 1816, tr Fiorentini, Naples), Othello, a i ʻole ka Venetian Moor (Otello, ossia Il toro di Venezia, 1816, tr “Del Fondo”, Naples), Cinderella, a i ole ka Lanakila o ka Pono (Cenerentola, ossia La bonta in trionfo, 1817, tr “Balle”, Roma) , Magpie aihue (La gazza ladra, 1817, tr "La Scala", Milan), Armida (Armida, 1817, tr "San Carlo", Naples), Adelaide o Burgundy (Adelaide di Borgogna, 1817, t -r "Argentina", Roma) , Mose ma ʻAigupita (Mosè in Egitto, 1818, tr “San Carlo”, Napela; Palani. Ed. – Ma lalo o ka inoa ʻo Mose lāua ʻo Paraʻo, a i ʻole Crossing the Red Sea – Moïse et Pharaon, ou Le passage de la mer rouge, 1827, “King. Academy of Music and Dance, Paris), Adina, or Caliph of Bagdad (Adina, ossia Il califfo di Bagdad, 1818, post. 1826, tr "San Carlo", Lisbon), Ricciardo a me Zoraida (Ricciardo e Zoraide, 1818, tr "San Carlo", Naples), Hermione (Ermione, 1819, ibid), Eduardo a me Christina (Eduardo e Cristina, 1819, tr San Benedetto, Venice), Lede o ka Lake (La donna del lago, 1819, tr San Carlo, Naples), Bianca a me Faliero, a i ʻole ka ʻaha kūkā o ʻekolu (Bianca e Faliero, ossia II consiglio dei tre, 1819, La Scala kūʻai. mall, Milana), Mohammed II (Maometto II, 1820, San Carlo shopping mall, Naples; Palani. Ed. - ma lalo o ka inoa ʻO ka hoʻopuni ʻana iā Korineto - Le siège de Corinthe, 1826, "King. huikau (mai nā ʻāpana mai nā opera a Rossini) – ʻIvanahoe (Ivanhoe, 1826, tr “Odeon”, Paris), Kauoha (Le testament, 1827, ibid.), Cinderella (1830, tr “Covent Garden”, Lākana), Robert Bruce (1846). , King's Academy of Music and Dance, Paris), We're Going to Paris (Andremo a Parigi, 1848, Theatre Italien, Paris), Funny Accident (Un curioso accidente, 1859, ibid.); no ka poe hookani solo, himeni a me ka orkestra – Himeni no ke Kuokoa (Inno dell`Indipendenza, 1815, tr “Contavalli”, Bologna), cantatas – Aurora (1815, ed. 1955, Moscow), ʻO ka male ʻana o Thetis lāua ʻo Peleus (Le nozze di Teti e di Peleo, 1816, Del Fondo shopping mall, Naples), Hoʻohanohano ʻoiaʻiʻo (Il vero omaggio, 1822, Verona) , A ʻO ka hōʻailona hauʻoli (L'augurio felice, 1822, ibid), Bard (Il bardo, 1822), Holy Alliance (La Santa alleanza, 1822), Hoʻopiʻi a nā Muse e pili ana i ka make ʻana o Lord Byron (Il pianto delie Muse in morte di Lord Byron, 1824, Almack Hall, Lādana), Choir of the Municipal Guard of Bologna (Coro dedicato alla guardia civica di Bologna, instrumented by D. Liverani, 1848, Bologna), Himeni iā ​​Napoleon III a me kona poʻe koa (Hymne b Napoleon et he son vaillant peuple, 1867, Palace of Industry, Paris), National Anthem (The national himn, English national anthem, 1867, Birmingham); no ka hookani pila - nā symphonies (D-dur, 1808; Es-dur, 1809, i hoʻohana ʻia ma ke ʻano he hoʻolaha i ka farce He palapala hoʻohiki no ka male), Serenade (1829), Military March (Marcia militare, 1853); no na mea kani a me ka orkestra – Nā ʻano like ʻole no nā mea kani obligate F-dur (Variazioni a piu strumenti obligati, no clarinet, 2 violins, violin, cello, 1809), Variations C-dur (no clarinet, 1810); no ka bana keleawe – ka leʻaleʻa no nā pū kani 4 (1827), 3 marches (1837, Fontainebleau), Crown of Italy (La corona d'Italia, fanfare for military orchestra, offering to Victor Emmanuel II, 1868); lumi hoʻokani pila – duets no na pu (1805), 12 waltzes no 2 ohe (1827), 6 sonata no 2 skr., vlc. a me k-bass (1804), 5 kaula. quartets (1806-08), 6 quartets no ka ohe, clarinet, horn and bassoon (1808-09), Theme and Variations for flute, trumpet, horn and bassoon (1812); no ka piano – Waltz (1823), Congress of Verona (Il congresso di Verona, 4 lima, 1823), Neptune's Palace (La reggia di Nettuno, 4 lima, 1823), Soul of Purgatory (L'vme du Purgatoire, 1832); no ka poe mele a me ka himeni – cantata Complaint of Harmony e pili ana i ka make o Orpheus (Il pianto d'Armonia sulla morte di Orfeo, no ka manawa, 1808), Make o Dido (La morte di Didone, monologue stage, 1811, Spanish 1818, tr “San Benedetto” , Venice), cantata (no 3 soloists, 1819, tr "San Carlo", Naples), Partenope a me Higea (no 3 soloists, 1819, ibid.), Mahalo (La riconoscenza, no 4 soloists, 1821, ibid. like); no ka leo a me ka orkestra – ʻO Cantata ʻO ka ʻālana a ke kahu hipa (Omaggio pastorale, no nā leo 3, no ka wehe nui ʻana o ka ʻūhā o Antonio Canova, 1823, Treviso), Mele o nā Titans (Le chant des Titans, no 4 mau pahu i hui pū ʻia, 1859, Spanish 1861, Paris); no ka leo a me ka piano – Cantatas Elie and Irene (no 2 leo, 1814) a me Joan of Arc (1832), Musical Evenings (Soirees musicales, 8 ariettes and 4 duets, 1835); 3 wok quartet (1826-27); Nā Hana Soprano (Gorgheggi e solfeggi per soprano. Vocalizzi e solfeggi per rendere la voce agile ed apprendere a cantare secondo il gusto moderno, 1827); 14 wok albums. a instr. ʻāpana a me nā hui, i hui ʻia ma lalo o ka inoa. Nā hewa o ka wā kahiko (Péchés de vieillesse: Album o nā mele ʻItalia – Album per canto italiano, album French – Album francais, Nā ʻāpana i kāohi ʻia – mālama ʻia ʻo Morceaux, ʻEhā mea ʻai a me ʻehā mau mea ʻono – Quatre hors d'oeuvres et quatre mendiants, no fp., Album no fp., skr., vlch., harmonium and horn; he nui na mea e ae, 1855-68, Paris, aole i hoopukaia); mele uhane – Ke kula puka (no 3 leo kane, 1808), Mass (no na leo kane, 1808, Paniolo ma Ravenna), Laudamus (c. 1808), Qui tollis (c. 1808), Solemn Mass (Messa solenne, hui me P. Raimondi, 1819, Paniolo 1820, Ekalesia o San Fernando, Naples), Cantemus Domino (no 8 leo me ka piano a okana paha, 1832, Paniolo 1873), Ave Maria (no na leo 4, 1832, Paniolo 1873 ), Quoniam (no bass a me orkestra, 1832), Stabat mater (no 4 leo, himeni a me ka hoolele, 1831-32, 2nd ed. 1841-42, hooponopono ia 1842, Ventadour Hall, Paris), 3 poe himeni – Faith, Hope, Mercy (La foi, L' esperance, La charite, no ka papa himeni wahine a me ka piano, 1844), Tantum ergo (no 2 tenors a bass), 1847, Ekalesia o San Francesco dei Minori Conventuali, Bologna) , No Salutaris Hostia (no 4 leo 1857), Little Solemn Mass (Petite messe solennelle, no 4 leo, himeni, harmonium a me piano, 1863, Paniolo 1864, ma ka hale o Count Pilet-Ville, Paris), pela no (no ka poe solo, choir and orchestra., 1864, Spanish 1869, “Italien Keaka”, Paris), Requ iem Melody (Chant de Requiem, no contralto a me piano, 1864 XNUMX); mele no na hana keaka keaka – ʻO Oedipus ma Colon (i ka pōʻino o Sophocles, 14 helu no nā mea hoʻokani solo, choir and orchestra, 1815-16?).