ʻOloʻomaʻa

naturalisme Farani, mai ka lat. kūlohelohe - kūlohelohe, kūlohelohe

1) ka hōʻemi ʻana o ke kiʻi i ka hōʻike ʻana i ka ʻaoʻao o waho o ka ʻoiaʻiʻo me ke komo ʻole i loko o kona ʻano. Ma ka ballet, ua hōʻike ʻia ma ka ʻaoʻao o ka hana ma hope o ka ʻaoʻao o ka ʻaoʻao o nā hanana me ka ʻole o ke komo hohonu ʻana i nā kiʻi a me ke keaka. paio, a me ka predominance o waho credibility i ka choreographic. huaʻōlelo. N. ka hopena o ka hune o ka hula. ʻōlelo, ka hōʻole ʻana i nā hula i hoʻomohala ʻia (e like me, ensemble). nā ʻano, ka mana o ka pantomime ma luna o ka hula (ma ka laulā, nā kiʻi ma luna o ka hōʻike), ke kūkulu ʻana i kahi hana ma ke kumu o ka hoʻololi ʻana i ka pantomime a me ka divertissement (me ka nele o ka hulahula maikaʻi ʻole), ka makemake i kahi hoʻolālā i kēlā me kēia lā no ka hula. (Hula i kēlā me kēia lā ma ke ʻano o ka hana ma mua o ka hōʻike ʻana i ka hana ma ka hula), etc. N. tendencies were characteristic of individual owls. nā hana o nā makahiki 1930-50. ("Lost Illusions" na Asafiev, ballet na RV Zakharov, "The Tale of the Stone Flower" na Prokofiev, ballet na LM Lavrovsky, "Native Fields" na Chervinsky, ballet na AL Andreev).

2) Concrete-historical kuhikuhi ma ka palapala o ka hapaha hope. 19 - noi. 20 mau kenekulia, nāna i hoʻolaha i ke kumu o kāna hana. nā papahana i ke kumu o ka wehewehe palapala, i hoʻololi i ke ʻano pilikanaka o ke kanaka me kahi mea olaola. I ka ballet o ia manawa, ʻaʻole i hōʻike ʻia ʻo N., akā ʻo kāna mau hiʻohiʻona ma kēia ʻano he ʻano o ia mau hana. bourgeoisie decadent. choreography o ke kenekulia 20, kahi i hōʻike ʻia ai ke kanaka ma ke ʻano he mea kumu, kanu ʻia nā moʻomeheu biological. instincts etc.

Ballet. Encyclopedia, SE, 1981