Kapeta

ʻO ka lipine Farani, mai ka taper - e paʻi, paʻi, hoʻokani i nā mea kani, hoʻokani leo nui, hoʻokani i ka piano

1) Mea hookani pila, prim. pianist hoʻokani no ka uku ma ka hula. nā ahiahi a me nā kinipōpō, ma nā papa hula, nā haʻuki. hale keʻena, etc. E hana nā hiʻohiʻona. Hoʻoholo ʻia ko T. mau ʻano e ka mea i noi ʻia, ʻaʻole i ka noʻeau. ke ano o ke mele e hookaniia ana.

2) Ma ke ʻano kiʻi, he mea hoʻokani piano.

3) He mea hoʻokani piano kiʻi kiʻi e hele pū me nā kiʻiʻoniʻoni leo leo.

I ka hoʻomaka ʻana, ʻoi aku ka nui o ka pāʻani a T. i mea hōʻikeʻike (me ka hoʻoheheʻe ʻana i ka leo o kahi pahu kiʻiʻoniʻoni e hana ana), ma mua o ka ʻike o ke kiʻiʻoniʻoni. I ka ulu ʻana o ka cinematography, ua paʻakikī a hoʻololi ʻia nā hana o ke kīwī. Pono ka mea kiʻi kiʻi kiʻi e ʻike i ke akamai o ka improvisation, i hiki ke hoʻonohonoho i nā muses. mea ʻano stylistic. a me ka noʻonoʻo. hiʻona o ka cinematography. I loko o nā hale kiʻiʻoniʻoni nui, hoʻokani pinepine ʻo T., i hui pū ʻia me ka instr. hui a i ʻole me ka orkestra ma lalo o ka dir. luna kiʻiʻoniʻoni. I mea e aʻo ai i nā mea kiʻi kiʻi kiʻiʻoniʻoni (T.), ua hana ʻia nā mea kūikawā. nā papa, eg. Mokuʻāina. nā papa mele kiʻiʻoniʻoni no ka hoʻomaʻamaʻa ʻana i nā mea hoʻokani piano, nā mea kiʻi kiʻi kiʻiʻoniʻoni a me nā mea hoʻokani pila. nā mea hōʻuluʻulu (1927, Moscow); paʻi kūikawā. "Nā Kiʻiʻoniʻoni" - nā hōʻiliʻili o nā pāʻani liʻiliʻi kūpono no ka hōʻike ʻana i kekahi. nā ʻāpana kiʻiʻoniʻoni. Ma hope mai, ʻo kēia mau pāʻani, ʻo ka helu o nā mea a puni ka honua i hiki i kekahi. tausani, ua helu ʻia e like me nā ʻāpana a lākou i hōʻike ai. No ka hoʻohui like ʻana i ka hana a ka mea kiʻi kiʻi kiʻiʻoniʻoni (a me ka mea alakaʻi kiʻiʻoniʻoni), ua kūkulu ʻia kahi hale kiʻiʻoniʻoni a me nā mele. chronometer (rhythmon, 1926) – he mea hana e hoʻoneʻe ai ka helu a i ʻole ka puʻupuʻu i kekahi manawa (hiki ke hoʻololi ʻia). a i ʻole mele mele. laina mele e hoʻokani ʻia ana.

Me ka hoʻomohala ʻana o ka hoʻopaʻa leo leo, ka hiki ʻana mai o nā kiʻiʻoniʻoni kani (1928), a me ka hoʻolaha ʻana o nā mea hana leo (phonograph, gramophone, gramophone, etc.) i ke ola o kēlā me kēia lā, aneane nalowale ka ʻoihana o ke kīwī.

E hoʻomaopopo ': NS, Mele ma ka hale kiʻiʻoniʻoni, "Soviet screen", 1925, No. 12; Bugoslavsky S., Messman V., Mele a me ka hale kiʻiʻoniʻoni… Nā kumu a me nā ʻano o ke mele kiʻiʻoniʻoni. ʻIke i ka haku mele kiʻiʻoniʻoni, M., 1926; D. Shostakovich, O muzyke k "Babulonia Hou", "Pali Soviet", 1929, No. 11; ʻO nā papa mele kiʻi kiʻiʻoniʻoni mua o Moscow no ka hoʻomaʻamaʻa ʻana i nā mea hoʻokani piano, nā kiʻi kiʻi kiʻiʻoniʻoni a me nā mea hōʻuluʻulu orchestral, ma ka puke: Kinospravochnik, M.-L., 1929, p. 343-45; Erdmann H., Vecce D., Brav L., Allgemeines Handbuch der Film-Musik, B.-Lichterfelde — Lpz., 1927 (Lūkini trans. — Erdmann G., Becce D., Brav L., Nā mele kiʻiʻoniʻoni. mele, M., 1930); ʻO London K., Nā mele kiʻiʻoniʻoni, L., 1936 (ma ka Lūkini - London K., Nā mele kiʻiʻoniʻoni, M.-L., 1937, p. 23-54); Manvell R., ʻO ke kiʻiʻoniʻoni a me ka lehulehu, Harmondsworth, 1955 (Russian trans. – Manvell R., Cinema and Spectator, M., 1957, ch.: Music and film, pp. 45-48); Lissa Z., Estetyka muzyki filmowej, Kr., 1964 (Unuhi Lūkini - Lissa Z., Estetyka kinomuzyki, M., 1970, p. 33-35); Kracauer S., Theory of film, NY - Oxf., 1965 (ma ka unuhi Lūkini - Kracauer Z., Priroda filma, M., 1974, pp. 189-90).

MA Tevosyan