Vladimir Vladimirovich Viardo |

ʻO Vladimir Viardo

I kekahi mau mea hoʻohewa, a me ka poʻe hoʻolohe, ʻo ka ʻōpio ʻo Vladimir Viardot, me kāna hana hauʻoli, lyrical penetration, a hiki i kahi nui o ke kahua affectation, hoʻomanaʻo iā ia i ka Cliburn poina ʻole o nā manawa o ka hoʻokūkū mua Tchaikovsky. A me he mea lā e hōʻoiaʻiʻo ana i kēia mau hui, ua lilo ka haumāna o ka Moscow Conservatory (ua puka ʻo ia i ka makahiki 1974 ma ka papa o LN Naumov) i lanakila o ka International Van Cliburn Competition ma Fort Worth (USA, 1973). ʻO kēia lanakila ma mua o ke komo ʻana i kahi hoʻokūkū ʻē aʻe - ka hoʻokūkū i kapa ʻia ma hope o M. Long - J. Thibaut (1971). Ua ʻoluʻolu loa ka poʻe Parisians i nā hana a ka poʻe lanakila ʻekolu. "Ma ka papahana hoʻokahi," i ʻōlelo ai ʻo JV Flier, "ua hōʻike ʻia nā hiʻohiʻona ʻoi loa o kāna talena - ka hohonu hohonu, lyricism, subtlety, a me ka hoʻomaʻamaʻa ʻana i ka wehewehe ʻana, i lawe mai iā ia i ke aloha kūikawā mai ka lehulehu Farani."

ʻO ka mea loiloi o ka makasina "Musical Life" i hāʻawi iā Viardot i ka helu o nā mea pena i hāʻawi ʻia me ka hauʻoli hiki ke lanakila i ka poʻe hoʻolohe ma ke ʻano maʻalahi. ʻOiaʻiʻo, ʻo nā ʻaha mele piano, ma ke ʻano he lula, e hoʻāla i ka hoihoi nui o ka lehulehu.

He aha kāu e ʻōlelo ai e pili ana i ka repertoire a ka mea pena? ʻO nā mea hoʻohewa ʻē aʻe i huki i ka manaʻo i ka hoihoi o ka mea piano i ke mele, aia kahi papahana maoli a huna paha, e hoʻopili ana i kēia ʻoiaʻiʻo me nā ʻano o ka "manaʻo o ke alakaʻi" o ka mea hoʻokani. ʻAe, ʻo ka hoʻokō kānalua ʻole o ka mea hoʻokani piano, ʻo ia ka wehewehe ʻana, e ʻōlelo, ʻo Schumann's Carnival, Mussorgsky's Pictures at an Exhibition, Debussy's Preludes, a i ʻole nā ​​mea pāʻani a ka haku mele Farani ʻo O. Messiaen. I ka manawa like, hoʻonui ka repertory amplitude o ka concerto i nā ʻāpana āpau o ka palapala piano mai Bach a me Beethoven a Prokofiev a me Shostakovich. ʻO ia, ka mea mele, ʻoiaʻiʻo, kokoke i nā ʻaoʻao he nui o Chopin a me Liszt, Tchaikovsky a me Rachmaninoff; hana maʻalahi ʻo ia i ke kiʻi pena kani o Ravel a me ka hoʻomaha kiʻi o nā pāʻani a R. Shchedrin. I ka manawa like, ʻike maikaʻi ʻo Viardot i ka "nerve" o nā mele hou. Hiki ke hoʻoholo ʻia kēia ma nā hoʻokūkū ʻelua i loaʻa i ka pianist nā makana kūikawā no ka hoʻokō ʻana i nā hana a nā mea haku mele o ke kenekulia XNUMX - J. Grunenwald ma Paris a me A. Copland ma Fort Worth. I nā makahiki i hala iho nei, ua nānā nui ka mea piano i ke keʻena a me ka hana mele. Me nā hoa like ʻole ua hana ʻo ia i nā hana a Brahms, Frank, Shostakovich, Messiaen a me nā mea haku mele ʻē aʻe.

Hōʻike ʻia kēlā ʻano versatility o ka hale kūʻai mea hana i nā loina wehewehe o ka mea hoʻokani pila, ʻoiai, aia nō i ke kaʻina hana. ʻO kēia kūlana ke kumu ambiguous a i kekahi manawa kū'ē i nā hiʻohiʻona o ke ʻano kiʻi a Viardot. "ʻO kāna pāʻani," kākau ʻo G. Tsypin i ka "Soviet Music", "e piʻi aʻe ma luna o nā lā a me nā mea maʻamau, loaʻa iā ia ka mālamalama, a me ka scorching emotionality, a me ka hauʻoli aloha o ka leo ... Hoʻolohe pono ka mea hoʻokani Viardot iā ia iho - he makana kakaikahi a enviable! - he leo piano ʻoluʻolu a ʻokoʻa kāna i nā kala.

Nui ka mahalo, no laila, i ka hana hoʻomohala o ka mea hoʻokani piano, ʻo ka mea hoʻohewa i ka manawa like e hōʻino iā ia no kekahi superficiality, ka nele o ka intellectualism hohonu. ʻO LN Naumov, ka mea i kamaʻāina maikaʻi i ke ao o loko o kāna haumāna, ke kūʻē nei iā ia: "V. He mea hoʻokani pila ʻo Viardot ʻaʻole wale kona ʻano ponoʻī a me ka noʻonoʻo noʻonoʻo waiwai, akā he naʻauao hohonu nō hoʻi.

A ma ka loiloi ʻaha mele o 1986, e pili ana i ka papahana mai nā hana a Schubert a me Messiaen, hiki i kekahi ke kamaʻāina me kēlā ʻano manaʻo "dialectical": "Ma ke ʻano o ka mahana, kekahi ʻano nostalgic manaʻo, i ka palupalu o nā kala. ma ke ʻano o dolce, he kakaikahi ka poʻe i hiki ke hoʻokūkū i kēia lā me ka mea hoʻokani piano. Loaʻa ʻo V. Viardot i kekahi manawa i ka nani kakaʻikahi ma ke kani o ka piano. Eia naʻe, ʻo kēia ʻano waiwai nui, e hoʻopio ana i kekahi mea hoʻolohe, i ka manawa like, me he mea lā, e hoʻohuli iā ia mai nā ʻano ʻē aʻe o ke mele. Ma laila nō naʻe, ua hoʻohui ʻia ʻaʻole i ʻike ʻia kēia kūʻē i ka ʻahamele e nānā ʻia nei.

Ma keʻano he mea ola a me keʻano'ē aʻe,ʻo keʻano o Vladimir Viardot e hoʻoulu ai i nā hoʻopaʻapaʻa he nui. Akā, ʻo ka mea nui, ʻo ia, kēia kiʻi, ua lanakila i ka ʻike ʻia e ka poʻe hoʻolohe, e lawe mai i nā manaʻo ola a hoihoi i nā mea aloha mele.

Mai ka makahiki 1988, ua noho mau ʻo Viardot ma Dallas a me New York, e hāʻawi ikaika ana i nā ʻaha mele a me ke aʻo ʻana ma ke Kulanui o Texas a me ka Dallas International Academy of Music. Mālama ʻia kāna mau papa haku me ka lanakila nui ma nā kula hoʻonaʻauao hanohano. Ua hoʻokomo ʻia ʻo Vladimir Viardot i ka papa inoa o nā polopeka piano koʻikoʻi ma ʻAmelika Hui Pū ʻIa.

Ma 1997, hele mai ʻo Viardot i Moscow a hoʻomaka hou i ke aʻo ʻana ma ka Conservatory Moscow. Tchaikovsky ma ke ano he polopeka. I loko o nā kau 1999-2001 ua hāʻawi ʻo ia i nā ʻahamele ma Kelemānia, Palani, Pokukala, Rūsia, Palakila, Polani, Kanada a me ʻAmelika. Loaʻa iā ia kahi repertoire ʻaha mele, hoʻokani ʻo ia i nā concerto piano me ka orchestra a me nā polokalamu monographic solo, ua kono ʻia e hana ma ka jure o nā hoʻokūkū honua, alakaʻi.

Grigoriev L., Platek Ya., 1990