Lev Nikolaevich Vlasenko |

Lev Vlasenko

Aia nā kūlanakauhale me nā pono kūikawā ma mua o ka honua mele, e like me Odessa. ʻEhia mau inoa nani i hāʻawi ʻia i ke kahua ʻahamele i nā makahiki ma mua o ke kaua. ʻO Tbilisi, kahi i hānau ai ʻo Rudolf Kerer, Dmitry Bashkirov, Eliso Virsalazze, Liana Isakadze a me kekahi mau mea hoʻokani pila koʻikoʻi, he mea e haʻaheo ai. Ua hoʻomaka pū ʻo Lev Nikolaevich Vlasenko i kāna ala noʻeau ma ke kapikala ʻo Georgia - ke kūlanakauhale o nā kuʻuna loea lōʻihi a waiwai.

E like me ka mea maʻamau i nā mea hoʻokani mele e hiki mai ana, ʻo kāna kumu mua ʻo ia kona makuahine, nāna i aʻo iā ia iho ma ke keʻena piano o ka Conservatory Tbilisi. Ma hope o kekahi manawa, hele ʻo Vlasenko i ke kumu kaulana Georgian ʻo Anastasia Davidovna Virsaladze, nā haumāna puka, e aʻo ana i kāna papa, kahi kula mele he ʻumi makahiki, a laila ka makahiki mua o ka conservatory. A ma muli o ke ala o nā talena he nui, neʻe ʻo ia i Moscow. Mai ka makahiki 1948, aia ʻo ia i waena o nā haumāna o Yakov Vladimirovich Flier.

ʻAʻole maʻalahi kēia mau makahiki iā ia. He haumāna ʻo ia o ʻelua mau kula hoʻonaʻauao kiʻekiʻe i ka manawa hoʻokahi: ma kahi o ka conservatory, hoʻopaʻa ʻo Vlasenko (a hoʻopau maikaʻi i kāna mau haʻawina i ka manawa kūpono) ma ka Institute of Foreign Languages; Maikaʻi ka pianist i ka ʻōlelo Pelekania, Palani, Italia. A ua lawa nae ka ikaika a me ka ikaika o ke kanaka opio no na mea a pau. Ma ka conservatory, hoʻokani nui ʻo ia i nā pāʻina haumāna, kaulana kona inoa i nā pōʻai mele. Eia naʻe, ua manaʻo nui ʻia iā ia. ʻOiaʻiʻo, i ka makahiki 1956 ua lanakila ʻo Vlasenko i ka makana mua ma ka hoʻokūkū Liszt ma Budapest.

ʻElua makahiki ma hope mai, komo hou ʻo ia i ka hoʻokūkū o ka hoʻokani pila. I kēia manawa, ma kona home ma Moscow, i ka First International Tchaikovsky Competition, ua lanakila ka pianist i ka makana ʻelua, a koe wale nō ʻo Van Cliburn, ʻo ia ka mea i ka poʻokela o kāna talena nui.

'Ōleloʻo Vlasenko: "Ma hope koke iho o koʻu pukaʻana mai ka conservatory, ua kohoʻia au i nā kūlana o ka Soviet Army. No hoʻokahi makahiki ʻaʻole wau i hoʻopā i ka mea kani - ua noho wau me nā manaʻo like ʻole, nā hana, nā hopohopo. A, ʻoiaʻiʻo, nostalgic nani no ke mele. I koʻu hoʻoneʻe ʻia ʻana, hoʻomaka wau e hana me ka ikaika ʻekolu. ʻIke ʻia, i kaʻu hana ʻana, aia kekahi ʻano o ka manaʻo hou, ka ikaika noʻeau ʻole i hoʻohana ʻole ʻia, ka makewai no ka hana ʻana i ke kahua. He kōkua mau ia ma ke kahua: ua kōkua iaʻu i kēlā manawa.

Ua ʻōlelo ka mea piano ua nīnau ʻia ʻo ia i ka nīnau: ma hea o nā hoʻokolohua - ma Budapest a i Moscow paha - ua ʻoi aku ka paʻakikī o kona manawa? "ʻOiaʻiʻo, ma Moscow," i pane aku ai ʻo ia i kēlā mau hihia, "ʻO ka Tchaikovsky Competition, kahi aʻu i hana ai, ua mālama ʻia no ka manawa mua ma ko mākou ʻāina. I ka manawa mua loa - ʻo ia ka mea a pau. Ua hoʻāla ʻo ia i ka hoihoi nui - ua hōʻuluʻulu ʻo ia i nā mea hoʻokani kaulana loa, ʻo Soviet a me nā haole, i loko o ka jure, ua huki ʻia ka lehulehu ākea, ua komo i ke kikowaena o ka nānā ʻana o ka lekiō, televise, a me ka paʻi. He mea paʻakikī loa a he kuleana hoʻi ka pāʻani ʻana ma kēia hoʻokūkū - ʻo kēlā me kēia komo ʻana i ka piano he waiwai nui ia o ka haʻalulu makaʻu… "

ʻO nā lanakila ma nā hoʻokūkū mele kaulana - a ʻo ka "gula" i lanakila ʻia e Vlasenko ma Budapest, a me kāna "kālā" lanakila ma Moscow ua manaʻo ʻia he mau lanakila nui - wehe i nā puka i ke kahua nui nona. Lilo ʻo ia i mea hoʻokani ʻahamele ʻoihana. ʻO kāna mau hana ma ka home a ma nā ʻāina ʻē aʻe e hoʻokipa nui i ka poʻe hoʻolohe. ʻAʻole naʻe ʻo ia i hāʻawi ʻia i nā hōʻailona o ka nānā ʻana ma ke ʻano he mea hoʻokani pila, ka mea nona ka waiwai laureate regalia. ʻOkoʻa ka manaʻo iā ia mai kinohi mai.

Aia ma ke kahua, e like me ke ola, nā ʻano e hauʻoli i ke aloha āpau - pololei, hāmama, ʻoiaʻiʻo. ʻO Vlasenko he mea pena kiʻi ma waena o lākou. Manaʻoʻiʻo mau ʻoe iā ia: inā makemake nui ʻo ia i ka unuhi ʻana i kahi hana, makemake maoli ʻo ia, hauʻoli - hauʻoli loa; inā ʻaʻole, ʻaʻole hiki iā ia ke hūnā. ʻO ka mea i kapa ʻia ʻo ka hana hoʻokō, ʻaʻole kāna ʻāina. ʻAʻoleʻo ia e hana aʻaʻole hoʻopunipuni; ʻO kāna huaʻōlelo: "Ke ʻōlelo nei au i koʻu manaʻo, hōʻike wau i koʻu manaʻo." He mau hua'ōlelo maikaʻi kā Hemingway i hōʻike ai ʻo ia i kekahi o kāna mau koa: “He nani maoli nō ʻo ia i ke kanaka mai loko mai: ʻo kāna minoʻaka mai loko mai o ka puʻuwai a i ʻole ka mea i kapa ʻia ʻo ka ʻuhane o ke kanaka, a laila hele mai me ka ʻoliʻoli a me ke ākea. ʻili, ʻo ia hoʻi, hoʻomālamalama ʻia ka maka ” (Hemingway E. Beyond the river, in the shade of trees. – M., 1961. S. 47.). Ke hoʻolohe nei iā Vlasenko i kāna mau manawa maikaʻi loa, e hoʻomanaʻo ʻoe i kēia mau ʻōlelo.

A hoʻokahi mea e hoʻohauʻoli ai i ka lehulehu i ka wā e hui ai me kahi mea hoʻokani piano - kona kahua ʻoihana pili ʻana. He liʻiliʻi paha ka poʻe i pani iā ​​lākou iho ma ke kahua, haʻalele iā lākou iho mai ka hauʻoli? ʻO nā poʻe ʻē aʻe he anuanu, hoʻopaʻa ʻia e ke ʻano, ʻike kēia i kā lākou hana: ʻo lākou, e like me ka ʻōlelo maʻamau, ʻaʻole "sociable", mālama lākou i ka mea hoʻolohe me he mea lā ma kahi mamao. Me Vlasenko, ma muli o ka peculiarities o kāna talena (inā he artistic a he kanaka), he mea maʻalahi, me he mea lā iā ia iho, e hoʻokumu i ka pilina me ka lehulehu. ʻO ka poʻe e hoʻolohe ana iā ia no ka manawa mua e hōʻike i ke kahaha - ʻo ka manaʻo he lōʻihi a kaulana lākou iā ia ma ke ʻano he mea pena.

ʻO ka poʻe i ʻike pono i ke kumu a Vlasenko, ʻo Polofesa Yakov Vladimirovich Flier, ʻōlelo lākou he nui nā mea like ʻole - he ʻano pop pop, lokomaikaʻi o ka hoʻopuka ʻana i ka manaʻo, he ʻano pāʻani wiwo ʻole. ʻOiaʻiʻo. ʻAʻole ia he mea pōʻino, i ka hiki ʻana i Moscow, ua lilo ʻo Vlasenko i haumāna no Flier, a ʻo kekahi o nā haumāna pili loa; ma hope mai, ulu aʻela ko lāua pilina i hoa aloha. Eia naʻe, ua ʻike ʻia ka pilina o nā ʻano hana o nā mea hoʻokani mele ʻelua ma kā lāua papa mele.

Hoʻomanaʻo maikaʻi ka poʻe kahiko o nā keʻena ʻaha mele i ka nani o Flier i nā papahana a Liszt; Aia kekahi kumu i ka ʻoiaʻiʻo ua hana ʻo Vlasenko i kāna hana mua me nā hana a Liszt (hoʻokūkū ma 1956 ma Budapest).

"Aloha au i kēia mea kākau," wahi a Lev Nikolaevich, "ʻo kāna hana hoʻokiʻekiʻe kiʻi, nā hiʻohiʻona hanohano, ka toga nani o ke aloha, ke ʻano haʻiʻōlelo. Ma ka mele o Liszt ua maʻalahi wau e ʻike iaʻu iho ... Hoʻomanaʻo wau mai koʻu wā ʻōpio ua pāʻani wau me ka hauʻoli nui.

ʻAʻole wale ʻo Vlasenko hoʻomaka 'ana mai Liszt kou ala i ke kahua ʻaha mele nui. A i kēia lā, i nā makahiki he nui ma hope, aia nā hana a kēia haku mele i ke kikowaena o kāna mau papahana - mai nā etudes, rhapsodies, transcriptions, nā ʻāpana mai ka pōʻai ʻo "Years of Wanderings" i nā sonatas a me nā hana ʻē aʻe o ke ʻano nui. No laila, he hanana kaulana i ke ola philharmonic o Moscow i ka makahiki 1986/1987 ka hana a Vlasenko i nā concerto piano ʻelua, ʻo "Dance of Death" a me "Fantasy on Hungarian Themes" na Liszt; i ukali pu ia me ka orkestra i alakaiia e M. Pletnev. (Ua hoʻolaʻa ʻia kēia ahiahi no ka makahiki 175 o ka hānau ʻana o ka haku mele.) Nui maoli ka lanakila me ka lehulehu. A ʻaʻohe mea kupanaha. ʻO Bravura piano ʻālohilohi, ʻoliʻoli nui o ka leo, ke kahua leo "'ōlelo", fresco, ke ʻano pāʻani ikaika - ʻo kēia ka mea ʻoiaʻiʻo o Vlasenko. Eia ka mea hookani piano mai ka aoao maikai loa nona iho.

Aia kekahi mea kākau ʻē aʻe i pili kokoke iā Vlasenko, e like me ka mea kākau hoʻokahi i pili i kāna kumu, ʻo Rachmaninov. Ma nā leka o Vlasenko hiki iā ʻoe ke ʻike i nā concerto piano, preludes a me nā ʻāpana Rachmaninoff ʻē aʻe. I ka wā o ka piano "ma ka beat", maikaʻi loa ʻo ia i kēia repertoire: hoʻoheheʻe ʻo ia i ka lehulehu me ka nui o nā manaʻo, "hoʻoulu", e like me ka ʻōlelo a kekahi o nā mea hoʻohewa, me nā manaʻo koi a ikaika. Loaʻa iā Vlasenko a me ka mānoanoa, "cello" timbres e pāʻani nui i ka mele piano a Rachmaninov. Loaʻa iā ia nā lima kaumaha a palupalu: ʻoi aku ka pili o ka pena kani me ka "ʻaila" i kona ʻano ma mua o ke kani maloʻo "kiʻi"; - hiki i kekahi ke ʻōlelo, ma muli o ka hoʻohālikelike i hoʻomaka ʻia me ka pena, ʻoi aku ka maʻalahi o ka pulupulu ākea iā ia ma mua o kahi penikala ʻoi loa. Akā, ʻo ka mea nui ma Vlasenko, ʻoiai mākou e kamaʻilio e pili ana i kāna wehewehe ʻana i nā pāʻani a Rachmaninov, ʻo ia ʻo ia. hiki ke apo i ke ano mele holookoa. E apo me ke ano maoli, me ka hoonaukiuki ole ia paha e kekahi mau mea liilii; ʻO kēia ke ʻano, ma ke ala, hana ʻo Rachmaninov lāua ʻo Flier.

ʻO ka mea hope loa, aia ka mea haku mele, e like me ka Vlasenko, ua kokoke loa iā ia i nā makahiki. ʻO Beethoven kēia. ʻOiaʻiʻo, ʻo nā sonata a Beethoven, ʻo ia hoʻi ʻo Pathetique, Lunar, Second, Seventeenth, Appassionata, Bagatelles, variation cycles, Fantasia (Op. 77), i hoʻokumu i ke kumu o ka repertoire a Vlasenko o nā kanahiku a me kanawalu. ʻO kahi kikoʻī hoihoi: ʻaʻole e pili ana iā ia iho he loea i nā kamaʻilio lōʻihi e pili ana i ke mele - i ka poʻe i ʻike i ke ʻano a makemake i ka unuhi ʻana ma nā huaʻōlelo, ʻo Vlasenko, akā naʻe, ua kamaʻilio pinepine me nā moʻolelo e pili ana iā Beethoven ma Central Television.

"Me ka makahiki, ʻike wau i kēia haku mele i ʻoi aku ka maikaʻi iaʻu," wahi a ka mea hoʻokani piano. "No ka manawa lōʻihi, ua loaʻa iaʻu hoʻokahi moeʻuhane - e pāʻani i ka pōʻai o ʻelima o kāna mau concerto piano." Ua hoʻokō ʻo Lev Nikolaevich i kēia moe, a maikaʻi loa, i kekahi o nā kau hope loa.

ʻOiaʻiʻo, ʻo Vlasenko, ma ke ʻano he mea hoʻokani malihini ʻoihana, e huli i nā mele like ʻole. ʻO kāna mea hoʻokani pila e komo pū me Scarlatti, Mozart, Schubert, Brahms, Debussy, Tchaikovsky, Scriabin, Prokofiev, Shostakovich… Eia naʻe, ʻo kona kūleʻa i kēia repertoire, kahi mea i kokoke iā ia, a me kekahi mea ʻē aʻe, ʻaʻole like, ʻaʻole paʻa mau. ʻoiai. Eia naʻe, ʻaʻole pono kekahi e kāhāhā: ʻo Vlasenko kahi ʻano hana maʻamau, ʻo ke kumu o ia mea he virtuosity nui; pāʻani ʻo ia e like me ke kanaka - ikaika, maopopo a maʻalahi. Ma kahi e hōʻoiaʻiʻo ai, a piha loa, ma kahi ʻaʻole loa. ʻAʻole ia he kuhi inā ʻoe e nānā pono i nā papahana a Vlasenko, e ʻike ʻoe e hoʻokokoke ana ʻo ia iā Chopin me ka makaʻala ...

E kamaʻilio ana e pili ana i ka thо hana ʻia e ka mea pena, ʻaʻole hiki ke ʻike i ka mea kūleʻa loa i kāna mau papahana o nā makahiki i hala. Eia ʻo Liszt's B minor sonata a me Rachmaninov's etudes-paintings, Scriabin's Third Sonata and Ginastera's Sonata, Debussy's Images and his Island of Joy, Hummel's Rondo in E flat major and Albeniz's Cordova… Mai ka makahiki 1988, ua hele nā ​​leka a Vlasenko e ʻike i ka Sonata Second. BA Arapov, i aʻo hou ʻia e ia, a me Bagatelles, Op. 126 Beethoven, Preludes, Op. 11 a me 12 Scriabin (he mau hana hou kekahi). Ma ka wehewehe ʻana i kēia mau hana a me nā hana ʻē aʻe, ʻike maopopo ʻia nā hiʻohiʻona o ke ʻano hou o Vlasenko: ʻo ke oʻo a me ka hohonu o ka noʻonoʻo noʻonoʻo, i hui pū ʻia me kahi manaʻo mele ikaika ʻole i pau ʻole i ka manawa.

Mai 1952, ua aʻo ʻo Lev Nikolaevich. I ka wā mua, ma ke kula ʻo Moscow Choir, ma hope ma ke kula ʻo Gnessin. Mai ka makahiki 1957, aia ʻo ia ma waena o nā kumu o ka Conservatory Moscow; i loko o kāna papa, ua loaʻa iā N. Suk, K. Oganyan, B. Petrov, T. Bikis, N. Vlasenko a me nā mea hoʻokani piano ʻē aʻe i kahi tikiki no ke kahua ola. Ua aʻo ʻo M. Pletnev me Vlasenko no nā makahiki he nui - i kāna makahiki hope ma ka conservatory a ma ke ʻano he kumu aʻo kōkua. Malia paha ʻo ia nā ʻaoʻao ʻoi loa a hoihoi loa o ka biography pedagogical o Lev Nikolaevich ...

ʻO ke aʻo ʻana, ʻo ia ka pane mau ʻana i kekahi mau nīnau, ka hoʻoponopono ʻana i nā pilikia he nui a i manaʻo ʻole ʻia e ke ola, ka hana hoʻonaʻauao, a me ka ʻōpio haumāna. He aha, no ka laʻana, pono e noʻonoʻo i ke koho ʻana i kahi repertoire hoʻonaʻauao a me ka hoʻonaʻauao? Pehea ʻoe e kūkulu ai i nā pilina me nā haumāna? pehea e alakaʻi ai i kahi haʻawina i mea e like me ka hiki? Aka, aia no paha ka hopohopo nui loa no kekahi kumu o ka Conservatory e pili ana i na hana lehulehu a kana mau haumana. A ke ʻimi mau nei nā mea hoʻokani mele ʻōpio i pane mai nā polopeka: he aha ka mea e pono ai no ka holomua o ke kahua? hiki ke hoʻomākaukau, "hoʻolako" ia? I ka manawa like, ʻike ʻia nā ʻoiaʻiʻo - e like me ka ʻoiaʻiʻo, ʻōlelo lākou, pono e aʻo ʻia ka papahana, "hana" ʻenehana, a "pono ​​nā mea āpau a puka i waho" - he kakaikahi ka poʻe e māʻona. ʻIke ʻo Vlasenko ma ia mau hihia hiki ke ʻōlelo i kekahi mea pono maoli a pono wale nō ma muli o kona ʻike ponoʻī. Inā wale ʻoe e hoʻomaka mai ka ʻike a ʻike ʻia e ia. ʻOiaʻiʻo, ʻo ia ka mea e manaʻo ai ka poʻe āna e aʻo ai iā ia. "ʻO Art ka ʻike o ke ola pilikino, i haʻi ʻia i nā kiʻi, i nā manaʻo," kākau ʻo AN Tolstoy, " ʻike pilikino i ʻōlelo ʻia he ʻano laulā» (Tolstykh VI Art and Morality. – M., 1973. S. 265, 266.). ʻO ke aʻo ʻana, ʻoi aku ka nui. No laila, makemake ʻo Lev Nikolaevich i kāna hana hana ponoʻī - ma ka lumi papa, ma waena o nā haumāna, a ma nā kamaʻilio lehulehu a me nā nīnauele:

"Ke hana mau nei kekahi mau mea hiki ʻole ke ʻike ʻia ma ke kahua. No ka laʻana, hiki iaʻu ke hōʻea i ka hale ʻaha mele me ka hoʻomaha maikaʻi, mākaukau no ka hana, hilinaʻi iaʻu iho - a e hala ka clavierabend me ka ʻole o ka hoihoi. A me ka hope. Hiki iaʻu ke hele i ke kahua i loko o ke ʻano me he mea lā ʻaʻole hiki iaʻu ke unuhi i kahi leka hoʻokahi mai ka mea kani - a "hele" koke ka pāʻani. A e maʻalahi nā mea a pau, ʻoluʻolu ... He aha ka mea ma ʻaneʻi? ʻaʻole maopopo. A ʻaʻohe paha i ʻike.

ʻOiai aia kekahi mea e ʻike mua ai i mea e hoʻomaʻamaʻa ai i nā minuke mua o kou noho ʻana ma ke kahua - a ʻo lākou ka mea paʻakikī, hoʻomaha ʻole, hilinaʻi ʻole ... - Manaʻo wau hiki nō. ʻO ka mea nui, no ka laʻana, ʻo ke kūkulu pono ʻana o ka papahana, kona hoʻolālā. Ua ʻike kēlā me kēia mea hoʻokani i ke koʻikoʻi o kēia - a pili pono i ka pilikia o ka pop well-being. Ma ke kumu, makemake wau e hoʻomaka i kahi concerto me kahi ʻāpana aʻu i manaʻo ai me ka mālie a me ka hilinaʻi e like me ka hiki. I ka hoʻokani ʻana, hoʻāʻo wau e hoʻolohe pono i ke kani o ka piano; hoʻololi i ke kani o ka lumi. I ka pōkole, ho'āʻo wau e komo piha, hoʻokomo iaʻu iho i ke kaʻina hana, lilo i hoihoi i kaʻu hana. ʻO kēia ka mea nui loa - e hoihoi, e lawe ʻia, e noʻonoʻo pono i ka pāʻani. A laila hoʻomaka ka hauʻoli e emi mālie. A i ʻole e hoʻōki wale ʻoe i ka nānā ʻana. Mai ʻaneʻi he ʻanuʻu ia i ke kūlana hoʻomohala i koi ʻia.

Hoʻopili nui ʻo Vlasenko i nā mea āpau ma mua o ka haʻi ʻōlelo lehulehu. “Ke hoʻomanaʻo nei au i kekahi manawa aʻu i kamaʻilio ai ma kēia kumuhana me ka mea hoʻokani piano Hungarian maikaʻi ʻo Annie Fischer. He hana kūikawā kona i ka lā o ka ʻahamele. ʻAʻohe mea ʻai ʻo ia. Hoʻokahi hua moa i hoʻolapalapa ʻia me ka paʻakai ʻole, a ʻo ia nō. Kōkua kēia iā ia e ʻike i ke kūlana psycho-physiological e pono ai ma ke kahua - hopohopo me ka hauʻoli, hauʻoli hauʻoli, hoʻokiʻekiʻe iki paha. Hōʻike ʻia kēlā ʻano maʻalahi a me ka ʻoi o nā manaʻo, he mea pono loa ia no ka mea hoʻokani mele.

ʻO kēia mau mea a pau, ma ke ala, ua maʻalahi ka wehewehe. Inā piha ke kanaka, hāʻule i loko o kahi kūlana hoʻomaha mālie, ʻaʻole anei? ʻO ia iho, he mea ʻoluʻolu a "ʻoluʻolu", akā ʻaʻole kūpono loa ia no ka hana ʻana i mua o kahi anaina. No ka mea hoʻokahi wale nō i hoʻoheheʻe ʻia i loko, ʻo ia ka mea e haʻalulu ikaika ana kāna mau ʻuhane a pau, hiki ke hoʻāla i kahi pane mai ka poʻe hālāwai, hoʻokuʻu iā ia i ka empathy ...

No laila, i kekahi manawa, e like me kaʻu i ʻōlelo ai ma luna. Me he mea lā ua kūpono nā mea a pau i ka hana kūleʻa: maikaʻi ka manaʻo o ka mea pena, ʻoluʻolu ʻo ia i loko, kaulike, aneane hilinaʻi i kona hiki. A he kala ʻole ka ʻahamele. ʻAʻohe manaʻo o kēia manawa. A ʻo ka manaʻo o ka mea hoʻolohe, ʻoiaʻiʻo hoʻi ...

I ka pōkole, pono e debug, e noʻonoʻo i ka hana o kēlā me kēia lā i ka pō o ka hana - ma keʻano, kaʻai - pono.

Akā, ʻoiaʻiʻo, hoʻokahi ʻaoʻao wale nō kēia o ka mea. Ma waho aʻe. Ma ke kamaʻilio ʻana a me ka nui, ʻo ke ola holoʻokoʻa o kahi mea pena - pono - pono ia e mākaukau mau, i kēlā me kēia manawa, e pane me kona ʻuhane i ka sublime, spiritualized, poetically nani. Malia paha, ʻaʻohe pono e hōʻoiaʻiʻo ʻo ke kanaka hoihoi i ka hana kiʻi, makemake i ka palapala, poetry, pena kiʻi, hale kiʻiʻoniʻoni, ʻoi aku ka makemake i nā manaʻo kiʻekiʻe ma mua o ke kanaka maʻamau, ʻo kāna mau makemake āpau i kau ʻia ma ka honua. o nā mea maʻamau, mea, nā lā a pau.

Lohe pinepine ka poʻe ʻōpio ma mua o kā lākou hana ʻana: “Mai noʻonoʻo i ka lehulehu! Hoʻopilikia ia! E noʻonoʻo ma ke kahua wale nō e pili ana i kāu hana iā ʻoe iho… ". 'Ōleloʻo Vlasenko e pili ana i kēia: "He mea maʻalahi ke aʻo ...". ʻIke maikaʻi ʻo ia i ka paʻakikī, ambiguity, duality o kēia kūlana:

“Aia anei he anaina noʻu iho i ka wā o ka hana? ʻIke wau iā ia? ʻAe a ʻaʻole. Ma kekahi ʻaoʻao, ke hele piha ʻoe i ke kaʻina hana, me he mea lā ʻaʻole ʻoe e noʻonoʻo i ka lehulehu. Poina loa ʻoe i nā mea a pau koe wale nō kāu hana ma ka papa keyboard. A eia naʻe… Loaʻa i kēlā me kēia mea hoʻokani mele i ke ono o ka manaʻo - "kahi manaʻo o ka lehulehu", e ʻōlelo wau. A no laila, ʻo ka hopena o ka poʻe i loko o ke keʻena, ke ʻano o ka poʻe iā ʻoe a me kāu pāʻani, ke manaʻo mau nei ʻoe.

ʻIke ʻoe i ka mea nui iaʻu i ka wā ʻaha mele? A ʻo ka mea hōʻike loa? Hamau. No ka mea hiki ke hoʻonohonoho ʻia nā mea a pau - nā hoʻolaha, a me ka noho ʻana o ka hale, a me ka paʻi, nā pua, nā hoʻomaikaʻi, a me nā mea ʻē aʻe, nā mea āpau koe wale nō ka noho mālie. Inā maloʻo ke keʻena, paʻa ka hanu, ʻo ia hoʻi ke hana maoli nei kekahi mea ma ke kahua - he mea nui, hoihoi ...

I koʻu manaʻo i ka wā o ka pāʻani ua hopu au i ka manaʻo o ka poʻe hoʻolohe, hāʻawi ia iaʻu i ka ikaika nui. Hana ʻia ma ke ʻano o ka dope. ʻO ia mau manawa he hauʻoli nui no ka mea hoʻokani, ka hope loa o kāna mau moeʻuhane. Eia naʻe, e like me ka hauʻoli nui, hiki pinepine kēia.

Ua nīnau ʻia ʻo Lev Nikolayevich: ke manaʻoʻiʻo nei ʻo ia i ka hoʻoulu ʻana i ke kahua - ʻo ia, he mea pena kiʻi, nona ka hana i mua o ka lehulehu he hana i hana mau ʻia, ma ke ʻano nui, no nā makahiki he nui ... ʻo ka huaʻōlelo "hoʻoulu" pono'ī » i hoʻopaʻa ʻia, hoʻopaʻa ʻia, pau ʻole mai ka hoʻohana pinepine ʻana. Me nā mea a pau, manaʻoʻiʻo mai iaʻu, ua mākaukau kēlā me kēia mea pena e pule no ka hoʻoikaika ʻana. ʻO ka manaʻo ma ʻaneʻi kekahi ʻano ʻano: me he mea lā ʻo ʻoe ke kumu o ka mele e hoʻokani ʻia nei; me he mea la, nau iho no i hana na mea a pau. A ehia mau mea hou, i manaʻo ʻole ʻia, nā mea kūleʻa maoli i hānau ʻia i kēlā mau manawa ma ke kahua! A ʻoiaʻiʻo i nā mea āpau - i ke kala ʻana o ke kani, ka ʻōlelo, i nā nuances rhythmic, etc.

E ʻōlelo wau i kēia: hiki ke hāʻawi i kahi ʻaha mele maikaʻi a paʻa i ka ʻoihana me ka ʻole o ka hoʻoikaika ʻana. Aia kekahi helu o ia mau hihia. Akā inā hiki mai ka hoʻoikaika ʻana i ka mea pena, hiki i ka ʻahamele ke poina ʻole ... "

E like me kāu e ʻike ai, ʻaʻohe ala hilinaʻi e hoʻoulu ai i ka hoʻoikaika ma ke kahua. Akā, hiki ke hana i nā kūlana, i kēlā me kēia hihia, e ʻoluʻolu iā ia, e hoʻomākaukau i ka ʻāina kūpono, manaʻoʻiʻo ʻo Lev Nikolayevich.

"ʻO ka mea mua, he mea nui ka nuance psychological ma aneʻi. Pono ʻoe e ʻike a manaʻoʻiʻo: ʻo ka mea hiki iā ʻoe ke hana ma ke kahua, ʻaʻohe mea ʻē aʻe e hana. ʻAʻole pēlā ma nā wahi a pau, akā, i loko o kekahi repertoire wale nō, ma nā hana a hoʻokahi a ʻelua a ʻekolu paha mea kākau - ʻaʻohe mea nui, ʻaʻole ia ke kumu. ʻO ka mea nui, ke haʻi hou aku nei au, ʻo ka manaʻo ponoʻī: ʻo ke ʻano āu e pāʻani ai, ʻaʻole e pāʻani kekahi. ʻO ia, kēia manaʻo "'ē aʻe", hiki ke loaʻa i kahi ʻenehana ikaika, kahi repertoire ʻoi aku ka maikaʻi, ʻoi aku ka nui o ka ʻike - kekahi mea. Akā naʻe, ʻaʻole ʻo ia e hīmeni i ka huaʻōlelo e like me kāu e hana ai, ʻaʻole ʻo ia e ʻike i kahi leo leo hoihoi a maʻalahi ...

ʻO ka manaʻo aʻu e kamaʻilio nei i kēia manawa ua kamaʻāina i ka mea hoʻokani pila. Hoʻoulu, hāpai, kōkua i nā manawa paʻakikī ma ke kahua.

Manaʻo pinepine au i kaʻu kumu ʻo Yakov Vladimirovich Flier. Ua hoʻāʻo mau ʻo ia e hoʻohauʻoli i nā haumāna - hoʻoikaika lākou iā lākou iho. I nā manawa kānalua, i ka wā ʻaʻole maikaʻi nā mea a pau me mākou, ua hoʻokomo ʻo ia i ka ʻuhane maikaʻi, ka manaʻo manaʻo maikaʻi, a me ke ʻano noʻonoʻo maikaʻi. A ua lawe mai kēia iā mākou, nā haumāna o kāna papa, kahi pōmaikaʻi kānalua ʻole.

Manaʻo wau ʻaneʻane kēlā me kēia mea pena kiʻi e hoʻokani ana ma ke kahua ʻaha mele nui e ʻike i ka hohonu o kona ʻuhane e pāʻani iki ana ʻo ia ma mua o nā mea ʻē aʻe. A i ʻole, ma kekahi ʻano, hiki paha iā ia ke pāʻani ʻoi aku ka maikaʻi ... A ʻaʻohe pono e hoʻohewa i kekahi no kēia - aia ke kumu no kēia hoʻoponopono ponoʻī.

… I ka makahiki 1988, ua mālama ʻia kekahi ʻaha mele nui honua ma Santander (Spain). Ua ʻike nui ʻia ka manaʻo o ka lehulehu - ʻo I. Stern, M. Caballe, V. Ashkenazy, a me nā mea pena kiʻi kaulana ʻEulopa a me nā ʻāina ʻē aʻe. Ua mālama ʻia nā ʻaha mele a Lev Nikolaevich Vlasenko me ka kūleʻa maoli i loko o ke kahua o kēia ʻaha mele. Ua ʻōlelo mahalo ka poʻe hoʻohewa i kāna talena, akamai, a me kona hauʻoli hiki ke "hoʻopaʻa ʻia a pio ..." ʻO nā hana ma Sepania, e like me nā huakaʻi ʻē aʻe a Vlasenko i ka hapa lua o nā makahiki kanawalu, ua hōʻoia me ka maopopo ʻaʻole i pau ka hoihoi i kāna hana. Aia nō ʻo ia ma kahi kūlana kaulana i ke ola ʻahamele hou, Soviet a me nā haole. Akā ʻoi aku ka paʻakikī o ka mālama ʻana i kēia wahi ma mua o ka lanakila ʻana.

G. Tsypin, 1990