Grigory Romanovich Ginzburg |

ʻO Grigory Ginzburg

Ua hele mai ʻo Grigory Romanovich Ginzburg i ka hana hoʻokani Soviet i ka makahiki iwakālua. Ua hele mai ʻo ia i ka manawa i hāʻawi ikaika ai nā mea mele e like me KN Igumnov, AB Goldenweiser, GG Neuhaus, SE Feinberg i nā ʻahamele. Ua kū ʻo V. Sofronitsky, M. Yudina i ke kumu o ko lākou ala kiʻi. E hala ana kekahi mau makahiki hou aku - a o ka lono o ka lanakila ana o ka poe opiopio mele mai ka USSR ma Warsaw, Vienna a me Brussels e hoopau i ka honua; e kapa ʻia nā kānaka iā Lev Oborin, Emil Gilels, Yakov Flier, Yakov Zak a me ko lākou mau hoa. ʻO kahi kālena maikaʻi wale nō, kahi ʻano pilikino nani, ʻaʻole hiki ke nalo i ke kua i loko o kēia pūʻulu nani o nā inoa, ʻaʻole e nalowale i ka pono o ka lehulehu. ʻO ka poʻe hoʻokani i ʻike ʻole ʻia, ua hoʻi i loko o ka malu.

ʻAʻole i loaʻa kēia me Grigory Ginzburg. A hiki i nā lā hope loa, ua noho like ʻo ia ma waena o ka mea mua ma ka pianism Soviet.

I kekahi manawa, i ke kamaʻilio ʻana me kekahi o nā mea nīnauele, ua hoʻomanaʻo ʻo Ginzburg i kona wā kamaliʻi: "He maʻalahi loa kaʻu biography. ʻAʻohe kanaka o ko mākou ʻohana e hīmeni a hoʻokani i kekahi mea kani. ʻO ka ʻohana o koʻu mau mākua ka mea mua i loaʻa ka mea kani (piano.— Mr. C.) a hoʻomaka e hoʻolauna i nā keiki i ke ao mele. No laila, lilo mākou, ʻekolu mau kaikunāne, i mea hoʻokani pila. (Ginzburg G. Kūkākūkā me A. Vitsinsky. S. 70.).

Eia hou, ua ʻōlelo ʻo Grigory Romanovich ua ʻike mua ʻia kāna mau mele mele i kona piha ʻana i ʻeono makahiki. Ma ke kūlanakauhale o kona mau mākua, ʻo Nizhny Novgorod, ʻaʻole lawa nā loea mana i ka aʻoaʻo piano, a ua hōʻike ʻia ʻo ia i ke kaukaʻi kaulana ʻo Moscow Alexander Borisovich Goldenweiser. Ua hoʻoholo kēia i ka hopena o ke keikikāne: ua hoʻopau ʻo ia ma Moscow, ma ka hale o Goldenweiser, i ka wā mua ma ke ʻano he haumāna a me ka haumāna, ma hope - kokoke i kahi keiki hānai.

ʻAʻole maʻalahi ke aʻo ʻana me Goldenweiser i ka wā mua. “Ua hana pū ʻo Alexander Borisovich me aʻu me ke akahele a me ke koi nui loa… I kekahi manawa ua paʻakikī ia iaʻu. I kekahi lā, huhū ʻo ia a hoʻolei i kaʻu mau puke puke a pau i waho o ke alanui mai ka papahele ʻelima, a pono wau e holo i lalo ma hope o lākou. Aia i ke kauwela o 1917. Eia naʻe, ua hāʻawi nui kēia mau papa iaʻu, hoʻomanaʻo wau i ke koena o koʻu ola " (Ginzburg G. Kūkākūkā me A. Vitsinsky. S. 72.).

E hiki mai ana ka manawa, a e lilo ʻo Ginzburg i mea kaulana ma ke ʻano he hoʻokahi o nā pianist Soviet "technical" loa; e nānā hou ʻia kēia. I kēia manawa, pono e hoʻomaopopo ʻia ua hoʻokumu ʻo ia i ke kumu no ka hana ʻana mai ka wā kamaliʻi, a ʻo ke kuleana o ka mea kākau nui, nāna i mālama i ke kūkulu ʻana i kēia kumu, nāna i hāʻawi i ka granite inviolability a me ka paʻakikī. . “… Ua hāʻawi mai ʻo Alexander Borisovich iaʻu i ka hoʻomaʻamaʻa ʻenehana maikaʻi loa. Ua hoʻokō ʻo ia i ka lawe ʻana i kaʻu hana ma ka ʻenehana me kāna ʻano hoʻomanawanui a me kāna ʻano hana i ka palena hiki loa. ”… (Ginzburg G. Kūkākūkā me A. Vitsinsky. S. 72.).

ʻO kaʻoiaʻiʻo, ʻaʻole i kaupalena ʻia nā haʻawina a kahi loea i ʻike ʻia ma ke mele, e like me Goldenweiser, i ka hana ʻenehana, hana. Eia kekahi, ʻaʻole lākou i hoʻemi ʻia i hoʻokahi hoʻokani piano. He manawa no ka hoʻonaʻauao mele-theoretical, a - ua kamaʻilio ʻo Ginzburg e pili ana i kēia me ka leʻaleʻa - no ka heluhelu ʻike maʻamau (he nui nā hoʻonohonoho lima ʻehā o nā hana a Haydn, Mozart, Beethoven, a me nā mea kākau ʻē aʻe i hoʻokani hou ʻia ma kēia ʻano). Ua hahai pū ʻo Alexander Borisovich i ka hoʻomohala kiʻi nui o kāna holoholona: ua hoʻolauna ʻo ia iā ia i ka palapala a me ka hale kiʻiʻoniʻoni, hāpai i ka makemake i ka laulā o nā manaʻo i ke kiʻi. Ua kipa pinepine ʻia ka hale o ka Goldenweisers e nā malihini; i waena o lākou hiki ke ʻike iā Rachmaninov, Scriabin, Medtner, a me nā ʻelele ʻē aʻe he nui o ka poʻe akamai akamai o ia mau makahiki. ʻO ke aniau no ka mea hoʻokani pila he mea ola loa a he pōmaikaʻi; loaʻa iā ia nā kumu āpau e ʻōlelo ai i ka wā e hiki mai ana he "laki" maoli ʻo ia ma ke ʻano he kamaliʻi.

I ka makahiki 1917, ua komo 'o Ginzburg i ka Conservatory o Moscow, ua puka 'o ia i ka makahiki 1924 (ua ho'okomo 'ia ka inoa o ke kanaka 'ōpio ma ka papa hanohano o ka marble); i ka makahiki 1928 ua pau kāna mau kula puka. I hoʻokahi makahiki ma mua, ʻo kekahi o ke kikowaena, e ʻōlelo paha kekahi, ʻo nā hanana kiʻekiʻe i kona ola ʻana i hana ʻia - ka Chopin Competition ma Warsaw.

Ua komo ʻo Ginzburg i ka hoʻokūkū me kahi hui o kona mau hoa - LN Oborin, DD Shostakovich a me Yu. V. Bryushkov. Wahi a nā hopena o ka hoʻokūkū hoʻokūkū, ua loaʻa iā ia ka makana ʻehā (he hoʻokō koʻikoʻi e like me nā pae o ia mau makahiki a me kēlā hoʻokūkū); Ua lanakila 'o Oborin i kahi mua, ua loa'a iā Shostakovich a me Bryushkov nā diploma hanohano. He lanakila nui ka pāʻani a ka haumāna o Goldenweiser me nā Varsovians. ʻO Oborin, i kona hoʻi ʻana i Moscou, ua ʻōlelo ʻo ia ma ka nūpepa e pili ana i ka "lanakila" o kāna hoa, "e pili ana i ka paʻi mau ʻana" i hele pū me kāna mau hiʻohiʻona ma ke kahua. Ma hope o ka lilo ʻana i laureate, ua hana ʻo Ginzburg, e like me ka ʻūhā o ka hanohano, i kahi huakaʻi o nā kūlanakauhale o Polani - ka huakaʻi haole mua i kona ola. I kekahi manawa ma hope mai, ua kipa hou ʻo ia i ke kahua Polani hauʻoli nona.

No ka kamaʻilio ʻana o Ginzburg me ka lehulehu Soviet, ua lōʻihi ia ma mua o nā hanana i wehewehe ʻia. ʻOiai he haumāna ʻo ia, i ka makahiki 1922 ua pāʻani ʻo ia me Persimfans (Persimfans - The First Symphony Ensemble. He orkestra me ka mea alakaʻi ʻole, i hoʻokani mau a lanakila ma Moscow i ka makahiki 1922-1932) ʻO ka ʻaha mele a Liszt ma E-flat major. Hoʻokahi makahiki a ʻelua paha ma hope mai, hoʻomaka kāna hana huakaʻi, ʻaʻole ikaika loa i ka wā mua. (“I koʻu puka ʻana mai ka conservatory i ka makahiki 1924,” i hoʻomanaʻo ai ʻo Grigory Romanovich, "ʻaneʻane ʻaʻohe wahi e pāʻani ai koe wale nō ʻelua mau ʻahamele i ke kau ma ka Hale Liʻiliʻi. ʻAʻole lākou i kono nui ʻia i nā panalāʻau. . ʻAʻohe Philharmonic Society i kēia manawa …”)

ʻOiai ʻo nā hālāwai pinepine ʻole me ka lehulehu, ke ulu mālie nei ka inoa o Ginzburg. Ma muli o nā hōʻike ola o ka wā i hala – nā memo, nā paʻi nūpepa kahiko – ke kaulana nei ia ma mua o ka lanakila ʻana o ka mea piano ma Warsaw. Pīhoihoi nā mea hoʻolohe i kāna pāʻani - ikaika, pololei, hilinaʻi; i nā pane a nā loiloi e hiki ke hoʻomaopopo maʻalahi i ka mahalo no ka "mana, luku loa" virtuosity o ka mea pena kiʻi hoʻomaka, ʻo ia, me ka nānā ʻole ʻana i ka makahiki, "he kiʻi koʻikoʻi ma ke kahua ʻaha mele Moscow". I ka manawa like, ʻaʻole i hūnā ʻia kona mau hemahema: makemake nui i ka manawa wikiwiki, nā sonorities nui loa, ʻike ʻia, paʻi i ka hopena me ka manamana lima "kunshtuk".

Hoʻopaʻa ʻia ka hoʻohewa ʻana i ka mea ma ka ʻili, i hoʻoholo ʻia e nā hōʻailona o waho: ka wikiwiki, kani, ʻenehana, nā ʻenehana pāʻani. ʻO ka mea piano ponoʻī i ʻike i ka mea nui a me ka mea nui. Ma ka waena o ka iwakālua, ua ʻike koke ʻo ia ua komo ʻo ia i kahi wā pilikia - kahi hohonu, lōʻihi, kahi i komo ai i nā noʻonoʻo ʻawaʻawa a me nā ʻike nona. “… I ka pau ʻana o ka conservatory, ua hilinaʻi loa wau iaʻu iho, hilinaʻi i kaʻu mau mea hiki ʻole, a i hoʻokahi makahiki ma hope mai ua manaʻo koke wau ʻaʻole hiki iaʻu ke hana i kekahi mea - he manawa weliweli loa ia… pāʻani me nā maka o haʻi, a ua lilo ka narcissism weliweli i mea hōʻoluʻolu ʻole iā ia iho" (Ginzburg G. Kamailio me A. Vitsinsky. S. 76.).

Ma hope mai, ʻike ʻo ia i nā mea a pau. Ua maopopo iā ia ua hōʻailona ka pilikia i kahi pae hoʻololi, ua pau kona wā ʻōpio i ka hoʻokani piano, a ua loaʻa i ka haumāna ka manawa e komo i ka ʻāpana o nā haku. Ma hope mai, loaʻa iā ia nā manawa e hōʻoiaʻiʻo ai - ma ke ʻano o kāna mau hoa hana, a laila kāna mau haumāna - ʻaʻole e hele malū ka manawa o ka hoʻololi ʻana i ka hana no nā mea āpau. Ua aʻo ʻo ia ʻo ka "hoarseness" o ka leo kahua i kēia manawa ʻaneʻane hiki ʻole ke pale ʻia; ʻO nā manaʻo o ka ʻokoʻa o loko, ka ʻoluʻolu ʻole, ka hoʻopaʻapaʻa iā ʻoe iho he kūlohelohe maoli. A laila, i nā makahiki iwakālua, ua ʻike wale ʻo Ginzburg "he wā weliweli."

Me he mea lā he mea maʻalahi loa ia iā ia i ka wā lōʻihi: hoʻomaʻamaʻa ʻo ia i ka kikokikona o ka hana, aʻo i nā memo ma ka puʻuwai - a ʻo nā mea āpau i puka mai ma ia iho. ʻO ke mele kūlohelohe, pop "instinct", mālama mālama i ke kumu - ua wehe kēia i ka nui o nā pilikia a me nā pilikia. Ua paʻi kiʻi ʻia - i kēia manawa ua ʻike ʻia - no kahi haumāna hoʻohālike o ka conservatory, akā ʻaʻole no ka mea hoʻokani mele.

Ua lanakila ʻo ia i kona mau pilikia. Ua hiki mai ka manawa a me ka noʻonoʻo, ka hoʻomaopopo ʻana, ka noʻonoʻo noʻonoʻo, ka mea, e like me ia, ua nele ʻo ia i ka paepae o ka hana kūʻokoʻa, hoʻomaka e hoʻoholo i ka nui o ka hana o ka piano. ʻAʻole naʻe kākou e hele i mua.

Ua lōʻihi ka pilikia ma kahi o ʻelua makahiki - mau mahina lōʻihi o ka auwana, ʻimi, kanalua, noʻonoʻo ... Ma ka manawa wale nō o ka Chopin Competition, hiki iā Ginzburg ke ʻōlelo ua haʻalele ʻia nā manawa paʻakikī. Ua hele hou ʻo ia ma ke ala pololei, loaʻa ka paʻa a me ke kūpaʻa o ka pae, hoʻoholo nona iho - ia ia ia e paani a as.

He mea pono e hoʻomaopopo i ka mea mua ia ʻO ka pāʻani ʻana he mea koʻikoʻi loa iā ia. ʻAʻole ʻike ʻo Ginzburg (e pili ana iā ia iho, i kekahi hihia) repertoire "omnivorousness". ʻAʻole ʻae ʻo ia i nā manaʻo hoʻonaninani, manaʻoʻiʻo ʻo ia ka mea hoʻokani pila, e like me ka mea keaka keaka, pono e loaʻa i kāna kuleana ponoʻī - nā ʻano hana, nā ʻano, nā haku mele, a me nā pāʻani kokoke iā ia. I ka wā mua, makemake nui ka mea hoʻokani mele ʻōpio i ke aloha, ʻo ia hoʻi ʻo Liszt. ʻO ka nani, pompous, ʻaʻahu ʻia i nā ʻaʻahu pianistic nani ʻo Liszt - ka mea kākau o "Don Giovanni", "The Marriage of Figaro", "Dance of Death", "Campanella", "Spanish Rhapsody"; ʻO kēia mau haku mele ka waihona gula o nā papahana mua o ke kaua a Ginzburg. (E hele mai ka mea pena kiʻi i kekahi Liszt - he haku mele moeʻuhane, poet, haku o Forgotten Waltzes a me Grey Clouds, akā ma hope.) ʻO nā mea a pau i loko o nā hana i kapa ʻia ma luna nei ua kūlike me ke ʻano o ka hana a Ginzburg i ka wā post-conservatory. I ka pāʻani ʻana iā lākou, aia ʻo ia i loko o kahi mea maoli maoli: i kona nani a pau, ua hōʻike ʻia ʻo ia ma ʻaneʻi, ʻālohilohi a ʻālohilohi, kāna makana virtuoso kupaianaha. I kona wā ʻōpiopio, ua hana pinepine ʻia ka pāʻani pāʻani a Liszt e nā pāʻani e like me Chopin's A-flat major polonaise, Balakirev's Islamey, nā ʻano like ʻole Brahmsian kaulana i kahi kumuhana o Paganini - ke mele o kahi hōʻailona hōʻeuʻeu, kahi ʻano ʻulaʻula o nā kala, kahi ʻano pianistic "Empire".

I ka hala ʻana o ka manawa, ua hoʻololi ʻia nā mea hoʻopili repertoire o ka mea piano. Ua maʻalili ka manaʻo no kekahi mau mea kākau, ua ulu aʻe ka makemake no kekahi. Ua hele mai ke aloha i nā mele mele; E noho kūpaʻa ʻo Ginzburg iā ia a hiki i ka hopena o kona mau lā. Me ka hilinaʻi piha, ua ʻōlelo ʻo ia e pili ana iā Mozart lāua ʻo Beethoven o ka wā mua a me waena: "ʻO kēia ka ʻāpana maoli o ka hoʻohana ʻana i koʻu mau pūʻali, ʻo ia kaʻu mea hiki a ʻike nui loa" (Ginzburg G. Kūkākūkā me A. Vitsinsky. S. 78.).

Hiki iā Ginzburg ke ʻōlelo i nā ʻōlelo like e pili ana i nā mele Lūkini. Ua hoʻokani ʻo ia me ka ʻoluʻolu a pinepine - nā mea āpau mai Glinka no ka piano, nui mai Arensky, Scriabin a, ʻoiaʻiʻo, ʻo Tchaikovsky (ua manaʻo ka mea hoʻokani piano i kāna "Lullaby" i waena o kāna mau holomua unuhi nui a haʻaheo loa iā ia).

ʻAʻole maʻalahi nā ala o Ginzburg i ke kiʻi mele hou. He mea kupanaha i loko o nā makahiki he kanahā, kokoke i ʻelua mau makahiki ma hope o ka hoʻomaka ʻana o kāna hana ʻaha mele nui, ʻaʻohe laina o Prokofiev i waena o kāna mau hana ma ke kahua. Ma hope mai naʻe, ua ʻike ʻia nā mele a me nā piano piano a Prokofiev na Shostakovich ma kāna papa mele; Ua lilo nā mea kākau ʻelua i wahi i waena o kāna mea i aloha nui ʻia a mahalo ʻia. (ʻAʻole anei he hōʻailona: ma waena o nā hana hope loa i aʻo ʻia e ka mea hoʻokani piano i kona ola ʻana ʻo Shostakovich's Second Sonata; ʻo ka papahana o kekahi o kāna mau hana lehulehu hope loa he koho o nā preludes a ka haku mele hoʻokahi.) Hoʻokahi mea hoihoi. 'A'ole like me ka nui o na mea hookani piano o keia wa, aole i malama ole o Ginzburg i ke ano o ka unuhi piano. Hoʻokani mau ʻo ia i nā palapala kope – nā 'ē aʻe a me kāna; Ua hana ʻo Punyani, Rossini, Liszt, Grieg, Ruzhitsky i nā hoʻololi ʻana i ka ʻaha mele.

Ua hoʻololi ke ʻano a me ke ʻano o nā ʻāpana i hāʻawi ʻia e ka mea hoʻokani piano i ka lehulehu - ua hoʻololi ʻia kona ʻano, ke ʻano, ka helehelena makakū. No laila, no ka laʻana, ʻaʻole i haʻalele koke ʻia kahi meheu o kāna ʻōpio flaunting o technicalism, virtuoso rhetoric. Ma ka hoʻomaka ʻana o nā makahiki kanakolu, ua ʻike nui ʻia ka ʻōlelo hoʻohewa: "E ʻōlelo ana e like me ka virtuoso, ʻo ia (Ginzburg.—). Mr. C.) manaʻo me he mea hoʻokani pila” (Kogan G. Nā mea pili i ka piano. – M., 1968. P. 367.). Ke piʻi nei ka paʻani lima lima o ka mea pena kiʻi i ka maopopo a me ke kūʻokoʻa, ke lilo nei ka piano i mea makua, a ʻo ka mea nui, ke ʻano o kēlā me kēia. Hoʻohui mālie ʻia nā hiʻohiʻona ʻokoʻa o kēia piano ma ka pole, kūʻē kūʻē i ke kaomi o ka mana, nā ʻano hoʻonui hoʻohālikelike a pau, ka hoʻokani "Sturm und Drang". ʻO ka poʻe loea i nānā i ka mea pena i nā makahiki ma mua o ke kaua: "Nā manaʻo ʻole," nosy bravura ", sound orgies, pedal" ao a me nā ao "ʻaʻole ia he kumu. ʻAʻole i ka fortissimo, akā i ka pianissimo, ʻaʻole i ka haunaele o nā kala, akā i ka plasticity o ke kiʻi, ʻaʻole i ka brioso, akā i ka leggiero - ka ikaika nui o Ginzburg. (Kogan G. Nā mea pili i ka piano. – M., 1968. P. 368.).

ʻO ka crystallization o ke ʻano o ka mea hoʻokani piano e hoʻopau i nā kanahā a me kanalima. He nui ka poʻe e hoʻomanaʻo nei iā Ginzburg i kēlā mau manawa: he mea hoʻokani mele akamai a piha i ka manaʻo me ka loiloi a me nā hōʻike koʻikoʻi o kāna mau manaʻo, enchanted me kona ʻono nani, kahi maʻemaʻe kūikawā a me ka ʻike o kāna ʻano hana. (Ma mua, ua ʻōlelo ʻia kona hoihoi iā Mozart, ʻo Beethoven; ʻaʻole paha he pōʻino, no ka mea, ua hōʻike ʻia kekahi mau ʻano kikoʻī o kēia ʻano kiʻi. a me nā mea kikoʻī – ʻo ia paha ka hiʻohiʻona i ʻike nui ʻia o ke ʻano hana hana a ka mea hoʻokani piano. Eia ka mea e hoʻokaʻawale ai i kāna hana kiʻi, kāna haʻiʻōlelo hoʻokō mai nā ʻōlelo mele a Sofronitsky, ke aloha aloha o Neuhaus, nā mele palupalu a me ka ʻoiaʻiʻo o ka ʻōpio Oborin, ka piano monumentalism o Gilels, ka heluhelu ʻana o Flier.

I ka manawa ua ʻike maopopo ʻo ia i ka nele o ka "hoʻoikaika", e like me kāna i ʻōlelo ai, e hana ana i ka intuition, intuition. Ua hele mai ʻo ia i kāna mea e ʻimi nei. E hiki mai ana ka manawa e hōʻike ai ka "ratio" kiʻi nani o Ginzburg (ʻaʻohe huaʻōlelo ʻē aʻe) ma ka piko o kona leo. ʻO kēlā me kēia mea kākau āna i huli ai i kona mau makahiki makua - ʻo Bach a i ʻole Shostakovich, ʻo Mozart a i ʻole Liszt, ʻo Beethoven a i ʻole Chopin - i kāna pāʻani hiki ke manaʻo mau i ka primacy o kahi manaʻo wehewehe noʻonoʻo kikoʻī, ʻoki ʻia i ka noʻonoʻo. Random, manawaleʻa, ʻaʻole i hoʻokumu ʻia i kahi hana maopopo manao - ʻaʻohe wahi no kēia mau mea a pau ma ka wehewehe ʻana a Ginzburg. No laila - ka poetic pololei a me ka pololei o ka hope, ko lakou kiʻekiʻe artistic pololei, 'ano mea hoʻāʻo. "He mea paʻakikī ke haʻalele i ka manaʻo ʻo ka noʻonoʻo i kekahi manawa ma mua o ka manaʻo o ka naʻau ma ʻaneʻi, me he mea lā ka ʻike o ka piano, i hana mua i kahi kiʻi kiʻi, a laila hoʻāla i ka manaʻo mele kūpono" (Rabinovich D. Nā kiʻi o nā mea hoʻokani piano. – M., 1962. P. 125.), - Ua hōʻike ka poʻe hoʻohewa i ko lākou manaʻo i ka hoʻokani piano.

ʻO ka hoʻomaka noʻeau a me ka noʻonoʻo o Ginzburg e noʻonoʻo i nā loulou āpau o ke kaʻina hana. ʻO ia keʻano, no ka laʻana, he hapa nui o ka hana ma ke kiʻi mele i hana pololeiʻia e ia "ma kona manaʻo",ʻaʻole ma ka papa keyboard. (E like me kāu e ʻike ai, ua hoʻohana pinepine ʻia ka loina like ma nā papa o Busoni, Hoffmann, Gieseking a me kekahi mau haku ʻē aʻe i ʻike i ke ʻano i kapa ʻia ʻo "psychotechnical".) "… ʻO ia (Ginzburg.—). Mr. C.), noho ma ka noho lima ma kahi ʻoluʻolu a mālie a me ka pani ʻana i kona mau maka, "pāʻani" i kēlā me kēia hana mai ka hoʻomaka a i ka hopena me ka wikiwiki, e hoʻāla ana i kāna hōʻike me ka pololei loa i nā kikoʻī āpau o ka kikokikona, ke kani ʻana o kēlā me kēia. note a me ka lole mele holoʻokoʻa holoʻokoʻa. Hoʻololi mau ʻo ia i ka hoʻokani ʻana i ka mea kani me ka hōʻoia noʻonoʻo a me ka hoʻomaikaʻi ʻana i nā ʻāpana āna i aʻo ai. (Nikolaev AGR Ginzburg / / Nā nīnau no ka hana piano. – M., 1968. Puka 2. P. 179.). Ma hope o ia hana, e like me ka ʻōlelo a Ginzburg, ua hoʻomaka ka pāʻani unuhi i loko o kona noʻonoʻo me ka maopopo loa a me ka ʻokoʻa. Hiki iāʻoe ke hoʻohui: i ka manaʻo o ka mea pena wale nō, akā i ka lehulehu i hele i kāna mau'ahamele.

Mai ka hale kūʻai o ka noʻonoʻo pāʻani o Ginzburg - a me kahi kala kūikawā kūikawā o kāna hana: kaohi, koʻikoʻi, i kekahi manawa me he "muffled". ʻAʻole i pahū ke akamai o ka mea piano me nā ʻōlinolino o ke kuko; ua ʻōlelo ʻia, ʻo ia ka mea, ʻo kona "hiki ʻole." ʻAʻole maikaʻi loa (ʻaʻole i helu ʻia nā minuke maikaʻi loa, hiki i nā mea āpau ke loaʻa iā lākou) - me ka laconicism āpau, a me ka hūnā o nā hōʻike manaʻo, ua ʻano a hoihoi nā manaʻo o ka mea mele ma ko lākou ala ponoʻī.

"Me he mea lā iaʻu he haku mele huna ʻo Ginzburg, hilahila e wehe ākea i kona ʻuhane," wahi a kekahi o nā loiloi i ka mea hoʻokani piano. Nui ka ʻoiaʻiʻo ma kēia mau ʻōlelo. Ua ola nā mele mele mele a Ginzburg; mahalo nui ʻia lākou e nā philophonists a me nā mele mele. (Ua hoʻopaʻa ka mea hoʻokani piano i kā Chopin's impromptu, Scriabin's etudes, transcriptions of Schubert's songs, sonatas by Mozart and Grieg, Medtner and Prokofiev, plays by Weber, Schumann, Liszt, Tchaikovsky, Myaskovsky and more more.); mai keia mau discs - unreliable hoike, i nalo he nui i ko lakou manawa - hiki i kekahi ke koho i ka subtlety, aneane shyness o ka lyrical intonation. Manaʻo ʻia, ʻoiai me ka nele o ka sociability kūikawā a i ʻole "intimacy" i loko ona. Aia kekahi ʻōlelo ʻōlelo Farani: ʻaʻole pono ʻoe e haehae i kou umauma e hōʻike ai he puʻuwai kou. ʻO ka mea nui loa, ʻo Ginzburg ka mea pena kiʻi i noʻonoʻo like.

Ua ʻike lōkahi nā Contemporaries i ka papa piano piano kiʻekiʻe loa o Ginzburg, kāna hana hoʻokani akamai. (Ua kūkākūkā mua mākou i ka nui o kāna ʻaiʻē ma kēia ʻano ʻaʻole wale i ke ʻano a me ka hoʻoikaika ʻana, akā iā AB Goldenweiser pū kekahi). He kakaikahi o kona mau hoa hana i hiki ke hoike mai i na mea hiki i ka piano me ka piha piha loa e like me ia; kakaikahi ka poe i ike a hoomaopopo, e like me ia, i ka "uhane" o kana mea kani. Ua kapa ʻia ʻo ia "he haku mele o ke akamai pianistic", mahalo i ka "magic" o kāna ʻenehana. ʻOiaʻiʻo, ʻo ka maikaʻi, ka piha piha ʻole o ka mea a Ginzburg i hana ai ma ka piano piano, ua hoʻokaʻawale iā ia i waena o nā mea pāʻani mele kaulana loa. Inā ʻaʻole hiki i kekahi ke hoʻohālikelike me ia i ka hahai ʻana i nā mea hoʻonaninani ala, ka māmā a me ka nani o ka hoʻokō ʻana i nā chords a i ʻole nā ​​​​octaves, ka nani o ka poepoe o ka huaʻōlelo, ka ʻoi o nā mea nani a me nā kikoʻī o ke ʻano piano. ("ʻO kāna pāʻani," i kākau mahalo ai nā mea hou, "e hoʻomanaʻo ana i ka lace maikaʻi, kahi i ulana pono ai nā lima akamai a me ka naʻauao i nā kikoʻī āpau o kahi hiʻohiʻona nani - kēlā me kēia puʻupuʻu, kēlā me kēia loop.") akamai - kekahi o nā hiʻohiʻona maikaʻi loa i ke kiʻi o kahi mea hoʻokani pila.

I kekahi manawa, ʻaʻole, ʻaʻole, ʻae, a ua hōʻike ʻia ka manaʻo e hiki ke hoʻohālikelike ʻia ka maikaʻi o ka pāʻani ʻana o Ginzburg no ka hapa nui i waho i ka piano, i ke ʻano kani. ʻO kēia, ʻoiaʻiʻo, ʻaʻole me ka maʻalahi. Ua ʻike ʻia ʻaʻole like ke ʻano a me ka ʻike o ka hana mele; akā, ʻo ka hui ʻokoʻa, ʻaʻole hiki ke hoʻokaʻawale ʻia, ʻaʻohe kumu. Hoʻokomo kekahi i kekahi, pili pū me ia e nā pili i loko he nui ʻole. ʻO ia ke kumu i kākau ai ʻo GG Neuhaus i kona manawa ma ka piano hiki ke "paʻakikī ke huki i kahi laina pololei ma waena o ka hana ma ka ʻenehana a me ka hana ma ke mele ...", no ka mea "ʻo kēlā me kēia hoʻomaikaʻi ʻana i ka ʻenehana ʻo ia ka hoʻomaikaʻi ʻana i ke kiʻi ponoʻī, ʻo ia hoʻi. kōkua e ʻike i ka ʻike, "manaʻo huna..." (Neigauz G. Ma ke akamai o ka hookani piano. – M., 1958. P. 7. E hoomanao i kekahi mau mea pena kii, aole wale no na mea piano, e paio like.
 ʻaʻole hiki ke kaʻawale mai ke kiʻi ola (koʻu detente. – G. Ts.). A no ka mea, hānai ʻo ia i ka ʻuhane o ke akamai ponoʻī, hiki iā ia ke haʻi aku i kēia ʻuhane i ka honua "(i ʻōlelo ʻia mai ka puke: Conductor Performance. M., 1975. P. 176).).

Ua hana ke kumu o Ginzburg i nā mea hoihoi a pono i kona manawa. Ma waena o kāna mau haumāna ma ka Moscow Conservatory hiki i kekahi ke ʻike i nā kiʻi kaulana o ka moʻomeheu mele Soviet - S. Dorensky, G. Axelrod, A. Skavronsky, A. Nikolaev, I. Ilyin, I. Chernyshov, M. Pollak ... Mahalo nui lākou a pau. hoʻomanaʻo ma hope i ke kula a lākou i hele ai ma lalo o ke alakaʻi ʻana a kahi mea hoʻokani pila.

ʻO Ginzburg, e like me kā lākou, ua hoʻokomo i kāna mau haumāna i kahi moʻomeheu ʻoihana kiʻekiʻe. Ua aʻo ʻo ia i ka lokahi a me ke ʻano koʻikoʻi i noho aliʻi ma kāna ʻoihana ponoʻī.

Ma muli o AB Goldenweiser a me ka hahai ʻana i kāna hiʻohiʻona, ua kōkua ʻo ia ma nā ʻano āpau i ka hoʻomohala ʻana i nā makemake ākea a multilateral ma waena o nā haumāna ʻōpio. A ʻoiaʻiʻo, he haku nui ʻo ia i ke aʻo ʻana i ka hoʻokani piano: loaʻa iā ia kahi ʻike nui o ke kahua, ua loaʻa iā ia kahi makana hauʻoli e kaʻana like me nā poʻe ʻē aʻe. (E kūkākūkā ʻia ʻo Ginsburg ke kumu ma hope, ma kahi ʻatikala i hoʻolaʻa ʻia no kekahi o kāna mau haumāna maikaʻi loa, ʻo S. Dorensky.).

Ua hauʻoli ʻo Ginzburg i ka hanohano kiʻekiʻe ma waena o kāna mau hoa hana i kona wā e ola ana, ua haʻi ʻia kona inoa me ka mahalo e nā poʻe loea a me nā mea aloha mele akamai. Eia naʻe, ʻaʻole paha i ʻike ʻia ka mea hoʻokani piano i kona kuleana e helu ai. I kona make ʻana, lohe ʻia nā leo, ʻōlelo lākou, ʻaʻole i mahalo nui ʻia e kona mau hoa. Malia paha… Mai kahi mamao o ka mōʻaukala, ua ʻoi aku ka pololei o ka hoʻoholo ʻana o ka wahi a me ke kuleana o ka mea pena i ka wā ma mua: ma hope o nā mea a pau, ʻo ka mea nui "ʻaʻole hiki ke ʻike maka he alo", ʻike ʻia mai kahi mamao.

Ma mua koke o ka make ʻana o Grigory Ginzburg, ua kapa ʻia ʻo ia e kekahi o nā nūpepa haole "ke kumu nui o ka hanauna kahiko o nā pianists Soviet." I kekahi manawa, ʻaʻole i hāʻawi nui ʻia kēlā mau ʻōlelo. I kēia lā, he mau makahiki ma hope aku, ʻokoʻa nā mea.

G. Tsypin